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Vanish Magic Magazine no. 39

World's most popular magazine for those who love magic. The Halloween edition features magic tricks, stories, articles, reviews and news from the world of magic.

World's most popular magazine for those who love magic. The Halloween edition features magic tricks, stories, articles, reviews and news from the world of magic.

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lock of video that is devoid of visual ‘wow’. If they get bored<br />

watching your video, how likely do you think they are to want to<br />

book the act?<br />

I recently got involved in a correspondence with someone<br />

interested in entering the cruise market. His initial video, which<br />

was unavailable online, contained two items that were palpably<br />

unsuitable to send to anyone booking this kind of work, and I<br />

pointed this out. Next he wanted to k<strong>no</strong>w whether a video featuring<br />

needles and razor blades was suitable. NO, <strong>no</strong>t particularly for<br />

this market!<br />

This leads me to one final statement on videos that are designed<br />

to raise work in a specific area. Make sure they are suitable! With<br />

a family audience, it is highly unlikely that any booker wants a<br />

performer who presents magic that could influence young people<br />

and possibly cause them to cause damage to themselves by trying<br />

to emulate it. Look at your market, look at your repertoire and use<br />

your best instinct. If in doubt have several videos (or one video cut<br />

several ways) to cover the various markets you are interested in.<br />

The Wonders of I-Mag.<br />

It can be a wonderful blessing to have a video camera blow up the<br />

action that is taking place on stage, but there are a few points I<br />

would like to make.<br />

1The only point for video support is to supply close-up shots<br />

of the action, important props, selected cards, facial expressions<br />

etc. If the video is just a long shot then it does very<br />

little good. In fact in my opinion it can do harm, as the audience’s<br />

attention is split between the live action and the screen(s) and you<br />

have split the focal point of your audience.<br />

58 VANISH <strong>Magazine</strong> www.<strong>Vanish</strong><strong>Magazine</strong>.com

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