Paetzold by Kunath english Catalog 2017

The Bass Recorder 

Catalogue 2017

Contents 

1. Tradition is the preservation of the fire. . . 

2. Sizes 

3. The underestimated material: plywood 

4. The special material: solid wood 

5. Surface finishing 

6. Thumb keys and co. 

7. Keywork 

8. Basset 

9. Greatbass 

10. Contrabass 

11. Subgreatbass 

12. Subcontrabass 

13. Bags 

14. Cases 

15. Heads for direct blowing 

16. Folding stands, thumb screws 

17. Cross-stands 

18. Head-cross-stands 

19. Twinstand 

20. Stands for subcontrabass 

21. Carrying straps, floorspikes 

22. Mouthpieces 

23. Bocals 

24. Drip cups 

25. Sealing gaskets 

26. Service 

27. We love…

Tradition is the Preservation of the Fire. . . 

In the 1970´s began the story of the successful square recorders by 

Joachim Paetzold. 

Herbert Paetzold takes on the idea, and for many decades would the 

square bass recorders be in close connection with his discovery and 

his creativity. 

The worldwide expansion of the instrument received a special starting 

impulse through the spontaneous decision of Frans Brüggen to 

use basses in the Ensemble Sour Cream. 

Many renowned players and ensembles such as Tom Beets, Blockflötenorchester 

Dortmund, Johannes Fischer, Susanne Fröhlich, Sarah 

Jeffery, Miako Klein, Flautando Köln, PLENUM, Tobias Reisige, Eva Reiter, 

Nadja Schubert, Spark, QNG, Paul Leenhouts, Dietrich Schnabel, 

Antonio Politano and countless others choose the quality of these 

unique bass recorders since decades to use in concert and studio 

recording settings. 

Paetzold (by Kunath) bass recorders hold a life-long value. Sometimes 

they will even become a bit more valuable over time. So that it 

will stay this way in the future, we emphasize that all new developed 

parts are compatible with existing basses. 

This way, you can repeatedly enhance your older bass recorder as 

desired with new accessories, or have a general overhaul to bring it 

up-to-date. 

Proof that all people who work daily on perfecting the bass recorders, 

understand and live tradition in the sense of ‚ „Preservation of 

the fire and not worshipping the ashes.‘‘ 

1

Paetzold by Kunath specialized in production and further development of 

bass recorders. We produce five different sizes. 

The sizes 

Basset also referred to as bass in F Range F3- G5 

Greatbass also referred to as bass in C Range C3- D5 

Contrabass (recorder) also known as sub-bass 

Subgreatbass 

Subcontrabass 

Range F2- G4 

Range C2- D4 

Range F1- G3 

Notation 

Basset written in bass clef sounds one octave higher than written 

Greatbass written in bass clef sounds one octave higher than written 

Contrabass (recorder) written in bass clef sounds as written 

Subgreatbass written in bass clef sounds as written 

Subcontrabass written in bass clef sounds one octave lower than written 

2

The underestimated material: Plywood 

In musical instrument making, woodwind instrument making has probably the 

highest requirements on the materials used. 

Wood expands in contact with humidity. Some types of woods more so than 

others, some less. There is not a naturally grown type of wood that can go 

against the laws of nature, even when an instrument maker uses elaborate 

technology for impregnation. 

Over 100 years ago, a simple and effective method was invented from a German 

business man, Heinrich H. Basse, which reduces nearly completely the dimensional 

variation of the wood. 

He glued together many thin 

layers of wood under heat 

and pressure at a 90° angle. 

This way he neutralized the 

varying swelling and shrinking 

of the wood, making the 

wood free of warping and 

cracking. Plywood was born. 

For our instruments, we use 

carefully selected birch plywood, 

which is specially cut 

and glued. 

Along with the lacquering, 

we get instruments that set 

standards in terms of reliability 

and sound. 

Quality only goes in one 

direction. 

3

The Special Material: Solid Wood 

Despite the many advantages plywood instruments offer, some do not like 

this material. 

For those who do not want to miss the musical and exceptional ergonomic 

benefits of the Paetzold by Kunath basses, we offer all instruments, except 

the subcontrabass, in solid cherrywood. 

Cherrywood has the advantage that the instruments with the density of 

0.63g/cm³, do not become unbearably heavy. The surface of the cherrywood 

gives the instrument a warmer and more sophisticated tone quality. 

