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Clown of The Year<br />
Judy Quest
Page 2<br />
The New Calliope
Meet Our Clown of the Year: Judy “Dear Heart” Quest<br />
The reason for Judy’s<br />
nomination was simply<br />
stated as: “Judy Quest is<br />
being nominated because<br />
she not only brings many,<br />
many smiles each and every<br />
year, but she tirelessly trains<br />
clowns young and old, promotes<br />
community within<br />
the clown world and works<br />
to promote the good name<br />
of clowning wherever she<br />
goes.”<br />
Judy is known not only<br />
for her great clown skills<br />
but her dedication to the art<br />
form and her desire to teach<br />
it in order to expand the<br />
horizons. Here are some of<br />
the comments fellow clowns<br />
had to say about our newest<br />
COAI Clown of the Year.<br />
LaVonne “Yo Yo”<br />
Krumel: “During my three<br />
years as president of our<br />
local alley I have always<br />
counted on her knowledge<br />
and experience. She has<br />
proposed many new ideas<br />
and also provided the ability<br />
and effort to help carry them<br />
out. She has taught classes,<br />
opened her home for activities<br />
and been inspirational<br />
to new clowns.”<br />
Judy Quest.<br />
Kate Sommer (Past<br />
President of Nebraska<br />
Komen for the Cure):<br />
“Since 2000, Judy, her alley,<br />
family members and students<br />
have clowned for the Komen<br />
Nebraska Race for the Cure,<br />
an event that asks volunteers<br />
to sacrifice sleeping in on<br />
Sunday morning and spending<br />
time with loved ones<br />
at home. The minute I approached<br />
Judy about volunteering,<br />
she was game!”<br />
Grace “Blossom”<br />
Vandemark: The time and<br />
effort Judy has given as a<br />
supportive member and officer<br />
of COAI are endless.<br />
Her leadership is always<br />
given with the same selfless<br />
caring heart and positive<br />
wisdom to see the whole<br />
picture for the benefit of the<br />
organization and its future!”<br />
Judy (back) is pictured here with her friend Happy Heart along<br />
with two of their students as they visit a special youngster.<br />
Dr. Michael E. Crawford<br />
(Director of Recreational<br />
Therapy, Munroe Meyer<br />
Institute for Genetics and<br />
Rehabilitation): “Judy<br />
Quest’s energy and efforts<br />
have helped to make our<br />
programs a much warmer<br />
and happier place for children<br />
and families. She has<br />
given tremendous energy,<br />
time, and literally hundreds<br />
of hours of volunteer service<br />
to our participants.”<br />
Margaret (Peg) Watkins:<br />
“Judy talked to me about<br />
a program she was offering<br />
through the network of<br />
Sacred Hearts schools that<br />
taught girls (later to include<br />
boys) from around the country<br />
the fine art of clowning.<br />
The attendees were housed<br />
at her home, fed by her<br />
family and volunteers, and<br />
spent a number of weeks<br />
learning skits, designing<br />
costumes, fine tuning performances,<br />
and performing<br />
for a variety of audiences.<br />
We were blessed to be a<br />
location where her troupe<br />
performed.”<br />
Rev. Thomas O’Neill:<br />
“Dear Heart readily agrees<br />
to clown at various occasions<br />
throughout the years,<br />
even when it is 100 degrees<br />
in the shade. She is a busy<br />
woman in her life yet finds<br />
time to provide joy to others.”<br />
Brenda “Flower”<br />
Marshall: “Judy constantly<br />
exhibits the true heart of a<br />
clown in her performances<br />
for audiences of all ages and<br />
abilities.”<br />
continued on page 5<br />
Jan/Feb <strong>2008</strong> Page 3
Your COAI Officers<br />
EXECUTIVE COMMITTEE<br />
DIRECTORS<br />
President:<br />
Paul Kleinberger II<br />
2 Maple Ln. N.<br />
Loudonville, NY 12211<br />
(518) 489-2680<br />
FuddiDuddy@aol.com<br />
Exec. Vice President:<br />
Pamela Bacher<br />
3019 Smiley Rd.<br />
Bridgeton, MO 63044<br />
(314) 291-2048<br />
p.bacher@sbcglobal.net<br />
Secretary:<br />
Teresa Gretton<br />
3411 Lisa Circle<br />
Waldorf, MD 20601<br />
(301) 843-8212<br />
gretton@verizon.net<br />
Treasurer:<br />
Claudia Keener<br />
341 Miles Ave. N.W.<br />
Warren, OH 44483<br />
(330) 847-8221<br />
claudideo@yahoo.com<br />
Sergeant-at-arms:<br />
Michael B. Cox<br />
9415 Alameda Ave.<br />
Richmond, VA 23294<br />
(804) 270-1165<br />
bonkerstc@aol.com<br />
Membership:<br />
Bonita Love<br />
4916 W. Mountain View Dr.<br />
San Diego, CA 92116<br />
(619) 282-9668<br />
bonbonsandiego<br />
@yahoo.com<br />
Education:<br />
Merilyn Barrett<br />
5607 Gatlin Ave. Apt. H<br />
Orlando, FL 32812<br />
(407) 277-9509<br />
klownkop@prodigy.net<br />
Conventions:<br />
Patricia Roeser<br />
2840 Jordan Dr.<br />
Woodbury, MN 55125<br />
(651) 578-1573<br />
coaidrconv@aol.com<br />
Alley, Region Support:<br />
Catherine Hardebeck<br />
6027 Deerwood Dr.<br />
St. Louis, MO 63123<br />
(314) 481-6808<br />
catheoh@aol.com<br />
Director At Large<br />
Cheri Venturi<br />
P.O. Box 4382<br />
Chesterfi eld, MO 63006<br />
(877) 569-9447<br />
cherioats@aol.com<br />
REGIONAL VICE PRESIDENTS<br />
Northeast:<br />
Bill Le Blanc<br />
2 Dee Jay Road<br />
East Bridgewater, MA 02333<br />
(508) 378-1545<br />
bildabbles@aol.com<br />
North Central:<br />
Connie Kennedy<br />
2000 S. Mustang Rd #2402<br />
Yukon, OK 73099<br />
(405) 273-1244<br />
cskherron@aol.com<br />
Northwest:<br />
Albert Alter<br />
5848 S.E. 18th Ave.<br />
Portland, OR 97202<br />
(503) 231-8576<br />
altered@europa.com<br />
Mideast:<br />
Tom King<br />
704 Bona Vista Place<br />
Charleston, WV 25311<br />
(304) 926-6408 (O),<br />
(304) 542-6408 (C)<br />
clown.tomeboy@earth1.net<br />
Midwest:<br />
Hazel Ovanin<br />
5344 Seminole Ct.<br />
Commerce Township, MI<br />
48382<br />
(248) 684-4748<br />
hovanin@comcast.net<br />
Southeast:<br />
Harriet Rubin<br />
7508 La Paz Court<br />
Apt 205<br />
Boca Raton, FL 33433<br />
(561) 362-6695<br />
summer (570) 775-6365<br />
FloraBelle10@aol.com<br />
South Central:<br />
Toni Dufrene<br />
4520 St. Mary Street<br />
Metairie, LA 70006-2030<br />
(504) 812-9003 (C)<br />
(504) 469-4740 (O)<br />
jtduf@cox.net<br />
Southwest:<br />
Candy Will<br />
32302 Alipaz St. #193<br />
San Juan Capistrano,<br />
CA 92675<br />
(949) 489-9971<br />
clownbutterscotch@<br />
yahoo.com<br />
Canada:<br />
Bridget White<br />
244 Gratton Rd.<br />
Thunder Bay, ONT<br />
P7G 1S3<br />
(807)767-2364<br />
parkave@tbaytel.net<br />
Latin Countries:<br />
Angel Morales<br />
24 RR5 Jardines de<br />
Caparra, Bayamon,<br />
PR 00959<br />
(787) 798-7041<br />
jobolin@onelinkpr.net<br />
International<br />
Rick Danielson<br />
PSC 80, Box 22148<br />
APO, AP 963670000<br />
jellybean@japan.com<br />
STAFF<br />
Business Manager: Shirley Long<br />
P.O. Box C, Richeyville, PA 15358-0532<br />
Ph./Fax (724) 938-8765<br />
(call for confirmation of<br />
receipt) or (888) 52CLOWN<br />
coaibusinessmgr@aol.com<br />
The New Calliope Editor:<br />
Pat & Tom Newton<br />
c/o Newton Studios, Inc.<br />
370 W. Dearborn St., #B<br />
Englewood, FL 34223<br />
Ph.(941) 474-4351<br />
Fax (941) 474-8317<br />
NewCalliopeEditor@comcast.net<br />
NewCalliopeAds@comcast.net<br />
Webmaster: Steven Fowler<br />
985 Sunrise Circle<br />
Palm Harbor, FL 34683<br />
(727) 224-5394<br />
steve@binkypro.com<br />
STANDING COMMITTEES<br />
Bylaws and Rules: Pam Bacher,<br />
Cheri Venturi and Cleon Babcock.<br />
Clown Week: Jay Phillips, 15 Ivy<br />
Circle, Bentonville AR 72712,<br />
stacyp34@yahoo.com<br />
Competition: Cathy Mackey, 151<br />
Route 28B, Valatie NY 12184-0000,<br />
(518) 784-2127 ctots@aol.com,<br />
Pat Roeser, Karen Reinholt, and Bill<br />
LeBlanc.<br />
Ethics and Grievance: Albert Alter,<br />
Pam Bacher, Cheri Venturi and<br />
Bonita Love.<br />
Junior Joeys: Candy Will, Ricky<br />
Burns, Alex Zabrusky, James<br />
Cunningham, and Chrissy Will.<br />
Public Relations: Judy Johnson, Paul<br />
Miller, Bianca Estrada, and Eric<br />
Plough.<br />
Historian: Walt Lee, Jeannie Woska,<br />
Pat Cashin and Teresa Gretton.<br />
Good Cheer: Fred Scholsshauer,<br />
8 Alanon St., Whippany NJ 07981<br />
(973) 887-2617 oscarboj@aol.com<br />
Merchandise: Mike Cox, Bridget<br />
White, Bill LeBlanc, Harriet Rubin,<br />
Connie Kennedy, and Toni Dufrene.<br />
Clowning 101 Revision: Cheri<br />
Venturi, Angel Morales, and Pat<br />
Roeser.<br />
Parliamentary Procedure Advisor:<br />
Cleon Babcock.<br />
Regional Ambassador<br />
Appointments: Cathy Hardebeck<br />
and Angel Morales.<br />
International Ambassador Program<br />
and Appointments: Keith “Toby”<br />
Stokes..<br />
COAI WEB SITE: www.coai.org<br />
To subscribe to COAI’s electronic<br />
community, e-mail:<br />
COAI-Subscribe@yahoogroups.com<br />
Clowns of America International, Inc.,<br />
Annual Membership Fees<br />
US New Members: $40 • US Renewals: $35<br />
Seniors (65+): $30 • Senior Renewal: $25<br />
Junior Joey: $30 • Junior Joey Renewal: $25<br />
Internat’l New: $45 (US funds) • Internat’l Renewal: $40<br />
Internat’l Senior: $35 • Internat’l Senior Renewal: $30<br />
Family membership, US and Internat’l: $17<br />
Lifetime membership: $500<br />
Membership includes one-year subscription to<br />
The New Calliope. Subscriptions are available only to full members of<br />
Clowns of America International, Inc.<br />
Send all membership fees to<br />
Clowns of America International, Inc. Business Manager:<br />
P.O. BOX C, Richeyville, PA 15358-0532.<br />
Make all checks payable to Clowns of America International, Inc.<br />
Questions regarding COAI membership concerns, including status of<br />
membership, change of address, failure to receive The New Calliope,<br />
should be referred to the COAI's business office.<br />
Toll free 9 am to 5 pm (EDT)<br />
Wed and Thurs<br />
1-888-52-CLOWN
The New<br />
C◆A◆L◆L◆I◆O◆<br />
P◆E<br />
ARTICLES<br />
Meet Our Clown of the Year .... 3<br />
Clowning in Excellence ............ 7<br />
Join An Alley? ....................... 33<br />
Meet Red Hawk ..................... 37<br />
Boosting Membership ........... 41<br />
New Ballot Procedures .......... 47<br />
FEATURES<br />
Dear Aunt Clowney ................ 18<br />
Look Who’s Reading<br />
The New Calliope! ................ 32<br />
Calendar ................................ 42<br />
Last Walk-Arounds ............... 45<br />
Foto Funnies .................... 48-49<br />
Classifieds ............................. 50<br />
SKILLS/IDEAS/TIPS<br />
Wig Care ............................... 20<br />
Make-Up Application ............. 23<br />
Puppetry ............................... 25<br />
How To Touch a Clown Nose . 26<br />
COAI NEWS<br />
President’s Comments ............ 9<br />
Fall Board Meeting Report ..... 11<br />
Junior Joey ........................... 19<br />
Alleys and Members<br />
on the Move ..................... 27<br />
New Members ....................... 31<br />
20 Year Anniversary Book ..... 39<br />
Southeast VP Report ............. 39<br />
Competition Director ............. 39<br />
Treasurer’s Report ................. 40<br />
Richmond Convention ........... 35<br />
Website Ad Rates .................. 42<br />
COAI Membership Application 43<br />
Editor’s Comments ................ 51<br />
Ad Directory .......................... 51<br />
Ad Rates ............................... 51<br />
En Español ........................<br />
Informe De La Reunión De Otoño<br />
De La Directiva ...................... 15<br />
Formulario de Applicacion y<br />
Renovacion ........................... 44<br />
Clown of the Year...from page 3<br />
Dear Heart visiting a nursing home along with her fellow joeys.<br />
Mary Cate Raynor<br />
(student of Dear Heart):<br />
“When I signed up for<br />
a clown service trip as a<br />
freshman, I did not know<br />
what to expect. What was<br />
this hobby? I soon found out<br />
that clowning isn’t a hobby;<br />
it is a way of life! Mrs.<br />
Quest taught me this special<br />
art, and I learned everything<br />
I know about clowning<br />
through her.”<br />
Tom “Roli P. Clown”<br />
Plith: “Possibly more important<br />
than everything else<br />
is that Judy is a working<br />
clown. She makes birthday<br />
parties memorable for<br />
8-year-olds. She makes<br />
parades colorful and fun.<br />
She twists balloons and she<br />
paints faces.”<br />
Sandra K. Squires (Professor<br />
Emeritus, University<br />
of Nebraska at Omaha):<br />
“Dear Heart has a universal<br />
appeal. Her counseling<br />
background and endearing<br />
nature enhance her effectiveness<br />
as a clown. She is<br />
always kind, beautiful, and<br />
has a generous spirit that<br />
brightens people’s days.”<br />
Congratulations Judy<br />
Quest!! ✦<br />
General Meeting Announcement.<br />
General meeting to take place<br />
April 16, 2007, during the<br />
COAI Convention <strong>2008</strong> Richmond Virginia,<br />
Holiday Inn Koger Center 1021 Koger<br />
Center Blvd Richmond Virginia 23235.<br />
www.JUSTCLOWNNOSES.com<br />
Jan/Feb <strong>2008</strong> Page 5
Congratulations Our<br />
“Clowning In Excellence”<br />
Recipients!<br />
Loretta “La-Dee-Dah” DeAngelas<br />
Marie “Mischief” Beck<br />
Jan/Feb <strong>2008</strong> Page 7
President’s Comments<br />
Happy New Year to<br />
one and all!<br />
by Paul Kleinberger,<br />
President<br />
As you look at the cover<br />
of this issue of The New<br />
Calliope you see Judy<br />
Quest. Judy is our <strong>2008</strong><br />
Clown Of The Year! Judy<br />
has always been an inspiration<br />
to all the clowns who<br />
know her. While her COAI<br />
leadership is a matter of<br />
record, her continuing service<br />
as a clown in her local<br />
community is truly inspirational.<br />
It is something we<br />
should all strive to emulate.<br />
It is indeed an honor to<br />
have a clown of her caliber<br />
within the ranks of our<br />
membership. She makes us<br />
all very proud. Congratulations<br />
Judy!<br />
My hat is off to and I<br />
stand in awe of the members<br />
of the San Diego All<br />
Star Clowns, the North<br />
Country Clown Conspiracy<br />
and the Al Bahr Shrine<br />
Clown Unit. They proactively<br />
responded to the<br />
evacuation centers and the<br />
temporary shelters established<br />
in the San Diego<br />
area, in the wake of the October<br />
fires.<br />
Their selfless service to<br />
their fellow man during the<br />
evacuation from and in response<br />
to the fires was truly<br />
inspiring. As the fires continued<br />
to rage, the damage<br />
and destruction mounted<br />
and the toll of human suffering<br />
became obvious to<br />
all who watched what was<br />
going on, other members of<br />
the west coast clown community<br />
responded and got<br />
involved, as well. Shelters<br />
were visited, supplies were<br />
sent, responding relief<br />
agencies were supported<br />
and clowns did their best<br />
to tickle the souls of those<br />
who needed to smile. Everyone<br />
who got involved<br />
is to be commended for<br />
their efforts. They certainly<br />
demonstrated the power of<br />
humor and were examples<br />
of some of the best that<br />
clowns can be.<br />
Kudos go to the Red<br />
Nose Response Clown Alley,<br />
# 399 for what they<br />
have done to coordinate the<br />
continued response of the<br />
clown arts community to<br />
the disaster and subsequent<br />
firestorm flare-ups. Smiles<br />
and support are going to be<br />
needed in Southern California<br />
for some time to come.<br />
In the mean time, a hearty<br />
“Thank You” to all of the<br />
COAI members who responded<br />
in any way.<br />
Let’s stand up and cheer<br />
for COAI Membership Director<br />
Bonita Love. As the<br />
flames were extinguished,<br />
BonBon spearheaded the<br />
effort to help out COAI<br />
members Sam and Pam<br />
Frazier. The Fraziers lost<br />
their home and most of<br />
their personal belongings<br />
to the fires. What made the<br />
loss even more devastating<br />
was that both Sam and Pam<br />
were performing in a shelter<br />
for fire victims when<br />
the flames attacked their<br />
home. While the loss was a<br />
personal tragedy, BonBon<br />
intervened to minimize<br />
things as much as possible<br />
and rally the Fraziers<br />
many clown friends to their<br />
cause. BonBon’s actions<br />
can only be described as<br />
“Love in action!” Thank<br />
you Bonita and everyone<br />
who has pitched in to help<br />
the Fraziers.<br />
Change is described as<br />
making something different<br />
or altering the state<br />
of things. Implementing<br />
change can be a challenge.<br />
Change that will better<br />
our organization and advance<br />
the art of clowning is<br />
something we should all be<br />
interested in and supportive<br />
of. There are some changes<br />
coming to COAI and its<br />
membership. I’d like to give<br />
you an overview.<br />
The COAI elections, of<br />
course, bring change to<br />
our organization every two<br />
years. Leaders step down.<br />
New leaders are elected.<br />
While the elections are<br />
an important process, they<br />
are a costly endeavor. As<br />
the board has considered<br />
cost containment options<br />
over the years, it became<br />
obvious that change was<br />
needed. The actual balloting<br />
procedure has not<br />
changed too much. However,<br />
the manner in which<br />
you will receive your ballot<br />
later this spring will be different<br />
than in past election<br />
years. Your ballot will arrive<br />
in your mailbox in the<br />
March/April <strong>2008</strong> edition<br />
of The New Calliope. Each<br />
member eligible to vote<br />
will receive a special edition<br />
of The New Calliope.<br />
Be sure to check out the<br />
article in this issue on page<br />
47 that will explain the<br />
new procedures. When you<br />
receive your March/April<br />
issue, remove the ballot and<br />
make sure you have your<br />
say on the future of COAI.<br />
Be involved. VOTE!<br />
During our 20th Anniversary<br />
celebrations, COAI<br />
member Rob Eubanks,<br />
