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Clown of The Year<br />

Judy Quest


Page 2<br />

The New Calliope


Meet Our Clown of the Year: Judy “Dear Heart” Quest<br />

The reason for Judy’s<br />

nomination was simply<br />

stated as: “Judy Quest is<br />

being nominated because<br />

she not only brings many,<br />

many smiles each and every<br />

year, but she tirelessly trains<br />

clowns young and old, promotes<br />

community within<br />

the clown world and works<br />

to promote the good name<br />

of clowning wherever she<br />

goes.”<br />

Judy is known not only<br />

for her great clown skills<br />

but her dedication to the art<br />

form and her desire to teach<br />

it in order to expand the<br />

horizons. Here are some of<br />

the comments fellow clowns<br />

had to say about our newest<br />

COAI Clown of the Year.<br />

LaVonne “Yo Yo”<br />

Krumel: “During my three<br />

years as president of our<br />

local alley I have always<br />

counted on her knowledge<br />

and experience. She has<br />

proposed many new ideas<br />

and also provided the ability<br />

and effort to help carry them<br />

out. She has taught classes,<br />

opened her home for activities<br />

and been inspirational<br />

to new clowns.”<br />

Judy Quest.<br />

Kate Sommer (Past<br />

President of Nebraska<br />

Komen for the Cure):<br />

“Since 2000, Judy, her alley,<br />

family members and students<br />

have clowned for the Komen<br />

Nebraska Race for the Cure,<br />

an event that asks volunteers<br />

to sacrifice sleeping in on<br />

Sunday morning and spending<br />

time with loved ones<br />

at home. The minute I approached<br />

Judy about volunteering,<br />

she was game!”<br />

Grace “Blossom”<br />

Vandemark: The time and<br />

effort Judy has given as a<br />

supportive member and officer<br />

of COAI are endless.<br />

Her leadership is always<br />

given with the same selfless<br />

caring heart and positive<br />

wisdom to see the whole<br />

picture for the benefit of the<br />

organization and its future!”<br />

Judy (back) is pictured here with her friend Happy Heart along<br />

with two of their students as they visit a special youngster.<br />

Dr. Michael E. Crawford<br />

(Director of Recreational<br />

Therapy, Munroe Meyer<br />

Institute for Genetics and<br />

Rehabilitation): “Judy<br />

Quest’s energy and efforts<br />

have helped to make our<br />

programs a much warmer<br />

and happier place for children<br />

and families. She has<br />

given tremendous energy,<br />

time, and literally hundreds<br />

of hours of volunteer service<br />

to our participants.”<br />

Margaret (Peg) Watkins:<br />

“Judy talked to me about<br />

a program she was offering<br />

through the network of<br />

Sacred Hearts schools that<br />

taught girls (later to include<br />

boys) from around the country<br />

the fine art of clowning.<br />

The attendees were housed<br />

at her home, fed by her<br />

family and volunteers, and<br />

spent a number of weeks<br />

learning skits, designing<br />

costumes, fine tuning performances,<br />

and performing<br />

for a variety of audiences.<br />

We were blessed to be a<br />

location where her troupe<br />

performed.”<br />

Rev. Thomas O’Neill:<br />

“Dear Heart readily agrees<br />

to clown at various occasions<br />

throughout the years,<br />

even when it is 100 degrees<br />

in the shade. She is a busy<br />

woman in her life yet finds<br />

time to provide joy to others.”<br />

Brenda “Flower”<br />

Marshall: “Judy constantly<br />

exhibits the true heart of a<br />

clown in her performances<br />

for audiences of all ages and<br />

abilities.”<br />

continued on page 5<br />

Jan/Feb <strong>2008</strong> Page 3


Your COAI Officers<br />

EXECUTIVE COMMITTEE<br />

DIRECTORS<br />

President:<br />

Paul Kleinberger II<br />

2 Maple Ln. N.<br />

Loudonville, NY 12211<br />

(518) 489-2680<br />

FuddiDuddy@aol.com<br />

Exec. Vice President:<br />

Pamela Bacher<br />

3019 Smiley Rd.<br />

Bridgeton, MO 63044<br />

(314) 291-2048<br />

p.bacher@sbcglobal.net<br />

Secretary:<br />

Teresa Gretton<br />

3411 Lisa Circle<br />

Waldorf, MD 20601<br />

(301) 843-8212<br />

gretton@verizon.net<br />

Treasurer:<br />

Claudia Keener<br />

341 Miles Ave. N.W.<br />

Warren, OH 44483<br />

(330) 847-8221<br />

claudideo@yahoo.com<br />

Sergeant-at-arms:<br />

Michael B. Cox<br />

9415 Alameda Ave.<br />

Richmond, VA 23294<br />

(804) 270-1165<br />

bonkerstc@aol.com<br />

Membership:<br />

Bonita Love<br />

4916 W. Mountain View Dr.<br />

San Diego, CA 92116<br />

(619) 282-9668<br />

bonbonsandiego<br />

@yahoo.com<br />

Education:<br />

Merilyn Barrett<br />

5607 Gatlin Ave. Apt. H<br />

Orlando, FL 32812<br />

(407) 277-9509<br />

klownkop@prodigy.net<br />

Conventions:<br />

Patricia Roeser<br />

2840 Jordan Dr.<br />

Woodbury, MN 55125<br />

(651) 578-1573<br />

coaidrconv@aol.com<br />

Alley, Region Support:<br />

Catherine Hardebeck<br />

6027 Deerwood Dr.<br />

St. Louis, MO 63123<br />

(314) 481-6808<br />

catheoh@aol.com<br />

Director At Large<br />

Cheri Venturi<br />

P.O. Box 4382<br />

Chesterfi eld, MO 63006<br />

(877) 569-9447<br />

cherioats@aol.com<br />

REGIONAL VICE PRESIDENTS<br />

Northeast:<br />

Bill Le Blanc<br />

2 Dee Jay Road<br />

East Bridgewater, MA 02333<br />

(508) 378-1545<br />

bildabbles@aol.com<br />

North Central:<br />

Connie Kennedy<br />

2000 S. Mustang Rd #2402<br />

Yukon, OK 73099<br />

(405) 273-1244<br />

cskherron@aol.com<br />

Northwest:<br />

Albert Alter<br />

5848 S.E. 18th Ave.<br />

Portland, OR 97202<br />

(503) 231-8576<br />

altered@europa.com<br />

Mideast:<br />

Tom King<br />

704 Bona Vista Place<br />

Charleston, WV 25311<br />

(304) 926-6408 (O),<br />

(304) 542-6408 (C)<br />

clown.tomeboy@earth1.net<br />

Midwest:<br />

Hazel Ovanin<br />

5344 Seminole Ct.<br />

Commerce Township, MI<br />

48382<br />

(248) 684-4748<br />

hovanin@comcast.net<br />

Southeast:<br />

Harriet Rubin<br />

7508 La Paz Court<br />

Apt 205<br />

Boca Raton, FL 33433<br />

(561) 362-6695<br />

summer (570) 775-6365<br />

FloraBelle10@aol.com<br />

South Central:<br />

Toni Dufrene<br />

4520 St. Mary Street<br />

Metairie, LA 70006-2030<br />

(504) 812-9003 (C)<br />

(504) 469-4740 (O)<br />

jtduf@cox.net<br />

Southwest:<br />

Candy Will<br />

32302 Alipaz St. #193<br />

San Juan Capistrano,<br />

CA 92675<br />

(949) 489-9971<br />

clownbutterscotch@<br />

yahoo.com<br />

Canada:<br />

Bridget White<br />

244 Gratton Rd.<br />

Thunder Bay, ONT<br />

P7G 1S3<br />

(807)767-2364<br />

parkave@tbaytel.net<br />

Latin Countries:<br />

Angel Morales<br />

24 RR5 Jardines de<br />

Caparra, Bayamon,<br />

PR 00959<br />

(787) 798-7041<br />

jobolin@onelinkpr.net<br />

International<br />

Rick Danielson<br />

PSC 80, Box 22148<br />

APO, AP 963670000<br />

jellybean@japan.com<br />

STAFF<br />

Business Manager: Shirley Long<br />

P.O. Box C, Richeyville, PA 15358-0532<br />

Ph./Fax (724) 938-8765<br />

(call for confirmation of<br />

receipt) or (888) 52CLOWN<br />

coaibusinessmgr@aol.com<br />

The New Calliope Editor:<br />

Pat & Tom Newton<br />

c/o Newton Studios, Inc.<br />

370 W. Dearborn St., #B<br />

Englewood, FL 34223<br />

Ph.(941) 474-4351<br />

Fax (941) 474-8317<br />

NewCalliopeEditor@comcast.net<br />

NewCalliopeAds@comcast.net<br />

Webmaster: Steven Fowler<br />

985 Sunrise Circle<br />

Palm Harbor, FL 34683<br />

(727) 224-5394<br />

steve@binkypro.com<br />

STANDING COMMITTEES<br />

Bylaws and Rules: Pam Bacher,<br />

Cheri Venturi and Cleon Babcock.<br />

Clown Week: Jay Phillips, 15 Ivy<br />

Circle, Bentonville AR 72712,<br />

stacyp34@yahoo.com<br />

Competition: Cathy Mackey, 151<br />

Route 28B, Valatie NY 12184-0000,<br />

(518) 784-2127 ctots@aol.com,<br />

Pat Roeser, Karen Reinholt, and Bill<br />

LeBlanc.<br />

Ethics and Grievance: Albert Alter,<br />

Pam Bacher, Cheri Venturi and<br />

Bonita Love.<br />

Junior Joeys: Candy Will, Ricky<br />

Burns, Alex Zabrusky, James<br />

Cunningham, and Chrissy Will.<br />

Public Relations: Judy Johnson, Paul<br />

Miller, Bianca Estrada, and Eric<br />

Plough.<br />

Historian: Walt Lee, Jeannie Woska,<br />

Pat Cashin and Teresa Gretton.<br />

Good Cheer: Fred Scholsshauer,<br />

8 Alanon St., Whippany NJ 07981<br />

(973) 887-2617 oscarboj@aol.com<br />

Merchandise: Mike Cox, Bridget<br />

White, Bill LeBlanc, Harriet Rubin,<br />

Connie Kennedy, and Toni Dufrene.<br />

Clowning 101 Revision: Cheri<br />

Venturi, Angel Morales, and Pat<br />

Roeser.<br />

Parliamentary Procedure Advisor:<br />

Cleon Babcock.<br />

Regional Ambassador<br />

Appointments: Cathy Hardebeck<br />

and Angel Morales.<br />

International Ambassador Program<br />

and Appointments: Keith “Toby”<br />

Stokes..<br />

COAI WEB SITE: www.coai.org<br />

To subscribe to COAI’s electronic<br />

community, e-mail:<br />

COAI-Subscribe@yahoogroups.com<br />

Clowns of America International, Inc.,<br />

Annual Membership Fees<br />

US New Members: $40 • US Renewals: $35<br />

Seniors (65+): $30 • Senior Renewal: $25<br />

Junior Joey: $30 • Junior Joey Renewal: $25<br />

Internat’l New: $45 (US funds) • Internat’l Renewal: $40<br />

Internat’l Senior: $35 • Internat’l Senior Renewal: $30<br />

Family membership, US and Internat’l: $17<br />

Lifetime membership: $500<br />

Membership includes one-year subscription to<br />

The New Calliope. Subscriptions are available only to full members of<br />

Clowns of America International, Inc.<br />

Send all membership fees to<br />

Clowns of America International, Inc. Business Manager:<br />

P.O. BOX C, Richeyville, PA 15358-0532.<br />

Make all checks payable to Clowns of America International, Inc.<br />

Questions regarding COAI membership concerns, including status of<br />

membership, change of address, failure to receive The New Calliope,<br />

should be referred to the COAI's business office.<br />

Toll free 9 am to 5 pm (EDT)<br />

Wed and Thurs<br />

1-888-52-CLOWN


The New<br />

C◆A◆L◆L◆I◆O◆<br />

P◆E<br />

ARTICLES<br />

Meet Our Clown of the Year .... 3<br />

Clowning in Excellence ............ 7<br />

Join An Alley? ....................... 33<br />

Meet Red Hawk ..................... 37<br />

Boosting Membership ........... 41<br />

New Ballot Procedures .......... 47<br />

FEATURES<br />

Dear Aunt Clowney ................ 18<br />

Look Who’s Reading<br />

The New Calliope! ................ 32<br />

Calendar ................................ 42<br />

Last Walk-Arounds ............... 45<br />

Foto Funnies .................... 48-49<br />

Classifieds ............................. 50<br />

SKILLS/IDEAS/TIPS<br />

Wig Care ............................... 20<br />

Make-Up Application ............. 23<br />

Puppetry ............................... 25<br />

How To Touch a Clown Nose . 26<br />

COAI NEWS<br />

President’s Comments ............ 9<br />

Fall Board Meeting Report ..... 11<br />

Junior Joey ........................... 19<br />

Alleys and Members<br />

on the Move ..................... 27<br />

New Members ....................... 31<br />

20 Year Anniversary Book ..... 39<br />

Southeast VP Report ............. 39<br />

Competition Director ............. 39<br />

Treasurer’s Report ................. 40<br />

Richmond Convention ........... 35<br />

Website Ad Rates .................. 42<br />

COAI Membership Application 43<br />

Editor’s Comments ................ 51<br />

Ad Directory .......................... 51<br />

Ad Rates ............................... 51<br />

En Español ........................<br />

Informe De La Reunión De Otoño<br />

De La Directiva ...................... 15<br />

Formulario de Applicacion y<br />

Renovacion ........................... 44<br />

Clown of the Year...from page 3<br />

Dear Heart visiting a nursing home along with her fellow joeys.<br />

Mary Cate Raynor<br />

(student of Dear Heart):<br />

“When I signed up for<br />

a clown service trip as a<br />

freshman, I did not know<br />

what to expect. What was<br />

this hobby? I soon found out<br />

that clowning isn’t a hobby;<br />

it is a way of life! Mrs.<br />

Quest taught me this special<br />

art, and I learned everything<br />

I know about clowning<br />

through her.”<br />

Tom “Roli P. Clown”<br />

Plith: “Possibly more important<br />

than everything else<br />

is that Judy is a working<br />

clown. She makes birthday<br />

parties memorable for<br />

8-year-olds. She makes<br />

parades colorful and fun.<br />

She twists balloons and she<br />

paints faces.”<br />

Sandra K. Squires (Professor<br />

Emeritus, University<br />

of Nebraska at Omaha):<br />

“Dear Heart has a universal<br />

appeal. Her counseling<br />

background and endearing<br />

nature enhance her effectiveness<br />

as a clown. She is<br />

always kind, beautiful, and<br />

has a generous spirit that<br />

brightens people’s days.”<br />

Congratulations Judy<br />

Quest!! ✦<br />

General Meeting Announcement.<br />

General meeting to take place<br />

April 16, 2007, during the<br />

COAI Convention <strong>2008</strong> Richmond Virginia,<br />

Holiday Inn Koger Center 1021 Koger<br />

Center Blvd Richmond Virginia 23235.<br />

www.JUSTCLOWNNOSES.com<br />

Jan/Feb <strong>2008</strong> Page 5


Congratulations Our<br />

“Clowning In Excellence”<br />

Recipients!<br />

Loretta “La-Dee-Dah” DeAngelas<br />

Marie “Mischief” Beck<br />

Jan/Feb <strong>2008</strong> Page 7


President’s Comments<br />

Happy New Year to<br />

one and all!<br />

by Paul Kleinberger,<br />

President<br />

As you look at the cover<br />

of this issue of The New<br />

Calliope you see Judy<br />

Quest. Judy is our <strong>2008</strong><br />

Clown Of The Year! Judy<br />

has always been an inspiration<br />

to all the clowns who<br />

know her. While her COAI<br />

leadership is a matter of<br />

record, her continuing service<br />

as a clown in her local<br />

community is truly inspirational.<br />

It is something we<br />

should all strive to emulate.<br />

It is indeed an honor to<br />

have a clown of her caliber<br />

within the ranks of our<br />

membership. She makes us<br />

all very proud. Congratulations<br />

Judy!<br />

My hat is off to and I<br />

stand in awe of the members<br />

of the San Diego All<br />

Star Clowns, the North<br />

Country Clown Conspiracy<br />

and the Al Bahr Shrine<br />

Clown Unit. They proactively<br />

responded to the<br />

evacuation centers and the<br />

temporary shelters established<br />

in the San Diego<br />

area, in the wake of the October<br />

fires.<br />

Their selfless service to<br />

their fellow man during the<br />

evacuation from and in response<br />

to the fires was truly<br />

inspiring. As the fires continued<br />

to rage, the damage<br />

and destruction mounted<br />

and the toll of human suffering<br />

became obvious to<br />

all who watched what was<br />

going on, other members of<br />

the west coast clown community<br />

responded and got<br />

involved, as well. Shelters<br />

were visited, supplies were<br />

sent, responding relief<br />

agencies were supported<br />

and clowns did their best<br />

to tickle the souls of those<br />

who needed to smile. Everyone<br />

who got involved<br />

is to be commended for<br />

their efforts. They certainly<br />

demonstrated the power of<br />

humor and were examples<br />

of some of the best that<br />

clowns can be.<br />

Kudos go to the Red<br />

Nose Response Clown Alley,<br />

# 399 for what they<br />

have done to coordinate the<br />

continued response of the<br />

clown arts community to<br />

the disaster and subsequent<br />

firestorm flare-ups. Smiles<br />

and support are going to be<br />

