Hidden Treasure Art eMagazine Easter 2017

hiddentreasure 

Art eMagazine / Easter 2017 

HT Art Magazine Publishing’s Team 

is wishing you a very Happy Easter!

Jurors: 

Georgia Szollosi 

painter, director, curator and editor 

Mike Paul Ellis 

art collector and financial adviser 

Zsolt Pinter 

graphic designer and painter 

Eva Toth 

photographer 

Josephine Holmes 

guest curator 

Vivien Domokos 

guest curatot 

On the Cover: 

Artist: Daniela Ament 

with “Birth” 

Media: bronze edition of 9 

Size: 45cm 

Year: 2016 

On the Back: 

Artist: Capt. Stjepko Mamic 

with “The Net, Cannes” 

Media: mixed media on canvas 

Size: 100cm x 80cm 

Year: 2017 

Hidden Treasure Art eMagazine Easter 2017 is published by 

HT Art Magazine Publishing Promotion and Publication London, 

United Kingdom / www.htartmagazine.com / info@htartmagazine.com 

Copyright 2016-2026 by HT Art Magazine Publishing. 

All rights reserved. All artists featured in Hidden Treasure Art eMagazine Christmas 

2016 retain the copyright for each of their individual images. All rights reserved. 

No part of this book may be reproduced or translated in any form or by any means, 

electronic or mechanical, including photocopying, recording or by any information 

storage and retrieval system without written permission from the copyright owners.

“Art is the most intense mode of individualism that the world has known.” 

Oscar Wilde 

With great pride and an even greater sense of duty and responsibility we 

would like to present the 8h volume of our publications the Hidden Treasure 

Art eMagazine Easter 2017. 

Our mission is to connect and build a bridge between artists and art lovers 

by providing and presenting a high quality source of visual art and design 

through our book, website, magazine and other publications. We are dedicated 

to bringing happiness and recognition to the artists and joy, beauty and 

satisfaction to the art lovers let them be collectors, buyers, galleries, curators 

or others taking pleasure in art and design. 

This idea was embraced by 32 artists from eleven countries all over the 

world and this is why we believe that Hidden Treasure Art eMagazines have 

so much to offer both to the Artist and to the Readers. 

Georgia Szollosi 

director, editor and curator

hidden 

treasure 

art 

magazine’s 

ARTISTS 

AD TOLBOOM........................................... ..........14 

ADI ZUR...................................................... .........06 

BARBIE MONTERROSA......................... ..........16 

CAPT. STJEPKO MAMIC........................ ........30 

CHASSÉRIAUD FRÉDÉRIC.................... ........40 

DANIELA AMENT...................................... ........64 

DURAND SEAY.......................................... .........22 

ELHAM HAMRAZ..................................... ........66 

FRANCESCO SANDRELLI.................... .........42 

FU WENJUN............................................... .........54 

GIUSEPPE DIGIACOMO........................ .........76 

GUILLERMO GREBE................................. ........46 

GUY DOR.................................................... .........10 

JEAN-MARC ANGELINI......................... ........50 

JUCHUL KIM.............................................. ........20 

JULIE RIVER............................................... .........44 

LEO DEVILLE............................................. .........72 

LILAC ABRAMSKY-ARAZI................... .........26 

LYNN CHEN................................................ .........24 

MA NONG.................................................. .........32 

MARIAN SAVA.......................................... .........70 

MARTA WAPIENNIK................................ .........52 

MOHADESEH PILEHVARIAN............... ........28 

MOLLY J. SCHIFF..................................... ..........12 

OHAD GERZI.............................................. ........08 

PADMINI....................................................... .........74 

PAUL-JÜRGEN WEBER........................... ........60 

SAMANTHA SMITH................................. ..........18 

SHAE WHITE.............................................. ........38 

SHENPING WANG.................................... ........68 

TYLER J R CANNON.............................. .........36 

ZAHRA KHALILZADEH......................... ........34

Paintings 

Drawings 

Mixed Media

ADI ZUR 

www.adizurart.com 

“Printing is another form of diary-keeping.” (Picasso) 

6 

Chemistry 

mixed media 

on board 

38in x 48in 

2015 

The Power 

mixed media 

on board 

36in x 48in 

2015 

Hidden Treasure Art eMagazine Easter 2017

7 

“I am intensely moved by a notion 

of a “connector”- an umbilical 

cord, if you will – which 

joins us to knowledge, harnessed 

in the distant past, but 

driving us into an uncertain future. 

My recent interest in the 

fragmented forms of futurism 

brings this sensibility to the 

present day. The contemporary 

world is similarly disjointed as 

we are bombarded each day 

by information from competing 

media. My paintings are born 

out of a sense that in the midst 

of this world of media and information 

there is a calm eye 

to the storm. I believe that we 

have lost a connection to this 

center, just as we have all but 

lost access to a more fundamental, 

ancient knowledge.” 

Changes Everything 

mixed media 

on board 

24in x 24in 

2015 

Wind 

mixed media 

on board 

24in x 24in 

2016 

“In my artwork, I use oil paint 

and combine collage with 

photographs that I take randomly 

in my day to day life, 

and headlines from newspapers. 

My work, with the 

use of collage, looks to give 

shape to this knowledge’s 

hidden forms, uncovering 

a personal sense of a past 

that we all share.“ 

Easter 2017 Hidden Treasure Art eMagazine

OHAD GERZI 

www.gerzi.net 

8 

Woods 

oil on canvas 

80cm x 70cm 

2016 

Ohad Gerzi, a painter from Kadima. His 

childhood home was rich with music, culture 

and art. His grandfather, who was a 

painter and a scientist, introduced him to 

the art of sketching. When he was 5, they 

carved together his first colour palette. 

Ever since then, he has been sketching 

and painting with charcoal and pencils. 

In his art, the observer can notice the 

light emerging from the darkness, the 

heat from the cold, and the human touch 

in nature. In his paintings, movement is 

of great importance, which resonates in 

his extensive use of colors. The colours 

in his artworks reflect his passion. In the 

last years he is focusing on using a palette 

knife, painting oil on canvas. 

Prague 

oil on canvas 

50cm x 70cm 

2016 


9 

Stockholm 

oil on canvas 

40cm x 50cm 

2016 

Music 

oil on canvas 

25cm x 30cm 

2016 


GUY DOR 

gldor2@gmail.com 

10 

Art is part of every human being’s way of life, 

but one who makes it his livelihood is truly 

blessed.For myself art embodies a wide range 

of complex emotions that weave the fabric of 

something new and consistency that enables 

a timeless sense of empathetic familiarity with 

any person regardless of geographic and cultural 

boundaries. In my work I create a coalescence 

and expression of my thoughts through 

the medium of oil on canvas. Some of my 

paintings reflect experiences from my own life. 

In those I open a window to the gamut of my 

emotional and mental states, thus allowing the 

observer to comprehend the meanings in my 

works in a subjective way and introduce them 

to my language of art. 

