musetouch_issue_7
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
George Under<br />
George Underwood was born in 1947. George joined Beckenham Art School in 1963.<br />
At art school George Underwood became more and more interested in music. As a result he<br />
pursued a career in the music world. Along with life long friend David Bowie he made one<br />
record (The King Bees ) and also a solo record under the name Calvin James.<br />
After deciding that the music business was not for him, George returned to art studies and<br />
then worked in design studios as an illustrator. Initially he specialised in fantasy, horror and<br />
science fiction book covers. Many of George Underwood’s colleagues in the music business<br />
asked him to do various art works for them. This led to George becoming a freelance artist.<br />
Art work for the first T Rex album and later David Bowie’s Hunky Dory and Ziggy Stardust<br />
album covers established him as a leading and creative art illustrator.<br />
Over this period George produced literally hundreds of book covers, LP and CD covers,<br />
advertisements, portraits and drawings. At the start of the 1970’s George Underwood started<br />
painting in oils. His paintings were influenced at first by the Viennese School of Fantastic<br />
Realism –artists which included Ernst Fuchs, Rudolph Hausner and Eric Brauer. George regarded<br />
them as contemporary visionaries like Bruegel and Bosch. He was fascinated by their<br />
imaginative visions. Imagination is the key word in George’s paintings. He rarely uses live<br />
models nowadays, prefering to invent people who inhabit their own personal world.<br />
George Underwood paintings are held in many private art collections<br />
“George has, over the years, refined his work to the point where I would put him among the<br />
top figurative painters coming out of the UK right now. There’s a sublime isolation surrounding<br />
his subjects that really touches the viewer, the figures being both heroic and vulnerable<br />
simultaneously. There’s a timeless element in the choice of subject matter that overlaps with<br />
the mythical world of Odd Nerdrum, say. Now that a huge shift to painting is taking place, I<br />
would expect to see George’s name pushed further and further to the front”<br />
David Bowie<br />
<strong>musetouch</strong> 42<br />
georgeunderwood.com