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Cundo Bermudez<br />
Cuba, 1914-2008<br />
“When I was young I wanted to be a writer; although I studied at San Alejandro, I never intended to take<br />
art seriously… I have fun at what I do; the pleasure I get from painting is vital for me. I enjoy art like Mozart<br />
enjoyed his music. Some people are concerned over philosophic pustulates, over universal chaos, over<br />
the atomic bomb; for me, painting is a celebration of form and color, and nothing more. I left Cuba<br />
absolutely disillusioned, perhaps because I had believed totally in the revolution. Between 1962 and 1967,<br />
the government obliterated me; I was neither harassed nor prosecuted, simply ignored. Exile has affected<br />
the individual not the artist; when I arrived in Puerto Rico, I felt as if I had reached a region of Cuba I had<br />
not known previously. In a way, I still feel uprooted, for I do not feel at home anywhere.”<br />
ARTISTS QUOTE<br />
“One of the painters who has contributed most brilliantly to the historical panorama of modern Cuban<br />
painting is Cundo Bermúdez… Most of the scholars who have written about the art of Bermúdez have<br />
concentrated on his cubanidad or Cuba-ness. Indeed, among the most apparent aspects of his diverse<br />
oeuvre are the forms and colors of Cuban architecture, its decorative elements and the vivid suggestions<br />
of indigenous floral forms.” (1999)<br />
EDWARD SULLIVAN, ART HISTORIAN, SOTHEBY’S ESSAY