The Dancer 

oil on canvas 

70cm x 50cm 

2014 

Smoke 

oil on canvas 

40cm x 30cm 

2014 


11 

The painting. A moment 

in a life OR a life in a 

moment. The intimate dialogue 

and solidarity are 

some of the parameters I 

strive to achieve while developing 

my art language 

to no boundary, that, with 

the love of humanity and 

any living soul as my 

guiding light. The volume 

of the artwork, it echoes 

and emotional magnitude 

do not necessarily reflect 

the adherence to classical 

rules of art. 

Unknown 

oil on canvas 

cm x cm 

2015 


MOLLY J. SCHIFF 

www.Art-Originalart.com 

12 

Ancient Chimu 

Inspirations via 

Studies I-II-III 

acrylic on canvas 

36in x 48in 

2014 

Molly’s studies (Painting-Drawing-Printing-Art 

Education) lead to degrees (BFA- 

MFA-MAAE) at the School of The Art Institute 

in Chicago. Her professional artistic abilities 

further were enhanced in her roles as teacher, 

photographer, lecturer, curator and artist. 

Moreover, travels to almost 100 countries 

provided visual and thoughtful impressions of 

many differing cultures. She is represented 

in museums, corporations and private collections. 

Ancient Chimu 

+Paracas Multi 

Inspirations 


40in x 30in 

2015 


13 

Ancient Chimu 

+Warli 

Inspirations II 


48in x 48in 

2014 

The art works seen here are part of a 

suite of 25 paintings chiefly inspired 

by ancient Chimu and Paracas ceremonial 

textiles from Peru. Further 

historic information and earlier explorative 

imagery can be read and 

seen in her website as listed above. 

Chimu Reversed 

Inspirations 

via Studies 2 


36in x 36in 

2014 


AD TOLBOOM 

www.adtolboom.nl 

14 

Treatening 

oil on canvas 

80cm x 60cm 

2016 

Formation of the Earth 

oil on canvas 

70cm x 50cm 

2015 


15 

Ad was born on May 3rd 1939 

in the Netherlands, in a village 

called Hoogland. Art, and especially 

painting is his great passion 

for more than 60 years. Preferable 

he takes a subject from nature, 

gives his fantasy space and 

a surrealist painting emerges almost 

automatically. A painting 

which he has worked with pleasure, 

with love for detail and beautiful 

to look at. Of course he also 

creates realistic work. Ad works 

with oil- and acrylic paints, both 

free and commissioned. 

What is this? 

oil on canvas 

80cm x 60cm 

2014 

Poor Mouse 

oil on canvas 

70cm x 50cm 

2014 


BARBIE MONTERROSA 

www.barbaramonterrosa.wintersauthor.com 

16 

Surrounded 

by the Love 

of Colour 

acrylic 

on canvas 

16in x 20in 

2016 

Barbara Monterrosa is an Author and Artist from Detroit Michigan, she began 

painting 12 years ago. She has a burning desire within her to paint with a lot of 

emotions. It’s something she is very passionate about. Her style is very diverse 

as she is always expanding to new levels in her creativity. 


17 

The Light is Beautiful / acrylic on canvas / 16in x 20in / 2016 


SAMANTHA SMITH 

www.annettejimerson.com 

18 

Blue Fairy Ai 

acrylic on gallery 

wrapped canvas 

152.4cm x 121.92cm 

2015 

Monaco 


101.6cm x 76.2cm 

1997 

Annette Princess Jimerson, aka Samantha Smith is an African American artist, 

with European roots. Jimerson is known for distinctive style, vivid details, 

bright colours, whimsical symbolism. Her work has been featured in various 

popular publications, art events, as well as various museums and galleries, 

across the USA. Including multiple international art books, and websites. She 

has sold hundreds of paintings including commissions, across the USA. 

Spider Boy 


60.96cm x 76.2cm 

2014 


19 

The Message is Love / arylic on gallery wrapped canvas / 152.4cm x 121.92cm / 2016 

Listed International Contemporary Artist EU: Athens, Greece (2016) 

State of the Art Portugal, Spain (2016) 

Listed Top 100 Illuminati UK (2012) 

Marquis Who’s Who American Fine Art Providence, New Jersey (2014 and in 2016) 

Art Price Paris France (2012 and in 2016) 

Dick Blick & website Studio: in Winter Sale Magazine San Diego, Ca.Agora Gallery New York City, NY. (2012) 

Laguna Art Gallery Laguna Beach, CA. (2013) 

San Clemente Art Gallery, San Clemente, Ca. (2014) 

Peppertree Studio Cedar Rapids, Ia. (1992) 

Featured Channel 7 News Station (1993) 

Contemporanea Art Gallery, Jacksonville Fla. (1992) 

Weems Gallery (2006) Forbes Magazine Jersey City, NJ in (1993) 

The Perspective Newspaper, Albuquerque, New Mexico (2006) 

Cedar Rapids Iowa Gazette (1992) 

Arkansas Democrat Gazette. Through Our Eyes: African American Artistic Expressions.ExtraImaginary (2012) 

Interweave Magazine. 75 Artist of all Time Magazine (2012) 

Abqartreview (2010) 


JUCHUL KIM 

www.godart.kr 

20 

Born in 1963 Graduated Kaywon 

Art of High School BA Horn, Sculpture 

Dept in Chung Ang University. 

Accompany - Nice, France 

oil on canvas 

60cm x 60cm 

2015 

Ralph Waldo Emerson once stated, 

“A life in harmony with Nature, 

the love of nature and of virtue, will 

purge the eyes to understand her 

text.” Contemporary artist Juchul Kim 

draws inspiration from this philosophy 

in his unique compositions which 

explore and celebrate nature across 

the world. Mr. Kim is fascinated with 

the theories of the Impressionists and 

the Post Impressionists and their determination 

to study and capture the 

effects of light on the natural environment 

through expressive brush 

strokes. With symphonic precision, 

he translates familiar scenes onto his 

canvas with a unique perspective, 

orchestrated by the delicacy of his 

brush strokes and the kaleidoscopic 

hues of his palette. His sudden bursts 

of pure, brilliant colour with splendid 

differences of touch and tone exemplify 

his natural originality and closeness 

with nature. 

Angel 

oil on canvas 

60cm x 60cm 

2007 


21 

Brooklyn Bridge - New York 

oil on canvas 

91cm x 62.2cm 

2015 

Accompany 

oil on canvas 

91cm x 116.7cm 

2012 

Mr. Kim achieves strong contrasts of light and 

shade. With an insatiable curiosity for colour, 

Mr. Kim’s paintings communicate emotion as 

he uses colour as a tool for linking the viewer 

with the sublime experience of being in the 

landscape. As a colourist, he is a virtuoso in 

using the full range of his palette to create 

powerful fragments of dynamic tones alongside 

vibrantly orchestrated planes which immediately 

demand the viewer’s attention. Excelling 

at depicting the environment around him, it is 

not the tangible qualities that are highlighted in 

his paintings, but the soft memories of specific 

locals across the world. 


