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Cundo Bermudez<br />

Cuba, 1914-2008<br />

“When I was young I wanted to be a writer; although I studied at San Alejandro, I never intended to take<br />

art seriously… I have fun at what I do; the pleasure I get from painting is vital for me. I enjoy art like Mozart<br />

enjoyed his music. Some people are concerned over philosophic pustulates, over universal chaos, over<br />

the atomic bomb; for me, painting is a celebration of form and color, and nothing more. I left Cuba<br />

absolutely disillusioned, perhaps because I had believed totally in the revolution. Between 1962 and 1967,<br />

the government obliterated me; I was neither harassed nor prosecuted, simply ignored. Exile has affected<br />

the individual not the artist; when I arrived in Puerto Rico, I felt as if I had reached a region of Cuba I had<br />

not known previously. In a way, I still feel uprooted, for I do not feel at home anywhere.”<br />

ARTISTS QUOTE<br />

“One of the painters who has contributed most brilliantly to the historical panorama of modern Cuban<br />

painting is Cundo Bermúdez… Most of the scholars who have written about the art of Bermúdez have<br />

concentrated on his cubanidad or Cuba-ness. Indeed, among the most apparent aspects of his diverse<br />

oeuvre are the forms and colors of Cuban architecture, its decorative elements and the vivid suggestions<br />

of indigenous floral forms.” (1999)<br />

EDWARD SULLIVAN, ART HISTORIAN, SOTHEBY’S ESSAY

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