Unnatural Nature
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Patrick Dougherty is best known for his sculptures that break down over time. You<br />
may have seen one of his temporary works without realizing it. Built primarily from<br />
tree saplings woven together, each sculptures is approximately a three-week construction<br />
project where Dougherty and his group of volunteers carefully create the<br />
habitat or environment of this a tangled web of all natural materials. Because the<br />
sculptures are made of organic matter they disintegrate, break down and fall apart,<br />
becoming part of the landscape once again. Most people see habitats and shelters in<br />
his work – which is what many of them are meant to be – but “castles, lairs, nests<br />
and coccoons” isn’t what usually comes to mind. In an interview with Dougherty for<br />
the New York Times, Penelope Green discusses his only permanent work and the<br />
origin of his interest in what is referred to as Stickwork, now available through<br />
Princeton Architecture Press.<br />
Patrick Dougherty has made over 200 sculptures in the 25 years that he has been<br />
creating Stickwork. But his construction work began when he was 28, working for<br />
the Air Force in the health and hospital administration. He decided to buy property<br />
in North Carolina and build his own house from the materials on the site. Collecting<br />
fallen branches, rocks and old timber, Dougherty was able to construct his home, in<br />
which he still lives with his wife and son, with a few additions. By 36, Dougherty<br />
decided to return to school for sculpture and attended the art program at the