DURAND SEAY 

www.durandseay.com 

22 

A deep-south Alabama artist and architect, 61 years 

old, Durand Seay escapes from traditions that label 

artists by location. His paintings offer a plastic, flowing, 

and unpredictable expression, ever changing like 

water in a stream. 

As an architect, Seay delivers an understanding 

of space and the movement within. Therein, time 

is an essential factor which affects the participant. 

He builds his expressions from structures intuitively 

found in nature. There is a language with a quantum 

perspective, past, present, and future all at once. He 

harnesses a viewer’s subconscious to instil awareness, 

insight, achievement and the ascendancy of 

understanding. With numerous exhibitions all over 

the southeast since 1978, Seay receives consistent 

award recognition such as Directors Award, La- 

Grange Biennial 2016. Recognized for his talents in 

the kitchen, he enjoys preparing meals only as a chef 

can. Additionally, he designs jewellery utilizing organic 

structures like vine wreaths or tangled seaweed. 

The Winning Jump 

oil on gallery 

wrap canvas 

122cm x 91cm 

2014 

The Wave 

oil on gallery 

wrap canvas 

91cm x 122cm 

2015 


23 

Limerence 

oil on wood panel 

50cm x 40cm 

2016 


LYNN CHEN 

www.celesteprize.com/member/idu:96810/ 

24 

Woman, Woman 

oil on canvas 

116.5cm x 91cm 

2016 

Chen studied at National Taiwan University 

of Arts from 1987 to 1991. Even though 

graduated with a Bachelor from Design 

Department, She had involved herself in 

a variety of Fine Arts learning at NTUA, 

which were still the nurture for her growth 

and development in painting. To meet the 

challenge of being superior to her previous 

self in creation, she had made a great 

effort on participating a lot of the juried exhibitions 

hosted by Taiwan Arts Associations 

in 1999 to 2013, won many awards 

including 12 gold medal awards of Art Societies, 

and, therefore, qualified and invited 

as a member of Tai-Yang Art Society. 

Since then she has kept going to participate 

annually in Art Exhibitions and invited 

to hold solo exhibitions at the public. 

Oriental Beauty 

oil on canvas 

116.5cm x 91cm 

2012 


25 

Her art philosophy, however, is to create a 

new style of painting with Oriental language 

and artwork of goodness, beauty, and truth 

for sharing with this Universe and expressing 

the positive power of “Love”. Starting from 

June 2016, she has actively participated in 

international juried art competitions and exhibitions. 

This year an exhibition of her artwork 

will be held at XIth Florence Biennale, 2017. 

Right now, she lives and works in Chia-yi, 

Taiwan. 

The Moment of Free 

oil on canvas 

116.5cm x 91cm 

2014 

Consciousness of 

a Wonder Fairy 

oil on canvas 

116.5cm x 91cm 

2016 


LILAC ABRAMSKY-ARAZI 

www.lilacabramsky.com 

26 

Black and White III 


105cm x 125cm 

2016 

Goldfish 


76cm x 116cm 

2017 


27 

Lilac is an artist working with painting 

and dance. She has a PhD in neuropsychology. 

Lilac lives and works 

in Israel and has exhibited in Israel 

and internationally. Her art is characterised 

by multi-layers, textures, 

movement and restless relationships. 

Lilac is a member of the Israeli Fine 

Art association and her paintings are 

found in various collections, including 

Shari Arison’s. 

Dual Space 


127cm x 105cm 

2016 

Wandering Fish 


97cm x 163cm 

2016 


MOHADESEH PILEHVARIAN 

mohadesehpilehvaria3.wixsite.com/mohadesehportfolio 

28 

Ghoule Nar 

acrylic and watercolour 

pencil, colour pencil, 

coffee and tea 

as natural colours 

40cm x 26cm 

2011 

Mohadeseh is an artist living and working in 

Tehran. Born in 1987 in Tehran, Iran. She 

acquired Bachelor of Art in Graphic Design 

from The University of Art of Tehran in 2011. 

She finished the MA 3D Computer Animation 

program from Bournemouth University, UK in 

2013. Since 2013, she has been working as 

a freelance 3D Generalist for different companies. 

Also, her interest areas are creating 

artworks in Acrylics, Water Colour, Digital Fine 

Art and also mixing media. 

Morrat Ibn Hares 



coffee and tea 

as natural colours 

40cm x 26cm 

2011 


29 

Ghoul Maddeh 



coffee and tea as 

natural colours 

40cm x 26cm 

2011 

Jennian Abi 



coffee and tea as 

natural colours 

40cm x 26cm 

2011 


CAPT. STJEPKO MAMIC 

www.raguza.net 

30 

Long Net 2 

mixed media, glass 

and ceramics paint 

on linen canvas 

200cm x 110cm 

2016 

Jellyfish 

mixed media 

golden leaves 


80cm x 80cm 


“Artist, world traveller and captain Stjepko Mamic has spent much of his life at sea and it is from this 

perspective that he creates his paintings.Inspire by the depth and width of open water, his works represent 

his connection with the natural world. He manages to “pour” the sea water on canvas and creates 

unique paintings. From the beginning, Stjepko has made his own path. He has pursued an “ecological 

vision” of art’s place in contemporary life.He likes to explore new materials and artistic ideas, he often 

uses paints for the glass and ceramics in combinations with pigments and golden or silver leaves ( new 

and old techniques ) to create stunning artworks with vivid colours and lighting effects on linen canvas. 

His works are in holdings of numerous galleries, museums and private collections worldwide. 


31 

Artistic Fish 

mixed media, 

golden leaves 


80cm x 80cm 

2016 

For his works he received 

many international awards. He 

has exhibited extensively in individually 

and with groups of 

authors in Croatia and worldwide. 

Stjepko is a member of 

the Accademia Culturale Europe,Italy,The 

Croatian Association 

Of Artists-Dubrovnik 

,ICAF - International Culture 

and Arts Federation, South 

Korea, Arteide, international 

cultural origination ,Art Nation, 

international Artist Association 

from Munich, Germany, Gogyoshi 

Art Project International 

and others.” 

Through Passage 

mixed media, glass 

and ceramics paint 


80cm x 80cm 

2016 


MA NONG 

www.manong.link 

32 

Ma Nong A.K.A Wan Hung Sun, the 

signifier of identity textures shapes 

and forms colour brushwork and material 

these undo character and build 

up evidence of culture persona and 

experience. I am a nomad Korean 

stranger when in Taiwan Taiwanese 

stranger in Korea and just a stranger 

in the US. I am interested in identity 

inherited acquired ascribed in my 

recent work. I have developed a series 

of portraits exploring signifiers of 

human nature. I represent my figures 

as children’s dolls with exaggerated 

heads and smaller torsos my figures 

represent a child-like vulnerability 

where the feelings of dread loneliness 

and weakness in the familiar unfamiliar 

world are conveyed the square box 

shape I use, represents home. 

