february-2018
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Inside CultureWatch<br />
41 Where the Spirit Calls<br />
Courtney Hall Lee on<br />
And Your Daughters<br />
Shall Prophesy<br />
41 Stories from the<br />
Knife’s Edge<br />
Robert Wilson-Black<br />
reviews Still Christian<br />
43 Myths and Migrants<br />
An interview with<br />
Tisha M. Rajendra on<br />
Migrants and Citizens<br />
Furious, Goliath bore down<br />
upon David, who got him<br />
right between the eyes with<br />
the very first stone. Done.<br />
See Goliath, now historic.<br />
turns winsome and ominous. With title and<br />
highlights in fluorescent orange, the design<br />
is reminiscent of some DayGlo-kissed<br />
whimsy from the 1960s. In the Beginning:<br />
Illustrated Stories from the Old Testament<br />
(Chronicle Books) retells, through images<br />
and spare prose that is both fresh and<br />
respectful of the scriptural sources, core<br />
stories of the Judeo-Christian tradition,<br />
from creation and the Garden of Eden to<br />
Daniel in the lions’ den. Created by French<br />
writer and biblical interpreter Frédéric<br />
Boyer and French illustrator Serge Bloch,<br />
and translated into English by American<br />
poet Cole Swensen, it is a profound work<br />
leavened by gentle playfulness.<br />
In the Beginning (published in France in<br />
2016 as Bible—les récits fondateurs) began<br />
not as a book but as 35 short animations<br />
Boyer and Bloch created for the independent<br />
French Catholic publishing company<br />
Bayard. This is evident in the simple, energetic<br />
illustrations and concise narratives<br />
of the book. (The site bible-recits.com has<br />
links to 15 of the animated chapters on<br />
YouTube—they are engaging even if you<br />
cannot understand the French narration—<br />
and video interviews in French with Boyer,<br />
Bloch, theologians, and biblical scholars.<br />
Boyer also supervised a team of biblical<br />
scholars and contemporary writers for a<br />
French translation of the Bible published<br />
by Bayard in 2001.)<br />
Serge Bloch is a prolific illustrator for<br />
newspapers, magazines, children’s books,<br />
and animated series. His illustrations here<br />
are dominated by loosely drawn characters,<br />
Memory is on our side—<br />
stories of the past help us<br />
know who we are.<br />
with soft spot washes of color and texture.<br />
More detailed drawings, often of anachronistic<br />
objects—a brick wall, a throne,<br />
factory equipment, the Eiffel Tower (topping<br />
the tower of Babel)—are at times<br />
layered in. Bloch often employs Ralph<br />
Steadman-style ink blotches and distortion<br />
to emphasize the danger and chaos of apocalyptic<br />
visions or tales of earthly horror.<br />
Sex and violence are frequent themes, but<br />
the illustration style is not exploitative or<br />
explicit. Although this seems a book most<br />
fully meaningful to adults and teenagers,<br />
it is not inappropriate for mature children.<br />
The 35 chapters pull substantially from<br />
the books of Genesis and Exodus, but also<br />
from other books with a clear narrative<br />
structure, including Joshua, Judges, Ruth,<br />
Esther, Jonah, and Job. But Boyer and<br />
Bloch also illuminate the Song of Songs,<br />
the Psalms, the poetry of the prophets<br />
Isaiah, and the strange visions of Ezekiel.<br />
The chapters each open with a title page<br />
and a blurb announcing what is to follow,<br />
often subtly wry. Chapter 27, for example,<br />
is “Isaiah’s Visions or A Mysterious<br />
Liberator ... In which we learn of the events<br />
that followed the catastrophe of exile. And<br />
a prophet who sees what no one else wants<br />
Continued on Page 39<br />
New & Noteworthy<br />
Mavis<br />
Staples<br />
A Voice of Compassion<br />
Artist and activist Mavis Staples<br />
speaks to the increasing social divide<br />
in her latest album, If All I Was Was<br />
Black. In this interracial and multigenerational<br />
project, Staples doesn’t shy<br />
away from anger but, as always, her<br />
ultimate message is the promise of<br />
positive change. Anti- Records<br />
Peacemaking with Purpose<br />
Jon Huckins and Jer Swigart, cofounders<br />
of The Global Immersion<br />
Project, believe peacemaking practices<br />
should be grounded in Jesus’<br />
teachings. Mending the Divides:<br />
Creative Love in a Conflicted World<br />
is full of stories, insights, and questions<br />
for discussion and shows what<br />
it means to live as a true global citizen.<br />
InterVarsity Press<br />
More than an Education<br />
Emmy-winning documentarian<br />
Stanley Nelson tells the story of<br />
historically black colleges and universities<br />
in “Tell Them We Are<br />
Rising.” With commentary by historians,<br />
scholars, alumni, and current<br />
students, the documentary masterfully<br />
explores the impact of HBCUs<br />
in America, then and now.<br />
hbcurising.com<br />
No Ordinary Time<br />
Kaitlin B. Curtice, a Native American<br />
Christian writer, speaker, and worship<br />
leader, invites readers to explore<br />
what “glory” means in her book,<br />
Glory Happening: Finding the Divine<br />
in Everyday Places. Through stories<br />
and prayers, Curtice reveals that<br />
the divine can be encountered in<br />
the most ordinary of circumstances.<br />
Paraclete Press<br />
FEBRUARY <strong>2018</strong> sojourners 37