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4.52am Issue: 041 6th July 2017 The Nancy Kells Issue

4.52am You Free Weekly Music and Guitar Magazine With Nancy Kells, Spartan Jet-Plex. Will Hessey, Cymbals, Bronski Beat, REM, The Police, Andreas S Jensen Equitz Guitars Dave Gilmour Fender Guitars...

4.52am You Free Weekly Music and Guitar Magazine
With Nancy Kells, Spartan Jet-Plex. Will Hessey, Cymbals, Bronski Beat, REM, The Police, Andreas S Jensen Equitz Guitars Dave Gilmour Fender Guitars...

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Was it what you expected/what<br />

would you change now?<br />

“I never really had any expectations and<br />

don't think I do now that much either. I<br />

have an idea of what I want and keep on<br />

working on it until it seems right. I don't<br />

think I would change anything because<br />

it all led to where I am today and I am<br />

pretty content with where I am and hope<br />

to keep stretching myself and improving<br />

as a musician.”<br />

You have collaborated with so<br />

many, but how have you found<br />

working with producers?<br />

“I guess you could say Brian with Noxon<br />

Light University and Dan with Zilla-Plex<br />

are producers. With Brian, he sends me<br />

a completed track and then I actually<br />

play instruments on it and also sing and<br />

the parts I do, I produce. Dan probably<br />

does more production with me than<br />

Brian. I send Dan tracks and then he<br />

creates a new song. Essentially<br />

everything that I send him are tracks<br />

from completed songs I wrote and he<br />

creates something new with them.<br />

As far as Spartan Jet-Plex, I do<br />

everything myself, including any<br />

production.<br />

With collaborative stuff, that end of<br />

things generally is also collaborative. I<br />

will admit that I am kind of like a<br />

mamma bear with SJP. Those songs are<br />

my babies and I am not letting anyone<br />

change or influence how they sound as<br />

finished pieces in the end.<br />

Collaborating is a whole other thing<br />

though. With that, there is give and take.<br />

I have a desire to do both and get<br />

different things from doing solo and<br />

collaborative work.”<br />

Thinking about your approach to<br />

songwriting - which comes first -<br />

words or music?<br />

“It is a mix of both. Often one leads the<br />

other and sometimes they come at the<br />

same time.”<br />

How did you learn to write a song?<br />

“Probably just from listening to music. I<br />

haven't had any proper classes on<br />

songwriting. A lot of it is trial and error<br />

and just experimenting and trying<br />

things.”<br />

Which one are you proudest of?<br />

“That's difficult. I think any of the songs<br />

that make it onto an official release are<br />

ones I am proud of. Of course, there are<br />

ones on each album I like most, but in<br />

order for it to have made it onto the<br />

album, I had to have had some kind of<br />

fondness for it.”<br />

Can you tell us more about how your<br />

collaborations actually work,<br />

collaboration with Brian Piccolo,<br />

Noxon Light University?<br />

“Brian sends me a completed song he<br />

created and then I play instruments over<br />

it, usually keys, synth, guitar, and also<br />

vocals.<br />

We have made a few songs with me<br />

sending him instrument samples or tracks

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