Big Child One 

oil on paper 

50in x 50in 

2015 

Cube No. 9111 

oil on canvas 

30in x 30in 



33 

Cube No. 9092 

oil on canvas 

30in x 30in 


The figure is centered anchored as if trying 

to root itself into the given frame dimensional 

crystalline shapes which simultaneously 

create and break the form symbolize 

complex units that both comprise and undermine 

identity colour is bold and convincing 

resembling that of nationality yet 

it does not reveal true origin of the figure. 

She had B.F.A fashion design from Ewha 

Womans University in Seoul South Korea. 

She currently lives in Deerfield Beach 

Florida and gradated her M.F.A in Painting 

at SCAD 

Big Child Swim 

oil on paper 

44in x 46in 



ZAHRA KHALILZADEH 

zahrakh279@gmail.com 

34 

Mask 


30cm x 30cm 

2015 

Zahra Khalilzade was born 23 July 

1985 in Iran-Tehran. She was, like 

many other teenagers interested in 

art, so she entered the conservatory 

(institute of art) to continue 

painting and began to paint at the 

educational system. Meanwhile, 

she was doing different things 

apart from her assignments. 

Women 


100cm x 100cm 

2014 


35 

Somali 


100cm x 70cm 

2015 

She has different and tender emotions with 

a sense of philanthropy. These feelings and 

emotions gradually began to appear in her 

works and due to living in a society with contradictions, 

anomalies and a lot of other social 

problems, those soft and tender emotions 

slowly became bitter and sad emotions and 

expressions that are fully evident in her works 

like choosing everyday social issues of women 

and children’s lives, as if they are forced to live 

and surrendered to the conditions. 

In terms of structure, her works are combinations 

of all elements which have surrounded 

the paintings. The use of pure colours and all 

the controlled lines in the paintings leave nothing 

to say. A heavy and fierce atmosphere, 

resulting from solid lines, colours and textures 

are shown independently in the paintings, as 

if there is no coordination and a kind of anger 

and silence reigns in her works. All these, are 

the result of the tension and struggles that are 

openly expressed. Because of having problems 

and difficulties in presenting and exhibiting her 

works in Iran, she has held several exhibitions 

outside of Iran in Istanbul, Italy, San Francisco 

and some other places. 

Somali 


40cm x 50cm 

2015 


TYLER J R CANNON 

www.tjrcannon.com 

36 

Tyler Cannon is a Vancouver based visual 

artist, working primarily in print media and 

drawing. Cannon’s mother began teaching 

him to draw and paint at an early age, focusing 

on wildlife and people. 

In 2009 his formal training began at North 

Island College in Courtenay, British Columbia. 

After completing a fine art diploma at 

NIC he continued on to Nova Scotia College 

of Art and Design in Halifax, Nova Scotia. 

At NSCAD he completed a BFA Major in 

Interdisciplinary Fine Art with a Minor in Art 

History focusing primarily in printmaking. 

Always Looking 

for a Shock 

lithographic drawing 

with monotype 

11in x 14in 

2013 

Generators for 

Fear of Night 

colour lithograph 

with monotype 

31in x 23in 

2014 


37 

Monod Anatomy 

lithographic drawing and 

etching as digital composite 

30in x 22in 

2013 

Despot Love 

viscosity print 

14in x 18in 

2014 

Cannon’s current work revolves around 

his ongoing narrative project called Singleton’s 

Epic. Cannon creates characters, 

bodies and systems within his other world 

which interact and live within a strange 

psychological economy or ecosystem. 

The central character of the narrative are 

the singletons, strange human like figures 

who loaf around the environment focused 

mainly on hedonistic pleasures. 

Currently Cannon is attending a Student 

Scholarship Residency at Malaspina 

Printmakers in Vancouver. His Newest 

work is in various states of completion 

which is tracked on his website and blog. 

Thematically the newest images orient 

around imaging states of the Singletons, 

enmeshed within their machine world as 

productive cogs, complicit, victims and 

rowdy fools. 


SHAE WHITE 

www.jeinshaewhite.com 

38 

Kaleidoscope Lady 


24in x 30in 

2013 

Born in China, adopted at 

an early age and raised 

in the United States, 

Shae White brings both 

cultures alive in each 

of her canvases. Each 

painting tells so much 

about her and where she 

came from. Self-taught 

at an early age, she 

learned the most important 

values: the freedom 

to explore, to create, and 

best of all, to try. 

Some Kind of 

Wonderful 


24in x 30in 

2014 


39 

Shae ignores the rules so she can 

express her thoughts in her own 

way. Her work isn’t abstract, surreal 

or cubism. It’s a synergy of all 

those and more. She refers to this 

style as “Geometrism.” 

“I feel I have more freedom to try 

different ways to open my mind and 

grow every day in ways that inspire 

me to be better,” - Shae White 

The Boy I Love 


24in x 30in 

2014 

Natural 


24in x 24in 

2014 


CHASSÉRIAUD FRÉDÉRIC 

www.libertart31.pagesperso-orange.fr 

40 

The Human Robot 

A robot is a Human who 

does not take the time to think 

linen and oil painting 

paint brush and knife 

60cm x 92cm 

2015 

The artistic activities, painting and writing, offer 

wings to my soul. I cannot live without these artistic 

activities which share my thoughts with others people. 

With these wings, I do not see the human frontiers 

which are the fears of the human’s ego. The 

freedom is the acceptation of others thoughts which 

create the only wealth of the human when you share 

them. With this richness, the Human has not harms 

but the joy to live in an human environment. 

The Contemplation 

All that exists, lives to be 

a human fruit 

linen and oil painting knife 

72cm x 100cm 

2015 


41 

Human is his own Home 

The Human Being creates 

that he is with his thoughts 

linen and oil painting 

paint brush and knife 

46cm x 60cm 

2010 

The Family 

The sharing of your life with all your 

environment creates the family 

linen and oil painting knife 

80cm x 100cm 

2015 


FRANCESCO SANDRELLI 

www.francescosandrelli.it 

42 

Donna Antica 

oil on canvas 

270cm x160cm 

2012 

Narcosis 

oil on canvas 

270cm x 160cm 

2012 

Francesco Sandrelli is a self-taught artist from 

Castiglion Fiorentino, Tuscany. He had art exhibitions 

in France, Canada, UK and the United 

States. Although he had a keen interest 

in drawing since early childhood, he began to 

paint in the eighties, attending a private school 

in Florence. After four years spent in school, 

he felt exhausted and went to hospital for art 

therapy in painting. From 1994, he paints 

again. His works during this period reflect a 

‘grande’ love for his family. 


43 

For a while he paints large canvases, especially in 

remembrance of childhood memories, sensations 

and dreams: his virtual storytelling mixes fairy tales 

with inner visions, combining imperfection with 

sharpness and abstraction with figurative. Sometimes 

feeling everything farce around, Francesco 

is striving to find sense in turmoil through painting. 