The used cherrywood is 

purchased from specialized 

wood dealers that 

we have been cooperating 

with for decades. 

Of course we leave it up 

to you, which material we 

should build your bass 

with. 

No matter how you 

decide, we guarantee you 

unforgettable moments 

when you first experience 

the sight and sound of 

your instrument. 

4

Surface Finishing 

We offer different finishings for your instrument. 

You can choose from a wide selection of natural-looking wood surfaces up to 

extravagant airbrushed designs, we can personalize your instrument according 

to your wishes. The types of surfaces are shown at the end of the product 

number. 

If you have a custom request, feel free to contact us! 

Product number 

Material/finishing 

ending in 

2 Solid cherrywood, satin-gloss 

9 Birch plywood, satin-gloss 

-AK 

Airbrushed cherrywood finish, satin-gloss 

-AP 

Airbrushed rosewood finish, satin-gloss 

-AO 

Airbrushed olivewood finish, satin-gloss 

-ABW 

„Blue Wave“ airbrushed finish, satin-gloss 

-AS 

Black lacquered, satin-gloss 

-EBN „Black Nugget“, satin-gloss 

-EBT 

„Blue Thunder“, satin-gloss 

-EMR 

„Moulin Rouge“, satin-gloss 

-EPB 

„Panda Bear“, satin-gloss 

If requested, other colors are possible 

-AK -AP -AO -ABW 

Your 

request 

-EMR -EBT -EBN -EPB 

-??? 

5

Thumb-Keys and Co. 

What makes a bass to a Paetzold by Kunath? 

In the last decades, new ideas have always been incorporated into the basic 

design of the square basses, and are constantly improved. 

Details that make music again and again a little more pleasant. 

180° turn 

Through a patented right (180° 

bend), the bocal can be 9x shorter 

as on comparable basses, 

making the instrument respond 

a lot quicker and more direct. 

Automatic Thumb-Keys 

You will be pleasantly surprised by 

how comfortable and easy these 

bass thumb-keys are to use. Why 

should you renounce this comfort? 

6

Self-Regulating Key Pads 

Through the special positioning of 

the pads, the keys can cover well for 

a particularly longer time. 

You will find out that a Paetzold 

by Kunath is an extremely reliable 

companion. 

The ErgoKey-Key Mechanism 

Have you ever had the pleasure to 

hold a Paetzold by Kunath in your 

hands? 

Have you also wondered why 

such a large instrument allows to 

be played comfortably by smaller 

hands? No? True convenience 

means, there is no feeling that 

something is missing. 

7

Basset Recorder 

The basset is so compact through 

our patented design, that it is 

sometimes mistaken for a tenor 

recorder. When played, it quickly 

convinces through its surprisingly 

full and expressively warm sound 

that is beyond reproach. Here is 

a bass. Often this moment is the 

basis for a long-lasting love at first 

sound. 

Although it has an inner bore of 

33.5 inches, only a quarter of the 

length of our largest instrument, it 

has all the advantages of Kunath 

bass recorders: the 180° bend, automatic 

thumb key, self-regulating 

key pads, and the ErgoKey-key 

mechanism. 

Especially in music school and ensemble 

settings, the basset makes 

it possible to be played by smaller 

hands, making the learning curb 

less complicated. 

Accessories for the basset recorder 

can be found starting on page 18. 

8

Product no. 



449-AS Black lacquered, satin-gloss 

449-AK Airbrushed cherrywood finish, satin-gloss 

449-AP Airbrushed rosewood finish, satin-gloss 

449-AO Airbrushed olivewood finish, satin-gloss 

449-ABW Airbrushed „Blue Wave“, satin-gloss 

449-EBN „Black Nugget“, black lacquered, satin-gloss 

449-EBT „Blue Thunder“, blue finish, satin-gloss 

449-EMR „Moulin Rouge“, ruby red finish, satin-gloss 

449-EPB „Panda Bear“, black-white, satin-gloss 


9

Greatbass Recorder 

An instrument that impresses 

with its manageability and sound 

diversity. 

The instrument can be played easily 

both sitting and standing with 

the floor spike included. 

The floor spike can be quickly 

adjusted to a different size for another 

player even during a concert. 

The inner bore has a length of 46.5 

inches. The 180° bend shortens the 

instrument to a handy 43.3 inches 

in height. 

