Andy Warhol: Redesign
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Double Self-Portrait<br />
1967<br />
Silkscreen on canvas<br />
72 x 72 in<br />
24<br />
ANDY WARHOL, 1928–1987, COMMERCE INTO ART<br />
Golden Shoes, each devoted to film stars such as Mae<br />
West, Judy Garland, Zsa Zsa Gabor, Julie Andrews, James<br />
Dean and Elvis Presley, to authors such as Truman Capote<br />
and to the transvestite Christine Morgan, were received<br />
with approval. He even devoted one set to Margaret<br />
Truman, pianist daughter of President Truman. Sometimes<br />
part of a leg could be seen in a shoe, as in the Mae<br />
West series, but in general these gold-plated profiles of<br />
footwear, intended to represent the stars themselves, were<br />
unadorned by any unnecessary additions. The Madison<br />
Avenue exhibition of 1956 displayed the complete series<br />
of Golden Shoes—a rewarding field for the attentions of<br />
any interested psychologist!<br />
According to Rainer Crone, any traces of the real<br />
<strong>Warhol</strong>—the artist—are lost in a jungle of anecdotes and<br />
tales. Art critics consciously wove a mystery around his life<br />
and work and reduced his personality to useful proportions<br />
in order to play down the uniqueness of his art. But<br />
<strong>Andy</strong> <strong>Warhol</strong> himself was the original source of the tales<br />
that surrounded him—and for a very good reason: you<br />
can only become a star if everybody is talking about you.<br />
<strong>Warhol</strong> never lost sight of his actual goal: being an artist<br />
and—though he never said so—of being a star, according<br />
to Henry Geldzahler, his friend from early days.