10.05.2017 Views

ISSUE 3 . MAY 2017

INTERVIEWS GUILLERMO LORCA | YASUAKI OKAMOTO ARTIST OF THE MONTH JULIA BELL   FEATURED ARTISTS RICHARD J OLIVER | NIKLAS ASKER | SPENCER MILLER | VASILISA ROMANENKO | MICHAEL PECK AND MORE...

INTERVIEWS
GUILLERMO LORCA | YASUAKI OKAMOTO

ARTIST OF THE MONTH
JULIA BELL
 
FEATURED ARTISTS
RICHARD J OLIVER | NIKLAS ASKER | SPENCER MILLER |
VASILISA ROMANENKO | MICHAEL PECK AND MORE...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Interview<br />

Guillermo Lorca<br />

Tell me about your background. Where did<br />

your life as an artist begin?<br />

It all started in my childhood if one observed<br />

my behavior was evident that someday would<br />

be an artist. I tended to be immersed in my<br />

thoughts but always doing manual and creative<br />

things. In adolescence, I dedicated my time<br />

more to the sport than to other pastimes. An<br />

injury to my knee gave me some free time. I<br />

remember that there was an image of a Christ<br />

with an interesting perspective that I wanted<br />

to copy. Then I got excited and drew a lot, the<br />

idea of ​dedicating myself to art began to prowl<br />

around my head.<br />

Can you talk a little about your formative<br />

years as an artist?<br />

I took classes with different teachers, but never<br />

more than a couple of months. They were<br />

very useful anyway. Later I went to study art<br />

but much of the time I spent painting in my<br />

workshop, trying to learn the techniques of the<br />

great masters. An excellent book by Velázquez<br />

helped me a lot to learn. It had natural size and<br />

very good resolution of his pictures, always had<br />

it on hand to see how he solved the problem of<br />

painting an eye, skin, etc. I never finished the<br />

art school, I had many disagreements with the<br />

teachers, there was not a good understanding.<br />

A while later I spent a season where Odd<br />

Nerdrum where I could see how he managed to<br />

give that characteristic expressive force in his<br />

paintings.<br />

Another important part of my training was<br />

psychological therapy. It helped me to release<br />

many fears, to handle my feelings, to know me<br />

and others with more wisdom. I think it affected<br />

for the good in my creative process.<br />

What motivates you as an artist?<br />

Being able to communicate things that I am<br />

not able to move to words. Make a beautiful<br />

object of all this tangle of feelings, that if I do<br />

not, they would be lost forever, devoured by the<br />

implacable passage of time.<br />

The act of creating, in general, is tremendously<br />

motivating, as is the value that people give to<br />

your things.<br />

Was creativity a part of your childhood?<br />

Definitely. I used to spend a lot of hours<br />

imagining fantasies of all kinds, playing and I<br />

loved to draw. I was a dinosaur fan.<br />

28 | May <strong>2017</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!