Of course, the greatbass uses the 

useful-proven Paetzold by Kunath 

features: 180° bend, automatic 

thumb keys, self-regulating pads 

and the ErgoKey-key mechanism. 

Whether classical, jazz, or contemporary 

music - the Paetzold by 

Kunath greatbass is at home in all 

styles. 

The pictured “Black Nugget” is 

decorated with gold leaf. 

The stand is not included, but can 

be ordered as an accessory (see 

page 18ff). 

10

Product no. 













11

Contrabass Recorder 

This model laid the foundation 

for the worldwide success of the 

square basses. 

For Paetzold by Kunath, it does not 

matter whether it is called a contrabass 

or a subbass. 

But one thing matters. It wants 

to be produced with the greatest 

possible precision. We grant this 

wish. Confidently it plays out its 

strength, either as a solo instrument 

or in an ensemble. 

The model has been optimized 

again and again over the years to 

set no limits to the rising demands 

of professional players. 

Many of the style-defining crafted 

features such as the 180° bend, the 

automatic thumb keys, the self-regulating 

key-pads and the ErgoKey 

key-mechanism have been developed 

on the contrabass. 

The instrument has a compact 

overall height of about 60 inches, 

but the length of the inner bore is 

almost 69 inches. The stand shown 

can be ordered separately as an 

accessory (see page 18 ff). 

12

Product no. 

Material/finish 












13

Subgreatbass 

Some instruments are surrounded 

by a very special aura. Barely describable, 

but immediately noticeable. 

Sounding at an impressive length 

of a 90.5 inches long inner bore, the 

recorder is redefined. 

The bocal, just under 7 inches long, 

gives you full control over the little 

airflow that you need to play clearly 

with great ease a wide range from 

light to heavy articulation. 

With the 180° bend, the nearly 

77 inches in height instrument is 

remarkably handy. On concert tours 

your sensational companion is even 

allowed as carry-on luggage on the 

airplane in the bag (optional). 

And the fingering? 

The ErgoKey key-mechanism 

expresses how good an ergonomic 

design at a high level can be worth 

commemorating. 

Accessories for the Subgreatbass 

recorder can be found starting on 

page 18ff. 

14

Product no. 







15

Subcontrabass 

A subcontrabass opens endless 

possibilities. 

Although size at first glance is 

not the only factor of quality, this 

instrument immediately gives 

the feeling, from when you play 

the first tones, that the mission of 

this bass recorder is to make your 

dreams come true. 

With the subcontrabass, a new era 

in ensemble-playing has begun. 

Soothing depth: sophistication and 

confidence. 

This sound carries over the magical 

barrier between 100% and total 

perfection. 

From this moment on recorder 

orchestras without the incomparable 

presence of subcontrabasses 

are indeed imaginable, but not 

desirable. 

The largest recorder of the world 

sounds from an impressive length 

of 141.75 inches (11‘9 ¾‘‘). With the 

double180° bend, the total height 

is reduced to a living room height 

of 96.5 inches, or 8‘ 9 ½‘‘. 

Range of 2 octaves (no low F#). 

Accessories can be found starting 

on page 18ff. 

16

Product no. 






Please consider our loan deals for bass recorders. 

Please ask about current offers. 

The images show a version of the new directly blown model. 

17

easyBags – The Light Bags 

easyBags are the light protector 

for your instruments. 

Protection on the outside through 

stable durable Cordura nylon. Inside 

protection of the instrument 

through a soft padding to prevent 

shocks. 

With the strap supplied, the bag 

can be used as a backpack. 

With the easyBag comes an organizer 

bag, so that your bass accessories 

have a permanent place. 

Product no. 

44T 

45T 

46T 

47T 

49T 

Description 

easyBag for basset 

easyBag for greatbass 

easyBag for contrabass 

easyBag for subgreatbass 

Bass accessory pouch (tuning shims, 

mouthpiece, bocal, drip cup, drain plug) 

18

safeBags – The Luxury Bags 

You would like to combine the advantages 

of a bag with the safety of a hard 

case? 

Then you should have a closer look at 

the safeBags. 

safeBags are practical, safe and surround 

your instrument with a subtle 

touch of luxury. 

There are extra pockets for the bass accessories. 

Through the shoulder straps 

the safeBags can be used as a backpack. 