Out of Time 

oil on canvas 

270cm x 160cm 

2012 

Cring Out of Beauty 

oil on canvas 

280cm x 160cm 

2011 


JULIE RIVER 

www.julieriver.be 

44 

A Venise 

watercolour and ink 

on paper 

25cm x 35cm 

2012 

“In her Brussels Studio, that artist loves to mix 

China ink and waters colours, feather and brush in 

concert. In that technique error does not forgive, 

the indelible stroke becomes a challenge that she 

finds amusing. In her peaceful gardens, she affirms 

her fantasy, in representing strange personages, 

often insects that she acts like actors on the 

stage. The wood, the trees, the leaves become the 

decor and the curtains”. Julie River 

“The watercolours are worked in a non-conformist 

way, often with five or six layers, very meticulous 

work. In tone splashes of colour the artist juggles 

with the strokes of the feather, with rhythm, movements, 

and dynamism. Transported by the delicacy 

of the stroke, the insect himself becomes a 

comedian or a minstrel. And finally this strange 

world takes us to respect the differences. In feat, 

it means respect of the other, Love of Live, in all 

shapes and form”. N-P Louise, 2012 

En Piste 

watercolour and 

ink on paper 

30cm x 40cm 

2012 


45 

Vers La Lumière 


ink on paper 

25cm x 35cm 

2013 

Sous Le Soleil 

De Saturne 


ink on paper 

25cm x 30cm 

2014 


GUILLERMO GREBE 

www.guillermogrebe.cl 

46 

Uknown 

media 

size 

year 

Guillermo Grebe studied Visual Arts at the University of Chile between 1983 and 87 and design in 

2010 to12. He has been studied from the masters as Gonzalo Diaz and Adolfo Couve. Since 1989 he 

dedicated himself to working in advertising as an artistic creative director. Guillermo Grebe has been 

teaching design and audiovisual communication at numerous universities also, he has been working in 

the same profession as creative director and strategic communicator until present days. He has been 

painting without great pretensions and intermittently since he left the School of Arts and has exhibited 

in group as well as in solo exhibitions in Chile. Since 2014, Guillermo dedicated himself to painting 

professionally and permanently. 

Uknown 

media 

size 

year 


47 

BE A PART OF OUR BEAUTIFUL ART COMMUNITY 

SUBMIT YOUR ARTWORKS FOR INCLUSION IN 

HIDDEN TREASURE ART MAGAZINE YEARBOOK 2017 

Hidden Treasure Art Magazine Yearbook 2017 is the ninth part of a series of art 

publications featuring the latest trends and artists in visual arts all over the world, 

promoting their work by connecting them with a vast audience of collectors, curators, 

exhibitors, art lovers and potential buyers. Hidden Treasure Art Magazine 

Yearbooks are beautiful, high quality annual publications that connect artists directly 

with designers, art consultants, fine art dealers, collectors and art galleries 

throughout the UK and in other European countries. throughout the UK and in 

other European countries. 

 

Our publications enable creative people to come together and show their work with 

the aim of breaking into the creative industry. Each artist’s direct contact information 

is listed alongside their work, which means, Hidden Treasure Art Magazine 

Publishing does not take a commission from your sales! In addition, the cost is 

very low in comparison with most other marketing strategies. We are of course, 

always looking for something fresh and new for our publications, so we would like 

to invite you to be part of our artist community and get promoted in a beautiful art 

publication. Deadline: 15th of June, 2017 

Please, use our Submission Form on the website or send your details and images 

to the following email address:submissions@htartmagazine.com 

IF YOU ARE INTERESTED IN SHOWING YOUR WORKS 

PLEASE SEND FOLLOWING INFORMATION: 

 

• Images of 4-6 artworks (minimum 1Mb maximum 5Mb images including details 

of the works, such as title, size, medium and the year of creation), 

• A short biography or description of artistic interests (maximum of 200 words, in 

the third person, in English. Please, don’t send us your CV or list of exhibitions) 

• A profile picture, possibly portrait (minimum 500Kb image, not a company logo) 

• A website address (if applicable). 



Photgraphy 

Digital Art 


JEAN-MARC ANGELINI 

snum.fr/photographie-numerique/ 

50 

Embryon 

digital art from photo 

by Marie Wlody 

2016 

“Born in Antibes, France, in 

1961. Arts et Métiers engineer, 

I’m an aerospace structural 

designer but my strong 

passion for photography is still 

alive, and now full part of my 

activities. With a predilection 

for art and experimental photography, 

I often work in group 

projects with other artists 

by mixing drawing, painting, 

sculpture, live performance, 

photo and video.” 

Bruges 

photography 

2016 


51 

Top: Lady in Red by the Tree 

digital art from photography 

2016 

Bottom: Lady in Red, Ghost 

photography 

2016 


MARTA WAPIENNIK 

www.martawapiennik.com 

52 

Model I 

digital photo and collage 

50cm x 70cm 

2016 

Marta Wapiennik - multidisciplinary artist born in 

1988 in Cracow (Poland), where she currently 

lives and works. Graduated from Jan Matejko 

Academy of Fine Arts in Cracow, Graphic Department 

(2013). She has a diploma in screenprinting. 

She takes photos, paint and is a graphic designer. 

Exhibited in Europe (Italy, France, Finland, Lithuania, 

Bulgaria, Poland), USA, China, Argentina, 

Venezuela, Bolivia. 

Model III 


50cm x 70cm 

2016 


53 

Model II 


50cm x 70cm 

2016 


FU WENJUN 

www.fuwenjun.com 

54 

Nepotism 

conceptual photography 

140cm x 175cm 

2015 

Fu Wenjun, Chinese important 

conceptual photography artist, 

talks about history of art; 

it’s not a means, but the main 

goal. He therefore analyses 

some aspects which are meant 

to express a timeless concept. 

In this way, the expression of 

every artwork becomes a thesis 

with no possibility of anti-thesis, 

full of proofs which we find 

again many times in history, 

western and oriental, to remember 

that history is repeating 

itself and that the mankind 

as a whole has similarities beyond 

geo-cultural position. 

Life is Simple 


140cm x 175cm 

2015 


55 

350 B.C. 


140cm x 175cm 

2015 

Drift Away 


140cm x 175cm 

2015 


You Become 

Better with Age 

At what age do people hit their stride professionally? 

Categorically speaking, athletes, 

engineers, politicians, television 

writers, salesmen, and actresses all have 

varying norms and shelf lives, sometimes 

affected by physical attributes or societal 

expectations. Seemingly immune to ageist 

perceptions and traditional notions of 

retirement are artists. A historical look reveals 

that a striking number have been 

highly productive and turned out some of 

their best work late into old age, including 

Bellini (who died at 86), Michelangelo (d. 

89), Titian (d. between 86 and 103, depending 

on your source), Ingres (d. 86), 

Monet (d. 86), Matisse (d. 84), Picasso 

(d. 91), O’Keeffe (d. 98) and Bourgeois 

(d. 98). 

