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Together4Europe | Munich 2016 | EN

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and communion with God<br />

and man.<br />

• So that´s what it is about:<br />

Preferring the unknown, the<br />

unfamiliar, the marginalized<br />

– as a “learning place” of<br />

faith – in, with, and through<br />

Jesus.<br />

• This especially applies to<br />

the different charisms and<br />

their communion: in Paris in<br />

November 2013 at a meeting<br />

of Together for Europe<br />

with Jean Vanier, founder<br />

of “L’Arche”, it became apparent<br />

to us: one of the real<br />

aims of the charisms is also<br />

to receive the “charism of<br />

the world” and to reflect it<br />

to this world. Vanier’s testimony<br />

has been very impressive:<br />

primarly it´s not<br />

about living with and for<br />

the “addressees” of the Beatitudes<br />

of Jesus, but from<br />

them. In fact they – the supposedly<br />

needy and receiving<br />

ones – are the God-gifted<br />

and giving ones. They are<br />

the bearers of a message, a<br />

presence of God that has to<br />

return to the center of our<br />

societies from their margins.<br />

Klaus Hemmerle, Bishop of<br />

Aachen and religious philosopher<br />

wrote concisely:<br />

“Let me learn from you the<br />

message that I have to pass<br />

to you”.<br />

8 This attitude, however,<br />

requires a “thrust reversal”, a<br />

true metánoia of many a Christian<br />

on their understanding of<br />

themselves and the world. It<br />

calls for a new faith in God’s<br />

love for the world which is revealed<br />

in Christ.<br />

It´s a matter of growing ever<br />

more into a “culture of trust”,<br />

including a worldly trust in<br />

God that is founded in Jesus.<br />

9 Looking up into the dome<br />

of the Circus-Krone building,<br />

we might think of some trapeze<br />

artists. For me, they are the true<br />

artists of de-frightening: Flyers<br />

hovering in the air, always taking<br />

the risk of trust, letting go<br />

and stretching out again for future<br />

spaces. An artistic moment<br />

in that prophetic and always<br />

fragile, risky intermediate state<br />

of “grace and gravity”: the<br />

grace of weightlessness, yet<br />

the creature always having a<br />

knowledge of being held and<br />

secure, in a certain sense “redeemed”<br />

from itself and liberated<br />

for turning towards the<br />

other.<br />

With this in mind, Henri<br />

Nouwen writes: “A flyer must<br />

fly, and a catcher must catch,<br />

and the flyer must trust, with<br />

outstretched arms and open<br />

hands that his catcher will be<br />

there for him. […] Remember<br />

that you are the beloved child<br />

of God. He will be there when<br />

you make your long jump.<br />

Don’t try to grab him; he will<br />

grab you. Just stretch out your<br />

arms and hands – and trust,<br />

trust, trust!“<br />

Dance performance<br />

© Haaf<br />

69

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