These can be invisibly hidden in 

a special compartment if not needed. 

So your instruments always travel first 

class. 

Product no. 

44TS 

45TS 

46TS 

47TS 

Description 

safeBag for basset 

safeBag for greatbass 

safeBag for contrabass 

safeBag for subgreatbass 

19

Hard Cases 

The cases handcrafted in Germany 

have one main goal: to protect 

your instrument. 

The interior offers well-padded 

individual compartments for the 

instrument and the accessories. 

This way the instrument is securely 

protected from shocks, even in 

harsh everyday transport. 

To avoid transport problems, if 

you want to equip your bass with 

an additional directly blown head 

joint, an additional compartment 

for the head joint is already 

present in the suitcases 44K2 and 

45K2. 

20 

Product no. 

44K2 

45K2 

46K 

47K 

48K 

Description 

Hard case for basset 

Hard case for greatbass 

Hard case for contrabass 

Hard case for subgreatbass 

Hard case for subcontrabass

Directly Blown Head Joints 

Paetzold (by Kunath) basses have 

written over 40 years of music history. 

Countless composers have written 

special expression pieces directly on 

the acoustic body of these instruments. 

To further extend the musical possibilities 

of the basses, we have developed 

directly blown head joints which can 

be used instead of the existing head 

joints. 

These headpieces are suitable for all 

previously purchased basses. 

In some cases small dimensional 

adjustments to your bass may be necessary, 

which we will carry out in our 

workshop, free of charge. 

Through the directly blown head joint 

you receive completely new possibilities 

of expression. 

Experience the feeling when the unique ergonomics of our basses combine 

themselves with the possibilities of a directly blown instrument - and again shift 

musical boundaries. Just like 40 years ago. 

Product no. 

449DBK 

459DBK 

469DBK 

479DBK 

489DBK 

Description 

Directly blown head joint for basset 

Directly blown head joint for greatbass 

Directly blown head joint for contrabass 

Directly blown head joint for subgreatbass 

Directly blown head joint for subcontrabass 

21

Fold-Down Stands 

They are the classic design stands. One of their advantages 

is that they rest on the spring mechanism 

fixed to the instrument. This way, the instrument 

and stand can be handled and moved quickly to 

and on the stage. 

Product no. 

Description 

45S Greatbass fold-down stand, natural finish 

45S-AS fold-down stand, black laquered 

45S-AK fold-down stand, airbrushed cherrywood finish 

45S-AP fold-down stand, airbrushed rosewood finish 

45S-AO fold-down stand, airbrushed olivewood finish 

45S-ABW fold-down stand, „Blue Wave“ airbrushed finish 

46S Contrabass fold-down stand, natural finish 

46S-AS fold-down stand, black lacquered 

46S-AK fold-down stand, airbrushed cherrywood finish 


46S-AO fold-down stand, airbrushed olivewood finish 

47S Subgreatbass fold-down stand, natural finish 

47S-AS fold-down stand, black lacquered 


Thumb Screws 

For connecting the instrument joints and 

the folding stand 

Product no. 

Description 

22 

49-40M5 Thumb screw M5, basset and greatbass 

49-40M6 Thumb screw M6, contrabass 

49-41 Ribbed knob, subgreatbass, subcontrabass

Cross Stands 

Even if you never want to stop playing a Paetzold by 

Kunath, eventually you must put down the instrument. 

Be it only to return as soon as possible. The instrument 

stands with the foot down. 

Product no. 

Description 

44S1 Basset cross stand, natural finish 

44S1-AS cross stand, black lacquered 

44S1-AK cross stand, airbrushed cherrywood finish 

44S1-AP cross stand, airbrushed rosewood finish 

44S1-AO cross stand, airbrushed olivewood finish 

44S1-ABW cross stand, „Blue Wave“ airbrushed finish 

442S1 cross stand, cherrywood stained 

45S1 Greatbass cross stand, natural finish 





45S1-ABW cross stand, „Blue Wave“ airbrushed finish 


46S1 Contrabass cross stand, natural finish 






47S1 Subgreatbass cross stand, natural finish 




23

Head Cross Stands 

If you have equipped your bass with a floor spike, 

the use of the head cross-stand is recommended. 

With this stand the bass can be turned upside 

down without removing the floor spike. 

