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A <strong>Tale</strong> <strong>of</strong> <strong>Two</strong> <strong>Cities</strong><br />

VI<br />

The Shoemaker<br />

‘Good day!’ said Monsieur Defarge, looking down at<br />

the white head that bent low over the shoemaking.<br />

It was raised for a moment, and a very faint voice<br />

responded to the salutation, as if it were at a distance:<br />

‘Good day!’<br />

‘You are still hard at work, I see?’<br />

After a long silence, the head was lifted for another<br />

moment, and the voice replied, ‘Yes—I am working.’<br />

This time, a pair <strong>of</strong> haggard eyes had looked at the<br />

questioner, before the face had dropped again.<br />

The faintness <strong>of</strong> the voice was pitiable and dreadful. It<br />

was not the faintness <strong>of</strong> physical weakness, though<br />

confinement and hard fare no doubt had their part in it. Its<br />

deplorable peculiarity was, that it was the faintness <strong>of</strong><br />

solitude and disuse. It was like the last feeble echo <strong>of</strong> a<br />

sound made long and long ago. So entirely had it lost the<br />

life and resonance <strong>of</strong> the human voice, that it affected the<br />

senses like a once beautiful colour faded away into a poor<br />

weak stain. So sunken and suppressed it was, that it was<br />

like a voice underground. So expressive it was, <strong>of</strong> a<br />

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