Riverwalk leaflet
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Observations of place fused with<br />
an abstraction of surface..<br />
The great outdoors, people, cities, landscapes and their interactions are my<br />
inspiration – recording my wanderings in sketches and photos to create a record of<br />
visited places that will then inform my studio paintings.<br />
In my work I seek to capture a moment of impression, as when emerging from an<br />
underground station into a busy unfamiliar sunlit street, heightened senses,<br />
momentary bright light blindness, the confusion of information, noise and movement<br />
– each painting seeks to create that initial hazy impression of place fused with precise<br />
primary detail, a lamppost, tree, vehicle, a shop window, a rushing commuter.<br />
It is my practice to make several paintings of the same subject with each one evolving<br />
in a different way due to the concerted randomness of mark making, overpainting,<br />
scraping back, repainting. Eventually my focus goes from the subject matter to the<br />
surface of the painting, familiarity with the subject allowing me to make marks of<br />
intuitive gesture to attain a visual interpretation of the familiar.<br />
Battersea cranes, 100x120cm acrylic on deep canvas support<br />
New York Windows, detail, oil and mixed media on canvas