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Andy Warhol: Redesign

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Double Self-Portrait<br />

1967<br />

Silkscreen on canvas<br />

72 x 72 in<br />

24<br />

ANDY WARHOL, 1928–1987, COMMERCE INTO ART<br />

Golden Shoes, each devoted to film stars such as Mae<br />

West, Judy Garland, Zsa Zsa Gabor, Julie Andrews, James<br />

Dean and Elvis Presley, to authors such as Truman Capote<br />

and to the transvestite Christine Morgan, were received<br />

with approval. He even devoted one set to Margaret<br />

Truman, pianist daughter of President Truman. Sometimes<br />

part of a leg could be seen in a shoe, as in the Mae<br />

West series, but in general these gold-plated profiles of<br />

footwear, intended to represent the stars themselves, were<br />

unadorned by any unnecessary additions. The Madison<br />

Avenue exhibition of 1956 displayed the complete series<br />

of Golden Shoes—a rewarding field for the attentions of<br />

any interested psychologist!<br />

According to Rainer Crone, any traces of the real<br />

<strong>Warhol</strong>—the artist—are lost in a jungle of anecdotes and<br />

tales. Art critics consciously wove a mystery around his life<br />

and work and reduced his personality to useful proportions<br />

in order to play down the uniqueness of his art. But<br />

<strong>Andy</strong> <strong>Warhol</strong> himself was the original source of the tales<br />

that surrounded him—and for a very good reason: you<br />

can only become a star if everybody is talking about you.<br />

<strong>Warhol</strong> never lost sight of his actual goal: being an artist<br />

and—though he never said so—of being a star, according<br />

to Henry Geldzahler, his friend from early days.

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