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A selection of master drawings 2016

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After a first trial in the area around the<br />

Convent <strong>of</strong> Saint Catherine in Cannaregio,<br />

from March 13 th 1843 the service was limited<br />

to the area around St. Mark’s Square with the<br />

installation <strong>of</strong> 128 gas lamps along the length<br />

<strong>of</strong> the Piazza and the Piazzetta, as well as 49<br />

alongside the Procuratie buildings. Similar<br />

lamps also appear in paintings by Carlo<br />

Canella, Federico Moja and Ippolito Caffi,<br />

created after 1843. A very interesting stylistic<br />

parallel can be drawn with a painting by<br />

Giuseppe Bernardino Bison, which came onto<br />

the market in 1996, depicting the Entrance<br />

to the Library <strong>of</strong> Saint Mark’s. The painting<br />

features a depiction <strong>of</strong> the elegant arched<br />

facade similar to that in the drawing, and the<br />

conception <strong>of</strong> the architectural complex is<br />

similar too, as if the artist had ‘zoomed-in’ on<br />

an area <strong>of</strong> the drawing and adjusted it slightly<br />

to the right to focus on one fascinating detail.<br />

There are no lamps in the painting, and it<br />

must be acknowledged that Bison had left the<br />

Veneto region in 1831 for Lombardy. Despite<br />

these intriguing hypotheses, we are nonetheless<br />

faced with an incongruent chronology which<br />

is difficult to resolve.<br />

Annalisa Scarpa

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