developed a logo that was<br />
unique and fun. It said let’s<br />
celebrate by looking back<br />
at the last 20 years with<br />
fondness and ahead to the<br />
next 20 years<br />
with anticipation.<br />
Since then<br />
many members have suggested<br />
COAI opt for a new<br />
logo. Members seem to<br />
want a logo that says “the<br />
art of clowning has indeed<br />
entered the 21st century“<br />
and “COAI is leading the<br />
way.” In response to those<br />
suggestions, we asked the<br />
Calliope staff to coordinate<br />
the search for new logo<br />
ideas and concepts. Several<br />
were suggested. I thank<br />
each member who submitted<br />
ideas. Your involvement<br />
gave us a lot to think about.<br />
At its fall meeting, the<br />
COAI board reviewed the<br />
various suggestions offered<br />
and agreed on a concept<br />
that, after further development,<br />
we are sure will be<br />
very flexible and represent<br />
COAI well in the years to<br />
come.<br />
There is no doubt that<br />
clowns like to compete.<br />
Our COAI competitions<br />
have often been credited<br />
with improving the over all<br />
appearance of our COAI<br />
membership through the<br />
last 20 years or so. As our<br />
overall appearance has<br />
improved, in some cases<br />
our public performance<br />
skills have not kept up. Performing<br />
for an audience is<br />
ultimately what clowning<br />
is about. While future competition<br />
details are still being<br />
worked out, those who<br />
enjoy competing will begin<br />
to experience a change in<br />
emphasis. Clown appearance<br />
will continue to be<br />
important. When you look<br />
good, you generally perform<br />
well. However, in the<br />
to page 10<br />
Jan/Feb <strong>2008</strong> Page 9
Clownstuff<br />
We have the best prices for all<br />
your Facepainting needs.<br />
12 Color Professional Case<br />
$100.00<br />
Paula “Stickers” Biggio<br />
P.O. Box 1023<br />
Park Ridge, Illinois 60068<br />
847 698 3378 Fax 847 384 1822<br />
www.clownstuff.com<br />
President’s Message continued from page 9<br />
coming months and in the<br />
future, public performance<br />
skills will be advancing in<br />
to the spotlight and on to<br />
center stage. Not just skits<br />
and skit performance, but<br />
all the various types of<br />
performance that a clown<br />
brings forth to entertain<br />
and delight his or her audience<br />
will be emphasized<br />
and supported. Keep an eye<br />
open for details.<br />
One of the most important<br />
things any organization<br />
can do for its membership<br />
is recognize its members<br />
for their achievements and<br />
accomplishments. “Clown<br />
of The Year” is the most<br />
prestigious award presented<br />
by COAI. While some truly<br />
great COAI members have<br />
been awarded this recognition<br />
since 1991, many of<br />
the members who have<br />
completed the nomination<br />
packages tell us the recommendation<br />
process is cumbersome.<br />
Some members<br />
who are deserving of the<br />
recognition have not been<br />
nominated because those<br />
handling the nomination<br />
weren’t up to shouldering<br />
the administrative challenge.<br />
Our Membership<br />
Director, Bonita Love, has<br />
responded to your cause.<br />
She is working with a committee<br />
to realign the process<br />
and hopes the results will<br />
be beneficial to all.<br />
Fun! Clowning is supposed<br />
to be FUN! Fun for<br />
our audiences and fun for<br />
us performers. <strong>2008</strong> has<br />
dawned and we are looking<br />
ahead to the COAI convention.<br />
It is being hosted by<br />
Virginia Alley #3 in Richmond<br />
starting on April 15.<br />
We are going to have FUN!<br />
They have a lot of neat and<br />
fun stuff lined up for us<br />
including the opportunity<br />
to ride in a real NASCAR<br />
pace car and the prospect of<br />
getting out to clown around<br />
in Richmond for a great<br />
cause and some truly great<br />
entertainment. Education?<br />
You want clown arts education?<br />
Virginia Alley #3 is<br />
presenting some the best<br />
in the business and art of<br />
clowning. You don’t want<br />
to miss any of it! Get your<br />
registrations mailed in and<br />
make your hotel reservations<br />
right now while you<br />
are thinking about it. I look<br />
forward to seeing you in<br />
Richmond.<br />
Stay tuned to The New<br />
Calliope. During <strong>2008</strong> may<br />
you find inspiration, take<br />
the opportunity to collaborate<br />
and recognize those<br />
who deserve it! Happy New<br />
Year! See you in Richmond!!<br />
✦<br />
Page 10<br />
The New Calliope
Fall Board Meeting Report<br />
by Pat Newton<br />
As we come into another<br />
election year, the Board continues<br />
to define and refine<br />
many of the responsibilities<br />
of the current positions<br />
available. This particular<br />
meeting involved a number<br />
of “brain-storming” sessions<br />
to put information on the<br />
table and discuss all angles<br />
of every issue.<br />
Here are a few of the<br />
highlights of the meeting.<br />
Elections<br />
The biggest news with the<br />
upcoming election is a new<br />
way of distributing the ballots<br />
to the general membership.<br />
In the past the ballots<br />
were mailed first class to<br />
every individual. This year<br />
the ballots will be inside the<br />
March/April issue of The<br />
New Calliope. There will be<br />
one ballot with each member<br />
having the opportunity to<br />
vote for the executive Board.<br />
They will, however, only be<br />
allowed to vote for the vice<br />
president in their particular<br />
region. Newton Studios is<br />
working on a new ballot and<br />
will present the look and<br />
how it works in the Jan/Feb<br />
<strong>2008</strong> issue of The New Calliope.<br />
Officer Requirements<br />
A policy change came<br />
forward that all nominees<br />
for the Board of COAI may<br />
not be voting members of<br />
any national or international<br />
clown-oriented Board association.<br />
This does not apply<br />
to regional or local clown associations.<br />
There was much<br />
discussion on this topic however<br />
a motion was made and<br />
carried to revise this policy.<br />
Regional Vice President<br />
Residency<br />
It was brought to the attention<br />
of the Board there<br />
were concerns from the<br />
membership regarding the<br />
residency of the vice presidents.<br />
Everyone was reminded<br />
that a vice president who<br />
serves a particular region<br />
must reside in that region.<br />
Japanese Translations<br />
International VP Rick<br />
Daniels was given permission<br />
to translate necessary<br />
education materials into<br />
Japanese with the assistance<br />
of Education Director, Merilyn<br />
Barrett.<br />
Ambassadors<br />
The requirements to become<br />
an ambassador were<br />
changed. Any member in<br />
good standing can become<br />
an ambassador after one year<br />
of membership. However<br />
they can not hold a voting<br />
Board position in another<br />
national or international<br />
clown organization.<br />
International Ambassador<br />
Chair<br />
Keith “Toby” Stokes was<br />
appointed as Interim Ambassador<br />
Chair until the end of<br />
the Board term.<br />
Screening for Pedophiles<br />
Amongst Us<br />
Director at large, Cheri<br />
Venturi, feels this is an area<br />
COAI needs to look at by<br />
possibly implementing some<br />
sort of background check<br />
program to meet the demands<br />
of society and protect<br />
the integrity of the profession<br />
as well as our organization.<br />
At this point, questions<br />
are being posed to an attorney<br />
as to how to proceed and<br />
implement a process. Albert<br />
Alter and Pam Bacher are<br />
also working on this project.<br />
Competitions<br />
One of the first issues that<br />
came early in the meeting<br />
was the area of competitions.<br />
There are many thoughts and<br />
viewpoints about how the<br />
current COAI competitions<br />
need to be refined to truly<br />
reflect a clown’s total character<br />
from “looks” to “abilities.”<br />
It was decided to move<br />
away from an emphasis on<br />
make-up and start placing<br />
more on actual performance.<br />
There was no final decision<br />
as to how the competition<br />
criteria will evolve. Bill<br />
LeBlanc agreed to take the<br />
discussion back to the competition<br />
committee for development<br />
and input. It was<br />
also decided to continue to<br />
offer the current competition<br />
rules on the Web site as well<br />
as per request. They will not<br />
be published in The New<br />
Calliope but will be available<br />
through the competition<br />
chair.<br />
Mission Statement<br />
Development:<br />
The COAI mission statement<br />
states “The mission<br />
of Clowns of America International<br />
is to organize all<br />
members desiring to pursue<br />
the honorable profession or<br />
art of clowning and the dedication<br />
towards its advancement<br />
and the education of its<br />
members.”<br />
President Paul<br />
Kleinberger felt this statement<br />
is convoluted. A committee<br />
of Paul, Angel Morales<br />
and Bill LeBlanc was<br />
organized to redevelop.<br />
Logo Development<br />
Logo proposals were presented<br />
at the meeting. After<br />
much discussion one logo<br />
was chosen by the Board to<br />
become the new symbol of<br />
COAI. The logo is presently<br />
going through the legal process<br />
before being presented<br />
to the general membership.<br />
Clown of the Year<br />
The Clown of the Year<br />
as well as the Excellence In<br />
Clowning recipients were<br />
decided upon at the meeting.<br />
They will be announced in<br />
the Jan/Feb <strong>2008</strong> New Calliope.<br />
International Travel<br />
Budgets<br />
The Latin, Canadian and<br />
International vice presidents<br />
are finding it cost-prohibitive<br />
for them to continue to<br />
attend all of the Board meetings<br />
required with their position.<br />
A line item in the budget<br />
has been developed not<br />
to exceed $1,000 to be used<br />
by the International vice<br />
presidents to travel within<br />
their regions. (Latin, Canadian<br />
and International)<br />
Travel Budget for Board<br />
Members<br />
With the increase in travel<br />
costs for the Board members<br />
the budget was increased to<br />
$700 per Board member for<br />
traveling expenses.<br />
Location and Scheduling of<br />
Fall Board Meeting<br />
It is becoming more difficult<br />
to schedule a fall<br />
Board meeting at the hotel<br />
associated with the following<br />
spring convention due to<br />
conflicts of scheduling at the<br />
various locations. The discussion<br />
is still open on this<br />
topic. It was decided the fall<br />
meeting should fluctuate to<br />
accommodate new officers.<br />
With the elections being<br />
early in the year and officers<br />
taking their positions in July,<br />
the first meeting should be<br />
scheduled in the August after<br />
election with the second fall<br />
meeting of the term being 15<br />
months later in November.<br />
continued on page 13<br />
Jan/Feb <strong>2008</strong> Page 11
COMING SOON!<br />
The C.O.A.I. Membership Directory<br />
What a great way to meet your fellow joeys!<br />
When you’re traveling, look up local merry makers<br />
or if you want to make contact with someone<br />
you met at the convention - check out the directory!<br />
ACTUAL SIZE of<br />
PERSONAL<br />
DIRECTORY AD<br />
1.4” X 2”<br />
CLOWN NAME<br />
Your Name<br />
Address/Phone<br />
Email/URL<br />
Message<br />
Listings in the<br />
membership directory include<br />
name and address of all<br />
current C.O.A.I. members.*<br />
There is one listing per member.<br />
The cost is FREE.<br />
Again, this year we are offering<br />
to the membership an<br />
opportunity to run their<br />
picture as well as any other<br />
information they would like<br />
to add for ONLY $25<br />
HOW TO ORDER A<br />
PERSONAL DIRECTORY AD<br />
Check list:<br />
- Good photo (no polaroids please)<br />
OR digital file: jpg of 300 dpi and size of at least 3” x 3”<br />
email to NewCalliopeAds@comcast.net with COAI # in Subject<br />
- Information you would like to include<br />
along with your COAI Membership #.<br />
- A check made out to COAI for $25<br />
DEADLINE: FEBRUARY 1, <strong>2008</strong><br />
Mail to: NEWTON STUDIOS, INC.<br />
370 West Dearborn Street, Suite B<br />
Englewood FL 34223<br />
(Include a self-addressed stamped envelope<br />
if you would like your photo returned)<br />
Questions? 941-474-4351 and ask for Pat or Tom<br />
*The listing does not include phone numbers or email addresses. Only Name, Clown Name, Address and COAI # are published in the directory.<br />
FOR COMMERCIAL DISPLAY AD RATES: CALL 941-474-4351<br />
Page 12<br />
The New Calliope
Fall Board Meeting Report<br />
continued from page 11<br />
<strong>2008</strong> Convention<br />
Everything is running<br />
smoothly for the upcoming<br />
convention in Virginia. Some<br />
of the areas being worked<br />
on are:<br />
• Headliner is in place.<br />
Red Hawk will be featured<br />
in the Jan/Feb <strong>2008</strong> issue of<br />
The New Calliope.<br />
• All Board members are<br />
required to do one lecture<br />
per convention.<br />
• Revising the photo release<br />
forms to add the photos<br />
are owned and copyrighted<br />
by COAI.<br />
2009 Convention<br />
The convention in 2009<br />
will be hosted by the Indiana/Kentucky<br />
Clown Alley<br />
from April 21-26, 2009.<br />
Host alley is “Inky Clowns”<br />
(Alley #361).<br />
Junior Joeys<br />
Candy has agreed to continue<br />
to grow this program<br />
by getting more people involved.<br />
Creating an Audio-Visual<br />
Committee Chairperson<br />
Purpose: To create a<br />
standing committee to carry<br />
out the specific audio-visual<br />
needs of the organization.<br />
The position would require<br />
a complete understanding<br />
of all audio-visual needs<br />
for the day-to-day operation<br />
of COAI as well as convention<br />
needs.<br />
The Chairperson would be<br />
in charge of:<br />
• Creating all audio-visual<br />
needs for producing and preparing<br />
materials that would<br />
be requested and are in the<br />
budget for the membership.<br />
• Educational materials<br />
that have already been<br />
worked on and need to be<br />
put into CD or DVD form<br />
• Convention coverage:<br />
CDs and making sure all audio-visual<br />
equipment is there<br />
for presentations.<br />
• Assistance to any Board<br />
member who needs to do a<br />
presentation during the year<br />
or at the convention<br />
• Presenting information<br />
to the administration of information<br />
such as the 101<br />
workbooks. Example: How<br />
much would it cost to put<br />
them into CD form including<br />
mailing? Then working on<br />
production of such item.<br />
• Working in conjunction<br />
with all sub-contractors, as<br />
well as the Board, to develop<br />
better materials to give the<br />
membership and expedite<br />
information.<br />
This position does not<br />
require developing the materials<br />
but developing the<br />
method used to transfer the<br />
information to the membership.<br />
The materials themselves<br />
will be developed by<br />
the individual groups.<br />
A special budget will be<br />
set to allow the chairperson<br />
to get reimbursed for any expenses<br />
incurred while carrying<br />
out the projects presented.<br />
After the chairperson has<br />
requisitioned all materials<br />
needed to complete the project<br />
approved by the Board,<br />
the budget will be set.<br />
This person would receive<br />
the same accommodations at<br />
the convention as the Board.<br />
Should a project go out<br />
that requires a bid, she/he<br />
will be able to bid on the<br />
project, since she/he is not a<br />
member of the Board<br />
Consensus was that it was<br />
a good idea. Action: Cheri<br />
and Merilyn to work together<br />
to work out final details<br />
and return in the spring with<br />
final considerations.<br />
To Create a Convention<br />
Marketing Chairperson<br />
Mission: To promote<br />
COAI through all the conventions,<br />
workshops and<br />
conferences throughout the<br />
national and international<br />
areas.<br />
Responsibilities will be as<br />
follows:<br />
• To contact all chairman<br />
of conventions, workshops<br />
and conferences to see if<br />
promo items can be placed<br />
in their goodie bags, fi nd the<br />
cost of placing ads in their<br />
programs<br />
• To request a space, be<br />
it a table in the hall, dealer<br />
room, registration etc. to display<br />
our promo information<br />
• To make sure the table is<br />
equipped with a professional<br />
display and enough promo<br />
information for the size of<br />
the conference as well as<br />
promote our upcoming convention<br />
• To arrange that a representative<br />
from COAI will be<br />
present throughout the conference<br />
to supply answers to<br />
questions and provide help<br />
in fi lling out applications<br />
etc. All RVPs in that region<br />
along with the ambassadors<br />
will be asked to volunteer<br />
their time and energy.<br />
• To provide a certificate<br />
of appreciation to every conference<br />
host for their effort<br />
to promote the art of clowning.<br />
• To arrange with the host<br />
to make this presentation<br />
at their general meeting or<br />
their fi nal banquet<br />
• To coordinate all the<br />
above activities for the sole<br />
purpose of promoting COAI<br />
in a professional manner to<br />
ultimately increase membership<br />
The Board agreed this was<br />
an excellent idea and have<br />
requested Cheri Venturi to<br />
further develop an action<br />
item. ✦<br />
Jan/Feb <strong>2008</strong> Page 13
Page 14<br />
The New Calliope
Informe De La Reunión De Otoño De La Directiva<br />
por Pat Newton<br />
Mientras llegamos a otro<br />
año electoral, la directiva<br />
