A selection of master drawings 2016
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After a first trial in the area around the<br />
Convent <strong>of</strong> Saint Catherine in Cannaregio,<br />
from March 13 th 1843 the service was limited<br />
to the area around St. Mark’s Square with the<br />
installation <strong>of</strong> 128 gas lamps along the length<br />
<strong>of</strong> the Piazza and the Piazzetta, as well as 49<br />
alongside the Procuratie buildings. Similar<br />
lamps also appear in paintings by Carlo<br />
Canella, Federico Moja and Ippolito Caffi,<br />
created after 1843. A very interesting stylistic<br />
parallel can be drawn with a painting by<br />
Giuseppe Bernardino Bison, which came onto<br />
the market in 1996, depicting the Entrance<br />
to the Library <strong>of</strong> Saint Mark’s. The painting<br />
features a depiction <strong>of</strong> the elegant arched<br />
facade similar to that in the drawing, and the<br />
conception <strong>of</strong> the architectural complex is<br />
similar too, as if the artist had ‘zoomed-in’ on<br />
an area <strong>of</strong> the drawing and adjusted it slightly<br />
to the right to focus on one fascinating detail.<br />
There are no lamps in the painting, and it<br />
must be acknowledged that Bison had left the<br />
Veneto region in 1831 for Lombardy. Despite<br />
these intriguing hypotheses, we are nonetheless<br />
faced with an incongruent chronology which<br />
is difficult to resolve.<br />
Annalisa Scarpa