THE DRESS
Martha, haunted by memories of her mother and a broken friendship, uses photography and a chiffon ballgown to try to make sense of it all.
Martha, haunted by memories of her mother and a broken friendship, uses photography and a chiffon ballgown to try to make sense of it all.
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Inspiration, Influences<br />
The work of photographers’ Vivian Maier, Mary Ellen Mark and Gregory Crewdson informs the film’s aesthetic and thematic focus.<br />
Vivian Maier’s beautiful street photography wasn’t discovered after her death and her story and unique view of the world forms a deep<br />
underlying truth for Martha.<br />
Mary Ellen Mark’s critically lauded, long running series, PROM, is a particular inspiration for Martha’s photoshoot in the climatic scenes at the<br />
end of the film.<br />
Gregory Crewdson’s large format atmospheric images of small town USA feed an underlying sense of isolation and the mood of the film. Sofia<br />
Coppola’s effortless ability to connect with the emotional life of her female characters (particularly <strong>THE</strong> VIRGIN SUICIDES and LOST IN<br />
TRANSLATION) and David Fincher’s seamless integration of story, performance and design, together with his exacting framing, are also key<br />
influences.<br />
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