continúa definiendo y<br />
refinando muchas de las<br />
responsabilidades de<br />
las posiciones actuales<br />
disponibles. En esta reunión<br />
se presentaron muchas ideas<br />
a la mesa y se discutieron<br />
todos los ángulos de cada<br />
asunto.<br />
Aquí están algunos de los<br />
puntos sobresalientes de la<br />
reunión.<br />
Elecciones<br />
La noticia más importante<br />
sobre las próximas elecciones<br />
es la nueva manera de<br />
distribuir las papeletas a<br />
la membresía en general.<br />
En el pasado, las papeletas<br />
eran enviadas por primera<br />
clase del correo postal a<br />
cada individuo. Este año las<br />
papeletas estarán dentro del<br />
ejemplar de Marzo/Abril de<br />
The New Calliope. Habrá<br />
una papeleta por cada<br />
miembro para que tengan<br />
la oportunidad de elegir a<br />
la directiva ejecutiva. Sin<br />
embargo, al momento de<br />
elegir al vicepresidente<br />
regional, el votante sólo<br />
tendrá el derecho de elegir al<br />
de su región correspondiente.<br />
Los Estudios Newton están<br />
trabajando en una nueva<br />
papeleta; se presentará una<br />
imagen y cómo funciona<br />
en el ejemplar de Enero/<br />
Febrero de <strong>2008</strong> de The New<br />
Calliope.<br />
Requisitos de los oficiales<br />
Un cambio realizado en<br />
el reglamento es que los<br />
nominados a la directiva<br />
de COAI no pueden ser<br />
miembros votantes de<br />
cualquier otra asociación<br />
nacional o internacional<br />
orientada a payasos. Esto<br />
no aplica a asociaciones<br />
regionales o locales de<br />
payasos. Hubo mucha<br />
discusión en este tópico,<br />
pero se hizo una moción para<br />
revisar esta política.<br />
Residencia del<br />
Vicepresidente Regional<br />
Se trajo a la directiva una<br />
inquietud por la membresía,<br />
acerca del lugar de residencia<br />
de los vicepresidentes<br />
regionales. Se recordó que<br />
un vicepresidente que sirve a<br />
una región en particular debe<br />
residir en esa región.<br />
Traducciones japonesas<br />
El vicepresidente<br />
internacional Rick Daniels<br />
recibió el permiso de traducir<br />
los materiales educativos<br />
necesarios al japonés con<br />
la ayuda de la Directora de<br />
Educación Merilyn Barrett.<br />
Embajadores<br />
Se cambiaron los<br />
requisitos para ser un<br />
embajador. Cualquier<br />
miembro con buena estima<br />
puede ser un embajador luego<br />
de un año de membresía.<br />
Sin embargo, no puede<br />
pertenecer a la directiva de<br />
otra organización nacional o<br />
internacional de payasos.<br />
Embajador Internacional<br />
Keith “Toby” Stokes<br />
fue designado como el<br />
Embajador Internacional<br />
Interino hasta finalizar el<br />
término de la directiva.<br />
Pedófilos entre nosotros<br />
La Directora Asesora,<br />
Cheri Venturi, siente que esto<br />
es un área a la que COAI<br />
debe prestar atención. Sugirió<br />
implementar algún programa<br />
de revisión del trasfondo<br />
personal que cumpla con<br />
las demandas de la sociedad<br />
y proteja la integridad de<br />
la profesión así como la<br />
organización. A este punto,<br />
se está preguntando a un<br />
abogado cómo proceder e<br />
implementar este proceso.<br />
Albert Alter y Pam Bacher<br />
también están trabajando en<br />
este proyecto.<br />
Competencias<br />
Uno de los primeros<br />
asuntos surgidos en la<br />
reunión fue el área de las<br />
competencias. Habían<br />
muchas opiniones y puntos<br />
de vista acerca de cómo<br />
deben ser refinadas las<br />
competencias actuales de<br />
COAI. Esto, para reflejar<br />
el personaje total del<br />
payaso, desde su imagen<br />
hasta sus habilidades.<br />
Se decidió disminuir el<br />
énfasis en el maquillaje y<br />
comenzar a aumentarlo en el<br />
“performance”.<br />
No hubo decisión final<br />
de cómo los criterios<br />
de competencia van a<br />
evolucionar. Bill LeBlanc<br />
estuvo de acuerdo en traer<br />
la discusión nuevamente al<br />
comité de competencias para<br />
su desarrollo e implantación.<br />
También se decidió continuar<br />
ofreciendo las reglas actuales<br />
de competencia en la página<br />
web, así como por solicitud.<br />
No serán publicadas en The<br />
New Calliope pero estarán<br />
disponibles a través del<br />
comité de competencias.<br />
Desarrollo de la declaración<br />
de la misión:<br />
La misión de COAI<br />
lee “La misión de Clowns<br />
of America International<br />
es organizar a todos los<br />
miembros deseantes de<br />
alcanzar una profesión<br />
honorable en el arte del<br />
payaso y la dedicación hacia<br />
el fomento y educación de<br />
sus miembros”.<br />
El presidente, Paul<br />
Kleinberger, considera<br />
que esta declaración está<br />
complicada. Se compuso<br />
un comité entre Paul, Ángel<br />
Morales y Bill LeBlanc para<br />
redesarrollarlo.<br />
Desarrollo del logo<br />
En la reunión se<br />
presentaron propuestas para<br />
el logo. Luego de mucha<br />
discusión, la directiva escogió<br />
uno como el nuevo símbolo<br />
de COAI. Al momento, el<br />
logo está pasando por los<br />
procesos legales antes de ser<br />
presentado a la membresía en<br />
general.<br />
El payaso del año<br />
Los galardonados como<br />
Payaso del Año y Excelencia<br />
en el Arte del Payaso fueron<br />
decididos en la reunión. Ellos<br />
serán anunciados en el New<br />
Calliope de Enero/Febrero de<br />
<strong>2008</strong>.<br />
Presupuesto para viajes<br />
internacionales<br />
El vicepresidente latino, el<br />
canadiense y el internacional<br />
encuentran prohibitivo el<br />
costo de viaje para asistir a<br />
las reuniones de la directiva<br />
requeridas por su posición.<br />
Se elaboró un artículo en el<br />
presupuesto, de no exceder<br />
$1,000 para ser usado<br />
por los vicepresidentes<br />
internacionales para viajar<br />
desde sus regiones (Latino,<br />
Canadiense e Internacional).<br />
Presupuesto de viaje para los<br />
miembros de la directiva<br />
Con el aumento en costos<br />
de viaje para los miembros<br />
de la directiva, se aumentó a<br />
$700 el presupuesto por cada<br />
miembro de la directiva para<br />
sus gastos de viaje.<br />
continuado en paquina 17
Page 16<br />
The New Calliope
Informe De La Reunión De Otoño De La Directiva<br />
de paquina 15<br />
Ubicación y agenda de la<br />
directiva para la reunión de<br />
otoño<br />
Cada vez se hace más<br />
difícil planificar en otoño<br />
la reunión de la directiva<br />
en el hotel asociado a la<br />
convención de primavera.<br />
Esto a causa de conflictos<br />
de agenda con las distintas<br />
localidades. La discusión aún<br />
está abierta en este tópico.<br />
Se decidió que la reunión de<br />
otoño va a ir dirigida para<br />
alojar nuevos delegados.<br />
Con las prontas elecciones,<br />
los oficiales deberán estar<br />
ocupando sus puestos para<br />
julio. La primera reunión<br />
de directiva deberá ser<br />
organizada para el agosto<br />
siguiente a las elecciones,<br />
y la segunda reunión de<br />
otoño de ese término a los 15<br />
meses, en noviembre.<br />
La convención del <strong>2008</strong><br />
Todo está corriendo<br />
en orden para la próxima<br />
convención en Virginia.<br />
Algunas de las áreas en las<br />
que se están trabajando son:<br />
• El titular de la revista<br />
está en su lugar. Red<br />
Hawk estará en el<br />
ejemplar de Enero/<br />
Febrero de <strong>2008</strong> de<br />
The New Calliope.<br />
• Se le requirió a todos<br />
los miembros de la<br />
directiva ofrecer una<br />
charla por convención.<br />
• Se están revisando<br />
los formularios de<br />
relevo de fotografías<br />
para añadir las fotos<br />
que son compradas y<br />
registradas por COAI.<br />
Convención del 2009<br />
Los anfitriones de la<br />
convención del 2009 serán el<br />
Alley de Payasos de Indiana/<br />
Kentucky y se celebrará del<br />
21 al 26 de abril del 2009.<br />
El alley anfitrión es “Inky<br />
Clowns” (el alley 361).<br />
Junior Joeys<br />
Candy accedió a continuar<br />
desarrollando el programa<br />
involucrando a más personas.<br />
Creando un comité<br />
audiovisual<br />
Propósito: Crear un comité<br />
permanente para manejar las<br />
necesidades audiovisuales de<br />
la organización.<br />
El puesto requiere un<br />
conocimiento completo<br />
de todas las necesidades<br />
audiovisuales para la<br />
operación del día a día<br />
de COAI así como en las<br />
necesidades de la convención.<br />
El dirigente estará a cargo<br />
de:<br />
• Identifi car todas las<br />
necesidades audiovisuales<br />
para producir y preparar<br />
materiales que puedan<br />
ser solicitados y estén en<br />
el presupuesto para la<br />
membresía.<br />
• Ejemplo: Materiales<br />
educativos que estén<br />
previamente trabajados y se<br />
necesiten ubicar en un CD o<br />
DVD.<br />
• Cobertura de la<br />
convención: Asegurarse que<br />
todo el equipo audiovisual<br />
esté disponible para las<br />
presentaciones.<br />
• Asistencia a cualquier<br />
miembro de la directiva<br />
que necesite hacer una<br />
presentación a lo largo del<br />
año o en la convención.<br />
• Presentar información<br />
a la administración de<br />
información, como los<br />
“cuadernos de ejercicios<br />
101”. Ejemplo: ¿Cómo<br />
costará ponerlos en una<br />
forma de CD incluyendo su<br />
envío? Entonces, trabajar en<br />
la producción de ese artículo.<br />
• Trabajar en conjunto<br />
con los sub-contratistas,<br />
así como con la directiva,<br />
para desarrollar mejores<br />
materiales para dar a la<br />
membresía y agilizar la<br />
información.<br />
Este puesto no requiere<br />
el desarrollo de materiales,<br />
sino del método usado para<br />
transferir la información a la<br />
membresía. Los materiales<br />
en sí serán desarrollados por<br />
grupos individuales.<br />
Se establecerá un<br />
presupuesto especial para<br />
permitir al dirigente el<br />
reembolso por cualquier<br />
gasto incurrido en el manejo<br />
de los proyectos presentados.<br />
Luego que el dirigente<br />
de lo audiovisual solicite<br />
los materiales necesarios<br />
para completar el proyecto<br />
aprobado por la directiva, el<br />
presupuesto será establecido.<br />
Esta persona recibirá el<br />
mismo alojamiento que la<br />
directiva en la convención.<br />
Si sucede un proyecto en<br />
el que se requiera subasta,<br />
él o ella podrá participar de<br />
esa subasta, mientras no sea<br />
miembro de la directiva.<br />
Hubo concenso en que<br />
esto fue una buena idea.<br />
Acción: Cheri y Merilyn<br />
trabajarán juntas para<br />
trabajar los detalles finales y<br />
regresar en primavera con las<br />
consideraciones finales.<br />
Creación de un puesto de<br />
dirigente de mercadeo de la<br />
convención<br />
Misión: Promover a<br />
COAI a través de todas las<br />
convenciones, talleres y<br />
conferencias por las áreas<br />
nacionales e internacionales.<br />
Las responsabilidades<br />
serán las siguientes:<br />
• Contactar a todos<br />
los dirigentes de las<br />
convenciones, talleres y<br />
conferencias para ver si se<br />
pueden ubicar artículos de<br />
promoción en sus bolsitos de<br />
materiales de taller, sumar el<br />
costo por ubicar anuncios en<br />
sus programas.<br />
• Solicitar un espacio, ya<br />
sea una mesa en el vestíbulo,<br />
en el salón de distribuidores,<br />
o en la inscripción, para<br />
exhibir nuestra información<br />
de promoción.<br />
• Asegurarse que la mesa<br />
esté bien exhibida y tenga<br />
sufi ciente información<br />
promocional de acuerdo a la<br />
proporción de la conferencia<br />
y promover nuestra próxima<br />
convención.<br />
• Cerciorarse que un<br />
representante de COAI<br />
esté presente durante la<br />
conferencia para responder<br />
a preguntas y proveer ayuda<br />
para llenar solicitudes, entre<br />
otras cosas. A todos los<br />
vicepresidentes regionales<br />
de esa región junto con<br />
los embajadores les será<br />
solicitado donar de su tiempo<br />
y energía.<br />
• Proveer un certifi cado<br />
de agradecimiento a cada<br />
anfi trión de conferencia por<br />
su esfuerzo en promover el<br />
arte del payaso.<br />
• Planifi car con el anfi trión<br />
hacer la presentación del<br />
certifi cado en su reunión<br />
general o en su banquete<br />
fi nal.<br />
• Coordinar todas las<br />
actividades mencionadas<br />
con el sólo propósito de<br />
promover a COAI en un<br />
modo profesional y por<br />
consiguiente aumentar la<br />
membresía.<br />
La directiva estuvo de<br />
acuerdo en que esto es una<br />
excelente idea y solicitaron<br />
a Cheri Venturi para que<br />
promueva el desarrollo de la<br />
misma. ✦<br />
Jan/Feb <strong>2008</strong> Page 17
Dear Aunt Clowney<br />
Dear Nieces and<br />
Nephoooos,<br />
I’m sitting here<br />
contemplating just when I<br />
first began writing the “Ask<br />
Aunt Clowney” column.<br />
And you know, I don’t<br />
really remember! It began<br />
during the time Cathy and<br />
Bob Gibbons produced<br />
their wonderful magazine,<br />
“Laugh Makers.” But I just<br />
don’t remember exactly<br />
when it all started.<br />
Well, it really started in<br />
1971, when I first became a<br />
puppeteer; or in 1982, when<br />
I learned clowning from<br />
No-Name the Clown. Gosh,<br />
that was a long time ago.<br />
But the column has<br />
allowed me to be with you<br />
each issue - my old friends<br />
and new friends, too. I have<br />
shared my wisdom and my<br />
foolishness over the years.<br />
(More the latter than the<br />
former!) And I thank all of<br />
you for bearing with me<br />
and sending me letters and<br />
cards. And for being my<br />
friends. So...on with the<br />
column.<br />
Dear Clowney Friends,<br />
I just attended a regional<br />
clown convention. Many of<br />
the competition skits were<br />
fun and well rehearsed, but<br />
I think we need to learn<br />
more about stage presence.<br />
I just finished a good book,<br />
“Stage Performance,” by<br />
Livingston Taylor (2000).<br />
Here are a few tips clowns<br />
might think about using:<br />
When you first come<br />
onstage, acknowledge your<br />
audience. Pause briefly and<br />
look toward them. Then<br />
begin your skit. After the<br />
skit is over, the audience<br />
needs to know you have<br />
reached the end. Stop, face<br />
the audience, and take a<br />
slight bow. Then, after they<br />
applaud, it’s fine to thank<br />
them for their gift with a<br />
smile or a wave. If your skit<br />
ends with a blow-off like<br />
running offstage, pause at<br />
the edge of the stage and<br />
take your bow. Otherwise,<br />
they might not realize it’s<br />
time to clap. You’ll be<br />
surprised how much more<br />
applause you will get if the<br />
audience knows your skit<br />
has come to an end.<br />
If you mess up during<br />
your skit, ignore it. And<br />
the audience will probably<br />
ignore it too. My piano<br />
teacher, so many years ago,<br />
taught me to play right<br />
through my mistakes. And<br />
usually nobody will notice<br />
- unless you are a really<br />
horrible pianist.<br />
On to the letters!<br />
Dear Aunt Clowney,<br />
My new clown alley has<br />
been asked to perform at a<br />
retirement home, and we<br />
don’t know how to proceed.<br />
What do these elderly<br />
people enjoy? What should<br />
we avoid? Please give us<br />
some help.<br />
Love, A.C.<br />
Bobo the Dodo<br />
Dear Bo,<br />
Congratulations on your<br />
wish to entertain this special<br />
audience. I can’t think of<br />
many people who need a<br />
clown visit more than these<br />
folks. Some of them have<br />
friends and relatives nearby<br />
who visit often, but some<br />
of them (too many) almost<br />
never have visitors. And<br />
their lives are very lonely,<br />
as you can imagine. So here<br />
are some things you can<br />
keep in mind during your<br />
visits.<br />
As with any audience,<br />
you are going to find a<br />
wide array of ability. Some<br />
of the residents are bright<br />
and will enjoy everything<br />
you do. Others will ignore<br />
you completely; they are<br />
all alone in their own little<br />
worlds. Therefore you must<br />
strive to reach as many as<br />
you can.<br />
Keep you act short. Tell<br />
a short story, sing a short<br />
song; when you sense their<br />
attention wandering, switch<br />
to something else. Be<br />
visual, be colorful. Puppets<br />
are lots of fun for this<br />
audience. so are jokes and<br />
riddles. They love music.<br />
Even is they don’t sing<br />
along, you will see many of<br />
them clapping or tapping<br />
their toes when you sing or<br />
play the old standards. “You<br />
Are My Sunshine” is always<br />
a favorite. If you can’t play<br />
the piano or a trombone,<br />
bring your kazoo.<br />
Simple magic tricks are<br />
effective. Let those who<br />
can, participate. Let one<br />
hold a red scarf. Let another<br />
put a “mouse” into your<br />
change bag. People of all<br />
ages love to be included.<br />
Live animals are wellloved.<br />
Even puppet animals<br />
seem real and can be<br />
stroked gently. (Do not take<br />
animals into a home unless<br />
they are pre-approved by the<br />
facility).<br />
Speak up so those who<br />
have hearing problems can<br />
hear you. But don’t be too<br />
loud in the nursing home.<br />
I once made the mistake of<br />
bringing my goose puppet,<br />
Sam, with me. He was<br />
mischievous, and I thought<br />
the oldsters would enjoy<br />
him as much as my kiddies<br />
do. However, in his body I<br />
had a bicycle horn - a very<br />
loud bicycle horn. And they<br />
hated the noise. I put Sam<br />
away very<br />
quickly.<br />
Try to<br />
relate to<br />
everyone<br />
in your<br />
audience. Look at each one,<br />
nod and smile. Many will<br />
smile back. Shake hands,<br />
pat shoulders. And for those<br />
who are not able to join<br />
the audience, try to visit as<br />
many private rooms as you<br />
can. This is best done with<br />
a nurse or an attendant, if<br />
possible. They will help you<br />
choose those rooms where<br />
