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Acies

This publication accompanies the exhibition “Acies” by Alessandro Di Massimo. It includes texts by Anastasia Philimonos and Alessandro Di Massimo and images of the show. A5, 18 pages, b/w, hand made cover made with sandpaper. First published by the artist for the exhibition “Acies”, 17 – 24 November 2017, The Number Shop, Edinburgh. All rights reserved.

This publication accompanies the exhibition “Acies” by Alessandro Di Massimo. It includes texts by Anastasia Philimonos and Alessandro Di Massimo and images of the show.

A5, 18 pages, b/w, hand made cover made with sandpaper.

First published by the artist for the exhibition “Acies”, 17 – 24 November 2017, The Number Shop, Edinburgh.

All rights reserved.

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of World Trade Organization Ministerial Conference of 1999. 9 The picture<br />

of Giuliani’s dead body with the balaclava and the red fire extinguisher<br />

has been circulated widely and become a symbol of the anti-globalisation<br />

movement. To compose 21 July 2001, Alessandro borrowed from the fatal<br />

scene, the fire extinguisher and Giuliani’s balaclava to dress David, one of the<br />

emblematic objects of Western culture and so-called humanitarian axioms<br />

of Renaissance, a reference that stands in incongruous juxtaposition to the<br />

days of the anti-globalisation protests in Genoa during which occurred ‘[...] a<br />

plethora of documented cases of human rights violations against protesters<br />

[...]’. 10<br />

On the right of Cold War Camouflage, Big Hits is a colour video that consists<br />

of footage entirely found on the World Wide Web. In 15 minutes, Big Hits<br />

displays in chronological order footage of 33 wars that happened between<br />

1983 – the year Alessandro was born – and 2016. Each year signals the<br />

beginning of a different war, which hasn’t necessarily ended. Each footage is<br />

accompanied by a different soundtrack, the song that was the best-selling<br />

song in the UK during the year that the war began, sung as in a karaoke<br />

by Alessandro himself; for instance, the video starts with the Invasion of<br />

Granada and the song Karma Chameleon by Culture Club; 1984 follows with<br />

the Siachen Conflict and the song Do They Know It’s Christmas? by Band<br />

Aid. For Big Hits, Alessandro sourced 30 seconds of footage for each war.<br />

For wars that took place closest to 1983, footage was hard to find, whilst<br />

when found was not long enough and therefore different clips had to be<br />

edited together. On the contrary, for wars closest to today, representations<br />

were found in abundance and great variation. Alessandro tried to remain<br />

as peripheral as possible, to avoid guns, battlefields and bodies in action,<br />

but for the earliest wars, this was not always possible due to the limited<br />

selection of footage available, at least publicly.<br />

From the first year, 1983, to the last, there is a remarkable divergence<br />

in how war is captured. For instance, the Second Chechen War, 1999,<br />

starts with Britney Spear’s Baby One More Time and a long procession of<br />

soldiers walking over what looks like a bridge; some of the soldiers directly<br />

9 For a thorough discussion about the demonstrations and police brutalities surrounding the<br />

27 th G8 Summit and their ramifications to the antiglobalisation movement that also takes into<br />

consideration the attacks on 9/11 and how they have impacted the movement, see Heather<br />

Gautney, Protest and Organization in the Alternative Globalization Era: NGOs, Social Movements, and<br />

Political Parties (Basingstoke: Palgrave Macmillan, 2009) and specifically, ‘The Alternative Globalization<br />

Movement and the World Social Forum’, pp. 13-42.<br />

10 Ibid., p. 46

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