needed in Southern California<br />

for some time to come.<br />

In the mean time, a hearty<br />

“Thank You” to all of the<br />

COAI members who responded<br />

in any way.<br />

Let’s stand up and cheer<br />

for COAI Membership Director<br />

Bonita Love. As the<br />

flames were extinguished,<br />

BonBon spearheaded the<br />

effort to help out COAI<br />

members Sam and Pam<br />

Frazier. The Fraziers lost<br />

their home and most of<br />

their personal belongings<br />

to the fires. What made the<br />

loss even more devastating<br />

was that both Sam and Pam<br />

were performing in a shelter<br />

for fire victims when<br />

the flames attacked their<br />

home. While the loss was a<br />

personal tragedy, BonBon<br />

intervened to minimize<br />

things as much as possible<br />

and rally the Fraziers<br />

many clown friends to their<br />

cause. BonBon’s actions<br />

can only be described as<br />

“Love in action!” Thank<br />

you Bonita and everyone<br />

who has pitched in to help<br />

the Fraziers.<br />

Change is described as<br />

making something different<br />

or altering the state<br />

of things. Implementing<br />

change can be a challenge.<br />

Change that will better<br />

our organization and advance<br />

the art of clowning is<br />

something we should all be<br />

interested in and supportive<br />

of. There are some changes<br />

coming to COAI and its<br />

membership. I’d like to give<br />

you an overview.<br />

The COAI elections, of<br />

course, bring change to<br />

our organization every two<br />

years. Leaders step down.<br />

New leaders are elected.<br />

While the elections are<br />

an important process, they<br />

are a costly endeavor. As<br />

the board has considered<br />

cost containment options<br />

over the years, it became<br />

obvious that change was<br />

needed. The actual balloting<br />

procedure has not<br />

changed too much. However,<br />

the manner in which<br />

you will receive your ballot<br />

later this spring will be different<br />

than in past election<br />

years. Your ballot will arrive<br />

in your mailbox in the<br />

March/April <strong>2008</strong> edition<br />

of The New Calliope. Each<br />

member eligible to vote<br />

will receive a special edition<br />

of The New Calliope.<br />

Be sure to check out the<br />

article in this issue on page<br />

47 that will explain the<br />

new procedures. When you<br />

receive your March/April<br />

issue, remove the ballot and<br />

make sure you have your<br />

say on the future of COAI.<br />

Be involved. VOTE!<br />

During our 20th Anniversary<br />

celebrations, COAI<br />

member Rob Eubanks,<br />

developed a logo that was<br />

unique and fun. It said let’s<br />

celebrate by looking back<br />

at the last 20 years with<br />

fondness and ahead to the<br />

next 20 years<br />

with anticipation.<br />

Since then<br />

many members have suggested<br />

COAI opt for a new<br />

logo. Members seem to<br />

want a logo that says “the<br />

art of clowning has indeed<br />

entered the 21st century“<br />

and “COAI is leading the<br />

way.” In response to those<br />

suggestions, we asked the<br />

Calliope staff to coordinate<br />

the search for new logo<br />

ideas and concepts. Several<br />

were suggested. I thank<br />

each member who submitted<br />

ideas. Your involvement<br />

gave us a lot to think about.<br />

At its fall meeting, the<br />

COAI board reviewed the<br />

various suggestions offered<br />

and agreed on a concept<br />

that, after further development,<br />

we are sure will be<br />

very flexible and represent<br />

COAI well in the years to<br />

come.<br />

There is no doubt that<br />

clowns like to compete.<br />

Our COAI competitions<br />

have often been credited<br />

with improving the over all<br />

appearance of our COAI<br />

membership through the<br />

last 20 years or so. As our<br />

overall appearance has<br />

improved, in some cases<br />

our public performance<br />

skills have not kept up. Performing<br />

for an audience is<br />

ultimately what clowning<br />

is about. While future competition<br />

details are still being<br />

worked out, those who<br />

enjoy competing will begin<br />

to experience a change in<br />

emphasis. Clown appearance<br />

will continue to be<br />

important. When you look<br />

good, you generally perform<br />

well. However, in the<br />

to page 10<br />

Jan/Feb <strong>2008</strong> Page 9


Clownstuff<br />

We have the best prices for all<br />

your Facepainting needs.<br />

12 Color Professional Case<br />

$100.00<br />

Paula “Stickers” Biggio<br />

P.O. Box 1023<br />

Park Ridge, Illinois 60068<br />

847 698 3378 Fax 847 384 1822<br />

www.clownstuff.com<br />

President’s Message continued from page 9<br />

coming months and in the<br />

future, public performance<br />

skills will be advancing in<br />

to the spotlight and on to<br />

center stage. Not just skits<br />

and skit performance, but<br />

all the various types of<br />

performance that a clown<br />

brings forth to entertain<br />

and delight his or her audience<br />

will be emphasized<br />

and supported. Keep an eye<br />

open for details.<br />

One of the most important<br />

things any organization<br />

can do for its membership<br />

is recognize its members<br />

for their achievements and<br />

accomplishments. “Clown<br />

of The Year” is the most<br />

prestigious award presented<br />

by COAI. While some truly<br />

great COAI members have<br />

been awarded this recognition<br />

since 1991, many of<br />

the members who have<br />

completed the nomination<br />

packages tell us the recommendation<br />

process is cumbersome.<br />

Some members<br />

who are deserving of the<br />

recognition have not been<br />

nominated because those<br />

handling the nomination<br />

weren’t up to shouldering<br />

the administrative challenge.<br />

Our Membership<br />

Director, Bonita Love, has<br />

responded to your cause.<br />

She is working with a committee<br />

to realign the process<br />

and hopes the results will<br />

be beneficial to all.<br />

Fun! Clowning is supposed<br />

to be FUN! Fun for<br />

our audiences and fun for<br />

us performers. <strong>2008</strong> has<br />

dawned and we are looking<br />

ahead to the COAI convention.<br />

It is being hosted by<br />

Virginia Alley #3 in Richmond<br />

starting on April 15.<br />

We are going to have FUN!<br />

They have a lot of neat and<br />

fun stuff lined up for us<br />

including the opportunity<br />

to ride in a real NASCAR<br />

pace car and the prospect of<br />

getting out to clown around<br />

in Richmond for a great<br />

cause and some truly great<br />

entertainment. Education?<br />

You want clown arts education?<br />

Virginia Alley #3 is<br />

presenting some the best<br />

in the business and art of<br />

clowning. You don’t want<br />

to miss any of it! Get your<br />

registrations mailed in and<br />

make your hotel reservations<br />

right now while you<br />

are thinking about it. I look<br />

forward to seeing you in<br />

Richmond.<br />

Stay tuned to The New<br />

Calliope. During <strong>2008</strong> may<br />

you find inspiration, take<br />

the opportunity to collaborate<br />

and recognize those<br />

who deserve it! Happy New<br />

Year! See you in Richmond!!<br />

✦<br />

Page 10<br />

The New Calliope


Fall Board Meeting Report<br />

by Pat Newton<br />

As we come into another<br />

election year, the Board continues<br />

to define and refine<br />

many of the responsibilities<br />

of the current positions<br />

available. This particular<br />

meeting involved a number<br />

of “brain-storming” sessions<br />

to put information on the<br />

table and discuss all angles<br />

of every issue.<br />

Here are a few of the<br />

highlights of the meeting.<br />

Elections<br />

The biggest news with the<br />

upcoming election is a new<br />

way of distributing the ballots<br />

to the general membership.<br />

In the past the ballots<br />

were mailed first class to<br />

every individual. This year<br />

the ballots will be inside the<br />

March/April issue of The<br />

New Calliope. There will be<br />

one ballot with each member<br />

having the opportunity to<br />

vote for the executive Board.<br />

They will, however, only be<br />

allowed to vote for the vice<br />

president in their particular<br />

region. Newton Studios is<br />

working on a new ballot and<br />

will present the look and<br />

how it works in the Jan/Feb<br />

<strong>2008</strong> issue of The New Calliope.<br />

Officer Requirements<br />

A policy change came<br />

forward that all nominees<br />

for the Board of COAI may<br />

not be voting members of<br />

any national or international<br />

clown-oriented Board association.<br />

This does not apply<br />

to regional or local clown associations.<br />

There was much<br />

discussion on this topic however<br />

a motion was made and<br />

carried to revise this policy.<br />

Regional Vice President<br />

Residency<br />

It was brought to the attention<br />

of the Board there<br />

were concerns from the<br />

membership regarding the<br />

residency of the vice presidents.<br />

Everyone was reminded<br />

that a vice president who<br />

serves a particular region<br />

must reside in that region.<br />

Japanese Translations<br />

International VP Rick<br />

Daniels was given permission<br />

to translate necessary<br />

education materials into<br />

Japanese with the assistance<br />

of Education Director, Merilyn<br />

Barrett.<br />

Ambassadors<br />

The requirements to become<br />

an ambassador were<br />

changed. Any member in<br />

good standing can become<br />

an ambassador after one year<br />

of membership. However<br />

they can not hold a voting<br />

Board position in another<br />

national or international<br />

clown organization.<br />

International Ambassador<br />

Chair<br />

Keith “Toby” Stokes was<br />

appointed as Interim Ambassador<br />

Chair until the end of<br />

the Board term.<br />

Screening for Pedophiles<br />

Amongst Us<br />

Director at large, Cheri<br />

Venturi, feels this is an area<br />

COAI needs to look at by<br />

possibly implementing some<br />

sort of background check<br />

program to meet the demands<br />

of society and protect<br />

the integrity of the profession<br />

as well as our organization.<br />

At this point, questions<br />

are being posed to an attorney<br />

as to how to proceed and<br />

implement a process. Albert<br />

Alter and Pam Bacher are<br />

also working on this project.<br />

Competitions<br />

One of the first issues that<br />

came early in the meeting<br />

was the area of competitions.<br />

There are many thoughts and<br />

viewpoints about how the<br />

current COAI competitions<br />

need to be refined to truly<br />

reflect a clown’s total character<br />

from “looks” to “abilities.”<br />

It was decided to move<br />

away from an emphasis on<br />

make-up and start placing<br />

more on actual performance.<br />

There was no final decision<br />

as to how the competition<br />

criteria will evolve. Bill<br />

LeBlanc agreed to take the<br />

discussion back to the competition<br />

committee for development<br />

and input. It was<br />

also decided to continue to<br />

offer the current competition<br />

rules on the Web site as well<br />

as per request. They will not<br />

be published in The New<br />

Calliope but will be available<br />

through the competition<br />

chair.<br />

Mission Statement<br />

Development:<br />

The COAI mission statement<br />

states “The mission<br />

of Clowns of America International<br />

is to organize all<br />

members desiring to pursue<br />

the honorable profession or<br />

art of clowning and the dedication<br />

towards its advancement<br />

and the education of its<br />

members.”<br />

President Paul<br />

Kleinberger felt this statement<br />

is convoluted. A committee<br />

of Paul, Angel Morales<br />

and Bill LeBlanc was<br />

organized to redevelop.<br />

Logo Development<br />

Logo proposals were presented<br />

at the meeting. After<br />

much discussion one logo<br />

was chosen by the Board to<br />

become the new symbol of<br />

COAI. The logo is presently<br />

going through the legal process<br />

before being presented<br />

to the general membership.<br />

Clown of the Year<br />

The Clown of the Year<br />

as well as the Excellence In<br />

Clowning recipients were<br />

decided upon at the meeting.<br />

They will be announced in<br />

the Jan/Feb <strong>2008</strong> New Calliope.<br />

International Travel<br />

Budgets<br />

The Latin, Canadian and<br />

International vice presidents<br />

are finding it cost-prohibitive<br />

for them to continue to<br />

attend all of the Board meetings<br />

required with their position.<br />

A line item in the budget<br />

has been developed not<br />

to exceed $1,000 to be used<br />

by the International vice<br />

presidents to travel within<br />

their regions. (Latin, Canadian<br />

and International)<br />

Travel Budget for Board<br />

Members<br />

With the increase in travel<br />

costs for the Board members<br />

the budget was increased to<br />

$700 per Board member for<br />

traveling expenses.<br />

Location and Scheduling of<br />

Fall Board Meeting<br />

It is becoming more difficult<br />

to schedule a fall<br />

Board meeting at the hotel<br />

associated with the following<br />

spring convention due to<br />

conflicts of scheduling at the<br />

various locations. The discussion<br />

is still open on this<br />

topic. It was decided the fall<br />

meeting should fluctuate to<br />

accommodate new officers.<br />

With the elections being<br />

early in the year and officers<br />

taking their positions in July,<br />

the first meeting should be<br />

scheduled in the August after<br />

election with the second fall<br />

meeting of the term being 15<br />

months later in November.<br />

continued on page 13<br />

Jan/Feb <strong>2008</strong> Page 11


COMING SOON!<br />

The C.O.A.I. Membership Directory<br />

What a great way to meet your fellow joeys!<br />

When you’re traveling, look up local merry makers<br />

or if you want to make contact with someone<br />

you met at the convention - check out the directory!<br />

ACTUAL SIZE of<br />

PERSONAL<br />

DIRECTORY AD<br />

1.4” X 2”<br />

CLOWN NAME<br />

Your Name<br />

Address/Phone<br />

Email/URL<br />

Message<br />

Listings in the<br />

membership directory include<br />

name and address of all<br />

current C.O.A.I. members.*<br />

There is one listing per member.<br />

The cost is FREE.<br />

Again, this year we are offering<br />

to the membership an<br />

opportunity to run their<br />

picture as well as any other<br />

information they would like<br />

to add for ONLY $25<br />

HOW TO ORDER A<br />

PERSONAL DIRECTORY AD<br />

Check list:<br />

- Good photo (no polaroids please)<br />

OR digital file: jpg of 300 dpi and size of at least 3” x 3”<br />

email to NewCalliopeAds@comcast.net with COAI # in Subject<br />

- Information you would like to include<br />

along with your COAI Membership #.<br />

- A check made out to COAI for $25<br />

DEADLINE: FEBRUARY 1, <strong>2008</strong><br />

Mail to: NEWTON STUDIOS, INC.<br />

370 West Dearborn Street, Suite B<br />

Englewood FL 34223<br />

(Include a self-addressed stamped envelope<br />

if you would like your photo returned)<br />

Questions? 941-474-4351 and ask for Pat or Tom<br />

*The listing does not include phone numbers or email addresses. Only Name, Clown Name, Address and COAI # are published in the directory.<br />

