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GRAY No_35

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profile<br />

the fridge and keep the lights on after it’s built—is my most<br />

important job as an architect.”<br />

Today, whether he’s working on a $185-per-square-foot first<br />

home or a richly funded dream house, he’s inspired by the phrase<br />

Rural Studio founder Samuel Mockbee painted above the door<br />

“Architecture should be willing to<br />

offend. Otherwise it’s boring.”<br />

—RYAN STEPHENSON, ARCHITECT<br />

of his classroom: “Proceed and Be Bold.” For Stephenson,<br />

boldness is expressed not only through nonconformist design<br />

choices—an outdoor kids’ swing suspended from a cantilevered<br />

second floor; unexpected cladding materials—but<br />

through the architectural act itself. “As designers, we’ve been<br />

given an opportunity to do amazing things, so we should be<br />

bold and do them for other people, not for ourselves,” he says.<br />

To that end, regardless of a project’s scale or budget, he’s onsite<br />

throughout the construction process, “talking to builders<br />

and trying to figure out how to do things better and, honestly,<br />

more cheaply for my clients. There is no reason that simple<br />

and affordable solutions can’t be as beautiful as complex and<br />

expensive ones.”<br />

Mockbee’s motto also inspired Stephenson’s thick-skinned,<br />

bring-it-on attitude toward criticism, in which you can still<br />

glimpse that kid with the nine-trunk treehouse. “I want my work<br />

to evoke emotion both good and bad,” he says. “If you don’t<br />

have equal numbers of people saying, ‘That’s wrong’ and ‘That’s<br />

beautiful,’ then you’re not really pushing anything. I’m okay<br />

with people telling me they don’t like what I do. Architecture<br />

should be willing to offend. Otherwise it’s boring.” ❈<br />

ANDREW POGUE<br />

86<br />

graymag.com

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