SG MAG NOV P1.pub
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
my writing about my art. My art is not rare because there are few things like it available on the market, but is rare<br />
because there is nothing else on earth that is like it.<br />
When I’m dead and when my art will sell for 1 Billion Dollars each, for Warhol Naked, The Cosmic Firebird, or the<br />
Cosmic Harley, people that want to own a piece of the artist's soul, who created the masterpiece, will gladly<br />
exchange money for that rare thing that can never be duplicated, the original masterpiece that is most closely<br />
associated with the artist in question, and the pieces that will always reign supreme at auction.<br />
These 3 art objects, will continue to define my art and my life's work, "Cosmic Extensionalism," long after I am<br />
gone, and my triptych is written about. If I had not imagined and then created these 3 objects, I strongly feel, my<br />
work as an artist would still be unknown, as my connection with cosmic energy, had not been completely realized,<br />
before 2001, and my creation of Warhol Naked. In the time period of 2001-2010, every great painting including the<br />
Cosmic Motorcycle, was produced.<br />
The Cosmic Firebird Painting Created in 2007, my middle period of Cosmic Extensionalism, for which I later produced<br />
2 Ballets done for film, is the culmination of everything I realized in my cosmic connection to the universal<br />
magic in art. It is nothing like any painting, before or after, and that is what places it exactly in the same category as<br />
Warhol Naked. Indeed there will never be anything like either one of these originals. The third and final piece of the<br />
puzzle of my Art Triptych, symbolizing the completion of my cosmic art journey of discovery, and celebration, happened;<br />
when the painting became alive in the lights of hundreds of photographers from around the world. The<br />
most iconic art motorcycle in history, the "Cosmic" Harley Davidson, literally came to life on Oct. 21, 2010, In Los<br />
Angeles. It has never been duplicated by any artist, or any corporation, and it will remain iconic as long as people<br />
continue to value original concepts that were unique, in capturing the attention of the entire world, and not singularly<br />
only the artistic world. I believe the bold and exotic coloring and shading of paint used in the creation of these<br />
three individual pieces, actually become one “A Triptych”, when viewed with the Harley in the center of the other<br />
originals. By channeling this unlimited cosmic energy into my work, and in creating cosmic extensions inside my art,<br />
is the true foundation of cosmic extensionalism, a kind of art magic, that Warhol recognized when he said my work<br />
was more alchemy than art, thus dubbing me, “The Last Wizard of art," in 1985. I had been experimenting with this<br />
energy and magic my entire life until it formed into a cognitive reality late in 1999, with "The Cosmic Style of Art,"<br />
that I am known for today.<br />
Vincent Van Gogh painted for the last ten years of his life and died at 37 years old. His seminal paintings were done<br />
in the last two years of his life. My work has taken over forty years to reach my peak. The best were created<br />
between 2000-2010. Exactly ten years, like Vincent.<br />
"These 3 pieces are the rarest in symbolic "essence," of art and artist, and each contain the meaning inside Cosmic<br />
Extensionalism Art, 1. Imagined, 2. Defined, and 3. Created, in the 21st Century. When you see them, you will<br />
believe in them also. This is my Triptych of Cosmic Art, and its Extensionalism into the cosmic magic, discovered in<br />
my work, by Warhol.<br />
Jack Armstrong, Original Artist, 2017, "All Rights Reserved."<br />
51