FOR COMMERCIAL DISPLAY AD RATES: CALL 941-474-4351<br />

Page 12<br />

The New Calliope


Fall Board Meeting Report<br />

continued from page 11<br />

<strong>2008</strong> Convention<br />

Everything is running<br />

smoothly for the upcoming<br />

convention in Virginia. Some<br />

of the areas being worked<br />

on are:<br />

• Headliner is in place.<br />

Red Hawk will be featured<br />

in the Jan/Feb <strong>2008</strong> issue of<br />

The New Calliope.<br />

• All Board members are<br />

required to do one lecture<br />

per convention.<br />

• Revising the photo release<br />

forms to add the photos<br />

are owned and copyrighted<br />

by COAI.<br />

2009 Convention<br />

The convention in 2009<br />

will be hosted by the Indiana/Kentucky<br />

Clown Alley<br />

from April 21-26, 2009.<br />

Host alley is “Inky Clowns”<br />

(Alley #361).<br />

Junior Joeys<br />

Candy has agreed to continue<br />

to grow this program<br />

by getting more people involved.<br />

Creating an Audio-Visual<br />

Committee Chairperson<br />

Purpose: To create a<br />

standing committee to carry<br />

out the specific audio-visual<br />

needs of the organization.<br />

The position would require<br />

a complete understanding<br />

of all audio-visual needs<br />

for the day-to-day operation<br />

of COAI as well as convention<br />

needs.<br />

The Chairperson would be<br />

in charge of:<br />

• Creating all audio-visual<br />

needs for producing and preparing<br />

materials that would<br />

be requested and are in the<br />

budget for the membership.<br />

• Educational materials<br />

that have already been<br />

worked on and need to be<br />

put into CD or DVD form<br />

• Convention coverage:<br />

CDs and making sure all audio-visual<br />

equipment is there<br />

for presentations.<br />

• Assistance to any Board<br />

member who needs to do a<br />

presentation during the year<br />

or at the convention<br />

• Presenting information<br />

to the administration of information<br />

such as the 101<br />

workbooks. Example: How<br />

much would it cost to put<br />

them into CD form including<br />

mailing? Then working on<br />

production of such item.<br />

• Working in conjunction<br />

with all sub-contractors, as<br />

well as the Board, to develop<br />

better materials to give the<br />

membership and expedite<br />

information.<br />

This position does not<br />

require developing the materials<br />

but developing the<br />

method used to transfer the<br />

information to the membership.<br />

The materials themselves<br />

will be developed by<br />

the individual groups.<br />

A special budget will be<br />

set to allow the chairperson<br />

to get reimbursed for any expenses<br />

incurred while carrying<br />

out the projects presented.<br />

After the chairperson has<br />

requisitioned all materials<br />

needed to complete the project<br />

approved by the Board,<br />

the budget will be set.<br />

This person would receive<br />

the same accommodations at<br />

the convention as the Board.<br />

Should a project go out<br />

that requires a bid, she/he<br />

will be able to bid on the<br />

project, since she/he is not a<br />

member of the Board<br />

Consensus was that it was<br />

a good idea. Action: Cheri<br />

and Merilyn to work together<br />

to work out final details<br />

and return in the spring with<br />

final considerations.<br />

To Create a Convention<br />

Marketing Chairperson<br />

Mission: To promote<br />

COAI through all the conventions,<br />

workshops and<br />

conferences throughout the<br />

national and international<br />

areas.<br />

Responsibilities will be as<br />

follows:<br />

• To contact all chairman<br />

of conventions, workshops<br />

and conferences to see if<br />

promo items can be placed<br />

in their goodie bags, fi nd the<br />

cost of placing ads in their<br />

programs<br />

• To request a space, be<br />

it a table in the hall, dealer<br />

room, registration etc. to display<br />

our promo information<br />

• To make sure the table is<br />

equipped with a professional<br />

display and enough promo<br />

information for the size of<br />

the conference as well as<br />

promote our upcoming convention<br />

• To arrange that a representative<br />

from COAI will be<br />

present throughout the conference<br />

to supply answers to<br />

questions and provide help<br />

in fi lling out applications<br />

etc. All RVPs in that region<br />

along with the ambassadors<br />

will be asked to volunteer<br />

their time and energy.<br />

• To provide a certificate<br />

of appreciation to every conference<br />

host for their effort<br />

to promote the art of clowning.<br />

• To arrange with the host<br />

to make this presentation<br />

at their general meeting or<br />

their fi nal banquet<br />

• To coordinate all the<br />

above activities for the sole<br />

purpose of promoting COAI<br />

in a professional manner to<br />

ultimately increase membership<br />

The Board agreed this was<br />

an excellent idea and have<br />

requested Cheri Venturi to<br />

further develop an action<br />

item. ✦<br />

Jan/Feb <strong>2008</strong> Page 13


Page 14<br />

The New Calliope


Informe De La Reunión De Otoño De La Directiva<br />

por Pat Newton<br />

Mientras llegamos a otro<br />

año electoral, la directiva<br />

continúa definiendo y<br />

refinando muchas de las<br />

responsabilidades de<br />

las posiciones actuales<br />

disponibles. En esta reunión<br />

se presentaron muchas ideas<br />

a la mesa y se discutieron<br />

todos los ángulos de cada<br />

asunto.<br />

Aquí están algunos de los<br />

puntos sobresalientes de la<br />

reunión.<br />

Elecciones<br />

La noticia más importante<br />

sobre las próximas elecciones<br />

es la nueva manera de<br />

distribuir las papeletas a<br />

la membresía en general.<br />

En el pasado, las papeletas<br />

eran enviadas por primera<br />

clase del correo postal a<br />

cada individuo. Este año las<br />

papeletas estarán dentro del<br />

ejemplar de Marzo/Abril de<br />

The New Calliope. Habrá<br />

una papeleta por cada<br />

miembro para que tengan<br />

la oportunidad de elegir a<br />

la directiva ejecutiva. Sin<br />

embargo, al momento de<br />

elegir al vicepresidente<br />

regional, el votante sólo<br />

tendrá el derecho de elegir al<br />

de su región correspondiente.<br />

Los Estudios Newton están<br />

trabajando en una nueva<br />

papeleta; se presentará una<br />

imagen y cómo funciona<br />

en el ejemplar de Enero/<br />

Febrero de <strong>2008</strong> de The New<br />

Calliope.<br />

Requisitos de los oficiales<br />

Un cambio realizado en<br />

el reglamento es que los<br />

nominados a la directiva<br />

de COAI no pueden ser<br />

miembros votantes de<br />

cualquier otra asociación<br />

nacional o internacional<br />

orientada a payasos. Esto<br />

no aplica a asociaciones<br />

regionales o locales de<br />

payasos. Hubo mucha<br />

discusión en este tópico,<br />

pero se hizo una moción para<br />

revisar esta política.<br />

Residencia del<br />

Vicepresidente Regional<br />

Se trajo a la directiva una<br />

inquietud por la membresía,<br />

acerca del lugar de residencia<br />

de los vicepresidentes<br />

regionales. Se recordó que<br />

un vicepresidente que sirve a<br />

una región en particular debe<br />

residir en esa región.<br />

Traducciones japonesas<br />

El vicepresidente<br />

internacional Rick Daniels<br />

recibió el permiso de traducir<br />

los materiales educativos<br />

necesarios al japonés con<br />

la ayuda de la Directora de<br />

Educación Merilyn Barrett.<br />

Embajadores<br />

Se cambiaron los<br />

requisitos para ser un<br />

embajador. Cualquier<br />

miembro con buena estima<br />

puede ser un embajador luego<br />

de un año de membresía.<br />

Sin embargo, no puede<br />

pertenecer a la directiva de<br />

otra organización nacional o<br />

internacional de payasos.<br />

Embajador Internacional<br />

Keith “Toby” Stokes<br />

fue designado como el<br />

Embajador Internacional<br />

Interino hasta finalizar el<br />

término de la directiva.<br />

Pedófilos entre nosotros<br />

La Directora Asesora,<br />

Cheri Venturi, siente que esto<br />

es un área a la que COAI<br />

debe prestar atención. Sugirió<br />

implementar algún programa<br />

de revisión del trasfondo<br />

personal que cumpla con<br />

las demandas de la sociedad<br />

y proteja la integridad de<br />

la profesión así como la<br />

organización. A este punto,<br />

se está preguntando a un<br />

abogado cómo proceder e<br />

implementar este proceso.<br />

Albert Alter y Pam Bacher<br />

también están trabajando en<br />

este proyecto.<br />

Competencias<br />

Uno de los primeros<br />

asuntos surgidos en la<br />

reunión fue el área de las<br />

competencias. Habían<br />

muchas opiniones y puntos<br />

de vista acerca de cómo<br />

deben ser refinadas las<br />

competencias actuales de<br />

COAI. Esto, para reflejar<br />

el personaje total del<br />

payaso, desde su imagen<br />

hasta sus habilidades.<br />

Se decidió disminuir el<br />

énfasis en el maquillaje y<br />

comenzar a aumentarlo en el<br />

“performance”.<br />

No hubo decisión final<br />

de cómo los criterios<br />

de competencia van a<br />

evolucionar. Bill LeBlanc<br />

estuvo de acuerdo en traer<br />

la discusión nuevamente al<br />

comité de competencias para<br />

su desarrollo e implantación.<br />

También se decidió continuar<br />

ofreciendo las reglas actuales<br />

de competencia en la página<br />

web, así como por solicitud.<br />

No serán publicadas en The<br />

New Calliope pero estarán<br />

disponibles a través del<br />

comité de competencias.<br />

Desarrollo de la declaración<br />

de la misión:<br />

La misión de COAI<br />

lee “La misión de Clowns<br />

of America International<br />

es organizar a todos los<br />

miembros deseantes de<br />

alcanzar una profesión<br />

honorable en el arte del<br />

payaso y la dedicación hacia<br />

el fomento y educación de<br />

sus miembros”.<br />

El presidente, Paul<br />

Kleinberger, considera<br />

que esta declaración está<br />

complicada. Se compuso<br />

un comité entre Paul, Ángel<br />

Morales y Bill LeBlanc para<br />

redesarrollarlo.<br />

Desarrollo del logo<br />

En la reunión se<br />

presentaron propuestas para<br />

el logo. Luego de mucha<br />

discusión, la directiva escogió<br />

uno como el nuevo símbolo<br />

de COAI. Al momento, el<br />

logo está pasando por los<br />

procesos legales antes de ser<br />

presentado a la membresía en<br />

general.<br />

El payaso del año<br />

Los galardonados como<br />

Payaso del Año y Excelencia<br />

en el Arte del Payaso fueron<br />

decididos en la reunión. Ellos<br />

serán anunciados en el New<br />

Calliope de Enero/Febrero de<br />

<strong>2008</strong>.<br />

Presupuesto para viajes<br />

internacionales<br />

El vicepresidente latino, el<br />

canadiense y el internacional<br />

encuentran prohibitivo el<br />

costo de viaje para asistir a<br />

las reuniones de la directiva<br />

requeridas por su posición.<br />

Se elaboró un artículo en el<br />

presupuesto, de no exceder<br />

$1,000 para ser usado<br />

por los vicepresidentes<br />

internacionales para viajar<br />

desde sus regiones (Latino,<br />

Canadiense e Internacional).<br />

Presupuesto de viaje para los<br />

miembros de la directiva<br />

Con el aumento en costos<br />

de viaje para los miembros<br />

de la directiva, se aumentó a<br />

$700 el presupuesto por cada<br />

miembro de la directiva para<br />

sus gastos de viaje.<br />

continuado en paquina 17


Page 16<br />

The New Calliope


Informe De La Reunión De Otoño De La Directiva<br />

de paquina 15<br />

Ubicación y agenda de la<br />

directiva para la reunión de<br />

otoño<br />

Cada vez se hace más<br />

difícil planificar en otoño<br />

la reunión de la directiva<br />

en el hotel asociado a la<br />

convención de primavera.<br />

Esto a causa de conflictos<br />

de agenda con las distintas<br />

localidades. La discusión aún<br />

está abierta en este tópico.<br />

Se decidió que la reunión de<br />

otoño va a ir dirigida para<br />

alojar nuevos delegados.<br />

Con las prontas elecciones,<br />

los oficiales deberán estar<br />

ocupando sus puestos para<br />

julio. La primera reunión<br />

de directiva deberá ser<br />

organizada para el agosto<br />

siguiente a las elecciones,<br />

y la segunda reunión de<br />

otoño de ese término a los 15<br />

meses, en noviembre.<br />

La convención del <strong>2008</strong><br />

Todo está corriendo<br />

en orden para la próxima<br />

convención en Virginia.<br />

Algunas de las áreas en las<br />

que se están trabajando son:<br />

• El titular de la revista<br />

está en su lugar. Red<br />

Hawk estará en el<br />

ejemplar de Enero/<br />

Febrero de <strong>2008</strong> de<br />

The New Calliope.<br />

• Se le requirió a todos<br />

los miembros de la<br />

directiva ofrecer una<br />

charla por convención.<br />

• Se están revisando<br />

los formularios de<br />

relevo de fotografías<br />

para añadir las fotos<br />

que son compradas y<br />

registradas por COAI.<br />

Convención del 2009<br />

Los anfitriones de la<br />

convención del 2009 serán el<br />

Alley de Payasos de Indiana/<br />

Kentucky y se celebrará del<br />

21 al 26 de abril del 2009.<br />

El alley anfitrión es “Inky<br />

Clowns” (el alley 361).<br />

Junior Joeys<br />

Candy accedió a continuar<br />

desarrollando el programa<br />

involucrando a más personas.<br />

Creando un comité<br />

audiovisual<br />

Propósito: Crear un comité<br />

permanente para manejar las<br />

necesidades audiovisuales de<br />

la organización.<br />

El puesto requiere un<br />

conocimiento completo<br />

de todas las necesidades<br />

audiovisuales para la<br />

operación del día a día<br />

de COAI así como en las<br />

necesidades de la convención.<br />

El dirigente estará a cargo<br />

de:<br />

• Identifi car todas las<br />

necesidades audiovisuales<br />

para producir y preparar<br />

materiales que puedan<br />

ser solicitados y estén en<br />

el presupuesto para la<br />

membresía.<br />

• Ejemplo: Materiales<br />

educativos que estén<br />

previamente trabajados y se<br />

necesiten ubicar en un CD o<br />

DVD.<br />

• Cobertura de la<br />

convención: Asegurarse que<br />

todo el equipo audiovisual<br />

esté disponible para las<br />

presentaciones.<br />

• Asistencia a cualquier<br />

miembro de la directiva<br />

que necesite hacer una<br />

presentación a lo largo del<br />

año o en la convención.<br />

• Presentar información<br />

a la administración de<br />

información, como los<br />

“cuadernos de ejercicios<br />

101”. Ejemplo: ¿Cómo<br />

costará ponerlos en una<br />

forma de CD incluyendo su<br />

envío? Entonces, trabajar en<br />

la producción de ese artículo.<br />

• Trabajar en conjunto<br />

con los sub-contratistas,<br />

así como con la directiva,<br />

para desarrollar mejores<br />

materiales para dar a la<br />

membresía y agilizar la<br />

información.<br />

Este puesto no requiere<br />

el desarrollo de materiales,<br />

sino del método usado para<br />

transferir la información a la<br />

membresía. Los materiales<br />

en sí serán desarrollados por<br />

grupos individuales.<br />

Se establecerá un<br />

presupuesto especial para<br />

permitir al dirigente el<br />

reembolso por cualquier<br />

gasto incurrido en el manejo<br />

de los proyectos presentados.<br />

Luego que el dirigente<br />

de lo audiovisual solicite<br />

los materiales necesarios<br />

para completar el proyecto<br />

aprobado por la directiva, el<br />

presupuesto será establecido.<br />

Esta persona recibirá el<br />

mismo alojamiento que la<br />

directiva en la convención.<br />

Si sucede un proyecto en<br />

el que se requiera subasta,<br />

él o ella podrá participar de<br />

esa subasta, mientras no sea<br />

miembro de la directiva.<br />

Hubo concenso en que<br />

esto fue una buena idea.<br />

Acción: Cheri y Merilyn<br />

trabajarán juntas para<br />

trabajar los detalles finales y<br />

regresar en primavera con las<br />

consideraciones finales.<br />

Creación de un puesto de<br />

dirigente de mercadeo de la<br />

convención<br />

Misión: Promover a<br />

COAI a través de todas las<br />

convenciones, talleres y<br />

conferencias por las áreas<br />

nacionales e internacionales.<br />

Las responsabilidades<br />

serán las siguientes:<br />

• Contactar a todos<br />

los dirigentes de las<br />

convenciones, talleres y<br />

conferencias para ver si se<br />

pueden ubicar artículos de<br />

promoción en sus bolsitos de<br />

materiales de taller, sumar el<br />

costo por ubicar anuncios en<br />

sus programas.<br />

• Solicitar un espacio, ya<br />

sea una mesa en el vestíbulo,<br />

en el salón de distribuidores,<br />

o en la inscripción, para<br />

exhibir nuestra información<br />

de promoción.<br />

• Asegurarse que la mesa<br />

esté bien exhibida y tenga<br />

sufi ciente información<br />

promocional de acuerdo a la<br />

proporción de la conferencia<br />

y promover nuestra próxima<br />

convención.<br />

• Cerciorarse que un<br />

representante de COAI<br />

esté presente durante la<br />

