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Viva Lewes Issue #132 September 2017

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ON THIS MONTH: ART<br />

Focus on: Madrugada jug<br />

by Paul Jackson, 40x40cm, £1500<br />

Madrugada means ‘early morning’ in Spanish,<br />

doesn’t it? Yes, it’s the early morning light you get<br />

as dawn breaks. I adopted the name for a fresh new<br />

body of work I started three years ago. I think the<br />

word has a lovely sound to it. People ask about it<br />

and it helps lead me into talking about my work.<br />

Is there a Spanish look to it? Can I see Picasso<br />

in there? Of course I’m aware of the free energetic,<br />

lively nature of Picasso’s work, though funnily<br />

enough he didn’t use such vibrant colours in his<br />

ceramics. And I’m happy for people to make whatever<br />

connections they like about my work. But the<br />

abstract designs are influenced more by what I see<br />

around me in Cornwall [where he lives]: the sea,<br />

the boat hulls, the sails. Even the form – it’s a rocking<br />

jug – suggests the movement of a boat.<br />

You don’t see many rocking jugs. How did it<br />

come about? Everything starts on the wheel as a<br />

thrown pot. This was just a shape that emerged,<br />

almost by happenstance. It’s become somewhat<br />

iconic: the rocking jug has begun to take on a life<br />

of its own, and people associate the form with me.<br />

Has it got a practical purpose? It’s still hard for<br />

me to dispense with the sense of containership<br />

that pottery necessarily embraces. But after that, it<br />

becomes a piece of whimsy. To be honest, the practical<br />

use of my work isn’t my paramount concern.<br />

I’m more concerned in creating something that is<br />

fun, vibrant and exciting, with a happy, energetic<br />

feel to it. Quite a lot of sculpting goes into it.<br />

Are there any artists that have directly influenced<br />

this work? I’m sure a lot of people’s work<br />

has crept in. When I first saw Sonia Delaunay’s<br />

work, or Russian revolutionary posters of 1917, the<br />

skill and energy sparked a need to try myself and<br />

I strove to assimilate the techniques into my repertoire.<br />

The St Ives School has been an influence;<br />

the simplicity of Terry Frost’s forms. Art is, after<br />

all, other people’s work, recycled. I’ve seen my<br />

ideas in other people’s work, too: it’s very flattering<br />

when that happens.<br />

Take me to a gallery… I’ve been to so many I<br />

can’t remember them all. Let’s go to the V&A. Or<br />

to Tate Britain, which always makes me feel right<br />

at home. Alex Leith<br />

Paul’s Madrugada series will be shown as a solo<br />

show at St Anne’s Galleries, open weekends from<br />

16th Sept - 6th Oct, or by appointment<br />

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