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- Page 4: Blues Guitar FOR DUMmIES‰ by Jon
- Page 8: About the Author Jon Chappell is a
- Page 12: Contents at a Glance Introduction .
- Page 16: Table of Contents Introduction.....
- Page 20: Table of Contents ix Playing E-base
- Page 26: xii Blues Guitar For Dummies Chapte
- Page 30: xiv Blues Guitar For Dummies Rememb
- Page 34: xvi Blues Guitar For Dummies System
- Page 38: 2 Blues Guitar For Dummies You shou
- Page 42: 4 Blues Guitar For Dummies How This
- Page 46: 6 Blues Guitar For Dummies This ico
- Page 50: In this part . . . “Woke up this
- Page 54: 10 Part I: You Got a Right to Play
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20 Part I: You Got a Right to Play
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22 Part I: You Got a Right to Play
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24 Part I: You Got a Right to Play
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26 Part I: You Got a Right to Play
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28 Part I: You Got a Right to Play
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30 Part I: You Got a Right to Play
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32 Part I: You Got a Right to Play
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34 Part I: You Got a Right to Play
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36 Part I: You Got a Right to Play
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38 Part I: You Got a Right to Play
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40 Part I: You Got a Right to Play
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Getting sound to come out All the p
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44 Part I: You Got a Right to Play
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46 Part I: You Got a Right to Play
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48 Part I: You Got a Right to Play
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50 Part I: You Got a Right to Play
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52 Part I: You Got a Right to Play
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54 Part I: You Got a Right to Play
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In this part . . . Part II gets you
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58 Part II: Setting Up to Play the
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60 Part II: Setting Up to Play the
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62 Part II: Setting Up to Play the
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64 Part II: Setting Up to Play the
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66 Part II: Setting Up to Play the
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68 Part II: Setting Up to Play the
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70 Part II: Setting Up to Play the
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72 Part II: Setting Up to Play the
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74 Part II: Setting Up to Play the
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Figure 5-4 is a simple pick-strum p
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The 12/8 groove The 12/8 groove is
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80 Part II: Setting Up to Play the
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82 Part II: Setting Up to Play the
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Track 11 E7 A7 T A B P.M. P.M. P.M.
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86 Part II: Setting Up to Play the
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Shuffle (qr=qce) E7 A/E N.C. E7 A/E
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90 Part II: Setting Up to Play the
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92 Part II: Setting Up to Play the
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The two-beat feel The two-beat feel
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(continued) A7 5fr. A 7 4fr. E7 5fr
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98 Part II: Setting Up to Play the
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100 Part II: Setting Up to Play the
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102 Part II: Setting Up to Play the
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Track 20 N. C. 1324 6fr. A9 1324 4f
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The 8-bar blues The 8-bar blues is
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108 Part II: Setting Up to Play the
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Track 24 (qr=qce) G G6 G G6 C C6 C
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Track 25 Shuffle (qr=qce) A5 A6 A5
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114 Part II: Setting Up to Play the
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Figure 6-15: A two-bar turnaround w
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118 Part II: Setting Up to Play the
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120 Part II: Setting Up to Play the
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122 Part II: Setting Up to Play the
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Track 32, 0:00 Figure 7-4: An eight
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The 5-6 riff is a blues-rhythm hall
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Track 34 Shuffle (qr=qce) A 3 T A B
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Intro, turnaround, and ending riffs
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If the double strikes in the bass g
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Track 37, 0:33 Figure 7-19: A low-n
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136 Part II: Setting Up to Play the
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In this part . . . This part dives
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140 Part III: Beyond the Basics: Pl
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Figure 8-2 features two notes — t
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144 Part III: Beyond the Basics: Pl
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146 Part III: Beyond the Basics: Pl
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Track 45 Shuffle (qr=qce) E7 A7 E7
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Track 46 E7 A7 E7 T A B 0 0 0 0 3 2
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Track 47 Shuffle Figure 8-10: The m
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154 Part III: Beyond the Basics: Pl
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156 Part III: Beyond the Basics: Pl
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158 Part III: Beyond the Basics: Pl
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After you practice Figure 9-3 a bit
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8fr. Track 50, 0:12 Figure 9-6: A l
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phrase. Slides are covered in more
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166 Part III: Beyond the Basics: Pl
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168 Part III: Beyond the Basics: Pl
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170 Part III: Beyond the Basics: Pl
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172 Part III: Beyond the Basics: Pl
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Super blues star Buddy Guy is a mas
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176 Part III: Beyond the Basics: Pl
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178 Part III: Beyond the Basics: Pl