conferencia para responder<br />

a preguntas y proveer ayuda<br />

para llenar solicitudes, entre<br />

otras cosas. A todos los<br />

vicepresidentes regionales<br />

de esa región junto con<br />

los embajadores les será<br />

solicitado donar de su tiempo<br />

y energía.<br />

• Proveer un certifi cado<br />

de agradecimiento a cada<br />

anfi trión de conferencia por<br />

su esfuerzo en promover el<br />

arte del payaso.<br />

• Planifi car con el anfi trión<br />

hacer la presentación del<br />

certifi cado en su reunión<br />

general o en su banquete<br />

fi nal.<br />

• Coordinar todas las<br />

actividades mencionadas<br />

con el sólo propósito de<br />

promover a COAI en un<br />

modo profesional y por<br />

consiguiente aumentar la<br />

membresía.<br />

La directiva estuvo de<br />

acuerdo en que esto es una<br />

excelente idea y solicitaron<br />

a Cheri Venturi para que<br />

promueva el desarrollo de la<br />

misma. ✦<br />

Jan/Feb <strong>2008</strong> Page 17


Dear Aunt Clowney<br />

Dear Nieces and<br />

Nephoooos,<br />

I’m sitting here<br />

contemplating just when I<br />

first began writing the “Ask<br />

Aunt Clowney” column.<br />

And you know, I don’t<br />

really remember! It began<br />

during the time Cathy and<br />

Bob Gibbons produced<br />

their wonderful magazine,<br />

“Laugh Makers.” But I just<br />

don’t remember exactly<br />

when it all started.<br />

Well, it really started in<br />

1971, when I first became a<br />

puppeteer; or in 1982, when<br />

I learned clowning from<br />

No-Name the Clown. Gosh,<br />

that was a long time ago.<br />

But the column has<br />

allowed me to be with you<br />

each issue - my old friends<br />

and new friends, too. I have<br />

shared my wisdom and my<br />

foolishness over the years.<br />

(More the latter than the<br />

former!) And I thank all of<br />

you for bearing with me<br />

and sending me letters and<br />

cards. And for being my<br />

friends. So...on with the<br />

column.<br />

Dear Clowney Friends,<br />

I just attended a regional<br />

clown convention. Many of<br />

the competition skits were<br />

fun and well rehearsed, but<br />

I think we need to learn<br />

more about stage presence.<br />

I just finished a good book,<br />

“Stage Performance,” by<br />

Livingston Taylor (2000).<br />

Here are a few tips clowns<br />

might think about using:<br />

When you first come<br />

onstage, acknowledge your<br />

audience. Pause briefly and<br />

look toward them. Then<br />

begin your skit. After the<br />

skit is over, the audience<br />

needs to know you have<br />

reached the end. Stop, face<br />

the audience, and take a<br />

slight bow. Then, after they<br />

applaud, it’s fine to thank<br />

them for their gift with a<br />

smile or a wave. If your skit<br />

ends with a blow-off like<br />

running offstage, pause at<br />

the edge of the stage and<br />

take your bow. Otherwise,<br />

they might not realize it’s<br />

time to clap. You’ll be<br />

surprised how much more<br />

applause you will get if the<br />

audience knows your skit<br />

has come to an end.<br />

If you mess up during<br />

your skit, ignore it. And<br />

the audience will probably<br />

ignore it too. My piano<br />

teacher, so many years ago,<br />

taught me to play right<br />

through my mistakes. And<br />

usually nobody will notice<br />

- unless you are a really<br />

horrible pianist.<br />

On to the letters!<br />

Dear Aunt Clowney,<br />

My new clown alley has<br />

been asked to perform at a<br />

retirement home, and we<br />

don’t know how to proceed.<br />

What do these elderly<br />

people enjoy? What should<br />

we avoid? Please give us<br />

some help.<br />

Love, A.C.<br />

Bobo the Dodo<br />

Dear Bo,<br />

Congratulations on your<br />

wish to entertain this special<br />

audience. I can’t think of<br />

many people who need a<br />

clown visit more than these<br />

folks. Some of them have<br />

friends and relatives nearby<br />

who visit often, but some<br />

of them (too many) almost<br />

never have visitors. And<br />

their lives are very lonely,<br />

as you can imagine. So here<br />

are some things you can<br />

keep in mind during your<br />

visits.<br />

As with any audience,<br />

you are going to find a<br />

wide array of ability. Some<br />

of the residents are bright<br />

and will enjoy everything<br />

you do. Others will ignore<br />

you completely; they are<br />

all alone in their own little<br />

worlds. Therefore you must<br />

strive to reach as many as<br />

you can.<br />

Keep you act short. Tell<br />

a short story, sing a short<br />

song; when you sense their<br />

attention wandering, switch<br />

to something else. Be<br />

visual, be colorful. Puppets<br />

are lots of fun for this<br />

audience. so are jokes and<br />

riddles. They love music.<br />

Even is they don’t sing<br />

along, you will see many of<br />

them clapping or tapping<br />

their toes when you sing or<br />

play the old standards. “You<br />

Are My Sunshine” is always<br />

a favorite. If you can’t play<br />

the piano or a trombone,<br />

bring your kazoo.<br />

Simple magic tricks are<br />

effective. Let those who<br />

can, participate. Let one<br />

hold a red scarf. Let another<br />

put a “mouse” into your<br />

change bag. People of all<br />

ages love to be included.<br />

Live animals are wellloved.<br />

Even puppet animals<br />

seem real and can be<br />

stroked gently. (Do not take<br />

animals into a home unless<br />

they are pre-approved by the<br />

facility).<br />

Speak up so those who<br />

have hearing problems can<br />

hear you. But don’t be too<br />

loud in the nursing home.<br />

I once made the mistake of<br />

bringing my goose puppet,<br />

Sam, with me. He was<br />

mischievous, and I thought<br />

the oldsters would enjoy<br />

him as much as my kiddies<br />

do. However, in his body I<br />

had a bicycle horn - a very<br />

loud bicycle horn. And they<br />

hated the noise. I put Sam<br />

away very<br />

quickly.<br />

Try to<br />

relate to<br />

everyone<br />

in your<br />

audience. Look at each one,<br />

nod and smile. Many will<br />

smile back. Shake hands,<br />

pat shoulders. And for those<br />

who are not able to join<br />

the audience, try to visit as<br />

many private rooms as you<br />

can. This is best done with<br />

a nurse or an attendant, if<br />

possible. They will help you<br />

choose those rooms where<br />

you will be most welcome.<br />

But don’t be nervous<br />

about poking your head<br />

in to visit people. Knock,<br />

introduce yourself and ask<br />

if you can come in. Go to<br />

their bedside and speak<br />

softly to them. Show them<br />

your puppet or toy. You’ll<br />

be surprised how often they<br />

will smile back!<br />

Older folks enjoy<br />

balloons and stickers and<br />

small gifts, just like little<br />

kids. When you return the<br />

following month, you will<br />

often find evidence of your<br />

last visit on their bedstand<br />

or bulletin board.<br />

And don’t be<br />

discouraged. Give back an<br />

hour or two or three each<br />

month. And your soul will<br />

be blessed for the love<br />

you’ve brought to others.<br />

Love, Aunt Clowney<br />

P.S. If anyone would like<br />

to add their thoughts on<br />

rest homes, please let me<br />

know. My address is 132<br />

Southport Lane, #184-E,<br />

Seal Beach CA 90740 or<br />

email patlaywils@aol.com.<br />

Page 18<br />

The New Calliope


“Doing the Right Thing” as a Clown…<br />

Hi Junior Joeys, I<br />

hope your holidays were<br />

wonderful and I hope you<br />

clowned and added more<br />

fun to the season just by<br />

being the clown you are.<br />

When I was a “First<br />

of May” (a new clown),<br />

I realized I didn’t know<br />

enough about what it would<br />

take to be a clown. I did<br />

some research in books and<br />

talked to other clowns, but<br />

it took going to a clown<br />

convention where they<br />

teach classes on all aspects<br />

of clowning for me to<br />

realize that I was REALLY<br />

in the dark when it came to<br />

learning about the “art” of<br />

clowning.<br />

At first I learned the<br />

different ways that a clown<br />

could put on make-up. Then<br />

I learned about the ways a<br />

clown should dress for the<br />

several different types of<br />

clowns, such as the white<br />

face, the auguste, the hobo<br />

and the character clown. It<br />

was important to me that I<br />

looked good, not scary.<br />

Although I thought I<br />

was pretty funny (if only<br />

to myself at the time) as a<br />

new clown I had very little<br />

patience with some children<br />

and adults and didn’t know<br />

one of the golden rules of<br />

clowning; NEVER go out<br />

of character! After many<br />

times trying not to lose my<br />

patience and sometimes not<br />

succeeding, I eventually<br />

trained myself to joke with<br />

the people who were pushy<br />

or unhappy about waiting<br />

their turn or who wanted<br />

more than I could give. It<br />

is never a good thing for a<br />

clown to curse or pick on<br />

others either. As clowns,<br />

you can stage a silly show<br />

where it may look like<br />

you are picking on your<br />

fellow clowns, but it should<br />

always be planned ahead<br />

of time and not have any<br />

REAL physical abuse.<br />

When you are working<br />

with a group of clowns,<br />

there is always a boss<br />

clown or director. When<br />

the boss clown or director<br />

instructs the group to do<br />

certain things, like line<br />

up for a parade, the right<br />

thing to do is to listen and<br />

do what they say. You can<br />

always have fun doing<br />

it as long as you are not<br />

“upstaging” the director or<br />

being so loud that no one<br />

hears what is being said.<br />

Upstaging means trying to<br />

“out do” the director and<br />

that is just not acceptable,<br />

even as a clown.<br />

When getting dressed<br />

and putting on your makeup,<br />

always make sure your<br />

costume is clean and neat.<br />

Wigs should also look neat<br />

and clean. Make-up should<br />

look even and smooth on<br />

the face and well powdered.<br />

Gooey, drippy make-up<br />

is scary to some children<br />

and just not fun to look at<br />

to most people, including<br />

other clowns. When other<br />

clowns don’t take the time<br />

to look neat and clean, it<br />

can give all clowns a bad<br />

reputation.<br />

Clowning is a way to<br />

bring out the best in us and<br />

those we entertain around<br />

us. If you can bring a smile<br />

to someone who is down or<br />

a belly laugh to someone<br />

who is just walking by, if<br />

you are doing it with that<br />

person’s well being in mind<br />

and not trying to be mean<br />

by saying mean things<br />

or playing mean jokes, if<br />

you truly love having fun<br />

by being silly and making<br />

people laugh, then you are<br />

well on your way to a heart<br />

of a clown. ✦<br />

by Candy<br />

“Butterscotch” Will<br />

Junior Joey Chair<br />

Jan/Feb <strong>2008</strong> Page 19


Tips: Wig Care<br />

Taking The Stress Out of<br />

Washing Your Wig<br />

by Cheri Venturi<br />

I often am asked, “How do I wash my wig?” It’s<br />

very simple but there are some important things<br />

to remember. Taking care of your wig will keep it<br />

looking great and lasting through many performances.<br />

1<br />

Fill the sink or basin with lukewarm water and a small<br />

amount of your own shampoo or Woolite. Place the wig<br />

in the bath to soak for about 10 to 15 minutes. Rub gently<br />

on the places where the greasepaint has come in contact<br />

with the cap or the fi bers. If the greasepaint is quite heavy,<br />

you may use a small amount of dish detergent on the spots<br />

(ONLY A SMALL AMOUNT).<br />

2<br />

Squeeze the soap through the wig several times and remove<br />

the wig from the soapy water. Drain the soapy water and<br />

refi ll the basin with clear lukewarm water. Place the wig<br />

back into the clean water and swish gently. DO NOT RUN<br />

UNDER THE FAUCET AS IT TANGLES THE FIBERS.<br />

Repeat as many times as necessary to remove all the soap.<br />

You can put conditioner in a straight wig but I do not<br />

recommend it on a curly.<br />

3<br />

Squeeze the excess water out of the wig. DO NOT WRING.<br />

Page 20<br />

The New Calliope


Tips: Wig Care<br />

4 5<br />

Lay the wig out on a towel.<br />

Roll it up in the towel. Squeeze the towel<br />

to remove the excess water.<br />

6<br />

Shake the wig out and put it on a wig head to dry.<br />

You may want to put on some styling gel on the curly wigs at this point. Do<br />

NOT comb while it is wet as it will pull out the fi bers.<br />

Also do NOT use a hairdryer on a synthetic wig as it will melt.<br />

If your straight wig tangles, use some de-tangler from Johnson and<br />

Johnson. Leave enough drying time for<br />

your wig to completely dry.<br />

After you wig has completely<br />

dried you can comb it. The<br />

straight wigs can be combed<br />

straight through while the curly<br />

wigs should be loosened at the<br />

cap and try not to comb through<br />

the curls as it will make them<br />

frizzy.<br />

Now, go and relax. You will<br />

look wonderful and you wig<br />

will look like “new” again...well<br />

almost!<br />

Jan/Feb <strong>2008</strong> Page 21


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Baseball caps, tote bags, post cards, calendars, journals and greeting<br />

cards. Buttons, stickers, magnets and even a little Teddy wearing a<br />

COAI logo shirt! But there’s more! Mugs, steins, throw pillows,<br />

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www.cafepress.com/coai or www.cafepress.com/coai20yearlogo.<br />

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Page 22<br />

The New Calliope


Tips: Make-Up Application<br />

If you use a wooden handle artist brush to assist with your makeup<br />

application, here’s a suggestion: Shorten the handle.<br />

Simply score the handle then snap it in half. You can use sand<br />

paper or an emery board to sand the rough edge smooth.<br />

(I smooth the edges in a pencil sharpener then sand the end.)<br />

When using a longer handle Murphy’s Law dictates that you’ll<br />

strike the handle against the mirror or the mirror frame, poking<br />

yourself with the brush and/or smearing your make up. For those<br />

of us who need to get close to the mirror, the shorter handle<br />

makes manipulating within the space between your<br />

face and the mirror much easier.<br />

Submitted by Ann “Tuttles” Sanders<br />

Photographs by Tim “Sawdust” Laynor<br />

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Jan/Feb <strong>2008</strong> Page 23


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Page 24<br />

The New Calliope


Submitted by Ann “Tuttles” Sanders<br />

Photography by Tim “Sawdust” Laynor<br />

Skills: Puppetry<br />

Master Puppeteer David Messick from Rainbow Puppets<br />

of Hampton, Virginia, offers the following suggestions for<br />

working with full body puppets.<br />

Remember to keep your puppet hidden from view until<br />

you are ready to present it. It is important in preserving the<br />

illusion of realism. You can use a duffle bag, suitcase, or<br />

other carrying case to transport your puppet.<br />

One way to have your puppet make a dramatic entrance<br />

is to stand with your back to the audience, position the<br />

puppet on your hand then turn to face your audience with<br />

your puppet ready to perform.<br />

To focus your audience’s attention on the storyteller or action,<br />

make the puppet look in the direction where you want your<br />

audience to look. Remember to present your puppet in a life-like<br />

manner whether it is a human form or animal, give it movements<br />

that are natural. While your puppet is in the public view, it needs<br />

to remain alive.<br />

When displaying your puppet, position the puppet so that it<br />

looks like it is resting naturally on your arm.<br />

Avoid having your puppet fl oating in space!<br />

Make sure your puppet is always looking at something.<br />

When you are speaking have the puppet look at you. When your<br />

focus moves to someone or something, have the puppet look in<br />

that direction. Especially with children, if the puppet looks in<br />

a specifi c direction so will your audience. Remember, if your<br />

puppet’s attention is not directed toward anything specifi c,<br />

neither will the attention of your audience.<br />

David suggests that, with the full body puppets you are trying<br />

to make very life-like, remove the rods. Puppets can be highly<br />

entertaining to audiences of all ages.<br />

Mermaid by Jill Harrington of Prince Puppets of Pittsburgh,<br />

Pennsylvania, is starring in<br />

Rainbow Puppets new production “A Pirate Party”.<br />

Special thanks to Master Puppeteer David Messick from Rainbow<br />

Productions of Hampton, Virginia.<br />

Jan/Feb <strong>2008</strong> Page 25


How To Touch A Clown Nose<br />

Submitted by Ann “Tuttles” Sanders with photos by Tim “Sawdust” Laynor.<br />

Once in a while you’ll meet a child that who not take no for an answer when it comes to pursuing touching your clown nose and/or<br />

