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"On the Firing Line with the Germans" Film Annotations (2017)

Film annotations, describing the making of Wilbur H. Durborough's World War I feature film "On the Firing Line with the Germans (USA, 1915) by authors Cooper C. Graham, Ron van Dopperen and James W. Castellan (April 2017). For more information visit our weblog http://shootingthegreatwar.blogspot.nl The movie can be watched on our YouTube channel: https://youtu.be/958QR_Cdg5U

Film annotations, describing the making of Wilbur H. Durborough's World War I feature film "On the Firing Line with the Germans (USA, 1915) by authors Cooper C. Graham, Ron van Dopperen and James W. Castellan (April 2017).

For more information visit our weblog http://shootingthegreatwar.blogspot.nl
The movie can be watched on our YouTube channel:

https://youtu.be/958QR_Cdg5U

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Figure 11. Frame enlargement from <strong>the</strong> Durborough film. Intertitle: "Soldier who has lost both hands now able to do many<br />

things <strong>with</strong> artificial devices."<br />

Professor Heinrich Hoeftmann was one of <strong>the</strong> world’s most famous doctors who worked <strong>with</strong> artificial<br />

limbs. He started his practice in Königsberg in 1880 but became more interested in social medicine than<br />

orthopedics, and in 1911 opened <strong>the</strong> Krüppel-Heil-und-Lehranstalt für Ostpreussen zu Königsberg. In<br />

accordance <strong>with</strong> <strong>the</strong> new accident insurance laws he opened <strong>the</strong> Welfare Organization for Cripples to<br />

rehabilitate <strong>the</strong> victims. During <strong>the</strong> First World War, he advised <strong>the</strong> I. Armeekorps (Prussia), whose<br />

headquarters was in Königsberg. Since <strong>the</strong> military representing <strong>the</strong> I. Armeekorps was involved in <strong>the</strong><br />

planning for Königsberg, no doubt it had something to do <strong>with</strong> <strong>the</strong> appearance of Dr. Hoeftmann’s clinic.<br />

It is possible that Durborough did not take <strong>the</strong> above photograph – <strong>the</strong>re were o<strong>the</strong>r photographers<br />

along on <strong>the</strong> trip – but it is almost certain that it was taken at <strong>the</strong> same photo and film session arranged<br />

for correspondents at which Durborough filmed <strong>the</strong> scene. The subject is <strong>the</strong> same identically dressed<br />

man and <strong>the</strong> studio, including <strong>the</strong> hanging lamp and <strong>the</strong> furniture in <strong>the</strong> background, is <strong>the</strong> same.<br />

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