“All the case histories point in one direction 

- the extraordinary flowering 

of artistic genius in old age” 

56 

Thomas Dormandy wrote in his book Old 

Masters: Great Artists in Old Age. While 

Dormandy rejected the attractive idea 

of creativity as an antidote to physical or 

mental decline - “it is contradicted by the 

facts” - he explored the powerful inner 

shifts in old age that propelled many artists 

to new heights, whether it’s Monet painting 

his “Water Lilies” when he was almost blind 

after cataract surgery, or Matisse inventing 

his paper cutouts in his last years when 

confined to his bed and a wheelchair. 

The numerous recent exhibitions of actively 

working artists age 80 and up would 

bear out this anecdotal correlation between 

longevity and creative production. New 

“Old Masters” who have enjoyed gallery 

and museum shows over the last year include 

Wayne Thiebaud (92) at Acquavella, 

Robert Irwin (84) at Pace, Anthony 

Caro (89) at the Yale Center for British 

Art, Malcolm Morley (81) at the Parrish 

Art Museum, Yayoi Kusama (84) at the 

Whitney Museum, Alex Katz (85) at the 

Yale School of Art, John Baldessari (81) 

at Marian Goodman, and Philip Pearlstein 

(turning 89 in May) at Betty Cuningham. 

Thornton Dial (85) had a retrospective 

that traveled to several American museums, 

the San Francisco Museum of Modern 

Art mounted a survey of Jasper Johns 

(who turns 83 on May 15), Betye Saar 

(86) filled a room of the National Academy 

Museum with her birdcage sculptures, 

and an exhibition of Claes Oldenburg’s 

(84) work is currently on view at the Museum 

of Modern Art in New York. 

“Being an artist is a way of life” 

says 82-year-old Faith Ringgold, who 

has a solo show opening in June at the 

National Museum of Women in the Arts in 

Washington, D.C. and just closed one at 

ACA Galleries. “It’s not about ‘I’m going 

to major in this and get my degree, and 

then I’ll go to work, and then I’ll retire.’ It 

is something one has a passion for, does, 

and then becomes - and can do it literally 

until they pass away. It’s an old-age 

thing. You become better with age.” Ringgold 

is currently creating an online museum 

of her work since 1948 that will provide 

games for people to create their own 

art - an entirely new venture for her. 

“I do think some young people have 

the mistaken notion, especially today, 

that they’re supposed to be 

successful right away” 


57 

says Ringgold, adding that many women 

artists don’t receive acclaim before 60, 

especially women of color. “There’s a great 

deal of racism and sexism in the art world. 

If you’re going to drop out early, you’re going 

to miss the whole thing.” Cuban-born 

painter Carmen Herrera, for instance, 

spent decades working unwaveringly on 

her hard-edge abstractions before selling 

her first canvas in 2004, at age 89, to the 

collector Ella Fontanals-Cisneros. Since 

then, Herrera, who turns 98 this month, 

has experienced a flurry of interest in her 

work and shows at Lisson Gallery. 

“I admire long-term careers” 

says Duane Michals, 81, who just had a 

show at DC Moore Gallery of 19th-century 

tintypes that he playfully embellished 

with various styles of modernist painting. 

He had painted on photographs during the 

1980s but cycled back to it a couple years 

ago in an entirely new way. “Anyone can 

be the flavor of the month or the year,” he 

says. “I really admire people who evolve. 

What I’m doing now I wouldn’t have imagined 

five years ago. I’d like to think that 

five years from now I might be doing something 

I can’t imagine now.” 

“If you’ve lasted this long in the game, 

you probably are making a living” 

says Michelle Stuart, who recently turned 

80 and now proudly admits her age (she 

used to lie about it). In July, Stuart has a 

survey of paintings, sculpture, and photographic 

works from 1968 to the present 

going on view at the Parrish Art Museum 

in Water Mill, New York. She agrees with 

Ringgold that experience counts. “Experience 

certainly gives you insights into things 

that you didn’t have in your earlier years,” 

Stuart says. “You’ve made more things, 

you’ve honed your craft, you’ve experienced 

more books, you’ve experienced 

more criticism or praise. You don’t need 

to worry about what people think. There’s 

that kind of freedom.” 

Joan Semmel, 80, feels relief in not having 

to hustle and put herself out there in the 

same way she did when she was younger. 

“In the work itself, you know who you are 

as an artist,” she says. She’s gratified by 

the current interest in her work, with an 

exhibition of her self-portraits from the last 

decade up through June 9 at the Bronx 

Museum of the Arts and a show of her 

most recent nudes juxtaposed with very 

early figurative paintings up through May 

25 at Alexander Gray in New York. “You’re 

not struggling with finding your voice and 

doubting everything you do in quite the 

same way as when you’re younger. It’s all 

part of self-acceptance.” 

“Working becomes your own little 

Eden” 

Thiebaud says, while acknowledging the 

challenge of overcoming the traps of what 

others think and say. “You make this little 

spot for yourself. You don’t have to succeed. 

You don’t have to be famous. You 

don’t have to be obligated to anything except 

that development of the self.” 

Risk taking seems to be a common trait 

among these artists, not just in old age 

but throughout their lives. “Artists are like 

gamblers,” says Stuart. “Who else would 

walk into life without a job, no credit? 

You’ve got to have that little extra frisson 

of adventure.” 


58 

Morley has always eschewed working in 

any one predictable style. Being an artist 

is “a perpetual renewal, it’s always for the 

first time,” says the artist, widely credited 

with jump-starting bothphotorealism and 

Neo-Expressionism. “It’s rather like my 

dog. When you throw the ball, she runs for 

it as if she’s never run for it before, and it 

must be the millionth time.” Over the last 

decade, Morley has faced several health 

crises but has rallied and come back, taking 

new directions in his painting. “I seem 

to be a cat with nine lives,” he says, adding 

that it’s impossible to know whether 

his development would have been similar if 

none of his mishaps had happened. 

For Ellsworth Kelly, who turns 90 this 

month, the connection between physical 

and mental health has only become 

stronger with age. “Recently, I have had 

some physical challenges related to aging, 

though I accept it, and it has given me an 

added surge for continuing to create new 

work,” he says. Kelly has two new sculptures 

in his current exhibition at the Barnes 

Foundation in Philadelphia. 

“Making art has always been a 

necessity” 

“I don’t know if being an artist is making 

me live longer,” says Semmel. “But certainly 

in terms of keeping me vital and interested 

and alive in the sense of how I 

live my life, being an artist is undoubtedly 

a very important part of that - even when 

I’m not well. Normally, I work standing. If 

I can’t stand, I sit - but I still work. That 

engagement is very important.” 

For Semmel, aging has become a central 

subject in the work itself. Since the 1970s, 

she has painted pictures of her own naked 

body. “Early on, I was interested in a 

non-idealization of the body, the body as 

one really experiences it,” she says. “Age, 

then, was a natural part of the way I was 

working. I felt it was important to focus on 

the changes in the way we look as a natural 

formation rather than something undesirable.” 