hair. For those occasions this is the method that I use:<br />

1 2<br />

First I establish the rules. The child can only use ONE FINGER.<br />

They touch my nose fi rst and then I get to touch their nose.<br />

I have them hold out their index fi nger. Next, I cover the rest of<br />

their fi ngers and thumb with my hand.<br />

3<br />

As I move their hand towards my face, I hold up my free hand to<br />

the side of my face to prevent their free hand from touching or<br />

grabbing my nose. For example: If I am holding their right hand<br />

with my left hand, I will hold up my right hand to prevent their<br />

left hand from being able to reach my face.<br />

Page 26<br />

4<br />

Lastly, I gently touch their nose.<br />

If after they have touched my nose I feel they may continue to<br />

grab for my nose, I will continue to hold their hand and lean my<br />

upper body away from them. Since I can reach further than most<br />

young children, I position my face out of their reach and touch<br />

their nose with my free hand.<br />

This is not an original idea. I wish I could remember who shared<br />

this technique with me so that I could give them credit. To that<br />

individual and to so many others who have shared their ideas<br />

with me, THANKS!<br />

The New Calliope


Alleys and Members On The Move!<br />

Clowns Respond To Those<br />

Affected by Fire<br />

Everyone knows the horror<br />

and tragedies of the fires on<br />

the west coast of the United<br />

States. COAI clowns in the<br />

area rose to the challenge<br />

to bring some happiness to<br />

those who were affected.<br />

San Diego All Star Clown<br />

club members who performed<br />

for evacuees during the October<br />

firestorm in San Diego<br />

are listed below: Please note<br />

we do not believe this to be<br />

the entire list, but those who<br />

“Hi Clown Friends! Just<br />

a short note to let you<br />

know that The Red Nose<br />

Institute has enlarged our<br />

territory! We are now sending<br />

red noses to deployed<br />

troops anywhere overseas.<br />

They do not have to be in<br />

a war zone. We also want<br />

to let you know that there<br />

is no cost to the person<br />

requesting the noses or to<br />

our troops. If you know of<br />

someone who might enjoy<br />

receiving noses, contact<br />

us! We are receiving lots of<br />

great feedback and pictures.<br />

Please see our website at<br />

www.TheRedNoseInstitute.<br />

com!” - Cheryl “Sweet<br />

Pea” Herrington & Larry<br />

“Pappy” Mills.<br />

responded to Bonnie Love’s<br />

emails.<br />

1) Ana “Ana Banana” Hernandez<br />

at Chula Vista at L<br />

Street Ana Hernandez.<br />

2) Jacki “Cali” Caprio at<br />

Qualcomm Stadium.<br />

3) John “Whistle stop”<br />

Lorne at the Del Mar with<br />

North County Clown Conspiracy.<br />

4) Wower at Grossmont<br />

Hospital.<br />

5) Uncle Rusty at Qualcomm<br />

Stadium.<br />

6) Cricket at Dewey Child<br />

Development Center.<br />

7) Solecito at San Ysidro,<br />

Quacomm and Escondido.<br />

8) Dr. Pokenose at Grossmont<br />

Hospital.<br />

9) Honey Bee at Qualcomm<br />

Stadium.<br />

10) Butterscotch at El Toro<br />

High School.<br />

11) Beary at El Toro High<br />

school.<br />

12) Jingles at Qualcomm<br />

Stadium.<br />

13) Dr. Goodnight at<br />

Grossmont Hospital.<br />

North County Clown<br />

Conspiracy.<br />

1) Tango Del Mar at fairgrounds<br />

Qualcomm Stadium.<br />

2) LoMax Del Mar fairgrounds<br />

Qualcomm Stadium.<br />

Independent clowns<br />

1) Grandpa D (He and<br />

Grammy lost their house,<br />

cars, office etc. while performing<br />

for evacuees!).<br />

2) Grammy Pammy.<br />

Orange County<br />

1) Stacey “Boo-<br />

Boo”Anderson at Orange<br />

Show evacuation center in<br />

Riverside.<br />

2) Pam “Twinkles D’<br />

Klown” House at Orange<br />

Show evacuation center in<br />

Riverside and Red Cross office<br />

in Long Beach.<br />

Candy Will reported these<br />

clowns are being involved:<br />

Scott “Big Red” Addis<br />

When the devastating fi res hit the west coast, clowns responded to<br />

bring a little cheer and laughter into the lives of those affected.<br />

with the Hemet Clowns.<br />

Bill and Angie McClanahan<br />

with the Hemet Clowns.<br />

Sunny, Sunshine and<br />

Twinkles helped the evacuees<br />

at the Saboda Indian Reservation.<br />

Dolly “Greyzie” Young,<br />

Karen “Gymick” Wes, and<br />

Ted “Corkey” Kagan worked<br />

the Qualcomm stadium.<br />

OH and Stacey “Boo Boo”<br />

Anderson with the HMO<br />

Clown group worked the<br />

Orange evauee center in San<br />

Bernardino with Pam “Twinkles<br />

D Clown” House who is<br />

part of Funny Business and<br />

also the Red Nose Responder<br />

contact for the area.<br />

✦✦✦✦✦<br />

More Red Noses...Please!<br />

Submitted by Alexander L.<br />

English<br />

North Augusta, SC<br />

I am an Auguste clown<br />

when in costume, but I am<br />

presently unable to do clowning<br />

due to many medical<br />

problems. One problem is my<br />

(COPD) breathing problem.<br />

I ride an electric scooter. I<br />

do carry a red nose with me<br />

at all times and put it on in<br />

stores, at the hospital and<br />

any place I feel people need<br />

to smile and laugh. I have<br />

been thanked by doctors<br />

and nurses for being able to<br />

make other people smile even<br />

though I have problems myself.<br />

I also give out kiss stickers<br />

to children and ladies. At<br />

present I am hoping to recruit<br />

the hearing department at the<br />

V.A. Hospital uptown to all<br />

wear red noses (which I will<br />

supply free) to greet people<br />

and make them happy. I’ll let<br />

you know!!<br />

✦✦✦✦✦<br />

NORTHLAND CLOWN<br />

GUILD ALLEY 217<br />

Submitted by Cheryl Herrington,<br />

Alley 217<br />

North Kansas City, MO<br />

The Northland Clown<br />

Guild Alley 217 of North<br />

Kansas City, MO and RSVP<br />

Clowns held a clown workshop<br />

last November. Smiles<br />

and giggles and silliness<br />

surrounded everyone! First<br />

of May, or beginner clowns,<br />

learned the history of clowning,<br />

watched make-up demonstrations,<br />

laughed at skits,<br />

watched balloon twisting,<br />

magic and face painting demonstrations,<br />

and practiced<br />

continued on page 28<br />

Jan/Feb <strong>2008</strong> Page 27


Alleys and Members On The Move!<br />

from page 27<br />

their own make-up techniques!<br />

Characterization and<br />

improvisation rounded out<br />

the classes. A fashion show<br />

was also held with members<br />

demonstrating some of their<br />

own props and describing<br />

how their costumes were put<br />

together and where different<br />

pieces came from. Alley<br />

217 President, Dennis “Cornelius”<br />

Porter, was Master<br />

of Ceremonies. Lonnie<br />

“Boots” Vanderslice, Roberta<br />

“Pokey” Lindeman, Cheryl<br />

“Sweet Pea” Herrington,<br />

Shirley “Starla” Beeley, Sharon<br />

“Miss Agnes” Benson,<br />

Wanda “Pinky Lou” Chaney,<br />

Larry “Pappy” Mills, Lohren<br />

The Northland Clown Guild Alley 217 of North Kansas City, MO<br />

and RSVP Clowns held a clown workshop last November.<br />

“Sonny” Meier, Betty “No<br />

Name” Schultz, Peyton “Astro”<br />

Westfall, Mary “Clara<br />

the Clown” White, Robert<br />

“Tag-A-Long” Taylor, Randy<br />

“Bible Bubba” and Charles<br />

“CT” Terry were all on hand<br />

to teach and keep things<br />

hopping. Fantastic Clowning<br />

& Magic and The Happy<br />

Store vendors were there for<br />

everyone’s clown needs. Fifteen<br />

participants, beginners<br />

and experienced clowns, all<br />

laughed their way through<br />

the day and shared the love<br />

of clowning! Alley 217 has<br />

held two regional conventions<br />

and six previous workshops<br />

with 100+ years of combined<br />

clowning. Northland Clown<br />

Guild Alley 217 is a not-forprofit<br />

organization dedicated<br />

to the art of clowning and to<br />

bringing joy and happiness to<br />

everyone since 1991!<br />

✦✦✦✦✦<br />

Before The Hike<br />

by Laurel “Pinky” Tharpe<br />

Spreading smiles, love and<br />

laughter along the Florida<br />

Trail is what I hope to do<br />

beginning in January <strong>2008</strong>. I<br />

live in Sebring, FL. Some call<br />

me by my clown name which<br />

is “Pinky” and some call me<br />

“Mountain Laurel” which<br />

was my Appalachian Trail<br />

(AT) name. I hiked the AT<br />

in 2000. I’m also a member<br />

of Toby’s Clown Alley, Toby<br />

The Clown Foundation, Inc.<br />

and The Florida Trail Association.<br />

I love to clown and I love<br />

to backpack. Combining<br />

these two loves I hope to be<br />

a “goodwill ambassador” for<br />

clowning. The Florida Trail is<br />

one of eight National Scenic<br />

Trails in the United States.<br />

It begins in the Big Cypress<br />

National Preserve near Miami<br />

and ends at the Gulf Islands<br />

National Seashore near Pensacola.<br />

It is approximately<br />

1,400 miles long.<br />

Page 28<br />

Laurel “Pinky” Tharpe will be spreading joy<br />

as she hikes the Florida Trail.<br />

“Greetings! Here in Springfi eld, MO we again were hit with<br />

another ice storm We loaded up and went to Carthage, MO<br />

to a storm shelter to share some smiles. We were in contact<br />

with American Red Cross. We will be going out again in the<br />

morning this time going to Joplin MO.” - Spangle<br />

The New Calliope


Alleys and Members On The Move!<br />

Shirley “Joy” Glenn and Lolly “Pinky” Tharpe have<br />

created a unique way to teach hygiene to children.<br />

My hiking partner is Donna<br />

Stowe from Melbourne,<br />

FL. She is a seasoned backpacker<br />

and bicyclist. When<br />

we hike the trail Donna will<br />

be 72 years old and I will be<br />

69. We will be handing out<br />

red clown noses along the<br />

trail to create a bit of laughter<br />

and fun, while at the same<br />

time, showing and telling<br />

folks the value of our foundation.<br />

✦✦✦✦✦<br />

Clowning Around for<br />

Hygiene<br />

by Shirley “Joy” Glenn and<br />

Lolly “Pinky” Tharpe<br />

We love to clown, bringing<br />

smiles, love and laughter to<br />

young children especially. We<br />

want to entertain them and at<br />

the same time provide a little<br />

education. Often children will<br />

remember important information<br />

better if it is done in<br />

an “outlandish” method. So,<br />

here we are teaching oral hygiene<br />

and hand washing in an<br />

In December, Kolonial Klowns of Williamsburg - Alley #357 participated<br />

in the Annual Williamsburg Christmas Parade. In keeping<br />

with the parade’s theme of “Holiday Traditions” the Alley<br />

offered a clown decorating service, mistletoe testing, and a “live”<br />

Christmas tree. They won fi rst place! Congratulations!<br />

Some clowns got together and entertained at a day care program<br />

for children. The children were at the facility because the schools<br />

were closed due to the fi res. Many of the moms and dad were<br />

hospital employees who had no sitter but were needed at work.<br />

Pictured here are Wower (Rosemarie Ballard), Solecito<br />

(Antolin Rodriguez), and Pokonose (Bill Pogue).<br />

outlandish way. This is a new<br />

project for us, but we think it<br />

could be expanded into teaching<br />

all facets of health and<br />

safety.<br />

We do this presentation<br />

for daycare centers and hope<br />

to enlarge it for kindergarten<br />

children also. We volunteer<br />

our service to promote “the<br />

art of clowning” for Toby the<br />

Clown Foundation, Inc. and<br />

for our Toby’s Clown Alley.<br />

Anyone who wishes to use<br />

this idea as a business project<br />

could do very well, changing<br />

the “format” every year.<br />

Our props are all silly and<br />

come in a very large “Big<br />

Story Bag.” The children like<br />

to see what is going to be<br />

pulled out of that bag. For the<br />

oral presentation we use such<br />

props as a huge picture of a<br />

happy clown with his mouth<br />

wide open and full of big<br />

white teeth. We use his mouth<br />

to demonstrate what can<br />

happen if “Happy Hal” does<br />

not brush his teeth. We have<br />

some big ugly “cavity bugs”<br />

which we plant in his mouth.<br />

We then ask the children how<br />

to get rid of them. In the process<br />

of trying to find the right<br />

brush we bring out a paint<br />

brush, toilet brush, and finally<br />

the “tooth” brush which is<br />

oversized. After brushing<br />

Happy Hal’s teeth we leave<br />

one cavity bug in place and<br />

introduce dental floss to finish<br />

the job using a large jump<br />

rope as a silly prop.<br />

To continue with the oral<br />

presentation, we introduce<br />

“Mr Chatters” who is just a<br />

red sock puppet with wind-up<br />

chattering teeth and bulging<br />

eyes. We use him to demonstrate<br />

good brushing of the<br />

teeth, gums, and tongue. We<br />

use him to help teach good<br />

snacks and bad snacks - always<br />

brushing his teeth after<br />

the sugary snacks. Of course,<br />

we wind him up a couple<br />

times during the presentation<br />

as the children love to hear<br />

and watch him.<br />

When it comes to the hand<br />

washing presentation we purposely<br />

forget which “body<br />

part” we are going to talk<br />

continued on page 30<br />

Jan/Feb <strong>2008</strong> Page 29


Alleys and Members On The Move!<br />

from page 29<br />

about next. We pull a large<br />

thumb out of the bag and then<br />

a large foot. Finally, we remember<br />

the hands and bring<br />

out a picture of a very direct<br />

hand with a sad face. The<br />

children participate in telling<br />

us what is needed to clean the<br />

hands. We all go through the<br />

motions of washing out hands<br />

with soap and water to the<br />

tune of “Twinkle, Twinkle,<br />

Little Star,” bringing out a<br />

big picture of a smiling clean<br />

hand. We then talk about why<br />

it is so important to keep our<br />

hands clean and the most important<br />

times to wash them.<br />

Next we invite one of the<br />

children to come forward to<br />

help with our magic trick. We<br />

ask the teacher to choose a<br />

helper. We get out the “faithful<br />

change bag” and take a<br />

very dirty sad hand and put it<br />

in the change bag along with<br />

soap and water. Then with<br />

a few chosen magic words,<br />

the helper pulls out a clean<br />

and happy hand. We make a<br />

big deal out of the helper and<br />

give him, or her, an “Official<br />

Clown Assistant” sticker.<br />

To end the presentations<br />

we try to re-emphasize the<br />

important points. We give the<br />

teacher a handout from Crest<br />

Toothpaste, a coloring page<br />

with hidden good snacks to<br />

find. The children do these<br />

in class or take them home.<br />

We also give out a little certificate<br />

card from the clowns<br />

indicating their participation.<br />

This is a fun project and<br />

we hope it will grow to become<br />

a regular yearly presentation<br />

at the schools. Each<br />

year we can change the “Big<br />

Story Bag” to include all aspects<br />

of hygiene and safety.<br />

✦✦✦✦✦<br />

Junior Joey Graduates to<br />

Adult<br />

by George “DoDo” Curley<br />

My grandson, Jared is off<br />

to Jacksonville to go to university.<br />

I must tell you about<br />

him. Jared wanted to become<br />

a clown when he was eight<br />

years old. I tried to enroll him<br />

in some clown classes but<br />

was told he was too young.<br />

So I offered to become a<br />

clown with him proviso that<br />

I would take him out of the<br />

class if he couldn’t do what<br />

was required. Connie and<br />

Jerry Yarborough (Topsy &<br />

YoYo) were so understanding<br />

and absolutely outstanding<br />

to us. They trained us and<br />

admitted Jared would make<br />

a good clown. “Sparky” is a<br />

natural. He dominates when<br />

he is in a crowd.<br />

I am now 76 years old and<br />

can not perform too much<br />

George “DoDo” Curley (R) with his grandson Jared “Sparky.”<br />

anymore. I enjoyed being a<br />

joey and would like to send a<br />

thanks to Topsy and YoYo for<br />

the patience they showed to<br />

help Jared “Sparky” become<br />

such a great clown. ✦<br />

Page 30<br />

The New Calliope


Deborah Sartino<br />

Remlap, AL<br />

Snuggles<br />

WELCOME THESE NEW COAI MEMBERS!<br />

Marilyn Snyder<br />

Manito, IL<br />

Tickles<br />

Kathleen Mcglynn<br />

Bloomfi eld Hills, MI<br />

Warrior Girl<br />

Jim Chase<br />

Hudson Falls, NY<br />

The Town Clown<br />

Enrique Rodriguez<br />

Phoenix, AZ<br />

Glostorin<br />

Laurey Hanson<br />

Surprise, AZ<br />

Sugar<br />

William Trulock<br />

Walnut Creek, CA<br />

Bumble<br />

Amber Searcy<br />

Fairfi eld, CA<br />

Turkoys The Clown<br />

Michelle Baker<br />

American Canyon, CA<br />

Hockinpepper The Clown<br />

Karen Wes<br />

El Cajon, CA<br />

Gymick<br />

Janet Haines<br />

Glenwood Springs, CO<br />

Cookie<br />

Linda Cripps-Weaverling<br />

Newark, DE<br />

Regina Pitts<br />

Washington, DC<br />

Jamalamadingdong<br />

Judy Throckmorton<br />

Venice, FL<br />

Joan Kozma<br />

Seminole, FL<br />

Pixie<br />

Linda Fricke<br />

Callahan, FL<br />

Winda Wu<br />

Theresa Bill<br />

Naples, FL<br />

Pickles<br />

Karen Jordan<br />

Jensen Beach, FL<br />

Lucy Ladybug<br />

Nancy Barber<br />

Deland, FL<br />

Stiles<br />

Joe Crowe<br />

Fort Walton Beach, FL<br />

Hot Shot<br />

Suzette Arita<br />

Honolulu, HI<br />

Twinkles The Clown<br />

Wanda Sconce<br />

Spring Grove, IL<br />

Brenda Lee Caldwell<br />

Franklin, IN<br />

Sassy Frass<br />

Pamela Rush<br />

Whiteland, IN<br />

Twinkle Toes<br />

Brad Coady<br />

Des Moines, IA<br />

Bullseye<br />

Patty Tilton<br />

Des Moines, IA<br />

Patty Cakes<br />

Rita Potter<br />

Sioux City, IA<br />

Bloomer<br />

Jane Petri<br />

Adair, IA<br />

Skooter<br />

Mark Popp<br />

Tonganoxie, KS<br />

Bumpy Knuckles<br />

Laura Boggs<br />

Lafayette, LA<br />

Heart-Full<br />

Sig Lane<br />

Shreveport, LA<br />

D Clown<br />

Larry Mccrea<br />

Laurel, MD<br />

Jobo<br />

Henry Holland Jr<br />

Perryville, MD<br />

Cap’n Sloshy<br />

Cristina Olisangela<br />

Somerville, MA<br />

Edna Gubert<br />

Medford, MA<br />

Hector Alcaide<br />

Westfi eld, MA<br />

Trapiche<br />

Howard Mahaffy<br />

Saginaw, MI<br />

Howie Da Balloon Guy<br />

Bunnie Chamberlain<br />

Haslett, MI<br />

Bizzi<br />

Ruth Nelson<br />

Chelsea, MI<br />

Goofus<br />

Deborah Slavin<br />

Crystal, MN<br />

Oopsie Daisy<br />

Sara Ward<br />

Annandale, MN<br />

Bable L. Baphoon<br />

Jackie Scarbrough<br />

Oak Grove, MO<br />

Sir Clarence<br />

Tammy Kugler<br />

Richmond, MO<br />

Ryan Kugler<br />

Richmond, MO<br />

Amanda Clay<br />

Ballwin, MO<br />

Oscar<br />

Rebecca “Becky” Franz<br />

Rye Beach, NH<br />

Kristi Parker<br />

Amherst, NH<br />

Krickey<br />

Christie Seubert<br />

Lee, NH<br />

Gimpy<br />

Gail Champagne<br />

Newmarket, NH<br />

Carvalho<br />

Eileen Ryan<br />

Cookstown, NJ<br />

Morning Glory<br />

Cynthia Ippolito<br />

Randolph, NJ<br />

Cookie<br />

Linda Rampello<br />

Elizabeth, NJ<br />

Angel<br />

Carlos Solis<br />

Paterson, NJ<br />

Pionono<br />

Linda Coddington<br />

Gallup, NM<br />

Tallulah<br />

Cheryl Arnold<br />

Rochester, NY<br />

Gabby<br />

Marlene St John<br />

Far Rockaway, NY<br />

Kottonkandy<br />

Frankie Scullari<br />

Staten Island, NY<br />

Captain Crusader<br />

Theresa Govenettio<br />

Angola, NY<br />

Teri-Okie<br />

Josephine Maring<br />

Kennedy, NY<br />

J.J. Jingles<br />

Miron Gusso<br />

New York, NY<br />

Milo<br />

Edward Kleiner<br />

Lindenhurst, NY<br />

Casey<br />

Pamela Macwilliams<br />

Cleveland Heights, OH<br />

Puff<br />

Diane Gauthier<br />

Durant, OK<br />

Sweettart<br />

Matt Weber<br />

Mcminnville, OR<br />

Zero<br />

Sasha Chernoff<br />

Eugene, OR<br />

John Cameron<br />

Murfreesboro, TN<br />

Squeeky<br />

Wendell Clendennen<br />

Grapevine, TX<br />

Stretch<br />

Alec Dunbar<br />

Humble, TX<br />

Taz<br />

Sarah Hall<br />

Cypress, TX<br />

Beeswax<br />

Linda Carr<br />

Lake Jackson, TX<br />

Kissyface<br />

David Garrido<br />

Galveston, TX<br />

Davilin<br />

Jacquelyn Williams<br />

Richmond, VA<br />

Lollipop<br />

Deborah Brundage<br />

Oak Harbor, WA<br />

Sparkles<br />

Danny Riggs<br />

Mcchord Afb, WA<br />

Annyday<br />

Kimberly King<br />

Kennewick, WA<br />

Suzy-Q<br />

Terri Foust-Rogers<br />

Snohomish, WA<br />

T Tator Tot<br />

Barbara Bralick<br />

Martinsburg, WV<br />

Michael Aerts<br />

Antwerpen, Belgium<br />

Michael<br />

Lee James<br />

Belm, Germany<br />

Rollie Pollie<br />

Kazumi Sakugawa<br />

Okinawa, Japan<br />

Kazutan<br />

Maykol Olazabal Martinez<br />

San Deigo, Peru<br />

Chiquitin Jr<br />

Alan Olazabal<br />

San Deigo, Peru<br />

Chiquilin<br />

Carlos Olazabal Basilio<br />

San Deigo, Peru<br />

Tony Chiquitin<br />

Abelardo Perez<br />

Bayamon, PR<br />

Pisterito<br />

Glenda Amador Cardona<br />

Bayamon, PR<br />

Evangelin<br />