you will be most welcome.<br />
But don’t be nervous<br />
about poking your head<br />
in to visit people. Knock,<br />
introduce yourself and ask<br />
if you can come in. Go to<br />
their bedside and speak<br />
softly to them. Show them<br />
your puppet or toy. You’ll<br />
be surprised how often they<br />
will smile back!<br />
Older folks enjoy<br />
balloons and stickers and<br />
small gifts, just like little<br />
kids. When you return the<br />
following month, you will<br />
often find evidence of your<br />
last visit on their bedstand<br />
or bulletin board.<br />
And don’t be<br />
discouraged. Give back an<br />
hour or two or three each<br />
month. And your soul will<br />
be blessed for the love<br />
you’ve brought to others.<br />
Love, Aunt Clowney<br />
P.S. If anyone would like<br />
to add their thoughts on<br />
rest homes, please let me<br />
know. My address is 132<br />
Southport Lane, #184-E,<br />
Seal Beach CA 90740 or<br />
email patlaywils@aol.com.<br />
Page 18<br />
The New Calliope
“Doing the Right Thing” as a Clown…<br />
Hi Junior Joeys, I<br />
hope your holidays were<br />
wonderful and I hope you<br />
clowned and added more<br />
fun to the season just by<br />
being the clown you are.<br />
When I was a “First<br />
of May” (a new clown),<br />
I realized I didn’t know<br />
enough about what it would<br />
take to be a clown. I did<br />
some research in books and<br />
talked to other clowns, but<br />
it took going to a clown<br />
convention where they<br />
teach classes on all aspects<br />
of clowning for me to<br />
realize that I was REALLY<br />
in the dark when it came to<br />
learning about the “art” of<br />
clowning.<br />
At first I learned the<br />
different ways that a clown<br />
could put on make-up. Then<br />
I learned about the ways a<br />
clown should dress for the<br />
several different types of<br />
clowns, such as the white<br />
face, the auguste, the hobo<br />
and the character clown. It<br />
was important to me that I<br />
looked good, not scary.<br />
Although I thought I<br />
was pretty funny (if only<br />
to myself at the time) as a<br />
new clown I had very little<br />
patience with some children<br />
and adults and didn’t know<br />
one of the golden rules of<br />
clowning; NEVER go out<br />
of character! After many<br />
times trying not to lose my<br />
patience and sometimes not<br />
succeeding, I eventually<br />
trained myself to joke with<br />
the people who were pushy<br />
or unhappy about waiting<br />
their turn or who wanted<br />
more than I could give. It<br />
is never a good thing for a<br />
clown to curse or pick on<br />
others either. As clowns,<br />
you can stage a silly show<br />
where it may look like<br />
you are picking on your<br />
fellow clowns, but it should<br />
always be planned ahead<br />
of time and not have any<br />
REAL physical abuse.<br />
When you are working<br />
with a group of clowns,<br />
there is always a boss<br />
clown or director. When<br />
the boss clown or director<br />
instructs the group to do<br />
certain things, like line<br />
up for a parade, the right<br />
thing to do is to listen and<br />
do what they say. You can<br />
always have fun doing<br />
it as long as you are not<br />
“upstaging” the director or<br />
being so loud that no one<br />
hears what is being said.<br />
Upstaging means trying to<br />
“out do” the director and<br />
that is just not acceptable,<br />
even as a clown.<br />
When getting dressed<br />
and putting on your makeup,<br />
always make sure your<br />
costume is clean and neat.<br />
Wigs should also look neat<br />
and clean. Make-up should<br />
look even and smooth on<br />
the face and well powdered.<br />
Gooey, drippy make-up<br />
is scary to some children<br />
and just not fun to look at<br />
to most people, including<br />
other clowns. When other<br />
clowns don’t take the time<br />
to look neat and clean, it<br />
can give all clowns a bad<br />
reputation.<br />
Clowning is a way to<br />
bring out the best in us and<br />
those we entertain around<br />
us. If you can bring a smile<br />
to someone who is down or<br />
a belly laugh to someone<br />
who is just walking by, if<br />
you are doing it with that<br />
person’s well being in mind<br />
and not trying to be mean<br />
by saying mean things<br />
or playing mean jokes, if<br />
you truly love having fun<br />
by being silly and making<br />
people laugh, then you are<br />
well on your way to a heart<br />
of a clown. ✦<br />
by Candy<br />
“Butterscotch” Will<br />
Junior Joey Chair<br />
Jan/Feb <strong>2008</strong> Page 19
Tips: Wig Care<br />
Taking The Stress Out of<br />
Washing Your Wig<br />
by Cheri Venturi<br />
I often am asked, “How do I wash my wig?” It’s<br />
very simple but there are some important things<br />
to remember. Taking care of your wig will keep it<br />
looking great and lasting through many performances.<br />
1<br />
Fill the sink or basin with lukewarm water and a small<br />
amount of your own shampoo or Woolite. Place the wig<br />
in the bath to soak for about 10 to 15 minutes. Rub gently<br />
on the places where the greasepaint has come in contact<br />
with the cap or the fi bers. If the greasepaint is quite heavy,<br />
you may use a small amount of dish detergent on the spots<br />
(ONLY A SMALL AMOUNT).<br />
2<br />
Squeeze the soap through the wig several times and remove<br />
the wig from the soapy water. Drain the soapy water and<br />
refi ll the basin with clear lukewarm water. Place the wig<br />
back into the clean water and swish gently. DO NOT RUN<br />
UNDER THE FAUCET AS IT TANGLES THE FIBERS.<br />
Repeat as many times as necessary to remove all the soap.<br />
You can put conditioner in a straight wig but I do not<br />
recommend it on a curly.<br />
3<br />
Squeeze the excess water out of the wig. DO NOT WRING.<br />
Page 20<br />
The New Calliope
Tips: Wig Care<br />
4 5<br />
Lay the wig out on a towel.<br />
Roll it up in the towel. Squeeze the towel<br />
to remove the excess water.<br />
6<br />
Shake the wig out and put it on a wig head to dry.<br />
You may want to put on some styling gel on the curly wigs at this point. Do<br />
NOT comb while it is wet as it will pull out the fi bers.<br />
Also do NOT use a hairdryer on a synthetic wig as it will melt.<br />
If your straight wig tangles, use some de-tangler from Johnson and<br />
Johnson. Leave enough drying time for<br />
your wig to completely dry.<br />
After you wig has completely<br />
dried you can comb it. The<br />
straight wigs can be combed<br />
straight through while the curly<br />
wigs should be loosened at the<br />
cap and try not to comb through<br />
the curls as it will make them<br />
frizzy.<br />
Now, go and relax. You will<br />
look wonderful and you wig<br />
will look like “new” again...well<br />
almost!<br />
Jan/Feb <strong>2008</strong> Page 21
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Baseball caps, tote bags, post cards, calendars, journals and greeting<br />
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COAI logo shirt! But there’s more! Mugs, steins, throw pillows,<br />
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Page 22<br />
The New Calliope
Tips: Make-Up Application<br />
If you use a wooden handle artist brush to assist with your makeup<br />
application, here’s a suggestion: Shorten the handle.<br />
Simply score the handle then snap it in half. You can use sand<br />
paper or an emery board to sand the rough edge smooth.<br />
(I smooth the edges in a pencil sharpener then sand the end.)<br />
When using a longer handle Murphy’s Law dictates that you’ll<br />
strike the handle against the mirror or the mirror frame, poking<br />
yourself with the brush and/or smearing your make up. For those<br />
of us who need to get close to the mirror, the shorter handle<br />
makes manipulating within the space between your<br />
face and the mirror much easier.<br />
Submitted by Ann “Tuttles” Sanders<br />
Photographs by Tim “Sawdust” Laynor<br />
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Jan/Feb <strong>2008</strong> Page 23
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Page 24<br />
The New Calliope
Submitted by Ann “Tuttles” Sanders<br />
Photography by Tim “Sawdust” Laynor<br />
Skills: Puppetry<br />
Master Puppeteer David Messick from Rainbow Puppets<br />
of Hampton, Virginia, offers the following suggestions for<br />
working with full body puppets.<br />
Remember to keep your puppet hidden from view until<br />
you are ready to present it. It is important in preserving the<br />
illusion of realism. You can use a duffle bag, suitcase, or<br />
other carrying case to transport your puppet.<br />
One way to have your puppet make a dramatic entrance<br />
is to stand with your back to the audience, position the<br />
puppet on your hand then turn to face your audience with<br />
your puppet ready to perform.<br />
To focus your audience’s attention on the storyteller or action,<br />
make the puppet look in the direction where you want your<br />
audience to look. Remember to present your puppet in a life-like<br />
manner whether it is a human form or animal, give it movements<br />
that are natural. While your puppet is in the public view, it needs<br />
to remain alive.<br />
When displaying your puppet, position the puppet so that it<br />
looks like it is resting naturally on your arm.<br />
Avoid having your puppet fl oating in space!<br />
Make sure your puppet is always looking at something.<br />
When you are speaking have the puppet look at you. When your<br />
focus moves to someone or something, have the puppet look in<br />
that direction. Especially with children, if the puppet looks in<br />
a specifi c direction so will your audience. Remember, if your<br />
puppet’s attention is not directed toward anything specifi c,<br />
neither will the attention of your audience.<br />
David suggests that, with the full body puppets you are trying<br />
to make very life-like, remove the rods. Puppets can be highly<br />
entertaining to audiences of all ages.<br />
Mermaid by Jill Harrington of Prince Puppets of Pittsburgh,<br />
Pennsylvania, is starring in<br />
Rainbow Puppets new production “A Pirate Party”.<br />
Special thanks to Master Puppeteer David Messick from Rainbow<br />
Productions of Hampton, Virginia.<br />
Jan/Feb <strong>2008</strong> Page 25
How To Touch A Clown Nose<br />
Submitted by Ann “Tuttles” Sanders with photos by Tim “Sawdust” Laynor.<br />
Once in a while you’ll meet a child that who not take no for an answer when it comes to pursuing touching your clown nose and/or<br />
hair. For those occasions this is the method that I use:<br />
1 2<br />
First I establish the rules. The child can only use ONE FINGER.<br />
They touch my nose fi rst and then I get to touch their nose.<br />
I have them hold out their index fi nger. Next, I cover the rest of<br />
their fi ngers and thumb with my hand.<br />
3<br />
As I move their hand towards my face, I hold up my free hand to<br />
the side of my face to prevent their free hand from touching or<br />
grabbing my nose. For example: If I am holding their right hand<br />
with my left hand, I will hold up my right hand to prevent their<br />
left hand from being able to reach my face.<br />
Page 26<br />
4<br />
Lastly, I gently touch their nose.<br />
If after they have touched my nose I feel they may continue to<br />
grab for my nose, I will continue to hold their hand and lean my<br />
upper body away from them. Since I can reach further than most<br />
young children, I position my face out of their reach and touch<br />
their nose with my free hand.<br />
This is not an original idea. I wish I could remember who shared<br />
this technique with me so that I could give them credit. To that<br />
individual and to so many others who have shared their ideas<br />
with me, THANKS!<br />
The New Calliope
Alleys and Members On The Move!<br />
Clowns Respond To Those<br />
Affected by Fire<br />
Everyone knows the horror<br />
and tragedies of the fires on<br />
the west coast of the United<br />
States. COAI clowns in the<br />
area rose to the challenge<br />
to bring some happiness to<br />
those who were affected.<br />
San Diego All Star Clown<br />
club members who performed<br />
for evacuees during the October<br />
firestorm in San Diego<br />
are listed below: Please note<br />
we do not believe this to be<br />
the entire list, but those who<br />
“Hi Clown Friends! Just<br />
a short note to let you<br />
know that The Red Nose<br />
Institute has enlarged our<br />
territory! We are now sending<br />
red noses to deployed<br />
troops anywhere overseas.<br />
They do not have to be in<br />
a war zone. We also want<br />
to let you know that there<br />
is no cost to the person<br />
requesting the noses or to<br />
our troops. If you know of<br />
someone who might enjoy<br />
receiving noses, contact<br />
us! We are receiving lots of<br />
great feedback and pictures.<br />
Please see our website at<br />
www.TheRedNoseInstitute.<br />
com!” - Cheryl “Sweet<br />
Pea” Herrington & Larry<br />
“Pappy” Mills.<br />
responded to Bonnie Love’s<br />
emails.<br />
1) Ana “Ana Banana” Hernandez<br />
at Chula Vista at L<br />
Street Ana Hernandez.<br />
2) Jacki “Cali” Caprio at<br />
Qualcomm Stadium.<br />
3) John “Whistle stop”<br />
Lorne at the Del Mar with<br />
North County Clown Conspiracy.<br />
4) Wower at Grossmont<br />
Hospital.<br />
5) Uncle Rusty at Qualcomm<br />
Stadium.<br />
6) Cricket at Dewey Child<br />
Development Center.<br />
7) Solecito at San Ysidro,<br />
Quacomm and Escondido.<br />
8) Dr. Pokenose at Grossmont<br />
Hospital.<br />
9) Honey Bee at Qualcomm<br />
Stadium.<br />
10) Butterscotch at El Toro<br />
High School.<br />
11) Beary at El Toro High<br />
school.<br />
12) Jingles at Qualcomm<br />
Stadium.<br />
13) Dr. Goodnight at<br />
Grossmont Hospital.<br />
North County Clown<br />
Conspiracy.<br />
1) Tango Del Mar at fairgrounds<br />
Qualcomm Stadium.<br />
2) LoMax Del Mar fairgrounds<br />
Qualcomm Stadium.<br />
Independent clowns<br />
1) Grandpa D (He and<br />
Grammy lost their house,<br />
cars, office etc. while performing<br />
for evacuees!).<br />
2) Grammy Pammy.<br />
Orange County<br />
1) Stacey “Boo-<br />
Boo”Anderson at Orange<br />
Show evacuation center in<br />
Riverside.<br />
2) Pam “Twinkles D’<br />
Klown” House at Orange<br />
Show evacuation center in<br />
Riverside and Red Cross office<br />
in Long Beach.<br />
Candy Will reported these<br />
clowns are being involved:<br />
Scott “Big Red” Addis<br />
When the devastating fi res hit the west coast, clowns responded to<br />
bring a little cheer and laughter into the lives of those affected.<br />
with the Hemet Clowns.<br />
Bill and Angie McClanahan<br />
with the Hemet Clowns.<br />
Sunny, Sunshine and<br />
Twinkles helped the evacuees<br />
at the Saboda Indian Reservation.<br />
Dolly “Greyzie” Young,<br />
Karen “Gymick” Wes, and<br />
Ted “Corkey” Kagan worked<br />
the Qualcomm stadium.<br />
OH and Stacey “Boo Boo”<br />
Anderson with the HMO<br />
Clown group worked the<br />
Orange evauee center in San<br />
Bernardino with Pam “Twinkles<br />
D Clown” House who is<br />
part of Funny Business and<br />
also the Red Nose Responder<br />
contact for the area.<br />
✦✦✦✦✦<br />
More Red Noses...Please!<br />
Submitted by Alexander L.<br />
English<br />
North Augusta, SC<br />
I am an Auguste clown<br />
when in costume, but I am<br />
presently unable to do clowning<br />
due to many medical<br />
problems. One problem is my<br />
(COPD) breathing problem.<br />
I ride an electric scooter. I<br />
do carry a red nose with me<br />
at all times and put it on in<br />
stores, at the hospital and<br />
any place I feel people need<br />
to smile and laugh. I have<br />
been thanked by doctors<br />
and nurses for being able to<br />
make other people smile even<br />
though I have problems myself.<br />
I also give out kiss stickers<br />
to children and ladies. At<br />
present I am hoping to recruit<br />
the hearing department at the<br />
V.A. Hospital uptown to all<br />
wear red noses (which I will<br />
supply free) to greet people<br />
and make them happy. I’ll let<br />
you know!!<br />
✦✦✦✦✦<br />
NORTHLAND CLOWN<br />
GUILD ALLEY 217<br />
Submitted by Cheryl Herrington,<br />
Alley 217<br />
North Kansas City, MO<br />
The Northland Clown<br />
Guild Alley 217 of North<br />
Kansas City, MO and RSVP<br />
Clowns held a clown workshop<br />
last November. Smiles<br />
and giggles and silliness<br />
surrounded everyone! First<br />
of May, or beginner clowns,<br />
learned the history of clowning,<br />
watched make-up demonstrations,<br />
laughed at skits,<br />
watched balloon twisting,<br />
magic and face painting demonstrations,<br />
and practiced<br />
continued on page 28<br />
Jan/Feb <strong>2008</strong> Page 27
Alleys and Members On The Move!<br />
from page 27<br />
their own make-up techniques!<br />
Characterization and<br />
improvisation rounded out<br />
the classes. A fashion show<br />
was also held with members<br />
demonstrating some of their<br />
own props and describing<br />
how their costumes were put<br />
together and where different<br />
pieces came from. Alley<br />
217 President, Dennis “Cornelius”<br />
Porter, was Master<br />
of Ceremonies. Lonnie<br />
“Boots” Vanderslice, Roberta<br />
“Pokey” Lindeman, Cheryl<br />
“Sweet Pea” Herrington,<br />
Shirley “Starla” Beeley, Sharon<br />
“Miss Agnes” Benson,<br />
Wanda “Pinky Lou” Chaney,<br />
Larry “Pappy” Mills, Lohren<br />
The Northland Clown Guild Alley 217 of North Kansas City, MO<br />
and RSVP Clowns held a clown workshop last November.<br />
“Sonny” Meier, Betty “No<br />
Name” Schultz, Peyton “Astro”<br />
Westfall, Mary “Clara<br />
the Clown” White, Robert<br />
“Tag-A-Long” Taylor, Randy<br />
“Bible Bubba” and Charles<br />
“CT” Terry were all on hand<br />
to teach and keep things<br />
hopping. Fantastic Clowning<br />
& Magic and The Happy<br />
Store vendors were there for<br />
everyone’s clown needs. Fifteen<br />
participants, beginners<br />
