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Brown Club of Philadelphia - Brown Alumni Association - Brown ...

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<strong>Philadelphia</strong> BASC Report<br />

By Meryl Smith Raskin ‘66, P’97<br />

BASC Area Coordinator<br />

Here’s the report for Early Decision applicants for the class<br />

<strong>of</strong> 2015:<br />

Total Applied = 77<br />

Total Accepted = 20<br />

Total Deferred = 47<br />

Total Denied = 8<br />

Total Withdrew before Decision = 2<br />

Number <strong>of</strong> interviewers = 57<br />

If you would like to interview prospective students, please<br />

contact these BASC Area Chairs.<br />

<strong>Philadelphia</strong> North:<br />

Leslie K. Siegel, ‘83 siegel31@comcast.net<br />

Jennifer Keller, ‘82 jenkeller403@gmail.com<br />

<strong>Philadelphia</strong> West:<br />

Ge<strong>of</strong>f Scott, ‘76<br />

gc_scott@comcast.net<br />

Dena Meyer Weker, ‘76 dmweker@comcast.net<br />

<strong>Philadelphia</strong> Central:<br />

Jennie Pritzker, ‘00 jenniepritzker@gmail.com<br />

(In The Spotlight, cont’d. from page 1)<br />

members for letting me join. We had some very talented singers<br />

and great people. We went to Bermuda during spring break<br />

1973 and had a great time, singing two shows a day.<br />

Was there a pr<strong>of</strong>essor who took a personal interest in you?<br />

Bill Ermey helped but the group was mostly student-run.<br />

Jon O’Brien was the driving force in the early days.<br />

Can you tell if the Jabberwocks has changed from your<br />

time in it?<br />

Absolutely. I think the Jabberwocks disappeared in Spring<br />

1975. I was away from campus. When I returned, I joined<br />

the High Jinks which had started up that year. The Wocks<br />

were reconstituted and returned to their roots as an all-men’s a<br />

capella group. Then, we were very laidback, singing folk music.<br />

It’s much more polished and pr<strong>of</strong>essional now.<br />

How has your experience with the Jabberwocks affected<br />

your life since <strong>Brown</strong>?<br />

I was in a barbershop quartet in graduate school and in my<br />

first job. I have remained in contact with Amy Paller through<br />

our careers. Jon Huyck and others have done a great job <strong>of</strong><br />

tracking down Wock alums and keeping us connected. I would<br />

love to devote more time to singing, but my 50-mile commute<br />

to work is too long.<br />

How about the popularity <strong>of</strong> Glee and Sing-Off?<br />

I think it is great that such talents are on display in such<br />

popular shows. The variety <strong>of</strong> music and presentations by a<br />

capella groups is really impressive. I love a very good blend; the<br />

excitement is when you get four voices that click. It’s like an<br />

oscilloscope—I’m picturing a wave pattern, an overlap <strong>of</strong> all<br />

the voices in tune. An amazing feeling.<br />

(Scholar, from page 1)<br />

Even though I find it quite difficult to choose my favorite<br />

class, I would have to say that Introduction to Creative<br />

Nonfiction with Pr<strong>of</strong>essor Ed Hardy was particularly enjoyable<br />

for me. Pr<strong>of</strong>essor<br />

Hardy created a workshop environment that was conducive<br />

to honest critiques <strong>of</strong> each others’ writing. Instead <strong>of</strong> knocking<br />

down each other’s work, it was about providing criticism that<br />

would prove to be truly helpful. He supplemented this with<br />

his own thoughtful comments on our pieces.<br />

In addition to my classes, last year I was on the editorial<br />

board <strong>of</strong> a literary magazine on campus called the Round.<br />

Having spent most <strong>of</strong> my high school career working on a<br />

newspaper, I wanted to try something different. Working at<br />

the Round allowed me to shift gears from the pure journalism<br />

<strong>of</strong> newspaper work to something that more aptly matched my<br />

interests in creative nonfiction. I continue to participate in the<br />

Round this year.<br />

I spent my summer as an editorial intern at <strong>Philadelphia</strong><br />

Magazine. I did everything from fact-checking and making<br />

copies, to doing the research for pieces that ran in print and<br />

contributing to one <strong>of</strong> the magazine’s blogs. The time I spent<br />

there and the work I did confirmed in my mind that magazine<br />

work is what I would like to do in the future.<br />

Since I can remember, I have been filled with the same<br />

nervous excitement before the first day <strong>of</strong> school. As I<br />

prepared to come back to <strong>Brown</strong> this year, I experienced that<br />

edgy thrill once again. You truly have played a great part in<br />

making me this happy. My family is currently experiencing<br />

the difficulties <strong>of</strong> this tough economy in a very real way. My<br />

father is unemployed and without your help, the education that<br />

I am receiving would be utterly unattainable. So even though<br />

my family does not know you personally and has never even<br />

seen your faces, please know that you form a very real and<br />

important part <strong>of</strong> our lives. You make my reality possible, and<br />

for that my family and I extend our deepest gratitude. Thank<br />

you.<br />

Sincerely,<br />

Kevin Pires<br />

Save the Date:<br />

Pr<strong>of</strong>essor Kurt A. Raaflaub will speak on<br />

“All Ways Lead to <strong>Brown</strong>: What Is Special about <strong>Brown</strong>, and<br />

Why Does Ancient History Matter Today?”<br />

on Sun April 3 at 5 pm<br />

Evite to follow.

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