Jose Hernandez Flores<br />

Bayamon, PR<br />

Jirehlin<br />

S Chandran<br />

Singapore<br />

Jan/Feb <strong>2008</strong> Page 31


Look Who’s Reading The New Calliope!!<br />

Have a photo taken of you<br />

reading The New Calliope in<br />

your travels and it<br />

just might appear in an<br />

upcoming issue!!<br />

Remember, if you are taking<br />

digital photos<br />

(and who doesn’t) we<br />

need to have the highest<br />

resolution photos possible.<br />

Set your camera to the<br />

highest resolution setting<br />

(the fewest photos) your<br />

camera can take.<br />

Above: Here is a picture of Tom “Shoeperman”<br />

Bailes, of Kolonial Klowns Alley #357 at Zion<br />

National Park with his New Calliope.<br />

E-mail to: NewCalliopeEdit<br />

or@comcast.net<br />

or snail mail to: Newton<br />

Studios, Inc.,<br />

370 West Dearborn Street,<br />

Suite B<br />

Englewood FL 34223.<br />

Right: Jerry “Dr. Dufus” Dodson reads The New<br />

Calliope while in the surf of the Outer Banks in<br />

Nags Head, NC.<br />

Below: Meanwhile Ann Sanders and Tim Laynor read The New Calliope through<br />

Germany, the Czech Republic, Slovakia, Hungary and Austria.<br />

Aboard a Danube cruise<br />

in Budapest.<br />

Page 32<br />

In the gardens at Schonbrunn Palace in Vienna, Austria.<br />

With the circus poster outside<br />

the Dorint Novotel in Prague,<br />

Czech Republic.<br />

The New Calliope


Join An Alley? What’s In It For Me?<br />

By Paul “Fuddi-Duddy”<br />

Kleinberger<br />

The major internationally<br />

based clowning organizations<br />

and many of the<br />

regional groups promote<br />

membership in a clown alley<br />

or club. There are many<br />

advantages to being a member<br />

of a clown alley or club.<br />

Yet, only a third of COAI<br />

members actually belong<br />

to a COAI chartered alley.<br />

This presents a bit of a head<br />

scratcher to our Director of<br />

Alley, Region Support and<br />

our Regional Vice Presidents<br />

who are always promoting<br />

alley membership.<br />

What is an alley? While<br />

the phrase “clown alley”<br />

is steeped in the history of<br />

American circuses, these<br />

days a clown alley is considered<br />

to be a group of two<br />

or more clowns who get together<br />

on a regular basis to<br />

share…share some friendship,<br />

some clown education,<br />

performance opportunities<br />

and maybe even some<br />

milk and cookies. When<br />

these alley members get together,<br />

the art of clowning<br />

is propagated. When these<br />

alley members meet, skills<br />

are developed, sharpened,<br />

self-confidence is fortified<br />

and the next time they step<br />

out in front of their audiences,<br />

the art of clowning is<br />

honored.<br />

So why join an existing<br />

clown alley or start your<br />

own?<br />

1. Continuing Clown<br />

Arts Education Opportunities…<br />

as clowns strive to<br />

learn, they get better at their<br />

craft and the art of clowning<br />

is propagated. It, all by<br />

itself, is a great reason to<br />

join a clown alley or even<br />

start one. While individual<br />

efforts are always appreciated,<br />

it’s easier to draw an<br />

instructor to a clown alley<br />

or club and any expenses<br />

involved can be shared.<br />

2. Single and Group<br />

Public Performance<br />

Opportunities… while<br />

most alleys are not booking<br />

agents, they are a magnet<br />

for performing opportunities.<br />

Performing often with<br />

your clown alley allows<br />

you to be out in public in<br />

a supportive environment<br />

and allows you to sharpen<br />

your skills with the help of<br />

your clown friends. Plus, it<br />

allows you to work on new<br />

material and get constructive<br />

criticism, as well as<br />

feedback from people who<br />

know what you are trying<br />

to accomplish.<br />

3. Professional and Semi<br />

Professional Associations<br />

and Networking… there is<br />

an old song that goes something<br />

like “I get by with a<br />

little help from my friends.”<br />

As you are involved in your<br />

alley, you meet and make<br />

many new friends whose<br />

interests are similar to<br />

yours. You can help them.<br />

They will help you. You<br />

prosper and so does your<br />

alley.<br />

4. Promotional Opportunities…<br />

many clown alleys<br />

allow their members to promote<br />

their individual talents<br />

while out with the alley.<br />

If the alley has a Web site,<br />

you could be featured on<br />

the site. Some alleys pool<br />

their funds and purchase<br />

advertising in local papers,<br />

on radio and even on television.<br />

5. Local Clown Arts<br />

Newsletters… many alleys<br />

publish a newsletter to keep<br />

their members up to date<br />

on things going in the local<br />

clown arts community.<br />

Many clowns find this to<br />

be an invaluable resource.<br />

Some clowns I know belong<br />

to their alley because<br />

the alley newsletter is such<br />

a resource for the membership.<br />

6. Grant and Scholarship<br />

Opportunities… alleys<br />

can apply for grants<br />

to present featured clown<br />

arts instructors. While the<br />

COAI Scholarship Program<br />

has certain administrative<br />

requirements, it seems that<br />

alleys are very supportive<br />

of those alley members who<br />

express interest and want to<br />

apply for a scholarship.<br />

7. Award and Recognition<br />

Opportunities… many<br />

alleys have their own award<br />

programs. Face it, we all<br />

like to be recognized for the<br />

things we do and our various<br />

accomplishments. Having<br />

your friends and neighbors<br />

say “Ya Done Good”<br />

is very meaningful.<br />

8. Local Networking<br />

With Other Performing<br />

Arts Organizations…<br />

Clowns are not the only<br />

family entertainers out<br />

there. Many clown alleys<br />

arrange joint meetings with<br />

jugglers, magicians, puppeteers<br />

and the like. This<br />

interaction allows everyone<br />

to expand their horizons<br />

and share ideas.<br />

9. Convention and Gathering<br />

Hosting Opportunities…<br />

it does take some<br />

clown power to carry off a<br />

convention or other educational<br />

effort. So as groups<br />

are considering possible<br />

hosts, the most likely candidates<br />

to host such events<br />

are clown alleys. The benefit<br />

for the individual alley<br />

member is the opportunity<br />

to have specific input into<br />

the education program and<br />

the educators being presented.<br />

10. Fun, Friendship and<br />

Fraternity With Like-Minded<br />

Clowns and Family<br />

Entertainers… it’s always<br />

great to get together with<br />

like-minded people and to<br />

appeal to that common core<br />

of experience. The majority<br />

of clown alleys do a lot to<br />

foster the friendships that<br />

evolve in the membership.<br />

While the emphasis may be<br />

different from alley to alley,<br />

the one thing that seems to<br />

bind everyone together is<br />

the membership in the alley.<br />

It’s wise to remember<br />

that people join clown alleys<br />

for a whole bunch of<br />

personal reasons. It can be<br />

a challenge for the alley<br />

to try to meet everyone’s<br />

needs and expectations.<br />

When egos are checked<br />

at the door of the meeting<br />

room and everyone collaborates<br />

to foster growth and<br />

support each other, a clown<br />

alley can be a wonderful<br />

organization.<br />

To be a COAI charted<br />

alley, the group of clowns<br />

needs to have a set of<br />

bylaws and at least five<br />

members who are current<br />

COAI members. You can<br />

contact your regional vice<br />

president or the Director of<br />

Alley, Region Support for<br />

all the details. COAI did<br />

away with the fees involved<br />

a year or so ago. It costs<br />

nothing to become a COAI<br />

alley. That’s right! Zero,<br />

zip, nadda cent.<br />

Join one or start one! It’s<br />

a great New Year’s resolution.<br />

✦<br />

Jan/Feb <strong>2008</strong> Page 33


Convention <strong>2008</strong><br />

by Sandra Winstead<br />

As I write this I am trying<br />

to get ready for Christmas<br />

and the convention and<br />

then it occurs to me that<br />

the convention is only four<br />

months away!! And I thought<br />

Christmas came in a hurry<br />

this year. It seems like only a<br />

short time ago I was visiting<br />

hotels to get my bid together<br />

for this convention and now<br />

we are in the home stretch.<br />

With that having been said<br />

I will ask you again, have<br />

you registered to “Race into<br />

Richmond” with us? If not,<br />

why not? Registration rates<br />

don’t go up again until February<br />

29th so take advantage of<br />

the still very reasonable rates.<br />

You also need to be sure to<br />

book your hotel room before<br />

March 31st to be guaranteed<br />

our convention rate. This is a<br />

very busy hotel so book your<br />

room early.<br />

Let me take the opportunity<br />

to tell you about the vendors<br />

and lecturers we have<br />

planned for the convention.<br />

Of course we have Bubba<br />

because no convention would<br />

be complete without him; he<br />

will be in the vendor room<br />

as well as lecturing. There<br />

is Tom-E-Boy who brings a<br />

host of walk-around products<br />

for you to purchase and Tom-<br />

E-Boy will also be instructing<br />

you on how to use them. Tom<br />

always boasts, and we know<br />

it is true that he can work<br />

a festival all day from just<br />

the pockets in his costume.<br />

Dave Hill will also be there<br />

and if you don’t know Dave<br />

his phone number is 1-800-<br />

clown-99. He will make you<br />

repeat that many times to<br />

make sure you know how to<br />

order the wide variety of balloons<br />

and such he has to sell.<br />

Dave will also be lecturing<br />

on how to use his products.<br />

Of course there is Peachey<br />

Keene and if you don’t own a<br />

foam prop from Peachey you<br />

probably will before the convention<br />

is over. I speak from<br />

personal experience that his<br />

props are the best.<br />

As far as costuming vendors<br />

we have the always popular<br />

Betty Cash. For any of<br />

you who own a costume by<br />

Betty you know what a great<br />

costume she makes and she<br />

has great accessories as well.<br />

We have someone new to<br />

the national scene this year,<br />

Sunshine & Company. This<br />

is Kitty Kerr and her husband<br />

Tom. They are from North<br />

Carolina and they make a<br />

great costume for the working<br />

clown at a reasonable<br />

price. We have a member<br />

of our alley who I think has<br />

personally kept Sunshine in<br />

business the last few years he<br />

has so many of her costumes.<br />

Sunshine will also be selling<br />

a few wigs. Speaking of wigs<br />

we also have Cheri-Oats.<br />

She always has such a great<br />

selection of wigs and is always<br />

willing to trim your wig<br />

for you which is such a nice<br />

benefit. Now that you have<br />

the ability to buy a costume<br />

and a wig you must stop in<br />

to see John Spears and order<br />

that perfect pair of clown<br />

shoes. John makes the best<br />

and has even made shoes for<br />

the Grinch! What else needs<br />

to be said about him.<br />

A couple of other vendors<br />

to mention, the Clown<br />

Gadget store which is run<br />

by Curt & Diane Patty. You<br />

can find all of your hospital<br />

and gospel type needs at their<br />

vendor booth. They will also<br />

be lecturing on those topics<br />

so come and learn or add to<br />

those skills if that is a topic<br />

that interests you. Reigel Engraving<br />

is our badge vendor,<br />

so if you need a name badge<br />

or want a funny saying for<br />

your costume, Marge Reigel<br />

is going to be able to get that<br />

done for you. There is CB<br />

House of Clowns where you<br />

can buy your clown jewelry<br />

and sparkly hats and vests.<br />

These are great when you<br />

want to wear something to<br />

face paint and stand out in<br />

the crowd but not dress as a<br />

clown. We also have Photos<br />

by Gyzmo. John Demarinis<br />

has been at the last 5 of 6 national<br />

conventions and is very<br />

familiar with photographing<br />

clowns. Bring your costume<br />

and prepare to get your photo<br />

taken for your business card.<br />

John can also be seen around<br />

the convention taken candids<br />

and they will be available for<br />

sale so bring $$$ because you<br />

will want to be sure to have<br />

those memories.<br />

We only have one face<br />

painting vendor and that is<br />

Clown Stuff, Paula Biggio.<br />

For those of you familiar with<br />

Paula she also sells a lot of<br />

other stuff at her booth so be<br />

sure to check her out. She is<br />

also going to be lecturing and<br />

you don’t want to miss that.<br />

We are also planning to<br />

include several Hispanic<br />

classes at the convention. We<br />

are working with Angel Morales<br />

from the COAI board to<br />

have someone teach classes.<br />

Estamos muy excitados que<br />

podemos ofrecer a nuestros<br />

amigos latinos varias clases<br />

que serán enseñadas en español.<br />

We do have one person<br />

who is coming who has not<br />

attended a national convention<br />

in quite some time,<br />

which is Captain Visual. For<br />

those of you who don’t know<br />

him he is Gerry Giavianco<br />

and he is a balloon artist. I<br />

know that the people in my<br />

alley who know him were<br />

very excited when I told them<br />

he agreed to come.<br />

We also have another vendor<br />

and lecturer who has not<br />

been to a national convention<br />

in a long time and that is<br />

Martini’s Magic. Martin will<br />

be vending as well as teaching<br />

you how to use his many<br />

and varied magical products.<br />

We are looking forward to<br />

having him back on the national<br />

scene.<br />

We are going to have an<br />

exciting day on Wednesday.<br />

In case you haven’t heard we<br />

are going to the Richmond<br />

International Raceway to take<br />

pace car rides. We will zoom<br />

around the track<br />

at speeds of up<br />

to 100 miles per<br />

hour. We are also planning<br />

on having a small reception at<br />

the raceway so come and join<br />

us for an afternoon of fun.<br />

If that wasn’t enough<br />

fun for the day we will also<br />

be having an “Evening of<br />

Performance”. We will feature<br />

two of our stars for the<br />

convention. We will have as<br />

a vendor and lecturer Ken<br />

Scott. Ken has over 20 years<br />

of experience entertaining<br />

people with his magic skills<br />

and was voted Greater Atlanta<br />

Entertainer of the Year.<br />

Ken has also entertained at<br />

the White House 3 times. Ken<br />

writes for the Funny Paper<br />

and the Kidabra Journal.<br />

Ken will be performing on<br />

Wednesday night some of his<br />

award winning magic.<br />

We also have Red Hawk<br />

as a vendor and lecturer<br />

and he will be performing<br />

on Wednesday night. Red<br />

Hawk is a Native American<br />

storyteller. Red Hawk will<br />

combine his 20 years of<br />

experience with his Cherokee<br />

heritage to capture your<br />

imagination with one of his<br />

stories designed to teach and<br />

inspire. Red Hawk uses magic<br />

and special effects to set<br />

the mood and bring you into<br />

the telling of the story. Red<br />

Hawk has a very charismatic<br />

stage presence which he uses<br />

to convey his message. Like<br />

all good storytellers there is<br />

always a moral or message to<br />

the story so be prepared to be<br />

mesmerized and learn something<br />

in the process.<br />

I hope I have given you a<br />

few reasons to come and join<br />

us for the convention. Keep<br />

your eyes on the website, that<br />

would be www.coai<strong>2008</strong>.com<br />

for more details. I am racing<br />

towards April 15th not to get<br />

my taxes done but to get this<br />

convention planned so we can<br />

all have as much fun as possible.<br />

✦<br />

Jan/Feb <strong>2008</strong> Page 35


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The New Calliope


Meet Red Hawk: COAI International Convention Keynote Speaker<br />

The following information<br />

came from Red Hawk’s<br />

Web site.<br />

Red Hawk is a professional<br />

consultant and keynote<br />

speaker with 20 years<br />

of experience in the public<br />

and private sectors. He has<br />

lectured to government officials<br />

on diversity, leadership,<br />

and team building. He<br />

has written and developed<br />

motivational group programs,<br />

and facilitated organizational<br />

problem solving<br />

sessions. He has also<br />

contributed to developing<br />

training videos and training<br />

materials. In 2007 Red<br />

Hawk became a member of<br />

the elite consulting pool at<br />

Georgetown University’s<br />

National Center for Cultural<br />

Competence.<br />

Red Hawk is of Cherokee<br />

Indian descent, Founder<br />

of OPM Management Solutions<br />

LLC, an Operational<br />

Program & Materials Management<br />

Solution Company,<br />

specializing in diversity<br />

training and keynote addresses<br />

on cultural understanding<br />

and cultural competency.<br />

He is an advisory<br />

board member of the Old<br />

Negev Research Institute<br />

(ONRI), an institute dedicated<br />

to the study of ancient<br />

Egyptian writings found in<br />

the “High Cultures” of the<br />

American Southwest. He<br />

is the former Clan Chief<br />

for the American Cherokee<br />

Confederacy of Georgia<br />

(retired), a state recognized<br />

tribe by proclamation and<br />

also sat on the tribal council<br />

as their Spiritual Leader.<br />

He still holds the honorary<br />

title of “Chief.”<br />

Red Hawk has extensive<br />

experience in the areas of<br />

managing diversity and cultural<br />

understanding. He has<br />

assisted in the design and<br />

implementation of systemwide<br />

programs in each of<br />

these areas.<br />

Hawk is a nationally<br />

known motivational keynote<br />

speaker on the topics of<br />

cultural diversity, issues of<br />

social change, and structural<br />

inequality. He has experience<br />

conducting complex<br />

workplace investigations,<br />

organizational problem<br />

solving, mediating employment<br />

disputes, and designing<br />

and presenting labor and<br />

employee relations training<br />

for managers and supervisors.<br />

Red Hawk has presented<br />

to over one million<br />

people nationwide in the<br />

areas of leadership, diversity<br />

training, motivational<br />

training, after-dinner performances,<br />

keynote addresses<br />

and cultural programming.<br />

While serving his country,<br />

Red Hawk received the<br />

Navy Achievement Medal<br />

for his contributions in the<br />

field of management theory.<br />

He received commendations<br />

for serving in Desert<br />

Storm and was awarded the<br />

Humanitarian Medal for<br />

his services in the rescue of<br />

Korean refugees off the Sea<br />

of Japan. He was honorably<br />

discharged from the Department<br />

of Defense in Honolulu<br />

Hawaii after 10 years<br />

of service with full honors<br />

in 1991.<br />

Red Hawk’s intriguing<br />

background, coupled<br />

with his charismatic stage<br />

presence, sets him apart<br />

immediately as a keynote<br />

presenter and cultural facilitator<br />

unlike any other. His<br />

travels in America, Japan,<br />

Thailand, Hong Kong, England,<br />

Mexico, Canada, Korea,<br />

Singapore and the Philippines<br />

- bring a truly global<br />

perspective to the speaking<br />

platform.<br />

QUALIFICATIONS:<br />

Certified in TQM - Total<br />

Quality Management - Department<br />

of Defense<br />

Certified in Cultural<br />

Awarenes and Diversity -<br />

Department of Defense<br />

Certified in Operations<br />

Security and Awareness<br />

Training - Interagency OP-<br />

SEC Support Staff<br />

Certified in EEO, Affirmative<br />

Action and Diversity<br />

Training - Alexander Consulting<br />

and Training, Inc.<br />

Member: National<br />

Center for Cultural Competence,<br />

consulting pool<br />

- Georgetown University<br />

Member: The Recording<br />

Academy - GRAMMY<br />

- Voting Member, Washington,<br />

D.C. Chapter<br />

Member: APCA - Association<br />

for the Promotion of<br />

Campus Activities<br />

Award: Navy Achievement<br />

Medal - Department of<br />

Defense<br />

Award: Humanitarian<br />

Medal - Department of Defense<br />

Award: TELLY Award<br />

in Diversity Training, TEL-<br />

LY Awards<br />

Award: TELLY Award<br />

Music Video of the Year,<br />

TELLY Awards<br />

Award: Nonimated.<br />

IMA Awards, 2004 American<br />

Independent Music<br />

Awards<br />

Award: Nominated,<br />

2004, 2005 and 2006 Native<br />

American Music Awards,<br />

Best Spoken Word Recording<br />

Award: First round<br />

