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EHS Pillars - Spring 2018

PILLARS - The Episcopal High School Magazine www.ehshouston.org

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Award for his role as Tommy in the musical "Urinetown." Estus<br />

says that citywide accolade helped him gain auditions during<br />

the first years of his career.<br />

After graduating from Episcopal, Estus headed to<br />

Northwestern University to complete his B.A. in Theatre, with<br />

a Musical Theatre Certificate. At Northwestern he balanced<br />

rigorous academics and performed in many productions,<br />

such as "Rent," "The Pajama Game," and "42nd Street."<br />

While <strong>EHS</strong> Onstage prepared him for his dream career, he<br />

says that joining the Knights wrestling team—where he was<br />

named State Champion and All‐American—provided equal<br />

benefits. "Wrestling re‐defined hard work and taught me<br />

teamwork and discipline," he explains. "George Brock and<br />

Steve Leisz toiled tirelessly with my schedule to ensure I<br />

could participate in both theatre and wrestling in high school,<br />

and I think that kind of collaboration is pretty rare."<br />

As with most live theatre productions, his role in "Book"<br />

requires eight performances a week. "You have to be healthy<br />

and in great shape, so a background in athletics is terrific."<br />

Besides Broadway, Estus has performed in regional theatre,<br />

film, and movies—and at only age 26, his future looks bright.<br />

"If students love acting<br />

and know it's something<br />

they want to do, they<br />

just have to go for<br />

it," he advises. "As in<br />

every field, there are<br />

plenty of naysayers,<br />

but the ability to handle<br />

rejection is especially<br />

important in theater. You<br />

have to love auditioning—<br />

see it as your chance to perform<br />

for the day. There's a lot of nonsense<br />

that comes along with the 'business' but if you still love the<br />

acting and the art it encompasses, it's worth it," he says.<br />

"Read a lot, do good work in class, don't be afraid to fail, and<br />

find ways to enjoy every step of the process. Everyone's road<br />

to success in this field is completely different. Keep hustling<br />

down your own road and don't pay attention or compare<br />

yourself to anyone else. If you work hard, know your lines,<br />

and show up on time, good things will always happen. And<br />

when they do—it's so awesome!"<br />

—Claire C. Fletcher<br />

Marlo Cobb Saucedo '87: Distance, Up Close<br />

Marlo Cobb Saucedo '87 was introduced to art long before<br />

high school through summer classes at MFAH's Glassell<br />

School. Art was a passion, but not a career goal. After<br />

graduating from <strong>EHS</strong>, Saucedo attended Davidson College,<br />

writing for The Davidsonian and majoring in psychology with a<br />

concentration in Spanish and French.<br />

Her first job took her to Washington, D.C., where she assisted<br />

with the resettlement of Vietnamese‐American<br />

war babies in her work for the International<br />

Catholic Migration Commission. She<br />

left that position to earn an M.B.A. in<br />

entrepreneurship from the University<br />

of Texas, all the while taking art<br />

classes in Austin. When creative<br />

friends began dropping out of<br />

the M.B.A. program at a fast<br />

clip, she was inspired to create<br />

a handwriting‐to‐line visual<br />

diary of the experience called<br />

"Escaping."<br />

Returning to Houston with her<br />

M.B.A. and working as an HTML<br />

coder, Saucedo continued to feel<br />

pulled toward visual art. After she and<br />

her husband, Alex, bought their first home<br />

in Bayou Lofts among the storied buildings of Houston's early<br />

downtown, Saucedo developed an interest in the architecture<br />

and history of Houston. She revisited handwriting‐to‐line<br />

techniques in depictions of the Houston skyline. Each work<br />

noted the building's height, architect, address, and year<br />

completed, and she sold the pieces to lawyers and architects<br />

with downtown offices.<br />

Today her medium extends to collage on canvas and<br />

board, using acrylic mixed with high‐end latex. The works<br />

feature words in English, Spanish, or French that allude to<br />

history, poetry, and opinion. Saucedo calls her style "visual<br />

art narrative." She's interested in exploring the internal and<br />

external, mind and matter, and presenting interiors at a close<br />

distance, "like the stories we hold within ourselves," she says.<br />

Having a studio in The Silos on Sawyer since 2016 has<br />

escalated her productivity and focus. "You never want to be<br />

the smartest person in the room," she says. "I'm fortunate to<br />

have talent all around me at Sawyer Yards. We collaborate,<br />

discuss our work, and bounce ideas off each other."<br />

As for the future, "I'll keep focusing on what I enjoy—color,<br />

shape, writing, and collaboration," she says. "Thinking bigger<br />

is better," she believes, "and failure is better than never trying."<br />

—Margaret Young<br />

33

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