When storing the bass in this position for a 

longer time period, it is necessary to empty the 

drain plug and the drip cup. 

Product no. 

Description 

44S4 Basset head cross stand, natural finish 

44S4-AS head cross stand, black lacquered 

44S4-AK head cross stand, airbrushed cherrywood finish 

44S4-AP head cross stand, airbrushed rosewood finish 

44S4-AO head cross stand, airbrushed olivewood finish 

44S4-ABW head cross stand, „Blue Wave“ airbrushed finish 

442S4 head cross stand, cherrywood stained 

45S4 Greatbass head cross stand, natural finish 


45S4-AK head cross stand, airbrushed cherrywood finish 

45S4-AP head cross stand, airbrushed rosewood finish 

45S4-AO head cross stand, airbrushed olivewood finish 

45S4-ABW head cross stand, „Blue Wave“ airbrushed finish 

452S4 head cross stand, cherrywood stained 

46S4 Contrabass head cross stand, natural finish 


47S4 Subgreatbass head cross stand, natural finish 


24

Twin Stand 

Do you belong to the people who would like to be 

prepared for any situation? 

Then the twin stand is the ultimate accessory for 

you and your bass. 

The twin stand combines the functions of the 

cross-stand and the head cross-stand. This way you 

transport one stand, but both functions can be 

selected. 

Of course the stand fits in the bags / suitcases. 

Product no. 

Description 

44S5 Basset twin stand, natural finish 

44S5-AS twin stand, black lacquered 

44S5-AK twin stand, airbrushed cherrywood finish 

44S5-AP twin stand, airbrushed rosewood finish 

44S5-AO twin stand, airbrushed olivewood finish 

44S5-ABW twin stand, „Blue Wave“ airbrushed finish 

442S5 twin stand, cherrywood stained 

45S5 Greatbass twin stand, natural finish 


45S5-AK twin stand, airbrushed cherrywood finish 

45S5-AP twin stand, airbrushed rosewood finish 

45S5-AO twin stand, airbrushed olivewood finish 

45S5-ABW twin stand, „Blue Wave“ airbrushed finish 

452S5 twin stand, cherrywood stained 

46S5 Contrabass twin stand, natural finish 


47S5 Subgreatbass twin stand, natural finish 


25

Subcontrabass Stand 

The instrument stands upright without 

having to be held. You can completely 

concentrate on making music. During the 

breaks, the instrument stands securely 

in place. You do not want to miss this 

convenience once you came to enjoy that 

the subcontrabass stand is watching your 

instrument. 

Product no. 

48S2 

48S2-AS 

Description 

Subcontrabass stand, natural finish 

Subcontrabass stand, black laquered 

Photo: Steffi Neuhuber 

26

Strap Holders 

Your wrists will be happy when they do not 

have to work so hard. Of course you do not 

have to do everything yourself. Delegate 

simple work to helpers like the strap holder. 

In conjunction with a conventional bass strap 

holder it takes the weight of the bass away 

from your hands. You can dedicate yourself to 

playing expressively and carefree. 

The strapholder is simply clamped onto the instrument. 

Product no. 

Description 

44-49 Basset strap holder 

45-49 Greatbass strap holder 

Telescopic Support Spike 

The telescopic support spike makes it possible for the bass to 

be adjustable in height from the floor with infinite variability. 

This way, you can decide if you want to stand up or sit while 

playing. Disassembled for transportation, there is room in the 

bag and hard case. 

Product 

Description 

44-46 Basset telescopic support spike with attachment 

45-46 Greatbass telescopic support spike with attachment 

46-46 Contrabass telescopic support spike with attachment 

47-46 Subgreatbass telescopic support spike with attachment 

27

Mouthpieces 

In March 2011, the tenon form of the mouthpiece was changed to have a 

more stable, guaranteed seating to the bocal. 

When reordering, please check exactly which type you need. 

The following chart lists the order number for the required mouthpiece. 

Mouthpiece for ... Model prior March 2011 Model as of April 2011 

Basset 49-23 49-21 

Greatbass 49-23 49-21 

Contrabass 49-24 49-22 

Subgreatbass 49-24 49-22 

Subcontrabass 49-24 49-22 

Mouthpiece prior March 2011 Mouthpiece as of April 2011 

Product no. 