picks in the 47th and 48th<br />

Annual GRAMMY Awards,<br />

Best Native American Music<br />

Album, Field 14, Category<br />

69<br />

Author: “A Course in<br />

Diversity”<br />

Author: “The Tao of an<br />

Indian”<br />

Author: “A Motivational<br />

Approach to Content Information<br />

on Cultural Diversity”<br />

Contributions: “All<br />

God’s Children, Racial and<br />

Ethnic Voices in the LDS<br />

Church”<br />

Contributions: “How to<br />

be a Champion at Life” ✦<br />

DISCLAIMER: Red Hawk,<br />

Red Hawk Speaks, WSI Records<br />

and OPM Management Solutions<br />

LLC is not a representative, member<br />

of or affi liated with any State<br />

or Federal Native Organization,<br />

State or Federal Tribe or Native<br />

Support Groups. All information<br />

not listed or mentioned on his offi<br />

cial site should not be considered<br />

true or accurate unless stated by<br />

Red Hawk or a signed offi cial of<br />

OPM Management Solutions LLC.<br />

Jan/Feb <strong>2008</strong> Page 37


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Page 38<br />

The New Calliope


20 Year Anniversary Book<br />

The Turner COAI 20 Year Anniversary Books are now<br />

available while quantities last! COAI has the remaining<br />

copies and when they are gone that is it! To get your copy<br />

or maybe purchase a copy for that special friend, all you<br />

have to do is forward payment (check, money order, MasterCard,<br />

Visa or Discover) of $47 (shipping included) to:<br />

Mike Cox<br />

20 Year Anniversary Book<br />

9415 Alameda Avenue<br />

Richmond, VA 23294<br />

(804) 270-1165<br />

These books make good reading material for your<br />

coffee table or end table. Take it to the next convention/<br />

workshop and have it autographed by those who appear in<br />

the book! Remember – this book is a piece of your COAI<br />

history. There may not be a book of this kind again. If you<br />

did not purchase the first time these were offered, then this<br />

is your last chance. Please order today – you’ll be glad that<br />

you did! ✦<br />

Southeast VP Report<br />

News from the Southeast Regional VP<br />

Harriet “Florabelle” Rubin<br />

I have been training “Mitzvah Clowns” at the Hillel<br />

School in Boca Raton, FL for four years. Some of my<br />

“Jr. Joeys” started in 5th grade and are now 8th-graders,<br />

and really ready to get involved. There are so many<br />

opportunities for these new clowns to get out into the<br />

community for service involvement. The school encourages<br />

participation by giving them the “Community Service<br />

Hours” they need to accumulate each year. Teaching the<br />

kids is so much fun. I am now using Wolfe Brothers face<br />

painting crayons, which is easy for them to work with and<br />

much easier to remove than standard grease paint. I am<br />

hoping to start a Jr. Joey alley, the first one in my part of<br />

Florida. Get those kids involved!!! Our future is dependent<br />

on developing younger clowns!!! ✦<br />

Competition<br />

by Cathy Mackey<br />

Competition Chair<br />

Happy Holidays!<br />

New Year, New you!<br />

When you get this article<br />

we will have been through<br />

our holidays and taking a look<br />

back at the memories we created<br />

in the past year. We took<br />

time to make sure everyone<br />

had fun and I think maybe put<br />

ourselves on the back burner.<br />

Now that it is quiet, it is time<br />

to think about a “CLOWN<br />

MAKEOVER”! With the new<br />

year starting it is time to revamp,<br />

revise, renew and any<br />

other word you can think of for<br />

our character(s) and shows!<br />

You want to look your best<br />

whether it is your costume, a<br />

new skit, face or magic trick<br />

and with the International<br />

convention coming up, this is<br />

a good time to get a move on.<br />

Look at past New Calliope issues<br />

and get new ideas that you<br />

can remake to fit<br />

your character(s)<br />

or make up a new<br />

one. Ask your alley if they<br />

might want to do this at a<br />

meeting so you can have a lot<br />

of ideas and feed back. When<br />

you are snowed in, get out that<br />

make-up and try new looks, go<br />

through all of those “just had<br />

to have” items you purchased<br />

and really look at them and<br />

start to use them. I know I have<br />

seen performers use things and<br />

think “wait a minute, I have<br />

that, I’ll dig it out and use it!”<br />

I think we tend not to want<br />

to “change” when things are<br />

working, but you know how<br />

you feel when you get that new<br />

costume, or new wig. You get<br />

a new boost of energy and that<br />

shows to our audience. You can<br />

tell by their energy and smiles.<br />

Remember “<strong>2008</strong>, will be<br />

really great!” ✦<br />

Clown Costumes<br />

& Accessories<br />

Unique Designs • Excellent Quality<br />

Our Costumes are Proven Winners<br />

Barbi Nippler<br />

12735 Deforrest • Houston, TX • 77066<br />

•MakeUp<br />

•ProKnows<br />

•Vests<br />

•Socks<br />

•Gloves<br />

Satisfaction<br />

Guaranteed<br />

(281) 580-9118 • e-mail: barbiclowns@hotmail.com<br />

Specializing in gadgets for the caring clown<br />

Clown Stethoscopes • Bubble Toys • Stickers<br />

Juggling Supplies • Foam Props Puppets<br />

www.clowngadgetstore.com<br />

Doc ICU & Nurse Sniggles or their staff<br />

Curt & Diana Patty can be contacted at:<br />

(314) 853-5912<br />

P.O. Box 19722 • St. Louis, MO 63144<br />

Jan/Feb <strong>2008</strong> Page 39


Treasurer’s Report<br />

Clowns of America International<br />

Income, expense and balance statement<br />

REVENUE SEPT/OCT 2007 Year to Date<br />

Membership $12,367 $51,765<br />

Lifetime Membership 1,000 1,500<br />

Magazine Ads 6,987 18,206<br />

Merchandise 56 298<br />

Education 331 453<br />

Interest 1,318 1,863<br />

Misc 1 6<br />

Web Page 160 740<br />

TOTAL $22,220 $74,831<br />

EXPENSES<br />

Bank Chgs/Ret Checks 5 10<br />

Credit Card Fees 319 1,021<br />

New Calliope Editor Fee 5,800 11,600<br />

New Calliope Postage 4,161 8,318<br />

New Calliope Production 5,689 11,939<br />

Nat’l Offi ce Business Mgr 2,676 4,025<br />

Nat’l Offi ce Phone 367 733<br />

Nat’l Offi ce Postage 2,826 6,249<br />

Board Expenses-Other 99 99<br />

Fall Board Meeting 8,826 8,826<br />

Offi cers’ Phone & Postage 221 221<br />

COAI Grants 4,000 4,000<br />

Scholarships 0 640<br />

Convention Expenses 3,450 3,450<br />

Trophies 0 34<br />

Printed Materials 893 929<br />

Alley Support 1,582 1,582<br />

Merchandise 2,083 2,238<br />

Promotion & Publicity 1,572 1,572<br />

Miscellaneous Expense 68 68<br />

Organization Dues 0 250<br />

Professional Services 1,450 1,450<br />

Web Page Expense 390 390<br />

Insurance 1,105 1,105<br />

Federal Income Taxes 2,285 2,285<br />

TOTAL $49,867 $73,034<br />

Nat’l City Bank Checking Account $40,262<br />

Money Market Accounts 31,885<br />

Scholarship Account 10,740<br />

Contingency Reserve 129,766<br />

Nat’l Offi ce Operating Fund 2,228<br />

TOTAL $214,881<br />

(Amounts given to the nearest dollar)<br />

Respectfully submitted, Claudia Keener, Treasurer<br />

Page 40<br />

The New Calliope


Boosting Membership<br />

by Frank “Buff Phoon”<br />

Bunton<br />

InKy Clowns, Inc.<br />

President and 2009<br />

host alley convention<br />

chair<br />

BuffPhoon@BalloonHQ.<br />

com<br />

A number of people<br />

have said they have a<br />

hard time getting and<br />

keeping their alley as a<br />

100% COAI alley. We<br />

at InKy Clowns don’t<br />

have that problem. Back<br />

when the group of clowns<br />

got together to form a<br />

COAI alley I suggested<br />

the membership dues to<br />

the alley be large enough<br />

to include the COAI<br />

membership dues. My<br />

suggestion was that the<br />

alley membership dues<br />

be $5 plus the COAI<br />

membership dues. In<br />

2003 that meant that the<br />

membership dues for<br />

the alley membership<br />

was $30 ($5 alley + $25<br />

COAI = $30). This past<br />

year we had to increase<br />

our alley dues to $40 due<br />

to the increase in COAI<br />

membership.<br />

“Why do it that way?”<br />

You may be asking.<br />

There were a couple of<br />

reasons. The first was it<br />

was a way of keeping the<br />

alley 100% COAI and<br />

the other was that we<br />

could offer a number of<br />

payment plans. As each<br />

new member joins the<br />

alley we ask that they also<br />

join COAI if they have<br />

not done so already. Once<br />

they have their COAI<br />

membership number it<br />

is recorded in our books.<br />

When June comes around<br />

and it is time to renew<br />

membership to COAI, the<br />

alley writes one check<br />

and lists each member<br />

and their number for<br />

renewal thus maintaining<br />

100% status. If the new<br />

alley member is already<br />

a COAI member, then<br />

we just ask that they pay<br />

$5 alley membership<br />

and then pick whatever<br />

payment plan they wish.<br />

We have not had to<br />

contend with a “lifetime”<br />

member yet but we will<br />

deal with that situation<br />

when it comes up.<br />

“What is this payment<br />

plan I’m hearing about?”<br />

you ask. It is a simple<br />

plan. Let’s look at the<br />

math. COAI membership<br />

(renewal) is currently<br />

$35 for a year. Now<br />

add the $5 for our alley<br />

membership and you have<br />

$40 total membership<br />

dues. COAI asks that<br />

everyone wishing to stay<br />

in COAI renew by June<br />

30th. This is a one-time<br />

payment each year. A<br />

lot of alleys have trouble<br />

getting their members<br />

to renew with COAI<br />

because it may cause a<br />

financial hardship when<br />

the payment is due. This<br />

could be true if alley<br />

membership dues also<br />

come due at the same<br />

time and are higher than<br />

ours. What would happen<br />

if you were to offer a<br />

“payment plan?” Think<br />

of it this way. Take your<br />

alley dues, add COAI<br />

renewal dues, and spread<br />

the whole thing out over<br />

the year. In our case we<br />

offer four different plans.<br />

1. Pay the full amount in<br />

May.<br />

2. Make two payments<br />

(one every six months).<br />

3. Make quarterly<br />

payments (four equal<br />

payments, one every<br />

three months)<br />

4. Make monthly<br />

payments. By paying<br />

a small amount every<br />

month, even our<br />

members who are on<br />

a small fi xed income<br />

can keep their COAI<br />

membership and the<br />

alley remains 100%.<br />

That makes Plan 1 =<br />

$40, Plan 2 = 2 x $20,<br />

Plan 3 = 4 x $10 and<br />

Plan 4 = 11 x $3.34 + 1 x<br />

$3.26.<br />

Of course, if we have<br />

a member who is really<br />

facing a hardship, the<br />

alley officers can approve<br />

using alley funds to make<br />

the payment for that<br />

person. This is done on<br />

case-by-case assessment.<br />

The InKy Clowns held<br />

their first clown school<br />

this year and will add<br />

five new clowns to our<br />

alley. When we did the<br />

math to figure out what<br />

to charge our new clowns<br />

it was decided that we<br />

would include COAI<br />

membership in their<br />

registration costs. In this<br />

way we helped COAI<br />

with membership and<br />

kept our little alley 100%<br />

COAI. If you are having<br />

clown classes for new<br />

clowns, why not do the<br />

same? Think about it.<br />

Now, why isn’t YOUR<br />

alley 100% COAI?<br />

On another note, this<br />

past year one of our<br />

members suggested the<br />

alley pay the national<br />

convention registration<br />

fee for every member<br />

who wanted to go. The<br />

board thought it over and<br />

said that if we could get<br />

a few more paid gigs we<br />

would seriously look into<br />

it.<br />

As some of the<br />

members were<br />

approached to perform<br />

someplace, they would<br />

ask if the person hiring<br />

would like more than one<br />

clown. They explained<br />

the money would go to<br />

the alley. Some of the<br />

people we talked to said,<br />

“Why not?” For a certain<br />

amount of money more<br />

they can have four or five<br />

clowns and each could be<br />

doing something.”<br />

Did this work? Well,<br />

we registered six of seven<br />

clowns for the <strong>2008</strong><br />

convention. Now that<br />

we will have a few more<br />

members by convention<br />

time, we will be looking<br />

for some way to include<br />

them. We were really<br />

trying to have 100%<br />

alley member attendance<br />

at Richmond but looks<br />

like we might fall short<br />

of that. Look for InKy<br />

Clowns at Richmond<br />

and ask Buff Phoon<br />

for our final attendance<br />

percentage. He’ll tell you<br />

and then ask you what<br />

your percentage is. What<br />

will be your answer? ✦<br />

Jan/Feb <strong>2008</strong> Page 41


Web Advertising Rates<br />

Ads from supporting art vendors will be placed in the Clown Mall.<br />

Ad-On Ads jointly with The New Calliope will be offered at the<br />

following rates:<br />

Page 42<br />

Full Page: $100.00<br />

Half Page: $58.00<br />

Quarter Page: $33.00<br />

Eighth Page: $20.00<br />

Hyperlink Listing will be placed in a specific section of the Web site.<br />

Each link must be supported by a signed linking agreement on file with<br />

the web master. One flat rate will be offered:<br />

Hyperlink Listing $10 per month, 3 month minimum<br />

Member Classified ads will be offered with the member prepared text.<br />

Members will be offered the following flat rate: 25¢ per word, $15<br />

minimum, with a 3 month minimum<br />

Banner/Tower ads will be available to those who desire to advertise on<br />

the Web site in a non co-op manner. Ads will be placed at the discretion<br />

of the Web master depending upon goods and services offered.<br />

Banner - 468 X 60 $50 per month, 3 month minimum<br />

Tower - 120 X 600 $100 per month, 3 month minimum<br />

For those COAI members listed on our Web site who desire a home<br />

page, home pages are available.<br />

The initial set up fee will be $25 and the page will be hosted for a<br />

year at a time for $75.<br />

Contact Web Master Steve Fowler at steve@binkypro.com. ◆<br />

Calendar<br />

Jan 22-24, <strong>2008</strong><br />

Clown Vegas<br />

Las Vegas, NV<br />

www.ClownVegas.com<br />

757-423-3867<br />

Feb 1-2, <strong>2008</strong><br />

Joy to The World<br />

Houston, TX<br />

Kay Reed 281-338-2213<br />

832-265-8519<br />

toodlestc@yahoo.com<br />

Phyllis Sheffi eld<br />

281-489-9336<br />

281-381-4801<br />

daisylcb@aol.com<br />

www.joytotheworld.com<br />

Feb 2, <strong>2008</strong><br />

Clowns Like Us Workshop<br />

with Dave Hill<br />

Englewood, FL<br />

btnuzzles@aol.com<br />

941-468-6762<br />

Feb 4, <strong>2008</strong><br />

Northland Clown Alley<br />

Workshop with Steve Kissell<br />

North Kansas City, MO<br />

816-734-0636<br />

Feb 15-17, <strong>2008</strong><br />

Show Me Clowns for Jesus<br />

Nat’l Conf<br />

“A Circus To Remember”<br />

Springfi eld, MO<br />

www.showmeclownsforjesus.<br />

org<br />

314-822-5315<br />

Feb 16-17, <strong>2008</strong><br />

The Happening<br />

San Jose, CA<br />

www.goldengateclowns.com<br />

510-253-6598<br />

510-529-1705<br />

Feb 22-24, <strong>2008</strong><br />

Circus Magic International<br />

Williamsburg,VA<br />

CircusMagic.com<br />

757-423-7503<br />

April 4-5<br />

Clown Jubilee<br />

Charleston, WV<br />

www.ClownJubilee.com<br />

304-926-6408<br />

APRIL 4-5, <strong>2008</strong><br />

FCC Road Show<br />

Indianapolic, IN<br />

317-783-5031<br />

1sutton16@comcast.net<br />

APRIL 15-20, <strong>2008</strong><br />

COAI INT’L CONVENTION<br />

RICHMOND, VA<br />

804-271-1974<br />

COAI<strong>2008</strong>@YAHOO.COM<br />

May 2-4, <strong>2008</strong><br />

Family Entertainers Convention<br />

Brantford Ontario, Canada<br />

www.familyentertainersconvent<br />

ion.com<br />

May 15-17, <strong>2008</strong><br />

Family Entertainers Workshop<br />

Minneapolis, MN<br />

www.FamilyEntertainersWorksh<br />

op.com<br />

757-423-3867<br />

May 16-18, <strong>2008</strong><br />

ClownTown <strong>2008</strong><br />

Newark, OH<br />

www.clowntown.org<br />

740-345-3880<br />

May 21-25, <strong>2008</strong><br />

Face & Body Art International<br />

Convention<br />

“Tropical Adventure”<br />

Orlando, FL<br />

www.fabaic.com<br />

954-472-5000<br />

June 19-20, <strong>2008</strong><br />

Clown School “Camp In”<br />

Sedan, KS<br />

www.emmettkellymuseum.com<br />

July 8-13, <strong>2008</strong><br />

Elderhostel Program<br />

Peru, IN<br />

www.elderhostel.org<br />

877-426-8056<br />

July 29 - Aug 3, <strong>2008</strong><br />

Mooseburger <strong>2008</strong><br />

Clown Arts Camp<br />

Maple Lake, MN<br />

www.mooseburger.com<br />

800-973-6277<br />

Aug 18-25, <strong>2008</strong><br />

Advanced Studies <strong>2008</strong><br />

Roanoke, VA<br />

www.advancedstudies08.com<br />

Sept 11-14, <strong>2008</strong><br />

Clownfest <strong>2008</strong><br />

Seaside Heights, NJ<br />

clownfest@aol.com<br />

The New Calliope


Clowns of America International<br />

Application and Renewal form<br />

Name:<br />

First Middle Initial Last<br />

Street:<br />

City:<br />

Phone (required):<br />

State: Zip: Country:<br />

E-mail:<br />

Date of Birth (required): Age: Male: Female:<br />

Clown Name:<br />

Alley Affiliation:<br />

Your COAI Number(if renewing):<br />

Expiration Date:<br />

Referring Sponsor (if any):<br />

Sponsor’s COAI Number:<br />

Annual Membership Dues Rates<br />

Active Renewal: $35<br />

Family Renewal (U.S. & Intl.): $17<br />

International Renewal (U.S. funds): $40<br />

Senior Renewal (65 +): $25<br />

Senior Intl. Renewal (65 +, U.S. funds): $30<br />

Junior Joey Renewal (age 8-15): $25<br />

NEW U.S.: $40<br />

NEW International (U.S. funds): $45<br />

NEW Senior (65 +): $30<br />

NEW Senior Intl. (65 +, U.S. funds): $35<br />

NEW Junior Joey (age 8-15): $30<br />

LIFETIME Membership: $500<br />

• Seniors and Junior Joeys must provide proof of age with application (copy of Birth Certificate, License, etc.)<br />

• Seniors must be age 65 or older within the enrollment or renewal year. Junior Joeys must be age 8 to 15 in the<br />

enrollment year.<br />

• Children age 8 to 15 can choose to join as Family or Junior Joey. Family members can be any age.<br />

• Full members and Junior Joeys receive The New Calliope. Family members do not.<br />

Check No. __________<br />

Visa<br />

MasterCard<br />

Payment Method<br />

Credit Card # __________________________________________________________________<br />

Expiration Date: _______________________ CC Verification Code (3 digits) ______________<br />

Discover<br />

Send Form To:<br />

Clowns of America Intl., P.O. Box C, Richeyville, PA 15358-0532<br />

Phone: 1-888-522-5696 (1-888-52CLOWN), Fax: 1-724-938-8765, Web site: www.coai.org<br />

Signature<br />

All memberships to COAI are on an annual basis with dues payable July 1 of each year.<br />

Join at the new member rate indicated any time of the year if the date is not June, July , or August — your membership will be prorated for the next year on the annual dues notice. When<br />

you receive your dues notice in May following your sign-up, the prorated amount you should pay to bring your membership up to July of the new membership year will be indicated on your<br />

notice. (For example, if a U.S. resident applied for a membership in October of 2005 and paid $30 to join, the membership would be extended to October, 2006. In May, 2006, the member<br />

would receive a prorated dues renewal notice for $20 to extend the membership from October, 2006, to July, 2007.Then each year the annual fee of $25 would be billed in May for payment<br />

by July 1. International and family memberships are similarly prorated.)<br />

Jan/Feb <strong>2008</strong> Page 43


CLOWNS OF AMERICA INTERNATIONAL<br />

FORMULARIO DE APPLICACION Y RENOVACION<br />

Nombre Primero Iniciales: Apellidos<br />

Calle:<br />

Ciudad: Urbanización / Barriada: Pueblo: Zona Postal:<br />

Número de Teléfono:<br />

E-mail:<br />

Fecha de Nacimiento: Edad: Masculino: Femenino:<br />

Nombre de Payaso/a:<br />

Número de COAI (renovación):<br />

Afiliado: Nombre del alley<br />

Fecha de expiración:<br />

Referido por:<br />

Numero de COAI del Referido:<br />

Tarifas Anuales de Membresía<br />

Renovación (US) $35<br />

Renovación (Int’l) $40<br />

Renovación Miembros (Seniors 65+ US) $25<br />

Renovación Miembros Senior (65+ Int’l) $30<br />

Renovación Júnior Joey (edades 8-15) $25<br />

Membresía Familiar *(cada uno) $17<br />

para miembros adicionales de un hogar<br />

* Estados Unidos o Países Internacionales)<br />

Nuevos miembros (US) $40<br />

Nuevos miembros (Int’l) $45<br />

Nuevos miembros Seniors (65+ US) $30<br />

Nuevos miembros Seniors (65+ Int’l) $35<br />

Nuevos miembros Júnior Joey (edades 8-15) $30<br />

Membresía de por Vida $500<br />

* Seniors y Júnior Joeys deben proveer prueba de edad junto a su solicitud.<br />

* Seniors deben ser de 65 años de edad o mayor durante la matrícula o año de renovación<br />

