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1981<br />
The Author’s of this book do not endorse the release or purchase of bootlegs.<br />
Please remember, the artists and copyright holders do not get paid<br />
by bootleggers and they are not legitimate/official releases<br />
Due to the volatile nature of prices on auction sites, the author’s have decided not to value any<br />
records or CDs, the book would quickly be out of date if that were the case so they have decided<br />
to indcate how rare they are and how likely they will turn up on auction sites.<br />
The best indication of prices is to be found on Popspike (www.popspike.com)<br />
By the standards The Jam had set themselves to date, 1981 was a quiet year for the band. This was probably the first real sign<br />
that the intensity that had driven the group was taking its toll, particularly on Paul. There was no new album release in the year<br />
to promote, and only two UK singles were issued – Funeral Pyre in May and Absolute Beginners in October. The beginning of the<br />
year had also seen the flood of imported copies of the That’s Entertainment German release, which hit the UK charts. During the<br />
latter part of the year, the band were working on the tracks that eventually made up The Gift LP released in March 1982.<br />
Gig wise things were also fairly low key:<br />
– 6 small UK charity and warm up shows<br />
February/March – 12 date European Sound Affects tour<br />
April – a benefit concert in Liverpool in support of a ‘March Against Unemployment’<br />
May – 5 concerts made up the second tour of Japan, and the fifth USA/Canada tour took in 6 dates<br />
June – 2 shows in Sweden, followed by another Jam show at The Rainbow, London<br />
June/July – the 11 date ‘Bucket And Spade’ UK tour<br />
October – a couple of CND benefit shows in London, particularly notable for a cover of Sandie Shaw’s Long Live Love being<br />
played. Also a very low key appearance on the back of a low loader on the Victorial Embankment. The exact location of this<br />
was changed as the route for the change was altered as advised by the police. A small crowd of around 100 people witnessed<br />
this one-off event!<br />
December – 4 London CND benefit shows; followed by the final show of the year at Golders Green Hippodrome,<br />
London, which was a concert held for the BBC to record the band for their In Concert series, and this was broadcast in February<br />
1982.<br />
In terms of concert recordings, Polydor recorded all 4 of the London December CND shows. The first official release of any of<br />
these tracks came in 1982, with Town Called Malice, from the 14th December Hammersmith Palais show, being used on the 12”<br />
single.<br />
A further 3 tracks from the 14th December recording were released on Dig The New Breed. 1993’s Live Jam compilation<br />
included 3 more tracks from the 14th (including another release for Malice, which Dennis Munday said in the liner notes was “just<br />
too good to be left off and buried in the vaults”), and 3 tracks from the 15th at Hammersmith. 2002 saw the release of The Jam At<br />
The BBC, and this included the 12 tracks from Golders Green recorded on 19th December. In 2015, as part of the 6CD Fire And<br />
Skill live box set, the 14th December recording was released, although not the full show as Start was omitted. The same recording<br />
was then released as a double vinyl album in 2017.<br />
Unofficial audience recordings were plentiful as always, but only a handful of recordings have been issued by the bootleggers<br />
on vinyl and CD over the years.<br />
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