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Unnatural Nature

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Patrick Dougherty is best known for his sculptures that break down over time. You<br />

may have seen one of his temporary works without realizing it. Built primarily from<br />

tree saplings woven together, each sculptures is approximately a three-week construction<br />

project where Dougherty and his group of volunteers carefully create the<br />

habitat or environment of this a tangled web of all natural materials. Because the<br />

sculptures are made of organic matter they disintegrate, break down and fall apart,<br />

becoming part of the landscape once again. Most people see habitats and shelters in<br />

his work – which is what many of them are meant to be – but “castles, lairs, nests<br />

and coccoons” isn’t what usually comes to mind. In an interview with Dougherty for<br />

the New York Times, Penelope Green discusses his only permanent work and the<br />

origin of his interest in what is referred to as Stickwork, now available through<br />

Princeton Architecture Press.<br />

Patrick Dougherty has made over 200 sculptures in the 25 years that he has been<br />

creating Stickwork. But his construction work began when he was 28, working for<br />

the Air Force in the health and hospital administration. He decided to buy property<br />

in North Carolina and build his own house from the materials on the site. Collecting<br />

fallen branches, rocks and old timber, Dougherty was able to construct his home, in<br />

which he still lives with his wife and son, with a few additions. By 36, Dougherty<br />

decided to return to school for sculpture and attended the art program at the

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