* Júnior Joey debe estar entre las edades de 8 y 15 años durante el año de la solicitud.<br />

* Niños entre las edades de 8 y 15 años pueden escoger entre Familia o Júnior Joey… los miembros de familia pueden tener cualquier edad.<br />

* Miembros completos y Júnior Joeys reciben The New Calliope, miembros de la familia no recibirían copias adicionales…<br />

Favor de enviar en US $ dólares solamente.<br />

Método de Pago<br />

Cheque a nombre de: __________<br />

Visa<br />

MasterCard<br />

Discover<br />

Firma y Teléfono: (Se requiere para las tarjetas de crédito) Número de Teléfono:___________________________<br />

Número de Tarjeta de Crédito __________________________________________________________________<br />

Fecha de Expiración : _______________________ Código de Verificación (3 dígitos) ______________<br />

Enviar formulario a:<br />

Clowns Of America, International, PO Box C, Richeyville, PA 15358-0532<br />

Teléfono/Fax 1-888-522-5696 (1-888-52CLOWN) o 724-938-8765 Página Web: www.coai.org<br />

Clasificación de Membresía<br />

1. Todas las membresías a COAI se hacen en bases anuales, con expiración y pagos para el 1ro de julio de cada año.<br />

2. Únete a la tarifa indicada para el nuevo miembro en cualquier momento del año. Si te interesa unirte a COAI como nuevo miembro y la fecha no es junio, julio u agosto, tu membresía será<br />

prorrateada para el próximo año en el vencimiento anual general. Cuando recibas la carta de renovación en mayo, la cantidad prorrateada que deberás pagar para renovar la membresía hasta julio<br />

del próximo año se te será indicada.<br />

** Por ejemplo, si un residente de Estados Unidos (US, por sus siglas en inglés) solicitó una membresía en octubre del ano corriente, él/ella deberá pagar $30 para unirse y extender su membresía<br />

hasta octubre de siguiente año. En mayo del año siguiente, el miembro recibirá una carta de renovación prorrateada por $20, para extender la membresía desde Octubre en que el/ella solicito hasta<br />

Julio del año corriente. Luego, cada año la membresía anual de $25 será solicitada en mayo para su pago, que vencería el 1 de julio. Las membresías internacionales, Seniors, Júnior, y familiar<br />

serán prorrateadas de manera similar.<br />

Firma<br />

Page 44<br />

The New Calliope


Last Walk Around<br />

David Workman, North County Clown Conspiracy<br />

Dave was a very special member of the North County Clown Conspiracy<br />

from the inception of the alley. He was, and will remain, very close to the heart<br />

of the NCCC alley and all of its members. Dave never dressed out, yet he made<br />

each and every parade -- you could always see him either walking or running<br />

alongside the NCCC alley unit, his face obscured by his camera as he focused<br />

on his most favorite clown, his Mom, Mis-Fit Maude, and on the rest of the<br />

alley clowns present. Dave was the North County Clown Conspiracy’s official<br />

photographer. Dave attended every meeting whenever he was not working or<br />

feeling ill. He shared each and every picture that he ever took of us. He always<br />

gave us copies. He made us laugh in the midst of his pain; and, he amazed us<br />

with his multiple talents. He pitched in whenever we got together to make props.<br />

Dave never wanted to be the star, he was always the man behind each and every<br />

member of the North County Clown Conspiracy. We could always count on<br />

him to bring out the best in our clown personas. Dave left us on Sat, Nov 17,<br />

2007, to continue to take photos of those who are now clowning in the next plain<br />

wherever it may be -- the members of North County Clown Conspiracy will<br />

sorely miss him. - Submitted by Leah “Tango” Estrin<br />

Jim “Buffy B. Esquire” Buterbaugh<br />

Jim George Buterbaugh, PhD “Buffy B.<br />

Esquire,” aged 71, took his last walk around Oct<br />

15, 2007 in Salt Lake City, Utah.<br />

What can I say about my dear friend Buffy?<br />

There are so many things. I met him when<br />

he joined the Utah Jester Clown Alley. His<br />

energy, enthusiasm, and his generous, friendly<br />

spirit really helped to energize our group. His<br />

enthusiasm was contagious and he had the<br />

energy of someone half his age. Sometimes<br />

it was hard for the rest of us to keep up with<br />

him. Two days before his death, Buffy, in full<br />

costume, attended my son’s wedding. He showed<br />

up with handcuffs and handcuffed the bride and<br />

groom together then he gave them a slice of<br />

Texas toast, as he offered a toast to them He stayed for a long time entertaining<br />

adults and children alike. I will treasure my memories of Buffy that day. That is<br />

the way I will remember him. He is now entertaining at the Big Top in the sky<br />

and I am sure organizing a chapter of Utah Jesters and COAI up there. When I<br />

shared the news of Buffy’s death with a clown friend, she told me “God needed<br />

someone to make him laugh.” Our lives were better because we knew and loved<br />

Buffy.<br />

Buffy we love you and will miss you. Wonka, wonka, wonka…<br />

- Submitted by Carol “Sunshine” Butte<br />

Jan/Feb <strong>2008</strong> Page 45


FOR MORE VISIT www.cafepress.com/coai or www.cafepress.com/coai20yearlogo<br />

COAI Merchandise<br />

Makes The Perfect Gift<br />

Women’s<br />

Long Sleeve Denim Shirts<br />

XXL to XXXL $35 SALE $14.00*<br />

COAI’s “20 Years Of Laughter”<br />

While they last $47.00<br />

(Includes shipping)<br />

Fanny Packs<br />

Light Blue, Forest Green and Navy Blue.<br />

NO Red. $15 SALE $5.00*<br />

Short Sleeve Denim Shirts<br />

Small to XL $25 SALE $10.00*<br />

No Men’s Shirts<br />

Available!<br />

Post-paid Stuff<br />

Pins & Patches $3.50 Decals, Bumper Stickers $1.50<br />

Jr. Joey Pins & Patches $5.00 (Proceeds go toJr. Joey Scholarships)<br />

Jr. Joey Tees (for adults)<br />

Sizes up to XL $15* • 2XL $17*<br />

(Proceeds go to the Jr. Joey Scholarships)<br />

Clowning 101 Books<br />

Instructor $25 • Student $23<br />

(Shipping Included)<br />

DVDs<br />

2007 Convention $20**<br />

Photo Show<br />

2006 Convention $10 ea**<br />

Educational<br />

Paradability $10**<br />

Competition $10**<br />

** $2.00 S&H<br />

CDs<br />

2007 Convention $15**<br />

Collection of Photos<br />

2005 Convention $10**<br />

20 Years of Laughter $20**<br />

Buy 2 or More<br />

DVDs and/or CDs<br />

S&H FREE<br />

Italian Charms<br />

Mega Charm (includes starter bracelet) $20<br />

Additional Bracelet (required for Mega Charm) $6<br />

(S&H for one is $1 - for both items $2)<br />

*Postage:<br />

$6.50 up to $50 purchase<br />

$7.50: $51-$75 • $8.50: $76-85<br />

$9.50: $86-$100 • $10.50: over $101<br />

Call 804-270-1165 for Availability<br />

Order: Michael Cox<br />

9415 Alameda Ave. • Richmond, VA 23294<br />

Make Checks Payable To COAI<br />

Page 46<br />

The New Calliope


y Pat Newton<br />

The New Ballot For COAI Elections <strong>2008</strong><br />

La nueva papeleta para las elecciones de COAI<br />

Over the past year, the<br />

board has been working on<br />

how to present the ballot<br />

to the general membership.<br />

For years it was mailed in<br />

a separate envelope. There<br />

were also numerous ballots<br />

created - each one representing<br />

the specific district<br />

where the recipient resided.<br />

The general membership<br />

voted to change this<br />

policy. Due to the costly<br />

nature of the way the ballots<br />

were previously handled,<br />

it was decided to place the<br />

ballot into The New Calliope.<br />

With this, of course,<br />

comes great change.<br />

There is now only ONE<br />

ballot that each member will<br />

use to vote. It’s very important<br />

you understand how<br />

this works so your vote will<br />

be valid.<br />

There are TWO main<br />

parts to the ballot.<br />

PART ONE: This area<br />

is where all the candidates<br />

will be listed for the executive<br />

board as well as the<br />

directors. ALL MEMBERS<br />

VOTE IN THIS AREA. You<br />

may, however, only vote<br />

once for each position.<br />

PART TWO: This is<br />

the tricky part. All regions<br />

of COAI are represented in<br />

this section. However, you<br />

are ONLY ALLOWED TO<br />

VOTE FOR THE REGION<br />

IN WHICH YOU RESIDE.<br />

If you vote in two regions<br />

or if you vote in a region<br />

where you DO NOT live,<br />

the entire ballot will become<br />

void.<br />

Pictured here is how the<br />

ballot will look as inserted<br />

into The New Calliope. It<br />

will be in four-color and<br />

printed on card stock.<br />

You will remove the<br />

ballot from the magazine<br />

and then vote as described<br />

previously. The card will be<br />

folded in half. On the other<br />

side is the mailing address<br />

where the ballot will be sent<br />

to along with a space for<br />

you to place your signature<br />

and COAI member number<br />

for voting verification. You<br />

must seal the ballot using<br />

a piece of tape (DO NOT<br />

STAPLE). Affix first class<br />

postage and pop it in the<br />

mail.<br />

****<br />

Durante el pasado año, la<br />

directiva ha estado trabajando<br />

en cómo presentar la<br />

papeleta a la membresía<br />

en general. Por años, se<br />

enviaba en un sobre individual.<br />

No solamente eso,<br />

sino que también se creaban<br />

numerosas papeletas<br />

– cada una representando<br />

el distrito específico<br />

donde residía el destinatario<br />

de la carta.<br />

La membresía general<br />

votó para cambiar<br />

esta política. A causa<br />

de lo costoso en la<br />

manera en que se<br />

manejaban las papeletas<br />

previamente, se decidió<br />

ubicarlas dentro<br />

de la revista The New<br />

Calliope. Con esto,<br />

por supuesto, viene<br />

un gran cambio.<br />

Ahora solamente<br />

hay UNA papeleta<br />

con la cual cada<br />

miembro votará. Es<br />

muy importante que<br />

entiendas cómo funciona<br />

para que tu<br />

voto sea válido.<br />

Hay DOS partes<br />

principales en la<br />

papeleta.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

PARTE UNO: Esta área<br />

es donde todos los candidatos<br />

estarán enlistados para la<br />

directiva ejecutiva así como<br />

los directores. TODOS<br />

LOS MIEMBROS VO-<br />

TARÁN EN ESTA ÁREA.<br />

Sin embargo, se debe votar<br />

solamente una vez para cada<br />

puesto.<br />

PARTE DOS: Esta es la<br />

parte delicada. Todas las<br />

regiones de COAI están representadas<br />

en esta sección.<br />

No obstante, SOLO ESTÁ<br />

PERMITIDO QUE VOTES<br />

PARA LA REGIÓN EN LA<br />

CUAL RESIDES. Si votas<br />

en dos regiones o si votas en<br />

una región donde NO vives,<br />

la papeleta completa quedará<br />

inválida.<br />

Aquí se ilustra cómo se<br />

verá la papeleta cuando esté<br />

insertada en The New Calliope.<br />

Esta será en cuatro<br />

colores e impresa en papel<br />

grueso.<br />

Removerás la papeleta<br />

de la revista y votarás como<br />

se ha descrito previamente.<br />

Doble la papeleta en dos. Al<br />

otro lado está la dirección<br />

postal a donde la papeleta<br />

será enviada, con un espacio<br />

para que firmes y escribas<br />

el número de miembro de<br />

COAI para verificar el voto.<br />

Debes sellar la papeleta<br />

usando cinta adhesiva (no<br />

grapas). Pegue un sello<br />

postal de primera clase y<br />

envíe por correo. ✦<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Jan/Feb <strong>2008</strong> Page 47


Foto Funnies<br />

“Hats For Sale”<br />

Author: Unknown. Submitted by Quad City Clown Troupe<br />

Starring: Bob “Mulligan” Smith and Laura “Daizy Dee” Anderson.<br />

Photos by: Ron “Toto Johnson”<br />

Hats For Sale!<br />

You look like you<br />

could use a new hat.<br />

How about this<br />

straw hat?<br />

Or this joker’s hat?<br />

I do not want any of<br />

these hats!<br />

There...I found the<br />

perfect one!<br />

If you have a Foto Funny you would like to submit, send high resolution photos along with your script to: Pat Newton,<br />

c/o Newton Studios, 370 West Dearborn St, Suite B, Englewood, FL 34223. Email: NewCalliopeEditor@comcast.net.<br />

NOTE: If sending jpg electronic images, please take the digital pictures at your camera’s highest resolution!<br />

Page 48<br />

The New Calliope


Foto Funnies<br />

“Ballooning Class”<br />

Script by: José “Wilbur” Sponberg. Submitted by Rose City Clowns, Alley 196, Portland, OR.<br />

Starring: José “Wilbur” Sponberg, Kaethe “Blossom” Anderson, Rob “Robby” Dunlap, Betty “Klossette” Gallucci,<br />

Mike “Biff” Robles, Tina “Gadget” Hernandez, and Kiki Hamilton.<br />

Photos by: Chris “Corky” Daley<br />

Welcome to<br />

ballooning class.<br />

First, we’ll make a<br />

simple dog.<br />

Now, let’s<br />

make a hat!<br />

Biff will<br />

show us a<br />

rose.<br />

I hope you paid<br />

attention...<br />

...because now<br />

we’re going to have<br />

a pop quiz!<br />

If you have a Foto Funny you would like to submit, send high resolution photos along with your script to: Pat Newton,<br />

c/o Newton Studios, 370 West Dearborn St, Suite B, Englewood, FL 34223. Email: NewCalliopeEditor@comcast.net.<br />

NOTE: If sending jpg electronic images, please take the digital pictures at your camera’s highest resolution!<br />

Jan/Feb <strong>2008</strong> Page 49


Classified Ads<br />

FOR SALE: DVD of Keith “Toby” Stokes entertaining over 2,000<br />

kids in Costa Rica. All proceeds will benefi t the Toby the Clown<br />

Foundation and The Clown Museum in Lake Placid. Cost is<br />

$15 total (includes S&H). Send to Keith Stokes, 131 Stonegate<br />

Drive, Ptaskala OH 43062. The DVD is 45 minutes of music<br />

and captions.<br />

The first 25 words: $10.<br />

Each additional 5 words: $3.<br />

Photos: additional charge of $10.<br />

*Classifieds are for individuals only,<br />

businesses must purchase a display ad.<br />

Mail:<br />

Send your check or<br />

money order along with<br />

your classified ad to<br />

Newton Studios, Inc.,<br />

370 West Dearborn St<br />

Suite B<br />

Englewood FL 34223<br />

Questions:<br />

Pat Newton<br />

941-474-4351<br />

Page 50<br />

The New Calliope


A Final Word from the Editor<br />

It’s hard to believe we<br />

are beginning another year!<br />

How long will it take me to<br />

remember to write the right<br />

date on my checks. But then<br />

when will I start banking<br />

online and not worry about<br />

checks?!<br />

Again this year I must<br />

share with you, it was<br />

such a difficult decision<br />

to choose the Clown of<br />

the Year as there were so<br />

many great candidates.<br />

Though I don’t know Judy<br />

personally I know of her<br />

and have come to admire<br />

her accomplishments. I look<br />

forward to meeting her in<br />

Virginia and finally giving<br />

her a big congratulations<br />

hug!<br />

Your board has<br />

recognized there are so<br />

many great clown worthy<br />

of this award who have<br />

not been “throwing their<br />

hat into the ring” simply<br />

because of the process. It<br />

does take a great deal of<br />

work to gather the necessary<br />

materials to nominate<br />

someone for this prestigious<br />

award. Under the leadership<br />

of Bonita Love, this issue<br />

is being looked at and acted<br />

upon.<br />

You’ll see two Foto<br />

Funnies in this issue. Why<br />

you might ask? The reason<br />

is we have a number of<br />

submissions already in<br />

our possession. And as we<br />

move towards an emphasis<br />

on performance - don’t you<br />

think these are great little<br />

sketches you can practice<br />

at your alley meeting?<br />

What a great idea! At your<br />

monthly meeting, take any<br />

one of our Foto Funnies and<br />

perform them! Even if you<br />

don’t have your make-up<br />

and costume with you, it’s a<br />

great opportunity to practice<br />

your performance skills.<br />

The more you do the better<br />

you’ll get. We will continue<br />

running at least two Foto<br />

Funnies in every issue until<br />

we start to catch up!! Sorry<br />

if we missed anyone. They<br />

are very popular.<br />

As you get your<br />

entertainment bag ready for<br />

<strong>2008</strong>, don’t forget to keep<br />

your heart open, and your<br />

mind clear. For it’s folks<br />

like you who bring so many<br />

wonderful smiles and so<br />

much laughter into a society<br />

where we often need it<br />

most. ✦<br />

The New<br />

C◆A◆L◆L◆I◆O◆<br />

P◆E<br />

The New<br />

CALLIOPE ADVERTISING RATES<br />

BLACK & WHITE Full 1/2 1/4 1/8<br />

OPEN $375 $220 $150 $85<br />

3X Contract $350 $205 $135 $75<br />

6X Contract $330 $195 $125 $70<br />

4 COLOR<br />

OPEN $470 $275 $190 $110<br />

3X Contract $440 $260 $170 $95<br />

6X Contract $420 $245 $160 $90<br />

SPECIAL PAGES (4 Color ONLY)<br />

Outside Back Cover: $550<br />

Inside Front & Inside Back: $500 (full) - $300 (1/2)<br />

All Alleys who have 100% COAI Membership may purchase ads at the lowest rate<br />

available less 10%. They also receive a free ad on the COAI webpage for the<br />

duration of the ad running in the New Calliope. For more details, contact Tom.<br />

Newton Studios, Inc.<br />

370 West Dearborn Street, Suite B, Englewood FL 34223<br />

941-474-4351 • Fax 941-474-8317<br />

editor: NewCalliopeEditor@comcast.net • cell 941-468-9964<br />

production and ad sales: NewCalliopeAds@comcast.net • cell 941-468-2704<br />

Note: All emailed items<br />

must be in one of the<br />

following formats: (color<br />

MUST be in CMYK)<br />

Adobe Illustrator EPS<br />

file with all fonts outlined<br />

with all support files<br />

included; Adobe<br />

Photoshop with a<br />

resolution of 300 pixels<br />

per inch at 100% size);<br />

High resolution PDF file<br />

with fonts embedded.<br />

Any questions re:<br />

emailing files,<br />

call Tom Newton at<br />

941-474-4351 or<br />

email him at<br />

NewCalliopeAds<br />

@comcast.net<br />

Jan/Feb <strong>2008</strong> Page 51

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