Description 

28 

49-21 Small mouthpiece 

49-22 Large mouthpiece 

49-23 Small mouthpiece (up to 11.03) 

49-24 Large mouthpiece (up to 11.03)

Bocals 

In March 2011 the construction of 

bocals was changed as part of a model 

revision. The goal was to achieve 

a long-term stable fit to the bocal for 

the mouthpieces. 

If you need to replace an old bocal, we 

would like to ask you to please also 

order a new matching mouthpiece. 

Possibly also the drip cup should be replaced. 

The long bocal may be used as needed even for contrabasses and subgreatbasses. 

Product no. 

Description 

49-11 Small bocal for basset and greatbass 

49-12 Medium bocal for contrabasses, subgreatbass 

49-13 Large bocal for subcontrabass 

Complete Bocal Set 

With mouthpiece and drip cup. 

Product no. 

49-11-K 

49-12-K 

49-13-K 

Description 

Small bocal set 

Medium bocal set 

Large bocal set 

29

Drip Cup 

The drip cup is set onto the bocal and there 

it reliably collects the condensation. 

Product no. 

Description 

49-31 Smaller drip cup for basset and greatbass 

(small bocal) 

49-32 Large drip cup for contrabasses subgreatbasses 

and subcontrabass (medium and 

large bocal) 

Drain Plug 

The drain plug sets onto the headjoint and 

collects the condensation there. 

Please pull out the drain plug every time 

after you play to allow the headjoint to dry. 

Product no. 

Description 

30 

49-33 Drain plug for basset and greatbass 

46-13-1 Drain plug for contrabass 

47-13-1 Drain plug for subgreatbass 

48-13-1 Drain plug for subcontrabass

Sealing Gaskets 

We developed a double sealing 

gasket to go around each instrument 

joint, so that they are 

reliably sealed to one another 

to avoid the problem that traditional 

bass tenon joints have. 

They consist of a particularly 

high-quality foam, which we 

tested for stability for over tens 

of thousands of test cycles. The 

result: Under normal conditions, 

the seals will last for 

many years, and thus longer 

than the conventional cork connections of recorders. The seals can be mounted 

to all existing Paetzold (by Kunath) basses in our workshop. 

The bass is shown for illustration. 

Please protect the double seals against pressure from the sides, for example 

when inserting the instrument into the suitcase or bag. When storing the bass 

always use the supplied gasket protectors. 

Installation is included in the price. 

Product no. 

RPBK-44-Dicht 

RPBK-45-Dicht 

RPBK-46-Dicht 

RPBK-47-Dicht 

PRBK-48-Dicht 

Description 

Basset, double sealing gasket 

Greatbass, double sealing gasket 

Contrabass, double sealing gasket 

Subgreatbass, double sealing gasket 

Subcontrabass, double sealing gasket 

31

Service 

Paetzold (by Kunath) basses are almost indestructible. Through the special 

design of the head joint even the windway can be exchanged, which is not 

possible in normal recorders. We can even put „overblown“ recorders with 

a reasonable amount of effort into a new condition.We offer general overhauls 

and part overhauls for your instrument. 

Part overhauls will be charged according to expenditure. 

We offer general overhauls at a fixed price. This includes installation of the 

new double sealing gaskets. Please make an appointment with us before 

you send in your instrument. 

Product no. 

RPBK-44-G 

RPBK-45-G 

RPBK-46-G 

RPBK-47-G 

RPBK-48-G 

Description 

General overhaul basset 

General overhaul greatbass 

General overhaul contrabass 

General overhaul subgreatbass 

General overhaul subcontrabass 

Microphones 

To amplify your bass recorder we offer special 

internal microphones that are not disturbed by 

outside noise. 

Installation is included in the price. 

32 

Product no. 

NCM 650 

NCM 7X3 

NK-4 

NK-5 

Description 

Internal microphone 

Internal microphone with volume control 

5m HQ-cable, 3,5mm 6,3mm jack 

5m HQ-cable, 3,5mm XLR standard

We love our work ... 

Special thanks to Tim Wegner for the photos 

33

The Bass Recorder 

Foto: XAMAX 

Foto: Claudia Hansen 

Kunath Instrumentenbau, Am Ried 7, 36041 Fulda, Deutschland 

Tel: +49 661 968 938-0 Fax: +49 661 968 938-49 

info@kunath.com www.kunath.com

Paetzold by Kunath english Catalog 2017

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