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Track 58, 0:00 Figure 10-6: Three t
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Track 59, 0:14 Figure 10-9: Pull-of
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184 Part III: Beyond the Basics: Pl
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Releasing right on time Letting go
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Track 63 Shuffle (qr=qce) A7 D7 5 7
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190 Part III: Beyond the Basics: Pl
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In this part . . . Part IV contains
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194 Part IV: Sounding Like the Mast
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Track 65 Shuffle (qr=qce) E7 3 A7 3
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Robert Johnson’s music embodied t
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200 Part IV: Sounding Like the Mast
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202 Part IV: Sounding Like the Mast
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204 Part IV: Sounding Like the Mast
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Track 71 Shuffle (qr=qce) C G7 C Fi
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208 Part IV: Sounding Like the Mast
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Open tunings favor the technical si
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Open D has the same relationships b
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214 Part IV: Sounding Like the Mast
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216 Part IV: Sounding Like the Mast
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Muddy Waters, leader of the pack Bo
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220 Part IV: Sounding Like the Mast
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Shuffle (qr=qce) A7 Track 82 T A B
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224 Part IV: Sounding Like the Mast
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Figure 12-8 shows an example of how
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228 Part IV: Sounding Like the Mast
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230 Part IV: Sounding Like the Mast
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Shuffle (qr=qce) A7 E7 Track 88 wit
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234 Part IV: Sounding Like the Mast
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236 Part IV: Sounding Like the Mast
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238 Part IV: Sounding Like the Mast
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funk style into a true psychedelic
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Track 92 Am G 1 5 8 5 8 5 T 7 7 7 5
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The Allmans, especially brother Dua
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You can hear him trade red-hot blue
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Track 95 Shuffle (qr=qce) A * w/pic
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250 Part IV: Sounding Like the Mast
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252 Part IV: Sounding Like the Mast
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In this part . . . There’s more t
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256 Part V: Gearing Up: Outfitting
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258 Part V: Gearing Up: Outfitting
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260 Part V: Gearing Up: Outfitting
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262 Part V: Gearing Up: Outfitting
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264 Part V: Gearing Up: Outfitting
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266 Part V: Gearing Up: Outfitting
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268 Part V: Gearing Up: Outfitting
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270 Part V: Gearing Up: Outfitting
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272 Part V: Gearing Up: Outfitting
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274 Part V: Gearing Up: Outfitting
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276 Part V: Gearing Up: Outfitting
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278 Part V: Gearing Up: Outfitting
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280 Part V: Gearing Up: Outfitting
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282 Part V: Gearing Up: Outfitting
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284 Part V: Gearing Up: Outfitting
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286 Part V: Gearing Up: Outfitting
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288 Part V: Gearing Up: Outfitting
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290 Part V: Gearing Up: Outfitting
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292 Part V: Gearing Up: Outfitting
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294 Part V: Gearing Up: Outfitting
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296 Part V: Gearing Up: Outfitting
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298 Part V: Gearing Up: Outfitting
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300 Part V: Gearing Up: Outfitting
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302 Part V: Gearing Up: Outfitting
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304 Part V: Gearing Up: Outfitting
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306 Part V: Gearing Up: Outfitting
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308 Part V: Gearing Up: Outfitting
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1. Pull on the string, gently but f
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312 Part V: Gearing Up: Outfitting
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314 Part V: Gearing Up: Outfitting
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In this part . . . The Part of Tens
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318 Part VI: The Part of Tens Elmor
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320 Part VI: The Part of Tens TEAM
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322 Part VI: The Part of Tens TEAM
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324 Part VI: The Part of Tens TEAM
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326 Part VI: The Part of Tens Blues
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328 Part VI: The Part of Tens Maste
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In this part . . . The Appendixes p
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The Elements of Music Notation Figu
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334 Part VII: Appendixes TEAM LinG
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336 Part VII: Appendixes TEAM LinG
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338 Part VII: Appendixes TEAM LinG
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340 Part VII: Appendixes TEAM LinG
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342 Part VII: Appendixes Using the
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344 Part VII: Appendixes TEAM LinG
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346 Part VII: Appendixes TEAM LinG
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348 Part VII: Appendixes TEAM LinG
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5. Limited Warranty. (a) WPI warran
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SPORTS, FITNESS, PARENTING, RELIGIO