and experienced clowns, all<br />
laughed their way through<br />
the day and shared the love<br />
of clowning! Alley 217 has<br />
held two regional conventions<br />
and six previous workshops<br />
with 100+ years of combined<br />
clowning. Northland Clown<br />
Guild Alley 217 is a not-forprofit<br />
organization dedicated<br />
to the art of clowning and to<br />
bringing joy and happiness to<br />
everyone since 1991!<br />
✦✦✦✦✦<br />
Before The Hike<br />
by Laurel “Pinky” Tharpe<br />
Spreading smiles, love and<br />
laughter along the Florida<br />
Trail is what I hope to do<br />
beginning in January <strong>2008</strong>. I<br />
live in Sebring, FL. Some call<br />
me by my clown name which<br />
is “Pinky” and some call me<br />
“Mountain Laurel” which<br />
was my Appalachian Trail<br />
(AT) name. I hiked the AT<br />
in 2000. I’m also a member<br />
of Toby’s Clown Alley, Toby<br />
The Clown Foundation, Inc.<br />
and The Florida Trail Association.<br />
I love to clown and I love<br />
to backpack. Combining<br />
these two loves I hope to be<br />
a “goodwill ambassador” for<br />
clowning. The Florida Trail is<br />
one of eight National Scenic<br />
Trails in the United States.<br />
It begins in the Big Cypress<br />
National Preserve near Miami<br />
and ends at the Gulf Islands<br />
National Seashore near Pensacola.<br />
It is approximately<br />
1,400 miles long.<br />
Page 28<br />
Laurel “Pinky” Tharpe will be spreading joy<br />
as she hikes the Florida Trail.<br />
“Greetings! Here in Springfi eld, MO we again were hit with<br />
another ice storm We loaded up and went to Carthage, MO<br />
to a storm shelter to share some smiles. We were in contact<br />
with American Red Cross. We will be going out again in the<br />
morning this time going to Joplin MO.” - Spangle<br />
The New Calliope
Alleys and Members On The Move!<br />
Shirley “Joy” Glenn and Lolly “Pinky” Tharpe have<br />
created a unique way to teach hygiene to children.<br />
My hiking partner is Donna<br />
Stowe from Melbourne,<br />
FL. She is a seasoned backpacker<br />
and bicyclist. When<br />
we hike the trail Donna will<br />
be 72 years old and I will be<br />
69. We will be handing out<br />
red clown noses along the<br />
trail to create a bit of laughter<br />
and fun, while at the same<br />
time, showing and telling<br />
folks the value of our foundation.<br />
✦✦✦✦✦<br />
Clowning Around for<br />
Hygiene<br />
by Shirley “Joy” Glenn and<br />
Lolly “Pinky” Tharpe<br />
We love to clown, bringing<br />
smiles, love and laughter to<br />
young children especially. We<br />
want to entertain them and at<br />
the same time provide a little<br />
education. Often children will<br />
remember important information<br />
better if it is done in<br />
an “outlandish” method. So,<br />
here we are teaching oral hygiene<br />
and hand washing in an<br />
In December, Kolonial Klowns of Williamsburg - Alley #357 participated<br />
in the Annual Williamsburg Christmas Parade. In keeping<br />
with the parade’s theme of “Holiday Traditions” the Alley<br />
offered a clown decorating service, mistletoe testing, and a “live”<br />
Christmas tree. They won fi rst place! Congratulations!<br />
Some clowns got together and entertained at a day care program<br />
for children. The children were at the facility because the schools<br />
were closed due to the fi res. Many of the moms and dad were<br />
hospital employees who had no sitter but were needed at work.<br />
Pictured here are Wower (Rosemarie Ballard), Solecito<br />
(Antolin Rodriguez), and Pokonose (Bill Pogue).<br />
outlandish way. This is a new<br />
project for us, but we think it<br />
could be expanded into teaching<br />
all facets of health and<br />
safety.<br />
We do this presentation<br />
for daycare centers and hope<br />
to enlarge it for kindergarten<br />
children also. We volunteer<br />
our service to promote “the<br />
art of clowning” for Toby the<br />
Clown Foundation, Inc. and<br />
for our Toby’s Clown Alley.<br />
Anyone who wishes to use<br />
this idea as a business project<br />
could do very well, changing<br />
the “format” every year.<br />
Our props are all silly and<br />
come in a very large “Big<br />
Story Bag.” The children like<br />
to see what is going to be<br />
pulled out of that bag. For the<br />
oral presentation we use such<br />
props as a huge picture of a<br />
happy clown with his mouth<br />
wide open and full of big<br />
white teeth. We use his mouth<br />
to demonstrate what can<br />
happen if “Happy Hal” does<br />
not brush his teeth. We have<br />
some big ugly “cavity bugs”<br />
which we plant in his mouth.<br />
We then ask the children how<br />
to get rid of them. In the process<br />
of trying to find the right<br />
brush we bring out a paint<br />
brush, toilet brush, and finally<br />
the “tooth” brush which is<br />
oversized. After brushing<br />
Happy Hal’s teeth we leave<br />
one cavity bug in place and<br />
introduce dental floss to finish<br />
the job using a large jump<br />
rope as a silly prop.<br />
To continue with the oral<br />
presentation, we introduce<br />
“Mr Chatters” who is just a<br />
red sock puppet with wind-up<br />
chattering teeth and bulging<br />
eyes. We use him to demonstrate<br />
good brushing of the<br />
teeth, gums, and tongue. We<br />
use him to help teach good<br />
snacks and bad snacks - always<br />
brushing his teeth after<br />
the sugary snacks. Of course,<br />
we wind him up a couple<br />
times during the presentation<br />
as the children love to hear<br />
and watch him.<br />
When it comes to the hand<br />
washing presentation we purposely<br />
forget which “body<br />
part” we are going to talk<br />
continued on page 30<br />
Jan/Feb <strong>2008</strong> Page 29
Alleys and Members On The Move!<br />
from page 29<br />
about next. We pull a large<br />
thumb out of the bag and then<br />
a large foot. Finally, we remember<br />
the hands and bring<br />
out a picture of a very direct<br />
hand with a sad face. The<br />
children participate in telling<br />
us what is needed to clean the<br />
hands. We all go through the<br />
motions of washing out hands<br />
with soap and water to the<br />
tune of “Twinkle, Twinkle,<br />
Little Star,” bringing out a<br />
big picture of a smiling clean<br />
hand. We then talk about why<br />
it is so important to keep our<br />
hands clean and the most important<br />
times to wash them.<br />
Next we invite one of the<br />
children to come forward to<br />
help with our magic trick. We<br />
ask the teacher to choose a<br />
helper. We get out the “faithful<br />
change bag” and take a<br />
very dirty sad hand and put it<br />
in the change bag along with<br />
soap and water. Then with<br />
a few chosen magic words,<br />
the helper pulls out a clean<br />
and happy hand. We make a<br />
big deal out of the helper and<br />
give him, or her, an “Official<br />
Clown Assistant” sticker.<br />
To end the presentations<br />
we try to re-emphasize the<br />
important points. We give the<br />
teacher a handout from Crest<br />
Toothpaste, a coloring page<br />
with hidden good snacks to<br />
find. The children do these<br />
in class or take them home.<br />
We also give out a little certificate<br />
card from the clowns<br />
indicating their participation.<br />
This is a fun project and<br />
we hope it will grow to become<br />
a regular yearly presentation<br />
at the schools. Each<br />
year we can change the “Big<br />
Story Bag” to include all aspects<br />
of hygiene and safety.<br />
✦✦✦✦✦<br />
Junior Joey Graduates to<br />
Adult<br />
by George “DoDo” Curley<br />
My grandson, Jared is off<br />
to Jacksonville to go to university.<br />
I must tell you about<br />
him. Jared wanted to become<br />
a clown when he was eight<br />
years old. I tried to enroll him<br />
in some clown classes but<br />
was told he was too young.<br />
So I offered to become a<br />
clown with him proviso that<br />
I would take him out of the<br />
class if he couldn’t do what<br />
was required. Connie and<br />
Jerry Yarborough (Topsy &<br />
YoYo) were so understanding<br />
and absolutely outstanding<br />
to us. They trained us and<br />
admitted Jared would make<br />
a good clown. “Sparky” is a<br />
natural. He dominates when<br />
he is in a crowd.<br />
I am now 76 years old and<br />
can not perform too much<br />
George “DoDo” Curley (R) with his grandson Jared “Sparky.”<br />
anymore. I enjoyed being a<br />
joey and would like to send a<br />
thanks to Topsy and YoYo for<br />
the patience they showed to<br />
help Jared “Sparky” become<br />
such a great clown. ✦<br />
Page 30<br />
The New Calliope
Deborah Sartino<br />
Remlap, AL<br />
Snuggles<br />
WELCOME THESE NEW COAI MEMBERS!<br />
Marilyn Snyder<br />
Manito, IL<br />
Tickles<br />
Kathleen Mcglynn<br />
Bloomfi eld Hills, MI<br />
Warrior Girl<br />
Jim Chase<br />
Hudson Falls, NY<br />
The Town Clown<br />
Enrique Rodriguez<br />
Phoenix, AZ<br />
Glostorin<br />
Laurey Hanson<br />
Surprise, AZ<br />
Sugar<br />
William Trulock<br />
Walnut Creek, CA<br />
Bumble<br />
Amber Searcy<br />
Fairfi eld, CA<br />
Turkoys The Clown<br />
Michelle Baker<br />
American Canyon, CA<br />
Hockinpepper The Clown<br />
Karen Wes<br />
El Cajon, CA<br />
Gymick<br />
Janet Haines<br />
Glenwood Springs, CO<br />
Cookie<br />
Linda Cripps-Weaverling<br />
Newark, DE<br />
Regina Pitts<br />
Washington, DC<br />
Jamalamadingdong<br />
Judy Throckmorton<br />
Venice, FL<br />
Joan Kozma<br />
Seminole, FL<br />
Pixie<br />
Linda Fricke<br />
Callahan, FL<br />
Winda Wu<br />
Theresa Bill<br />
Naples, FL<br />
Pickles<br />
Karen Jordan<br />
Jensen Beach, FL<br />
Lucy Ladybug<br />
Nancy Barber<br />
Deland, FL<br />
Stiles<br />
Joe Crowe<br />
Fort Walton Beach, FL<br />
Hot Shot<br />
Suzette Arita<br />
Honolulu, HI<br />
Twinkles The Clown<br />
Wanda Sconce<br />
Spring Grove, IL<br />
Brenda Lee Caldwell<br />
Franklin, IN<br />
Sassy Frass<br />
Pamela Rush<br />
Whiteland, IN<br />
Twinkle Toes<br />
Brad Coady<br />
Des Moines, IA<br />
Bullseye<br />
Patty Tilton<br />
Des Moines, IA<br />
Patty Cakes<br />
Rita Potter<br />
Sioux City, IA<br />
Bloomer<br />
Jane Petri<br />
Adair, IA<br />
Skooter<br />
Mark Popp<br />
Tonganoxie, KS<br />
Bumpy Knuckles<br />
Laura Boggs<br />
Lafayette, LA<br />
Heart-Full<br />
Sig Lane<br />
Shreveport, LA<br />
D Clown<br />
Larry Mccrea<br />
Laurel, MD<br />
Jobo<br />
Henry Holland Jr<br />
Perryville, MD<br />
Cap’n Sloshy<br />
Cristina Olisangela<br />
Somerville, MA<br />
Edna Gubert<br />
Medford, MA<br />
Hector Alcaide<br />
Westfi eld, MA<br />
Trapiche<br />
Howard Mahaffy<br />
Saginaw, MI<br />
Howie Da Balloon Guy<br />
Bunnie Chamberlain<br />
Haslett, MI<br />
Bizzi<br />
Ruth Nelson<br />
Chelsea, MI<br />
Goofus<br />
Deborah Slavin<br />
Crystal, MN<br />
Oopsie Daisy<br />
Sara Ward<br />
Annandale, MN<br />
Bable L. Baphoon<br />
Jackie Scarbrough<br />
Oak Grove, MO<br />
Sir Clarence<br />
Tammy Kugler<br />
Richmond, MO<br />
Ryan Kugler<br />
Richmond, MO<br />
Amanda Clay<br />
Ballwin, MO<br />
Oscar<br />
Rebecca “Becky” Franz<br />
Rye Beach, NH<br />
Kristi Parker<br />
Amherst, NH<br />
Krickey<br />
Christie Seubert<br />
Lee, NH<br />
Gimpy<br />
Gail Champagne<br />
Newmarket, NH<br />
Carvalho<br />
Eileen Ryan<br />
Cookstown, NJ<br />
Morning Glory<br />
Cynthia Ippolito<br />
Randolph, NJ<br />
Cookie<br />
Linda Rampello<br />
Elizabeth, NJ<br />
Angel<br />
Carlos Solis<br />
Paterson, NJ<br />
Pionono<br />
Linda Coddington<br />
Gallup, NM<br />
Tallulah<br />
Cheryl Arnold<br />
Rochester, NY<br />
Gabby<br />
Marlene St John<br />
Far Rockaway, NY<br />
Kottonkandy<br />
Frankie Scullari<br />
Staten Island, NY<br />
Captain Crusader<br />
Theresa Govenettio<br />
Angola, NY<br />
Teri-Okie<br />
Josephine Maring<br />
Kennedy, NY<br />
J.J. Jingles<br />
Miron Gusso<br />
New York, NY<br />
Milo<br />
Edward Kleiner<br />
Lindenhurst, NY<br />
Casey<br />
Pamela Macwilliams<br />
Cleveland Heights, OH<br />
Puff<br />
Diane Gauthier<br />
Durant, OK<br />
Sweettart<br />
Matt Weber<br />
Mcminnville, OR<br />
Zero<br />
Sasha Chernoff<br />
Eugene, OR<br />
John Cameron<br />
Murfreesboro, TN<br />
Squeeky<br />
Wendell Clendennen<br />
Grapevine, TX<br />
Stretch<br />
Alec Dunbar<br />
Humble, TX<br />
Taz<br />
Sarah Hall<br />
Cypress, TX<br />
Beeswax<br />
Linda Carr<br />
Lake Jackson, TX<br />
Kissyface<br />
David Garrido<br />
Galveston, TX<br />
Davilin<br />
Jacquelyn Williams<br />
Richmond, VA<br />
Lollipop<br />
Deborah Brundage<br />
Oak Harbor, WA<br />
Sparkles<br />
Danny Riggs<br />
Mcchord Afb, WA<br />
Annyday<br />
Kimberly King<br />
Kennewick, WA<br />
Suzy-Q<br />
Terri Foust-Rogers<br />
Snohomish, WA<br />
T Tator Tot<br />
Barbara Bralick<br />
Martinsburg, WV<br />
Michael Aerts<br />
Antwerpen, Belgium<br />
Michael<br />
Lee James<br />
Belm, Germany<br />
Rollie Pollie<br />
Kazumi Sakugawa<br />
Okinawa, Japan<br />
Kazutan<br />
Maykol Olazabal Martinez<br />
San Deigo, Peru<br />
Chiquitin Jr<br />
Alan Olazabal<br />
San Deigo, Peru<br />
Chiquilin<br />
Carlos Olazabal Basilio<br />
San Deigo, Peru<br />
Tony Chiquitin<br />
Abelardo Perez<br />
Bayamon, PR<br />
Pisterito<br />
Glenda Amador Cardona<br />
Bayamon, PR<br />
Evangelin<br />
Jose Hernandez Flores<br />
Bayamon, PR<br />
Jirehlin<br />
S Chandran<br />
Singapore<br />
Jan/Feb <strong>2008</strong> Page 31
Look Who’s Reading The New Calliope!!<br />
Have a photo taken of you<br />
reading The New Calliope in<br />
your travels and it<br />
just might appear in an<br />
upcoming issue!!<br />
Remember, if you are taking<br />
digital photos<br />
(and who doesn’t) we<br />
need to have the highest<br />
resolution photos possible.<br />
Set your camera to the<br />
highest resolution setting<br />
(the fewest photos) your<br />
camera can take.<br />
Above: Here is a picture of Tom “Shoeperman”<br />
Bailes, of Kolonial Klowns Alley #357 at Zion<br />
National Park with his New Calliope.<br />
E-mail to: NewCalliopeEdit<br />
or@comcast.net<br />
or snail mail to: Newton<br />
Studios, Inc.,<br />
370 West Dearborn Street,<br />
Suite B<br />
Englewood FL 34223.<br />
Right: Jerry “Dr. Dufus” Dodson reads The New<br />
Calliope while in the surf of the Outer Banks in<br />
Nags Head, NC.<br />
Below: Meanwhile Ann Sanders and Tim Laynor read The New Calliope through<br />
Germany, the Czech Republic, Slovakia, Hungary and Austria.<br />
Aboard a Danube cruise<br />
in Budapest.<br />
Page 32<br />
In the gardens at Schonbrunn Palace in Vienna, Austria.<br />
With the circus poster outside<br />
the Dorint Novotel in Prague,<br />
Czech Republic.<br />
The New Calliope
Join An Alley? What’s In It For Me?<br />
By Paul “Fuddi-Duddy”<br />
Kleinberger<br />
The major internationally<br />
based clowning organizations<br />
and many of the<br />
regional groups promote<br />
membership in a clown alley<br />
or club. There are many<br />
advantages to being a member<br />
of a clown alley or club.<br />
Yet, only a third of COAI<br />
members actually belong<br />
to a COAI chartered alley.<br />
This presents a bit of a head<br />
scratcher to our Director of<br />
Alley, Region Support and<br />
our Regional Vice Presidents<br />
who are always promoting<br />
alley membership.<br />
What is an alley? While<br />
the phrase “clown alley”<br />
is steeped in the history of<br />
American circuses, these<br />
days a clown alley is considered<br />
to be a group of two<br />
or more clowns who get together<br />
on a regular basis to<br />
share…share some friendship,<br />
some clown education,<br />
performance opportunities<br />
and maybe even some<br />
milk and cookies. When<br />
these alley members get together,<br />
the art of clowning<br />
is propagated. When these<br />
alley members meet, skills<br />
are developed, sharpened,<br />
self-confidence is fortified<br />
and the next time they step<br />
out in front of their audiences,<br />
the art of clowning is<br />
honored.<br />
So why join an existing<br />
clown alley or start your<br />
own?<br />
1. Continuing Clown<br />
Arts Education Opportunities…<br />
as clowns strive to<br />
learn, they get better at their<br />
craft and the art of clowning<br />
is propagated. It, all by<br />
itself, is a great reason to<br />
join a clown alley or even<br />
start one. While individual<br />
efforts are always appreciated,<br />
it’s easier to draw an<br />
instructor to a clown alley<br />
or club and any expenses<br />
involved can be shared.<br />
2. Single and Group<br />
Public Performance<br />
Opportunities… while<br />
most alleys are not booking<br />
agents, they are a magnet<br />
for performing opportunities.<br />
Performing often with<br />
your clown alley allows<br />
you to be out in public in<br />
a supportive environment<br />
and allows you to sharpen<br />
your skills with the help of<br />
your clown friends. Plus, it<br />
allows you to work on new<br />
material and get constructive<br />
criticism, as well as<br />
feedback from people who<br />
know what you are trying<br />
to accomplish.<br />
3. Professional and Semi<br />
Professional Associations<br />
and Networking… there is<br />
an old song that goes something<br />
like “I get by with a<br />
little help from my friends.”<br />
As you are involved in your<br />
alley, you meet and make<br />
many new friends whose<br />
interests are similar to<br />
yours. You can help them.<br />
They will help you. You<br />
prosper and so does your<br />
alley.<br />
4. Promotional Opportunities…<br />
many clown alleys<br />
allow their members to promote<br />
their individual talents<br />
while out with the alley.<br />
If the alley has a Web site,<br />
you could be featured on<br />
the site. Some alleys pool<br />
their funds and purchase<br />
advertising in local papers,<br />
on radio and even on television.<br />
5. Local Clown Arts<br />
Newsletters… many alleys<br />
publish a newsletter to keep<br />
their members up to date<br />
on things going in the local<br />
clown arts community.<br />
Many clowns find this to<br />