Semmel’s recent paintings, with layers of 

shifting views of her face and body, are 

much more psychologically complex than 

her earlier hard-edge canvases, which 

cropped out her face. 

“These new paintings are really 

concerned with the understanding 

of the self in one’s total humanity 

rather than in one’s sensuality” 

she says. 

Other painters find the motivation to work 

every day in the legacy of painting itself. 

“I have to up the ante continuously,” says 

Morley. “I have a big ambition to sit in the 

pantheon of the greats. Whether or not it 

occurs, of course, other people will have 

to decide.” Thiebaud feels sustained by 

his ongoing dialogue with the history of the 

medium. “It’s great to have the community 

of that long tradition of painting, which, 

however small a part you have in it, is a 

comforting kind of life,” he says. Currently, 

he’s working on paintings of mountains, 

synthesizing memories and characteristics 

of various types of mountain formations experienced 

in his youth. “I must say, I don’t 

feel very successful,” he says. 


59 

“I’m still trying to figure the damn things 

out. This probably helps me to keep going 

- new problems, new sensibilities, new 

challenges.” 

“Whatever you feel is undone, 

you should do” 

says Stuart, a piece of advice she gives 

to artists and nonartists alike. For her, it 

meant creating an entirely photographic 

body of work, a medium she had previously 

only used for documentation. Her recent 

large-scale grids of images, surreal and 

cinematic ruminations on natural phenomena 

and human frailty, were shown last fall 

at Leslie Tonkonow in New York. “It’s that 

book I always wanted to write, the storytelling 

aspect of my psyche that needed to 

come out,” she adds. All of these artists 

have maintained consistent, disciplined 

studio schedules. 

“You’ve got to do just like the musicians 

do, you’ve got to practice 

every day” 

Ringgold says. “I plan to do that for the 

rest of my life, practice every day.” The 

luck of the gene pool as well as staying 

fit support the stamina and coordination 

required to remain at the top of one’s 

game. Morley says he treats himself like 

an athlete in terms of the seriousness with 

which he approaches his physical therapy. 

Thiebaud plays tennis three to four times 

a week, which he finds akin to the athleticism 

of painting. “This mind-body construct 

is a very important thing to recognize,” he 

says. “The plumb line in the body gives us 

a sense of things like grace or awkwardness 

or tension. In tennis, after all, you’re 

playing on a kind of surface like Mondrian 

where the parameters and limitations are 

as important as the spontaneity and freedom 

of the body.” 

The shift in one’s sense of time that comes 

with aging also impacts the studio routine. 

“When you’re 28, you feel like 

you’ve got infinite time in front of 

you, which you just don’t have 

when you’re my age” 

says Stuart. “You become more circumspect 

about how you spend it.” Semmel 

agrees that time is an important factor in 

why and how she works today. “You know 

that your time is limited, so you don’t want 

to waste your time doing work you don’t 

feel is important.” That means she gives 

herself permission to take occasional days 

off if she doesn’t have something she really 

wants to do. 

“When I was younger, I had to 

work every day because I might 

not be an artist if I didn’t. - she 

says. - Now I’m pretty sure.” 

Article by: Hilarie M. Sheets 


PAUL-JÜRGEN WEBER 

www.pjweber.de 

60 

Weber lives and works in Cologne, 

Germany. Art works since 1968, at 

first painting and assemblages, since 

the 1980ies primarily photography. 

He feels particular reference to Ansel 

Adams, Bernd Becher and Sebastiao 

Salgado. His works are preferentially 

focussed on landscapes in a broad 

sense, meaning “natural finished” and 

“man-made” settings. Source to his 

works is the world’s visible reality as it 

is. It actually provides an endless domain 

of endemic art basics. 

The particular feature is to discover, select 

and process the intrinsic essence 

from the huge diversity and variety of 

forms, substances and situations with 

a discrete power of attraction to be creatively 

converted into artworks. Sir Karl 

Popper very rightly accentuated the 

abundant beauty of our planet Earth. 

With his photographs Weber quests to 

contribute to it’s visualization. Wilfried 

Wiegand calls this the ‘detected beauty’, 

which has been already existing 

but has to be bared and recollected. It 

is no matter of words and reasons to 

get access to this kind of artwork. The 

key is to realize it subjectively as individual 

beholder in his respective perception. 

In this sense Weber’s artwork 

wants to touch people and at the best 

to fascinate and to inspire. 

Spouter 

IS43 

fineart pint 

36cm x 47cm 

2015 

Glacier Texture 

IS46 

fineart print 

36cm x 47cm 

2015 


61 

Glacier Texture IS53 

fineart print 

36cm x 47 cm 

2015 

Glacier Texture IS89 

fineart print 

36cm x 47cm 

2013 



Sculptures 

Installations 


DANIELA AMENT 

www.ament-daniela.com 

64 

Daniela Ament Daniela Ament is a autodidact 

artist Born in Israel and resides there She always 

created something ever since her childhood At 

the age of 50 she started to sculpt with clay Her 

sculptures are full of emotions and expresses a 

unique inner world. Most of her images consist 

with children and women and their world. Daniela 

has a unique languish and a very expressive 

way of talking through her sculptures. At 2004 

she started to make some of her works in bronze 

and had her first solo gallery exhibition. 

The Senior Partner 

bronze, edition of 7 

2004 

Pregnancy 

bronze 

edition of 7 

45 cm 

2004 


65 

Birth / bronze edition of 9 / 45 cm / 2016 

Daniela exhibited in about 50 exhibitions solo and in group in Israel Paris France Florence Ferrara Italy 

Vancouver Canada and Miami & NYC USA Daniela stayed on a scholarship for a month in Artcroft 

KY as a resident on 2009 Features in books: Le Livre Des ARTISTS ISRAELIENS- published by La 

Gazette Des Artes in Paris France CONTEMPORARY ARTISTS OF THE WORLD- 2008-2009 published 

by Museum Of The Americas” - Florida USA “CREATIVE ARTISTS”-100 years to Tel-Aviv—Jaffa 

Israel “THE BERLINER 17” published: Art Management Berlin. 


ELHAM HAMRAZ 

www.instagram.com/hamraz_elham 

66 

Human, this roomer of eternity, 

in the turbulent journey of 

life faces questions that shake 

its pillars of existence. Seeking 

for answer to these questions 

I spend several years of my 

life studying physics, philosophy 

and art. I try to experience 

every field I love even if I am 

uneducated in that, because I 

believe it makes me improve 

my creativity. I have experiences 

in painting,calligraphy,sculpture 

and installation. 

Human Rights 

wood and paper 

18cm x 11,6cm 

2016 

We Are One 

mirror and string 

65,6cm x 10cm 

2015 


67 

Study Yourself 

mirror and paper 

45,3 x 18cm 

2016 

Human Is 

wood and paper 

18cm x 11,6cm 

2016 


SHENPING WANG 

www.spwang.org 

68 

Struggle Power 

Bronze 

24in x 12in x 4in 

2015 

Liberation Wing 

mixed media 


2012 


69 

Shenping Wang was born in Beijing, China 

in 1980. He earned a Bachelor of Industrial 

Design from Beijing Technology and 

Business University in 2003. Interestingly, 

when he graduated he had nothing to 

do with the work of art for some reason. 

