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FynArts Booklet 2017

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Marianne Niemandt started sewing<br />

at the age of 5. Since then sewing in all its<br />

variations has been part of her life.<br />

Beginning with traditional quilting her work has<br />

recently become more contemporary and<br />

experimental.<br />

Mary-Ann Smith, a quilter for nearly 30<br />

years, found the courage to create her own quilts<br />

following an inspirational design class. She is a<br />

member of the KwaZulu Natal Quilters’ Guild.<br />

Monique Day-Wilde is multi-talented.<br />

She combines different painting and printmaking<br />

techniques, often stitching and layering botanical<br />

monotypes with different media. Her work is in<br />

private collections in different parts of the world.<br />

Shanida Arnoldi is a fabric lover, quilt<br />

fanatic, kids chauffeur, avid wife, green thumb,<br />

dark chocolate devotee, zealous coffee-holic and<br />

shower singer. Her uncanny tenacious love for<br />

modern quilts has often been her therapy,<br />

medicine, best friend and saving grace.<br />

Sheila McKenzie was inspired by her<br />

mother and sister who also made quilts. Having<br />

joined a creative group which branched away from<br />

the traditional to more fibre art, she enjoys<br />

experimenting with new techniques.<br />

Sheila Walwyn counts colour and<br />

nature as her most important stimuli. Her creative<br />

process usually starts from a photograph she has<br />

taken, to a paper collage and then into fabric.<br />

She is a judge for the South African Quilters Guild.<br />

Exhibitions - Art of Thread<br />

Patricia A’Bear. Whilst learning<br />

traditional quilting she became interested in the<br />

techniques used by art quilters.<br />

Ever experimenting, this line of art has become<br />

her passion. Her work has been exhibited<br />

overseas.<br />

Susan Wessels creates mainly abstract<br />

work, evident in titles such as Integration,<br />

Change, Growth and Courage. She finds that<br />

the process of improvisational piecing creates<br />

a tension between freely expressing herself and<br />

the need to plan the construction of a work.<br />

Penny Cornell studied art,<br />

embroidery and design in London and holds<br />

a City and Guilds Diploma. Her work incorporates<br />

hand and machine embroidery and is often highly<br />

textured and three dimensional.<br />

Tilly De Harde is creatively driven by<br />

an interest in materials and techniques. Using<br />

her knowledge, almost any fibre can be utilised to<br />

achieve the desired results. A Master Quilter and<br />

accredited South African Quilters Guild teacher.<br />

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