be an invaluable resource.<br />
Some clowns I know belong<br />
to their alley because<br />
the alley newsletter is such<br />
a resource for the membership.<br />
6. Grant and Scholarship<br />
Opportunities… alleys<br />
can apply for grants<br />
to present featured clown<br />
arts instructors. While the<br />
COAI Scholarship Program<br />
has certain administrative<br />
requirements, it seems that<br />
alleys are very supportive<br />
of those alley members who<br />
express interest and want to<br />
apply for a scholarship.<br />
7. Award and Recognition<br />
Opportunities… many<br />
alleys have their own award<br />
programs. Face it, we all<br />
like to be recognized for the<br />
things we do and our various<br />
accomplishments. Having<br />
your friends and neighbors<br />
say “Ya Done Good”<br />
is very meaningful.<br />
8. Local Networking<br />
With Other Performing<br />
Arts Organizations…<br />
Clowns are not the only<br />
family entertainers out<br />
there. Many clown alleys<br />
arrange joint meetings with<br />
jugglers, magicians, puppeteers<br />
and the like. This<br />
interaction allows everyone<br />
to expand their horizons<br />
and share ideas.<br />
9. Convention and Gathering<br />
Hosting Opportunities…<br />
it does take some<br />
clown power to carry off a<br />
convention or other educational<br />
effort. So as groups<br />
are considering possible<br />
hosts, the most likely candidates<br />
to host such events<br />
are clown alleys. The benefit<br />
for the individual alley<br />
member is the opportunity<br />
to have specific input into<br />
the education program and<br />
the educators being presented.<br />
10. Fun, Friendship and<br />
Fraternity With Like-Minded<br />
Clowns and Family<br />
Entertainers… it’s always<br />
great to get together with<br />
like-minded people and to<br />
appeal to that common core<br />
of experience. The majority<br />
of clown alleys do a lot to<br />
foster the friendships that<br />
evolve in the membership.<br />
While the emphasis may be<br />
different from alley to alley,<br />
the one thing that seems to<br />
bind everyone together is<br />
the membership in the alley.<br />
It’s wise to remember<br />
that people join clown alleys<br />
for a whole bunch of<br />
personal reasons. It can be<br />
a challenge for the alley<br />
to try to meet everyone’s<br />
needs and expectations.<br />
When egos are checked<br />
at the door of the meeting<br />
room and everyone collaborates<br />
to foster growth and<br />
support each other, a clown<br />
alley can be a wonderful<br />
organization.<br />
To be a COAI charted<br />
alley, the group of clowns<br />
needs to have a set of<br />
bylaws and at least five<br />
members who are current<br />
COAI members. You can<br />
contact your regional vice<br />
president or the Director of<br />
Alley, Region Support for<br />
all the details. COAI did<br />
away with the fees involved<br />
a year or so ago. It costs<br />
nothing to become a COAI<br />
alley. That’s right! Zero,<br />
zip, nadda cent.<br />
Join one or start one! It’s<br />
a great New Year’s resolution.<br />
✦<br />
Jan/Feb <strong>2008</strong> Page 33
Convention <strong>2008</strong><br />
by Sandra Winstead<br />
As I write this I am trying<br />
to get ready for Christmas<br />
and the convention and<br />
then it occurs to me that<br />
the convention is only four<br />
months away!! And I thought<br />
Christmas came in a hurry<br />
this year. It seems like only a<br />
short time ago I was visiting<br />
hotels to get my bid together<br />
for this convention and now<br />
we are in the home stretch.<br />
With that having been said<br />
I will ask you again, have<br />
you registered to “Race into<br />
Richmond” with us? If not,<br />
why not? Registration rates<br />
don’t go up again until February<br />
29th so take advantage of<br />
the still very reasonable rates.<br />
You also need to be sure to<br />
book your hotel room before<br />
March 31st to be guaranteed<br />
our convention rate. This is a<br />
very busy hotel so book your<br />
room early.<br />
Let me take the opportunity<br />
to tell you about the vendors<br />
and lecturers we have<br />
planned for the convention.<br />
Of course we have Bubba<br />
because no convention would<br />
be complete without him; he<br />
will be in the vendor room<br />
as well as lecturing. There<br />
is Tom-E-Boy who brings a<br />
host of walk-around products<br />
for you to purchase and Tom-<br />
E-Boy will also be instructing<br />
you on how to use them. Tom<br />
always boasts, and we know<br />
it is true that he can work<br />
a festival all day from just<br />
the pockets in his costume.<br />
Dave Hill will also be there<br />
and if you don’t know Dave<br />
his phone number is 1-800-<br />
clown-99. He will make you<br />
repeat that many times to<br />
make sure you know how to<br />
order the wide variety of balloons<br />
and such he has to sell.<br />
Dave will also be lecturing<br />
on how to use his products.<br />
Of course there is Peachey<br />
Keene and if you don’t own a<br />
foam prop from Peachey you<br />
probably will before the convention<br />
is over. I speak from<br />
personal experience that his<br />
props are the best.<br />
As far as costuming vendors<br />
we have the always popular<br />
Betty Cash. For any of<br />
you who own a costume by<br />
Betty you know what a great<br />
costume she makes and she<br />
has great accessories as well.<br />
We have someone new to<br />
the national scene this year,<br />
Sunshine & Company. This<br />
is Kitty Kerr and her husband<br />
Tom. They are from North<br />
Carolina and they make a<br />
great costume for the working<br />
clown at a reasonable<br />
price. We have a member<br />
of our alley who I think has<br />
personally kept Sunshine in<br />
business the last few years he<br />
has so many of her costumes.<br />
Sunshine will also be selling<br />
a few wigs. Speaking of wigs<br />
we also have Cheri-Oats.<br />
She always has such a great<br />
selection of wigs and is always<br />
willing to trim your wig<br />
for you which is such a nice<br />
benefit. Now that you have<br />
the ability to buy a costume<br />
and a wig you must stop in<br />
to see John Spears and order<br />
that perfect pair of clown<br />
shoes. John makes the best<br />
and has even made shoes for<br />
the Grinch! What else needs<br />
to be said about him.<br />
A couple of other vendors<br />
to mention, the Clown<br />
Gadget store which is run<br />
by Curt & Diane Patty. You<br />
can find all of your hospital<br />
and gospel type needs at their<br />
vendor booth. They will also<br />
be lecturing on those topics<br />
so come and learn or add to<br />
those skills if that is a topic<br />
that interests you. Reigel Engraving<br />
is our badge vendor,<br />
so if you need a name badge<br />
or want a funny saying for<br />
your costume, Marge Reigel<br />
is going to be able to get that<br />
done for you. There is CB<br />
House of Clowns where you<br />
can buy your clown jewelry<br />
and sparkly hats and vests.<br />
These are great when you<br />
want to wear something to<br />
face paint and stand out in<br />
the crowd but not dress as a<br />
clown. We also have Photos<br />
by Gyzmo. John Demarinis<br />
has been at the last 5 of 6 national<br />
conventions and is very<br />
familiar with photographing<br />
clowns. Bring your costume<br />
and prepare to get your photo<br />
taken for your business card.<br />
John can also be seen around<br />
the convention taken candids<br />
and they will be available for<br />
sale so bring $$$ because you<br />
will want to be sure to have<br />
those memories.<br />
We only have one face<br />
painting vendor and that is<br />
Clown Stuff, Paula Biggio.<br />
For those of you familiar with<br />
Paula she also sells a lot of<br />
other stuff at her booth so be<br />
sure to check her out. She is<br />
also going to be lecturing and<br />
you don’t want to miss that.<br />
We are also planning to<br />
include several Hispanic<br />
classes at the convention. We<br />
are working with Angel Morales<br />
from the COAI board to<br />
have someone teach classes.<br />
Estamos muy excitados que<br />
podemos ofrecer a nuestros<br />
amigos latinos varias clases<br />
que serán enseñadas en español.<br />
We do have one person<br />
who is coming who has not<br />
attended a national convention<br />
in quite some time,<br />
which is Captain Visual. For<br />
those of you who don’t know<br />
him he is Gerry Giavianco<br />
and he is a balloon artist. I<br />
know that the people in my<br />
alley who know him were<br />
very excited when I told them<br />
he agreed to come.<br />
We also have another vendor<br />
and lecturer who has not<br />
been to a national convention<br />
in a long time and that is<br />
Martini’s Magic. Martin will<br />
be vending as well as teaching<br />
you how to use his many<br />
and varied magical products.<br />
We are looking forward to<br />
having him back on the national<br />
scene.<br />
We are going to have an<br />
exciting day on Wednesday.<br />
In case you haven’t heard we<br />
are going to the Richmond<br />
International Raceway to take<br />
pace car rides. We will zoom<br />
around the track<br />
at speeds of up<br />
to 100 miles per<br />
hour. We are also planning<br />
on having a small reception at<br />
the raceway so come and join<br />
us for an afternoon of fun.<br />
If that wasn’t enough<br />
fun for the day we will also<br />
be having an “Evening of<br />
Performance”. We will feature<br />
two of our stars for the<br />
convention. We will have as<br />
a vendor and lecturer Ken<br />
Scott. Ken has over 20 years<br />
of experience entertaining<br />
people with his magic skills<br />
and was voted Greater Atlanta<br />
Entertainer of the Year.<br />
Ken has also entertained at<br />
the White House 3 times. Ken<br />
writes for the Funny Paper<br />
and the Kidabra Journal.<br />
Ken will be performing on<br />
Wednesday night some of his<br />
award winning magic.<br />
We also have Red Hawk<br />
as a vendor and lecturer<br />
and he will be performing<br />
on Wednesday night. Red<br />
Hawk is a Native American<br />
storyteller. Red Hawk will<br />
combine his 20 years of<br />
experience with his Cherokee<br />
heritage to capture your<br />
imagination with one of his<br />
stories designed to teach and<br />
inspire. Red Hawk uses magic<br />
and special effects to set<br />
the mood and bring you into<br />
the telling of the story. Red<br />
Hawk has a very charismatic<br />
stage presence which he uses<br />
to convey his message. Like<br />
all good storytellers there is<br />
always a moral or message to<br />
the story so be prepared to be<br />
mesmerized and learn something<br />
in the process.<br />
I hope I have given you a<br />
few reasons to come and join<br />
us for the convention. Keep<br />
your eyes on the website, that<br />
would be www.coai<strong>2008</strong>.com<br />
for more details. I am racing<br />
towards April 15th not to get<br />
my taxes done but to get this<br />
convention planned so we can<br />
all have as much fun as possible.<br />
✦<br />
Jan/Feb <strong>2008</strong> Page 35
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The New Calliope
Meet Red Hawk: COAI International Convention Keynote Speaker<br />
The following information<br />
came from Red Hawk’s<br />
Web site.<br />
Red Hawk is a professional<br />
consultant and keynote<br />
speaker with 20 years<br />
of experience in the public<br />
and private sectors. He has<br />
lectured to government officials<br />
on diversity, leadership,<br />
and team building. He<br />
has written and developed<br />
motivational group programs,<br />
and facilitated organizational<br />
problem solving<br />
sessions. He has also<br />
contributed to developing<br />
training videos and training<br />
materials. In 2007 Red<br />
Hawk became a member of<br />
the elite consulting pool at<br />
Georgetown University’s<br />
National Center for Cultural<br />
Competence.<br />
Red Hawk is of Cherokee<br />
Indian descent, Founder<br />
of OPM Management Solutions<br />
LLC, an Operational<br />
Program & Materials Management<br />
Solution Company,<br />
specializing in diversity<br />
training and keynote addresses<br />
on cultural understanding<br />
and cultural competency.<br />
He is an advisory<br />
board member of the Old<br />
Negev Research Institute<br />
(ONRI), an institute dedicated<br />
to the study of ancient<br />
Egyptian writings found in<br />
the “High Cultures” of the<br />
American Southwest. He<br />
is the former Clan Chief<br />
for the American Cherokee<br />
Confederacy of Georgia<br />
(retired), a state recognized<br />
tribe by proclamation and<br />
also sat on the tribal council<br />
as their Spiritual Leader.<br />
He still holds the honorary<br />
title of “Chief.”<br />
Red Hawk has extensive<br />
experience in the areas of<br />
managing diversity and cultural<br />
understanding. He has<br />
assisted in the design and<br />
implementation of systemwide<br />
programs in each of<br />
these areas.<br />
Hawk is a nationally<br />
known motivational keynote<br />
speaker on the topics of<br />
cultural diversity, issues of<br />
social change, and structural<br />
inequality. He has experience<br />
conducting complex<br />
workplace investigations,<br />
organizational problem<br />
solving, mediating employment<br />
disputes, and designing<br />
and presenting labor and<br />
employee relations training<br />
for managers and supervisors.<br />
Red Hawk has presented<br />
to over one million<br />
people nationwide in the<br />
areas of leadership, diversity<br />
training, motivational<br />
training, after-dinner performances,<br />
keynote addresses<br />
and cultural programming.<br />
While serving his country,<br />
Red Hawk received the<br />
Navy Achievement Medal<br />
for his contributions in the<br />
field of management theory.<br />
He received commendations<br />
for serving in Desert<br />
Storm and was awarded the<br />
Humanitarian Medal for<br />
his services in the rescue of<br />
Korean refugees off the Sea<br />
of Japan. He was honorably<br />
discharged from the Department<br />
of Defense in Honolulu<br />
Hawaii after 10 years<br />
of service with full honors<br />
in 1991.<br />
Red Hawk’s intriguing<br />
background, coupled<br />
with his charismatic stage<br />
presence, sets him apart<br />
immediately as a keynote<br />
presenter and cultural facilitator<br />
unlike any other. His<br />
travels in America, Japan,<br />
Thailand, Hong Kong, England,<br />
Mexico, Canada, Korea,<br />
Singapore and the Philippines<br />
- bring a truly global<br />
perspective to the speaking<br />
platform.<br />
QUALIFICATIONS:<br />
Certified in TQM - Total<br />
Quality Management - Department<br />
of Defense<br />
Certified in Cultural<br />
Awarenes and Diversity -<br />
Department of Defense<br />
Certified in Operations<br />
Security and Awareness<br />
Training - Interagency OP-<br />
SEC Support Staff<br />
Certified in EEO, Affirmative<br />
Action and Diversity<br />
Training - Alexander Consulting<br />
and Training, Inc.<br />
Member: National<br />
Center for Cultural Competence,<br />
consulting pool<br />
- Georgetown University<br />
Member: The Recording<br />
Academy - GRAMMY<br />
- Voting Member, Washington,<br />
D.C. Chapter<br />
Member: APCA - Association<br />
for the Promotion of<br />
Campus Activities<br />
Award: Navy Achievement<br />
Medal - Department of<br />
Defense<br />
Award: Humanitarian<br />
Medal - Department of Defense<br />
Award: TELLY Award<br />
in Diversity Training, TEL-<br />
LY Awards<br />
Award: TELLY Award<br />
Music Video of the Year,<br />
TELLY Awards<br />
Award: Nonimated.<br />
IMA Awards, 2004 American<br />
Independent Music<br />
Awards<br />
Award: Nominated,<br />
2004, 2005 and 2006 Native<br />
American Music Awards,<br />
Best Spoken Word Recording<br />
Award: First round<br />
picks in the 47th and 48th<br />
Annual GRAMMY Awards,<br />
Best Native American Music<br />
Album, Field 14, Category<br />
69<br />
Author: “A Course in<br />
Diversity”<br />
Author: “The Tao of an<br />
Indian”<br />
Author: “A Motivational<br />
Approach to Content Information<br />
on Cultural Diversity”<br />
Contributions: “All<br />
God’s Children, Racial and<br />
Ethnic Voices in the LDS<br />
Church”<br />
Contributions: “How to<br />
be a Champion at Life” ✦<br />
DISCLAIMER: Red Hawk,<br />
Red Hawk Speaks, WSI Records<br />
and OPM Management Solutions<br />
LLC is not a representative, member<br />
of or affi liated with any State<br />
or Federal Native Organization,<br />
State or Federal Tribe or Native<br />
Support Groups. All information<br />
not listed or mentioned on his offi<br />
cial site should not be considered<br />
true or accurate unless stated by<br />
Red Hawk or a signed offi cial of<br />
OPM Management Solutions LLC.<br />
Jan/Feb <strong>2008</strong> Page 37
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Page 38<br />
The New Calliope
20 Year Anniversary Book<br />
The Turner COAI 20 Year Anniversary Books are now<br />
available while quantities last! COAI has the remaining<br />
copies and when they are gone that is it! To get your copy<br />
or maybe purchase a copy for that special friend, all you<br />
have to do is forward payment (check, money order, MasterCard,<br />
Visa or Discover) of $47 (shipping included) to:<br />
Mike Cox<br />
20 Year Anniversary Book<br />
9415 Alameda Avenue<br />
Richmond, VA 23294<br />
(804) 270-1165<br />
These books make good reading material for your<br />
coffee table or end table. Take it to the next convention/<br />
workshop and have it autographed by those who appear in<br />
the book! Remember – this book is a piece of your COAI<br />
history. There may not be a book of this kind again. If you<br />
did not purchase the first time these were offered, then this<br />
is your last chance. Please order today – you’ll be glad that<br />
you did! ✦<br />
Southeast VP Report<br />