It took another seven years he has a new 

opportunity to learn the arts again. In early 

2011, he enrolled at the Academy of Art 

University in San Francisco in order to pursue 

a MFA degree. The main concept for 

his current series “Limitation” came from 

his childhood and adolescence experiences 

of the artist. As he grew up, Wang always 

lived in what he calls “a small space”. 

The life experience of living in such a small 

space became the main driving force for 

this young artists work. His work focuses on 

people’s expressions of emotion that occur 

when they are in such small limited places. 

Limitation 

mixed media 


2012 


MARIAN SAVA 

www.mariansava.com 

70 

Amapola 

black belgian marble 

56cm x 17cm x 18cm 

2009 

“Marian Sava” makes the stone sing” 

He received his artistic education at the Royal 

Academy of Fine Arts of Bruxelles. When looking 

at his works, one word comes to mind ‘Emotion’, 

because one experiences a great pleasure, 

produced by the creative impulses of the 

artist, which are marked by the seal of extreme 

sensitivity. Marian Sava approaches the abstract 

art in his very nuanced manner, without ever 

falling on the side of pure and hard abstraction. 

He passes smoothly, from the strict image of a 

subject to the creation of new unexpected forms 

(...) 

Collette Bertot, Art Critic, Brussels 23 02 2008 

Messenger 

white marble 


2013 


71 

Flight of Day 

black belgian marble 


2008 

Amapola 

For the eye’s delight, in the summer, 

colored parasols invade fields and the 

roadsides … these are the poppies! 

Light of Day 

“Vibrations of the wings of insects, the 

day and the night”. A true rehersal in 

miniature, with an end unpredictable 

when you look carefully the vibration 

of insects’s wings 

Burning Bush 

“Myth and reality in the history of humanity”. 

The burning Bush is, in the 

biblical tradition, the revelation of the 

Angel of the God inside a Bush that 

burned without ever burn on Mount 

Sinai. Here, God sends Moses deliver 

his people from slavery and gives 

him the tablets of the law with the ten 

commandments, carved in stone by 

the fire. 

Burning Bush 

white marble 


2002 

Messenger 

Birds were always used to carry messages. 

Benefiting from their aerodynamic 

shape in their flight, one watches 

them, high above, in an imaginary 

form. 


LEO DEVILLE 

www.leodeville.co.uk 

72 

Spirit ‘G’ 

ceramic and mixed media 


2013 

Birdeyes 



2013 

Leo creates ceramic faces, figures, sculptures 

and jewellery that sometimes include coloured 

wires, textiles, beads and paint. When she has 

a black biro in her hand she produces surreal 

black & white illustrations and also paints in oils 

& acrylics. She started working spontaneously 

with the black biro drawings, which took her on 

subconscious journeys to a world far more interesting 

than the physical normality. 

She now lets her ceramics evolve and loves this 

process as she’s constantly intrigued to view 

where her mind has taken her. Leo’s eyes, ears 

and mind are forever open to new ideas and influences. 


73 

Fuzzy Dreads 



2012 

Ishka’s Moment 



2014 


PADMINI 

www.andreapengprops.tumblr.com 

74 

Unknown 

sculpture 

size 

year 

London based Andrea Peng was born in 

1983 in Argentina to Taiwanese parents. 

Her work has been influenced by the search 

for her identity and explores mixed cultural 

associations and the nature of human existence. 

She has always been fascinated 

by unseen details, looking at things from 

the inside out in order to discover a sense 

in between. 

Unknown 

sculpture 

size 

year 


75 

Unknown 

sculpture 

size 

year 

She is a versatile prop maker 

with a distinctive approach 

who is fully comfortable combining 

conceptual and practical 

realization. Andrea has a 

keen interest, and active involvement, 

in organizing various 

alternative art, music, 

and social projects. Culturally 

and politically aware these 

activities feed her practice. 

Currently in her final year at 

RCSSD, Andrea works as 

a freelance prop maker on 

various projects including for 

Pinewood Creative, Kimatica 

Studios, Mantaray Props, 

and artist Tom Price. 

Unknown 

sculpture 

size 

year 


GIUSEPPE DIGIACOMO 

www.artigianatoartistico.weebly.com 

76 

Icaro 

installation 

130x45 cm 

2015 

Giuseppe Digiacomo was born in Manduria on January 23, 1990. 

Since childhood he was fascinated by the art of shaping wood and 

by attending the workshop of an artisan, he acquired the rudiments 

that allowed him to learn how to assemble and transform materials 

readily available. At 9 years old, he moved to Rome, where he still 

lives and works. 

The eternal city stimulates and intrigue him, with its many shops and 

works of art in every alley. So, he get close on tiptoe to the art world 

that, in a short time, involves him completely. In January 2015, he 

made his first work, “Spazio Vitale”, in which he focuses the man with 

his own emotions. Emotions that are also his and that, since then, 

take shape in his works. 

In a short time, he experimented new materials and perfected his 

technique. The Maestro Alberto Vespaziani, President of “100 Pittori 

di via Margutta” Association, is the first who to take an interest in its 

work and, judging them as innovative, he agree, in 26.03.2015, to 

expose him with artists of the Association. Since then he has participated 

in several collective exhibition and in various artistic contest. 


77 

Ricordi 

installation 

50 x 50 cm 

2015 

Alla ricerca di… 

installation 

70 x 92 x 40 cm 

2015 


GEORGIA SZOLLOSI 

www.georgiaszollosi.com 

78 

Georgia Szollosi is an airbrush artist and designer, based in London, 

UK. Since she established her Airbrush Studio, G-Design in Budapest, 

2007, her work has been featured in leading art and custom painter 

publications, as well as shown in many exhibitions around Europe. 

“Ever since my earliest days growing up in Hungary I have enjoyed 

painting and I love to express my emotions through my art. I have been 

a fine artist for the last eight years and have exhibited in both solo and 

group shows across Europe. I have sold several pieces which include 

paintings, drawings and sculptures, some of these have been commissions 

from clients within the UK and Europe. 

Recently I have developed 

my technique using the airbrush. 

I am a multi skilled 

artist who is not tied to one 

media. I choose materials 

based on their relationship 

with my concept and what 

can be interpreted from 

such means.” 

Teach me to Ride 


50cm x 75cm 

2012 


79 

The Clown 


65cm x 50cm 

2012 

Spirit of Ecstasy 


55cm x 45cm 

2009 


hiddentreasure 

Art eMagazine / Easter 2017 

on the back: 

Capt. Stjepko Mamic 

The Net, Cannes / mixed media on canvas / 100cm x 80cm / 2017

Hidden Treasure Art eMagazine Easter 2017

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?