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CARE Affair #11 - Power

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That makes it all the more important<br />

to protect refugees like Begum.<br />

It is not only essential to have the<br />

person’s written agreement to the<br />

photographs; we must also judge in<br />

each case whether a photo could<br />

endanger the person. In the case of<br />

children, the parent or legal guardian<br />

must give their agreement, but here<br />

too we must first take a very critical<br />

look at the issue of whether images<br />

and stories can reopen wounds<br />

or damage the child’s wellbeing.<br />

Photos are essential to give an<br />

impression of the situation on the<br />

ground. Photos give the viewer an<br />

insight into the lives of people who<br />

live in distant places and who need<br />

our help and solidarity. A degrading,<br />

dishonest or insulting portrayal of<br />

need and misery is not only wrong; it<br />

is simply immoral. But it is also<br />

important to present the affected<br />

people’s living conditions realistically.<br />

In the areas where I work for <strong>CARE</strong>, it<br />

is unfortunately not unusual that a<br />

child is severely malnourished and<br />

wearing ragged, dirty clothes, or that<br />

an older person is suffering from a<br />

disease, and close to death. That<br />

doesn’t mean however that I should<br />

expose these people in their deepest<br />

suffering in order to shock. Would I<br />

want strangers to take photographs of<br />

me if I had no clothes on? Would I<br />

want a picture of my child to be on a<br />

poster in a big city, if I hadn’t agreed<br />

to this? We would all answer these<br />

questions with a loud “No”, for sure.<br />

Yet the need is real. Aid<br />

organizations like <strong>CARE</strong> work on<br />

behalf of women, men and children,<br />

who in some cases are living in<br />

degrading conditions. It is our duty to<br />

inform the public about humanitarian<br />

crises and to appeal to do something<br />

for these people. One aspect of this is<br />

also to describe the victims’ living<br />

conditions realistically and to make<br />

clear how the situation can be<br />

changed for the better. So in every<br />

crisis it is and remains a balancing act<br />

between ethics, reality and public<br />

attention.<br />

My deployments to areas of<br />

conflict and crisis have changed my<br />

point of view. Now when I walk<br />

through the mall, I don’t see staged<br />

images of starving African children<br />

on the billboards and screens. I see<br />

children like Deez and hope that the<br />

attention and donations that these<br />

photos generate will enable him and<br />

many others to survive.<br />

That’s poverty porn. Isn’t it?<br />

105

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