News from the Southeast Regional VP<br />
Harriet “Florabelle” Rubin<br />
I have been training “Mitzvah Clowns” at the Hillel<br />
School in Boca Raton, FL for four years. Some of my<br />
“Jr. Joeys” started in 5th grade and are now 8th-graders,<br />
and really ready to get involved. There are so many<br />
opportunities for these new clowns to get out into the<br />
community for service involvement. The school encourages<br />
participation by giving them the “Community Service<br />
Hours” they need to accumulate each year. Teaching the<br />
kids is so much fun. I am now using Wolfe Brothers face<br />
painting crayons, which is easy for them to work with and<br />
much easier to remove than standard grease paint. I am<br />
hoping to start a Jr. Joey alley, the first one in my part of<br />
Florida. Get those kids involved!!! Our future is dependent<br />
on developing younger clowns!!! ✦<br />
Competition<br />
by Cathy Mackey<br />
Competition Chair<br />
Happy Holidays!<br />
New Year, New you!<br />
When you get this article<br />
we will have been through<br />
our holidays and taking a look<br />
back at the memories we created<br />
in the past year. We took<br />
time to make sure everyone<br />
had fun and I think maybe put<br />
ourselves on the back burner.<br />
Now that it is quiet, it is time<br />
to think about a “CLOWN<br />
MAKEOVER”! With the new<br />
year starting it is time to revamp,<br />
revise, renew and any<br />
other word you can think of for<br />
our character(s) and shows!<br />
You want to look your best<br />
whether it is your costume, a<br />
new skit, face or magic trick<br />
and with the International<br />
convention coming up, this is<br />
a good time to get a move on.<br />
Look at past New Calliope issues<br />
and get new ideas that you<br />
can remake to fit<br />
your character(s)<br />
or make up a new<br />
one. Ask your alley if they<br />
might want to do this at a<br />
meeting so you can have a lot<br />
of ideas and feed back. When<br />
you are snowed in, get out that<br />
make-up and try new looks, go<br />
through all of those “just had<br />
to have” items you purchased<br />
and really look at them and<br />
start to use them. I know I have<br />
seen performers use things and<br />
think “wait a minute, I have<br />
that, I’ll dig it out and use it!”<br />
I think we tend not to want<br />
to “change” when things are<br />
working, but you know how<br />
you feel when you get that new<br />
costume, or new wig. You get<br />
a new boost of energy and that<br />
shows to our audience. You can<br />
tell by their energy and smiles.<br />
Remember “<strong>2008</strong>, will be<br />
really great!” ✦<br />
Clown Costumes<br />
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Clown Stethoscopes • Bubble Toys • Stickers<br />
Juggling Supplies • Foam Props Puppets<br />
www.clowngadgetstore.com<br />
Doc ICU & Nurse Sniggles or their staff<br />
Curt & Diana Patty can be contacted at:<br />
(314) 853-5912<br />
P.O. Box 19722 • St. Louis, MO 63144<br />
Jan/Feb <strong>2008</strong> Page 39
Treasurer’s Report<br />
Clowns of America International<br />
Income, expense and balance statement<br />
REVENUE SEPT/OCT 2007 Year to Date<br />
Membership $12,367 $51,765<br />
Lifetime Membership 1,000 1,500<br />
Magazine Ads 6,987 18,206<br />
Merchandise 56 298<br />
Education 331 453<br />
Interest 1,318 1,863<br />
Misc 1 6<br />
Web Page 160 740<br />
TOTAL $22,220 $74,831<br />
EXPENSES<br />
Bank Chgs/Ret Checks 5 10<br />
Credit Card Fees 319 1,021<br />
New Calliope Editor Fee 5,800 11,600<br />
New Calliope Postage 4,161 8,318<br />
New Calliope Production 5,689 11,939<br />
Nat’l Offi ce Business Mgr 2,676 4,025<br />
Nat’l Offi ce Phone 367 733<br />
Nat’l Offi ce Postage 2,826 6,249<br />
Board Expenses-Other 99 99<br />
Fall Board Meeting 8,826 8,826<br />
Offi cers’ Phone & Postage 221 221<br />
COAI Grants 4,000 4,000<br />
Scholarships 0 640<br />
Convention Expenses 3,450 3,450<br />
Trophies 0 34<br />
Printed Materials 893 929<br />
Alley Support 1,582 1,582<br />
Merchandise 2,083 2,238<br />
Promotion & Publicity 1,572 1,572<br />
Miscellaneous Expense 68 68<br />
Organization Dues 0 250<br />
Professional Services 1,450 1,450<br />
Web Page Expense 390 390<br />
Insurance 1,105 1,105<br />
Federal Income Taxes 2,285 2,285<br />
TOTAL $49,867 $73,034<br />
Nat’l City Bank Checking Account $40,262<br />
Money Market Accounts 31,885<br />
Scholarship Account 10,740<br />
Contingency Reserve 129,766<br />
Nat’l Offi ce Operating Fund 2,228<br />
TOTAL $214,881<br />
(Amounts given to the nearest dollar)<br />
Respectfully submitted, Claudia Keener, Treasurer<br />
Page 40<br />
The New Calliope
Boosting Membership<br />
by Frank “Buff Phoon”<br />
Bunton<br />
InKy Clowns, Inc.<br />
President and 2009<br />
host alley convention<br />
chair<br />
BuffPhoon@BalloonHQ.<br />
com<br />
A number of people<br />
have said they have a<br />
hard time getting and<br />
keeping their alley as a<br />
100% COAI alley. We<br />
at InKy Clowns don’t<br />
have that problem. Back<br />
when the group of clowns<br />
got together to form a<br />
COAI alley I suggested<br />
the membership dues to<br />
the alley be large enough<br />
to include the COAI<br />
membership dues. My<br />
suggestion was that the<br />
alley membership dues<br />
be $5 plus the COAI<br />
membership dues. In<br />
2003 that meant that the<br />
membership dues for<br />
the alley membership<br />
was $30 ($5 alley + $25<br />
COAI = $30). This past<br />
year we had to increase<br />
our alley dues to $40 due<br />
to the increase in COAI<br />
membership.<br />
“Why do it that way?”<br />
You may be asking.<br />
There were a couple of<br />
reasons. The first was it<br />
was a way of keeping the<br />
alley 100% COAI and<br />
the other was that we<br />
could offer a number of<br />
payment plans. As each<br />
new member joins the<br />
alley we ask that they also<br />
join COAI if they have<br />
not done so already. Once<br />
they have their COAI<br />
membership number it<br />
is recorded in our books.<br />
When June comes around<br />
and it is time to renew<br />
membership to COAI, the<br />
alley writes one check<br />
and lists each member<br />
and their number for<br />
renewal thus maintaining<br />
100% status. If the new<br />
alley member is already<br />
a COAI member, then<br />
we just ask that they pay<br />
$5 alley membership<br />
and then pick whatever<br />
payment plan they wish.<br />
We have not had to<br />
contend with a “lifetime”<br />
member yet but we will<br />
deal with that situation<br />
when it comes up.<br />
“What is this payment<br />
plan I’m hearing about?”<br />
you ask. It is a simple<br />
plan. Let’s look at the<br />
math. COAI membership<br />
(renewal) is currently<br />
$35 for a year. Now<br />
add the $5 for our alley<br />
membership and you have<br />
$40 total membership<br />
dues. COAI asks that<br />
everyone wishing to stay<br />
in COAI renew by June<br />
30th. This is a one-time<br />
payment each year. A<br />
lot of alleys have trouble<br />
getting their members<br />
to renew with COAI<br />
because it may cause a<br />
financial hardship when<br />
the payment is due. This<br />
could be true if alley<br />
membership dues also<br />
come due at the same<br />
time and are higher than<br />
ours. What would happen<br />
if you were to offer a<br />
“payment plan?” Think<br />
of it this way. Take your<br />
alley dues, add COAI<br />
renewal dues, and spread<br />
the whole thing out over<br />
the year. In our case we<br />
offer four different plans.<br />
1. Pay the full amount in<br />
May.<br />
2. Make two payments<br />
(one every six months).<br />
3. Make quarterly<br />
payments (four equal<br />
payments, one every<br />
three months)<br />
4. Make monthly<br />
payments. By paying<br />
a small amount every<br />
month, even our<br />
members who are on<br />
a small fi xed income<br />
can keep their COAI<br />
membership and the<br />
alley remains 100%.<br />
That makes Plan 1 =<br />
$40, Plan 2 = 2 x $20,<br />
Plan 3 = 4 x $10 and<br />
Plan 4 = 11 x $3.34 + 1 x<br />
$3.26.<br />
Of course, if we have<br />
a member who is really<br />
facing a hardship, the<br />
alley officers can approve<br />
using alley funds to make<br />
the payment for that<br />
person. This is done on<br />
case-by-case assessment.<br />
The InKy Clowns held<br />
their first clown school<br />
this year and will add<br />
five new clowns to our<br />
alley. When we did the<br />
math to figure out what<br />
to charge our new clowns<br />
it was decided that we<br />
would include COAI<br />
membership in their<br />
registration costs. In this<br />
way we helped COAI<br />
with membership and<br />
kept our little alley 100%<br />
COAI. If you are having<br />
clown classes for new<br />
clowns, why not do the<br />
same? Think about it.<br />
Now, why isn’t YOUR<br />
alley 100% COAI?<br />
On another note, this<br />
past year one of our<br />
members suggested the<br />
alley pay the national<br />
convention registration<br />
fee for every member<br />
who wanted to go. The<br />
board thought it over and<br />
said that if we could get<br />
a few more paid gigs we<br />
would seriously look into<br />
it.<br />
As some of the<br />
members were<br />
approached to perform<br />
someplace, they would<br />
ask if the person hiring<br />
would like more than one<br />
clown. They explained<br />
the money would go to<br />
the alley. Some of the<br />
people we talked to said,<br />
“Why not?” For a certain<br />
amount of money more<br />
they can have four or five<br />
clowns and each could be<br />
doing something.”<br />
Did this work? Well,<br />
we registered six of seven<br />
clowns for the <strong>2008</strong><br />
convention. Now that<br />
we will have a few more<br />
members by convention<br />
time, we will be looking<br />
for some way to include<br />
them. We were really<br />
trying to have 100%<br />
alley member attendance<br />
at Richmond but looks<br />
like we might fall short<br />
of that. Look for InKy<br />
Clowns at Richmond<br />
and ask Buff Phoon<br />
for our final attendance<br />
percentage. He’ll tell you<br />
and then ask you what<br />
your percentage is. What<br />
will be your answer? ✦<br />
Jan/Feb <strong>2008</strong> Page 41
Web Advertising Rates<br />
Ads from supporting art vendors will be placed in the Clown Mall.<br />
Ad-On Ads jointly with The New Calliope will be offered at the<br />
following rates:<br />
Page 42<br />
Full Page: $100.00<br />
Half Page: $58.00<br />
Quarter Page: $33.00<br />
Eighth Page: $20.00<br />
Hyperlink Listing will be placed in a specific section of the Web site.<br />
Each link must be supported by a signed linking agreement on file with<br />
the web master. One flat rate will be offered:<br />
Hyperlink Listing $10 per month, 3 month minimum<br />
Member Classified ads will be offered with the member prepared text.<br />
Members will be offered the following flat rate: 25¢ per word, $15<br />
minimum, with a 3 month minimum<br />
Banner/Tower ads will be available to those who desire to advertise on<br />
the Web site in a non co-op manner. Ads will be placed at the discretion<br />
of the Web master depending upon goods and services offered.<br />
Banner - 468 X 60 $50 per month, 3 month minimum<br />
Tower - 120 X 600 $100 per month, 3 month minimum<br />
For those COAI members listed on our Web site who desire a home<br />
page, home pages are available.<br />
The initial set up fee will be $25 and the page will be hosted for a<br />
year at a time for $75.<br />
Contact Web Master Steve Fowler at steve@binkypro.com. ◆<br />
Calendar<br />
Jan 22-24, <strong>2008</strong><br />
Clown Vegas<br />
Las Vegas, NV<br />
www.ClownVegas.com<br />
757-423-3867<br />
Feb 1-2, <strong>2008</strong><br />
Joy to The World<br />
Houston, TX<br />
Kay Reed 281-338-2213<br />
832-265-8519<br />
toodlestc@yahoo.com<br />
Phyllis Sheffi eld<br />
281-489-9336<br />
281-381-4801<br />
daisylcb@aol.com<br />
www.joytotheworld.com<br />
Feb 2, <strong>2008</strong><br />
Clowns Like Us Workshop<br />
with Dave Hill<br />
Englewood, FL<br />
btnuzzles@aol.com<br />
941-468-6762<br />
Feb 4, <strong>2008</strong><br />
Northland Clown Alley<br />
Workshop with Steve Kissell<br />
North Kansas City, MO<br />
816-734-0636<br />
Feb 15-17, <strong>2008</strong><br />
Show Me Clowns for Jesus<br />
Nat’l Conf<br />
“A Circus To Remember”<br />
Springfi eld, MO<br />
www.showmeclownsforjesus.<br />
org<br />
314-822-5315<br />
Feb 16-17, <strong>2008</strong><br />
The Happening<br />
San Jose, CA<br />
www.goldengateclowns.com<br />
510-253-6598<br />
510-529-1705<br />
Feb 22-24, <strong>2008</strong><br />
Circus Magic International<br />
Williamsburg,VA<br />
CircusMagic.com<br />
757-423-7503<br />
April 4-5<br />
Clown Jubilee<br />
Charleston, WV<br />
www.ClownJubilee.com<br />
304-926-6408<br />
APRIL 4-5, <strong>2008</strong><br />
FCC Road Show<br />
Indianapolic, IN<br />
317-783-5031<br />
1sutton16@comcast.net<br />
APRIL 15-20, <strong>2008</strong><br />
COAI INT’L CONVENTION<br />
RICHMOND, VA<br />
804-271-1974<br />
COAI<strong>2008</strong>@YAHOO.COM<br />
May 2-4, <strong>2008</strong><br />
Family Entertainers Convention<br />
Brantford Ontario, Canada<br />
www.familyentertainersconvent<br />
ion.com<br />
May 15-17, <strong>2008</strong><br />
Family Entertainers Workshop<br />
Minneapolis, MN<br />
www.FamilyEntertainersWorksh<br />
op.com<br />
757-423-3867<br />
May 16-18, <strong>2008</strong><br />
ClownTown <strong>2008</strong><br />
Newark, OH<br />
www.clowntown.org<br />
740-345-3880<br />
May 21-25, <strong>2008</strong><br />
Face & Body Art International<br />
Convention<br />
“Tropical Adventure”<br />
Orlando, FL<br />
www.fabaic.com<br />
954-472-5000<br />
June 19-20, <strong>2008</strong><br />
Clown School “Camp In”<br />
Sedan, KS<br />
www.emmettkellymuseum.com<br />
July 8-13, <strong>2008</strong><br />
Elderhostel Program<br />
Peru, IN<br />
www.elderhostel.org<br />
877-426-8056<br />
July 29 - Aug 3, <strong>2008</strong><br />
Mooseburger <strong>2008</strong><br />
Clown Arts Camp<br />
Maple Lake, MN<br />
www.mooseburger.com<br />
800-973-6277<br />
Aug 18-25, <strong>2008</strong><br />
Advanced Studies <strong>2008</strong><br />
Roanoke, VA<br />
www.advancedstudies08.com<br />
Sept 11-14, <strong>2008</strong><br />
Clownfest <strong>2008</strong><br />
Seaside Heights, NJ<br />
clownfest@aol.com<br />
The New Calliope
Clowns of America International<br />
Application and Renewal form<br />
Name:<br />
First Middle Initial Last<br />
Street:<br />
City:<br />
Phone (required):<br />
State: Zip: Country:<br />
E-mail:<br />
Date of Birth (required): Age: Male: Female:<br />
Clown Name:<br />
Alley Affiliation:<br />
Your COAI Number(if renewing):<br />
Expiration Date:<br />
Referring Sponsor (if any):<br />
Sponsor’s COAI Number:<br />
Annual Membership Dues Rates<br />
Active Renewal: $35<br />
Family Renewal (U.S. & Intl.): $17<br />
International Renewal (U.S. funds): $40<br />
Senior Renewal (65 +): $25<br />
Senior Intl. Renewal (65 +, U.S. funds): $30<br />
Junior Joey Renewal (age 8-15): $25<br />
NEW U.S.: $40<br />
NEW International (U.S. funds): $45<br />
NEW Senior (65 +): $30<br />
NEW Senior Intl. (65 +, U.S. funds): $35<br />
NEW Junior Joey (age 8-15): $30<br />
LIFETIME Membership: $500<br />
• Seniors and Junior Joeys must provide proof of age with application (copy of Birth Certificate, License, etc.)<br />
• Seniors must be age 65 or older within the enrollment or renewal year. Junior Joeys must be age 8 to 15 in the<br />
enrollment year.<br />
• Children age 8 to 15 can choose to join as Family or Junior Joey. Family members can be any age.<br />
• Full members and Junior Joeys receive The New Calliope. Family members do not.<br />
Check No. __________<br />
Visa<br />
MasterCard<br />
Payment Method<br />
Credit Card # __________________________________________________________________<br />
Expiration Date: _______________________ CC Verification Code (3 digits) ______________<br />
Discover<br />
Send Form To:<br />
Clowns of America Intl., P.O. Box C, Richeyville, PA 15358-0532<br />
Phone: 1-888-522-5696 (1-888-52CLOWN), Fax: 1-724-938-8765, Web site: www.coai.org<br />
Signature<br />
All memberships to COAI are on an annual basis with dues payable July 1 of each year.<br />
Join at the new member rate indicated any time of the year if the date is not June, July , or August — your membership will be prorated for the next year on the annual dues notice. When<br />
you receive your dues notice in May following your sign-up, the prorated amount you should pay to bring your membership up to July of the new membership year will be indicated on your<br />
notice. (For example, if a U.S. resident applied for a membership in October of 2005 and paid $30 to join, the membership would be extended to October, 2006. In May, 2006, the member<br />
would receive a prorated dues renewal notice for $20 to extend the membership from October, 2006, to July, 2007.Then each year the annual fee of $25 would be billed in May for payment<br />
by July 1. International and family memberships are similarly prorated.)<br />
Jan/Feb <strong>2008</strong> Page 43
CLOWNS OF AMERICA INTERNATIONAL<br />
FORMULARIO DE APPLICACION Y RENOVACION<br />
Nombre Primero Iniciales: Apellidos<br />
Calle:<br />
Ciudad: Urbanización / Barriada: Pueblo: Zona Postal:<br />
Número de Teléfono:<br />
E-mail:<br />
Fecha de Nacimiento: Edad: Masculino: Femenino:<br />
Nombre de Payaso/a:<br />
Número de COAI (renovación):<br />
Afiliado: Nombre del alley<br />
Fecha de expiración:<br />
Referido por:<br />
Numero de COAI del Referido:<br />
Tarifas Anuales de Membresía<br />
Renovación (US) $35<br />
Renovación (Int’l) $40<br />
Renovación Miembros (Seniors 65+ US) $25<br />
Renovación Miembros Senior (65+ Int’l) $30<br />
Renovación Júnior Joey (edades 8-15) $25<br />
Membresía Familiar *(cada uno) $17<br />
para miembros adicionales de un hogar<br />
* Estados Unidos o Países Internacionales)<br />
Nuevos miembros (US) $40<br />
Nuevos miembros (Int’l) $45<br />
