03.08.2017 Views

Kanto Journal 3 Volume 2 2017

The Culture and Diaspora issue. A quarterly collaborative journal on architecture, photography, art and design, literature, food, and travel

The Culture and Diaspora issue. A quarterly collaborative journal on architecture, photography, art and design, literature, food, and travel

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ANGLES<br />

You started out as a sushi chef before the founding of the Lab.<br />

What fueled the desire to venture into furniture-making?<br />

Since I was a child, I’ve always been interested in ‘monozukuri’,<br />

spending my free time making and assembling things with my hands.<br />

It just so happened that after the disaster there was a need as well as<br />

an opportunity to get into furniture-making. Over the years, I have<br />

arrived at a personal understanding of what design is, and it is an act<br />

of problem-solving that when combined with DIY can really have a<br />

profound impact in our lives.<br />

Our workshops<br />

can be tailored to<br />

all skill and age<br />

levels as we believe<br />

anyone can benefit<br />

from learning<br />

basic skills of DIY<br />

and being exposed<br />

to learning how<br />

to make things<br />

by hand.<br />

How does the Lab foster knowledge of furniture creation?<br />

How can an interested student join in? Is prior knowledge of<br />

furniture-crafting a requirement?<br />

We run regular DIY woodworking and furniture-making workshops<br />

in Ishinomaki and Tokyo and have had the opportunity to conduct<br />

them internationally in the Philippines, Taiwan, France and Singapore.<br />

Our workshops can be tailored to all skill and age levels as we believe<br />

anyone can benefit from learning basic skills of DIY and being exposed<br />

to learning how to make things by hand. Unlike the current trend of<br />

technology in fabrication, exemplified by the proliferation of 3D printers<br />

and laser cutters, we really champion the idea of low-tech as an accessible<br />

and realistic method for anyone to pick up.<br />

Where do you plan to take Ishinomaki Lab in the future?<br />

Any future projects and initiatives that you can share with us?<br />

Compared to other furniture makers, where we really differ is the<br />

fact that we can directly work with individuals and organizations<br />

by holding these workshops where participants can learn and experience<br />

DIY and furniture-making themselves—the same way we started off as<br />

well. These activities are never a one-way dissemination process, but a<br />

mutual exchange. We are continuously amazed by the quality of designs<br />

24

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!