Nuevos miembros Seniors (65+ US) $30<br />
Nuevos miembros Seniors (65+ Int’l) $35<br />
Nuevos miembros Júnior Joey (edades 8-15) $30<br />
Membresía de por Vida $500<br />
* Seniors y Júnior Joeys deben proveer prueba de edad junto a su solicitud.<br />
* Seniors deben ser de 65 años de edad o mayor durante la matrícula o año de renovación<br />
* Júnior Joey debe estar entre las edades de 8 y 15 años durante el año de la solicitud.<br />
* Niños entre las edades de 8 y 15 años pueden escoger entre Familia o Júnior Joey… los miembros de familia pueden tener cualquier edad.<br />
* Miembros completos y Júnior Joeys reciben The New Calliope, miembros de la familia no recibirían copias adicionales…<br />
Favor de enviar en US $ dólares solamente.<br />
Método de Pago<br />
Cheque a nombre de: __________<br />
Visa<br />
MasterCard<br />
Discover<br />
Firma y Teléfono: (Se requiere para las tarjetas de crédito) Número de Teléfono:___________________________<br />
Número de Tarjeta de Crédito __________________________________________________________________<br />
Fecha de Expiración : _______________________ Código de Verificación (3 dígitos) ______________<br />
Enviar formulario a:<br />
Clowns Of America, International, PO Box C, Richeyville, PA 15358-0532<br />
Teléfono/Fax 1-888-522-5696 (1-888-52CLOWN) o 724-938-8765 Página Web: www.coai.org<br />
Clasificación de Membresía<br />
1. Todas las membresías a COAI se hacen en bases anuales, con expiración y pagos para el 1ro de julio de cada año.<br />
2. Únete a la tarifa indicada para el nuevo miembro en cualquier momento del año. Si te interesa unirte a COAI como nuevo miembro y la fecha no es junio, julio u agosto, tu membresía será<br />
prorrateada para el próximo año en el vencimiento anual general. Cuando recibas la carta de renovación en mayo, la cantidad prorrateada que deberás pagar para renovar la membresía hasta julio<br />
del próximo año se te será indicada.<br />
** Por ejemplo, si un residente de Estados Unidos (US, por sus siglas en inglés) solicitó una membresía en octubre del ano corriente, él/ella deberá pagar $30 para unirse y extender su membresía<br />
hasta octubre de siguiente año. En mayo del año siguiente, el miembro recibirá una carta de renovación prorrateada por $20, para extender la membresía desde Octubre en que el/ella solicito hasta<br />
Julio del año corriente. Luego, cada año la membresía anual de $25 será solicitada en mayo para su pago, que vencería el 1 de julio. Las membresías internacionales, Seniors, Júnior, y familiar<br />
serán prorrateadas de manera similar.<br />
Firma<br />
Page 44<br />
The New Calliope
Last Walk Around<br />
David Workman, North County Clown Conspiracy<br />
Dave was a very special member of the North County Clown Conspiracy<br />
from the inception of the alley. He was, and will remain, very close to the heart<br />
of the NCCC alley and all of its members. Dave never dressed out, yet he made<br />
each and every parade -- you could always see him either walking or running<br />
alongside the NCCC alley unit, his face obscured by his camera as he focused<br />
on his most favorite clown, his Mom, Mis-Fit Maude, and on the rest of the<br />
alley clowns present. Dave was the North County Clown Conspiracy’s official<br />
photographer. Dave attended every meeting whenever he was not working or<br />
feeling ill. He shared each and every picture that he ever took of us. He always<br />
gave us copies. He made us laugh in the midst of his pain; and, he amazed us<br />
with his multiple talents. He pitched in whenever we got together to make props.<br />
Dave never wanted to be the star, he was always the man behind each and every<br />
member of the North County Clown Conspiracy. We could always count on<br />
him to bring out the best in our clown personas. Dave left us on Sat, Nov 17,<br />
2007, to continue to take photos of those who are now clowning in the next plain<br />
wherever it may be -- the members of North County Clown Conspiracy will<br />
sorely miss him. - Submitted by Leah “Tango” Estrin<br />
Jim “Buffy B. Esquire” Buterbaugh<br />
Jim George Buterbaugh, PhD “Buffy B.<br />
Esquire,” aged 71, took his last walk around Oct<br />
15, 2007 in Salt Lake City, Utah.<br />
What can I say about my dear friend Buffy?<br />
There are so many things. I met him when<br />
he joined the Utah Jester Clown Alley. His<br />
energy, enthusiasm, and his generous, friendly<br />
spirit really helped to energize our group. His<br />
enthusiasm was contagious and he had the<br />
energy of someone half his age. Sometimes<br />
it was hard for the rest of us to keep up with<br />
him. Two days before his death, Buffy, in full<br />
costume, attended my son’s wedding. He showed<br />
up with handcuffs and handcuffed the bride and<br />
groom together then he gave them a slice of<br />
Texas toast, as he offered a toast to them He stayed for a long time entertaining<br />
adults and children alike. I will treasure my memories of Buffy that day. That is<br />
the way I will remember him. He is now entertaining at the Big Top in the sky<br />
and I am sure organizing a chapter of Utah Jesters and COAI up there. When I<br />
shared the news of Buffy’s death with a clown friend, she told me “God needed<br />
someone to make him laugh.” Our lives were better because we knew and loved<br />
Buffy.<br />
Buffy we love you and will miss you. Wonka, wonka, wonka…<br />
- Submitted by Carol “Sunshine” Butte<br />
Jan/Feb <strong>2008</strong> Page 45
FOR MORE VISIT www.cafepress.com/coai or www.cafepress.com/coai20yearlogo<br />
COAI Merchandise<br />
Makes The Perfect Gift<br />
Women’s<br />
Long Sleeve Denim Shirts<br />
XXL to XXXL $35 SALE $14.00*<br />
COAI’s “20 Years Of Laughter”<br />
While they last $47.00<br />
(Includes shipping)<br />
Fanny Packs<br />
Light Blue, Forest Green and Navy Blue.<br />
NO Red. $15 SALE $5.00*<br />
Short Sleeve Denim Shirts<br />
Small to XL $25 SALE $10.00*<br />
No Men’s Shirts<br />
Available!<br />
Post-paid Stuff<br />
Pins & Patches $3.50 Decals, Bumper Stickers $1.50<br />
Jr. Joey Pins & Patches $5.00 (Proceeds go toJr. Joey Scholarships)<br />
Jr. Joey Tees (for adults)<br />
Sizes up to XL $15* • 2XL $17*<br />
(Proceeds go to the Jr. Joey Scholarships)<br />
Clowning 101 Books<br />
Instructor $25 • Student $23<br />
(Shipping Included)<br />
DVDs<br />
2007 Convention $20**<br />
Photo Show<br />
2006 Convention $10 ea**<br />
Educational<br />
Paradability $10**<br />
Competition $10**<br />
** $2.00 S&H<br />
CDs<br />
2007 Convention $15**<br />
Collection of Photos<br />
2005 Convention $10**<br />
20 Years of Laughter $20**<br />
Buy 2 or More<br />
DVDs and/or CDs<br />
S&H FREE<br />
Italian Charms<br />
Mega Charm (includes starter bracelet) $20<br />
Additional Bracelet (required for Mega Charm) $6<br />
(S&H for one is $1 - for both items $2)<br />
*Postage:<br />
$6.50 up to $50 purchase<br />
$7.50: $51-$75 • $8.50: $76-85<br />
$9.50: $86-$100 • $10.50: over $101<br />
Call 804-270-1165 for Availability<br />
Order: Michael Cox<br />
9415 Alameda Ave. • Richmond, VA 23294<br />
Make Checks Payable To COAI<br />
Page 46<br />
The New Calliope
y Pat Newton<br />
The New Ballot For COAI Elections <strong>2008</strong><br />
La nueva papeleta para las elecciones de COAI<br />
Over the past year, the<br />
board has been working on<br />
how to present the ballot<br />
to the general membership.<br />
For years it was mailed in<br />
a separate envelope. There<br />
were also numerous ballots<br />
created - each one representing<br />
the specific district<br />
where the recipient resided.<br />
The general membership<br />
voted to change this<br />
policy. Due to the costly<br />
nature of the way the ballots<br />
were previously handled,<br />
it was decided to place the<br />
ballot into The New Calliope.<br />
With this, of course,<br />
comes great change.<br />
There is now only ONE<br />
ballot that each member will<br />
use to vote. It’s very important<br />
you understand how<br />
this works so your vote will<br />
be valid.<br />
There are TWO main<br />
parts to the ballot.<br />
PART ONE: This area<br />
is where all the candidates<br />
will be listed for the executive<br />
board as well as the<br />
directors. ALL MEMBERS<br />
VOTE IN THIS AREA. You<br />
may, however, only vote<br />
once for each position.<br />
PART TWO: This is<br />
the tricky part. All regions<br />
of COAI are represented in<br />
this section. However, you<br />
are ONLY ALLOWED TO<br />
VOTE FOR THE REGION<br />
IN WHICH YOU RESIDE.<br />
If you vote in two regions<br />
or if you vote in a region<br />
where you DO NOT live,<br />
the entire ballot will become<br />
void.<br />
Pictured here is how the<br />
ballot will look as inserted<br />
into The New Calliope. It<br />
will be in four-color and<br />
printed on card stock.<br />
You will remove the<br />
ballot from the magazine<br />
and then vote as described<br />
previously. The card will be<br />
folded in half. On the other<br />
side is the mailing address<br />
where the ballot will be sent<br />
to along with a space for<br />
you to place your signature<br />
and COAI member number<br />
for voting verification. You<br />
must seal the ballot using<br />
a piece of tape (DO NOT<br />
STAPLE). Affix first class<br />
postage and pop it in the<br />
mail.<br />
****<br />
Durante el pasado año, la<br />
directiva ha estado trabajando<br />
en cómo presentar la<br />
papeleta a la membresía<br />
en general. Por años, se<br />
enviaba en un sobre individual.<br />
No solamente eso,<br />
sino que también se creaban<br />
numerosas papeletas<br />
– cada una representando<br />
el distrito específico<br />
donde residía el destinatario<br />
de la carta.<br />
La membresía general<br />
votó para cambiar<br />
esta política. A causa<br />
de lo costoso en la<br />
manera en que se<br />
manejaban las papeletas<br />
previamente, se decidió<br />
ubicarlas dentro<br />
de la revista The New<br />
Calliope. Con esto,<br />
por supuesto, viene<br />
un gran cambio.<br />
Ahora solamente<br />
hay UNA papeleta<br />
con la cual cada<br />
miembro votará. Es<br />
muy importante que<br />
entiendas cómo funciona<br />
para que tu<br />
voto sea válido.<br />
Hay DOS partes<br />
principales en la<br />
papeleta.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
PARTE UNO: Esta área<br />
es donde todos los candidatos<br />
estarán enlistados para la<br />
directiva ejecutiva así como<br />
los directores. TODOS<br />
LOS MIEMBROS VO-<br />
TARÁN EN ESTA ÁREA.<br />
Sin embargo, se debe votar<br />
solamente una vez para cada<br />
puesto.<br />
PARTE DOS: Esta es la<br />
parte delicada. Todas las<br />
regiones de COAI están representadas<br />
en esta sección.<br />
No obstante, SOLO ESTÁ<br />
PERMITIDO QUE VOTES<br />
PARA LA REGIÓN EN LA<br />
CUAL RESIDES. Si votas<br />
en dos regiones o si votas en<br />
una región donde NO vives,<br />
la papeleta completa quedará<br />
inválida.<br />
Aquí se ilustra cómo se<br />
verá la papeleta cuando esté<br />
insertada en The New Calliope.<br />
Esta será en cuatro<br />
colores e impresa en papel<br />
grueso.<br />
Removerás la papeleta<br />
de la revista y votarás como<br />
se ha descrito previamente.<br />
Doble la papeleta en dos. Al<br />
otro lado está la dirección<br />
postal a donde la papeleta<br />
será enviada, con un espacio<br />
para que firmes y escribas<br />
el número de miembro de<br />
COAI para verificar el voto.<br />
Debes sellar la papeleta<br />
usando cinta adhesiva (no<br />
grapas). Pegue un sello<br />
postal de primera clase y<br />
envíe por correo. ✦<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Jan/Feb <strong>2008</strong> Page 47
Foto Funnies<br />
“Hats For Sale”<br />
Author: Unknown. Submitted by Quad City Clown Troupe<br />
Starring: Bob “Mulligan” Smith and Laura “Daizy Dee” Anderson.<br />
Photos by: Ron “Toto Johnson”<br />
Hats For Sale!<br />
You look like you<br />
could use a new hat.<br />
How about this<br />
straw hat?<br />
Or this joker’s hat?<br />
I do not want any of<br />
these hats!<br />
There...I found the<br />
perfect one!<br />
If you have a Foto Funny you would like to submit, send high resolution photos along with your script to: Pat Newton,<br />
c/o Newton Studios, 370 West Dearborn St, Suite B, Englewood, FL 34223. Email: NewCalliopeEditor@comcast.net.<br />
NOTE: If sending jpg electronic images, please take the digital pictures at your camera’s highest resolution!<br />
Page 48<br />
The New Calliope
Foto Funnies<br />
“Ballooning Class”<br />
Script by: José “Wilbur” Sponberg. Submitted by Rose City Clowns, Alley 196, Portland, OR.<br />
Starring: José “Wilbur” Sponberg, Kaethe “Blossom” Anderson, Rob “Robby” Dunlap, Betty “Klossette” Gallucci,<br />
Mike “Biff” Robles, Tina “Gadget” Hernandez, and Kiki Hamilton.<br />
Photos by: Chris “Corky” Daley<br />
Welcome to<br />
ballooning class.<br />
First, we’ll make a<br />
simple dog.<br />
Now, let’s<br />
make a hat!<br />
Biff will<br />
show us a<br />
rose.<br />
I hope you paid<br />
attention...<br />
...because now<br />
we’re going to have<br />
a pop quiz!<br />
If you have a Foto Funny you would like to submit, send high resolution photos along with your script to: Pat Newton,<br />
c/o Newton Studios, 370 West Dearborn St, Suite B, Englewood, FL 34223. Email: NewCalliopeEditor@comcast.net.<br />
NOTE: If sending jpg electronic images, please take the digital pictures at your camera’s highest resolution!<br />
Jan/Feb <strong>2008</strong> Page 49
Classified Ads<br />
FOR SALE: DVD of Keith “Toby” Stokes entertaining over 2,000<br />
kids in Costa Rica. All proceeds will benefi t the Toby the Clown<br />
Foundation and The Clown Museum in Lake Placid. Cost is<br />
$15 total (includes S&H). Send to Keith Stokes, 131 Stonegate<br />
Drive, Ptaskala OH 43062. The DVD is 45 minutes of music<br />
and captions.<br />
The first 25 words: $10.<br />
Each additional 5 words: $3.<br />
Photos: additional charge of $10.<br />
*Classifieds are for individuals only,<br />
businesses must purchase a display ad.<br />
Mail:<br />
Send your check or<br />
money order along with<br />
your classified ad to<br />
Newton Studios, Inc.,<br />
370 West Dearborn St<br />
Suite B<br />
Englewood FL 34223<br />
Questions:<br />
Pat Newton<br />
941-474-4351<br />
Page 50<br />
The New Calliope
A Final Word from the Editor<br />
It’s hard to believe we<br />
are beginning another year!<br />
How long will it take me to<br />
remember to write the right<br />
date on my checks. But then<br />
when will I start banking<br />
online and not worry about<br />
checks?!<br />
Again this year I must<br />
share with you, it was<br />
such a difficult decision<br />
to choose the Clown of<br />
the Year as there were so<br />
many great candidates.<br />
Though I don’t know Judy<br />
personally I know of her<br />
and have come to admire<br />
her accomplishments. I look<br />
forward to meeting her in<br />
Virginia and finally giving<br />
her a big congratulations<br />
hug!<br />
Your board has<br />
recognized there are so<br />
many great clown worthy<br />
of this award who have<br />
not been “throwing their<br />
hat into the ring” simply<br />
because of the process. It<br />
does take a great deal of<br />
work to gather the necessary<br />
materials to nominate<br />
someone for this prestigious<br />
award. Under the leadership<br />
of Bonita Love, this issue<br />
is being looked at and acted<br />
upon.<br />
You’ll see two Foto<br />
Funnies in this issue. Why<br />
you might ask? The reason<br />
is we have a number of<br />
submissions already in<br />
our possession. And as we<br />
move towards an emphasis<br />
on performance - don’t you<br />
think these are great little<br />
sketches you can practice<br />
at your alley meeting?<br />
What a great idea! At your<br />
monthly meeting, take any<br />
one of our Foto Funnies and<br />
perform them! Even if you<br />
don’t have your make-up<br />
and costume with you, it’s a<br />
great opportunity to practice<br />
your performance skills.<br />
The more you do the better<br />
you’ll get. We will continue<br />
running at least two Foto<br />
Funnies in every issue until<br />
we start to catch up!! Sorry<br />
if we missed anyone. They<br />
are very popular.<br />
As you get your<br />
entertainment bag ready for<br />
<strong>2008</strong>, don’t forget to keep<br />
your heart open, and your<br />
mind clear. For it’s folks<br />
like you who bring so many<br />
wonderful smiles and so<br />
much laughter into a society<br />
where we often need it<br />
most. ✦<br />
The New<br />
C◆A◆L◆L◆I◆O◆<br />
P◆E<br />
The New<br />
CALLIOPE ADVERTISING RATES<br />
BLACK & WHITE Full 1/2 1/4 1/8<br />
OPEN $375 $220 $150 $85<br />
3X Contract $350 $205 $135 $75<br />
6X Contract $330 $195 $125 $70<br />
4 COLOR<br />
OPEN $470 $275 $190 $110<br />
3X Contract $440 $260 $170 $95<br />
6X Contract $420 $245 $160 $90<br />
SPECIAL PAGES (4 Color ONLY)<br />
Outside Back Cover: $550<br />
Inside Front & Inside Back: $500 (full) - $300 (1/2)<br />
All Alleys who have 100% COAI Membership may purchase ads at the lowest rate<br />
available less 10%. They also receive a free ad on the COAI webpage for the<br />
duration of the ad running in the New Calliope. For more details, contact Tom.<br />
Newton Studios, Inc.<br />
370 West Dearborn Street, Suite B, Englewood FL 34223<br />
941-474-4351 • Fax 941-474-8317<br />
editor: NewCalliopeEditor@comcast.net • cell 941-468-9964<br />
production and ad sales: NewCalliopeAds@comcast.net • cell 941-468-2704<br />
Note: All emailed items<br />
must be in one of the<br />
following formats: (color<br />
MUST be in CMYK)<br />
Adobe Illustrator EPS<br />
file with all fonts outlined<br />
with all support files<br />
included; Adobe<br />
Photoshop with a<br />
resolution of 300 pixels<br />
per inch at 100% size);<br />
High resolution PDF file<br />
with fonts embedded.<br />
Any questions re:<br />
emailing files,<br />
call Tom Newton at<br />
941-474-4351 or<br />
email him at<br />
NewCalliopeAds<br />
@comcast.net<br />
Jan/Feb <strong>2008</strong> Page 51