July_Aug_1999

Clowns of America International 

Lee's Summit, MO 

July/Au ust, 1999 

r4

July/August , 1999 

cir, r; o ~_(! ___ _ 

THE NEW CALLIOPE is published bimonthly: 

January/February, March/April, May/June, July/August , 

September/October, November/December , by The 

Bluffton News, 103 N. Main St., Bluffton, Ohio 45817. 

Second-class postage paid at Bluffton, Ohio. 

POSTMASTER: Send address changes to COAi, 

Box 6468, Lee's Summit, MO 64064-6468. 

Articles and advertising for The New Calliope should 

be sent to the editorial office: 

Cal Olson, Editor 

The New Calliope 

2000 Outer Dr. N.#523 

Sioux City, Iowa 51104 

Ph./Fax (712) 239-4599 

Unsolicited articles or pictures must include return 

postage .self-addressed envelope . 

Clowns of America International, Inc., 

annual membership fees: 

U.S., New members: $25. 

U.S. , Renewals: $20 

Foreign, New: $30 (U.S. funds) . 

Foreign, Renewals: $25. 

Family membership, U.S. and Foreign: $10 for second 

and additional members 

Lifetime membership: $300 

--------------------------- - 

$15 of the COAi membership fee is for a one-year 

subscription to The New Calliope. Subscriptions are 

available only to full members of Clowns of America 

International, Inc. 

Send all membership fees to Clowns of America 

International, Inc. P.O. Box 6468, Lee's Summit, MO 

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International, Inc. 

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Half page 175 

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Eighth page 60 

Send camera-ready copy and payment to The New 

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Make checks payable to Clowns of America International, 

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Deadline for the September/October , 1999, issue is 

August 15, 1999. 

Questions regarding COAi membership concerns, 

including status of membership , changes of address, failure 

to receive The New Calliope, should be referred to COAi's 

business office : 

COAi 

Box 6468 

Lee's Summit , MO 64064-6468 

Toll-free telephone calls to the Business Office can be 

made between 9 a.m. and 5 p.m. (CDT) each Tuesday and 

Thursday. Call 1 (888) 52-CLOWN. 

2 The New Calliope

July/August, 1999 

Published for members of Clowns of America International, Inc. 

JULY/AUGUST, 1999 

VOLUME 16, NUMBER 4 

COAi OFFICERS 

EXECUTIVE COMMITTEE 

PRESIDENT: Judy Quest , 715 N. 36, Omaha, NE 68131. 

Ph. (402) 551-4185. dearheart@home.com 

EXEC.VICE PRESIDENT: Cheri Venturi, P.O. Box 367 , 

Destrehan, LA 70047. Ph. (504) 764-0080. 

cherioats@aol.com 

SECRETARY: Teresa Gretton, 3411 Lisa Circle, Waldorf, MD 

20001 (301) 843-8212 

TREASURER: Tony A. Jones, 1872 Daiquiri Lane, Lutz, FL 33549. 

Ph. (813) 949-6428. jrtheclown@aol.com 

SERGEANT-AT-ARMS: Walter R. Lee, 1347 Ava Road, 

Severn, MD 21144. Ph. (410) 551-7830 wally788@erols.com 

DIRECTORS 

MEMBERSHIP: Brenda Marshall, 7128 Oldham Pl!K:8, North 

Richland Hills, Texas 76180. Ph (817) 28Hl610 

flowertc@flash.net 

EDUCATION: Rex Nolen, 501 W. 84th St., Kansas City MO 

64114. Ph.(816) 523-4616. molen@swbeH.net 

CONVENTIONS: Danny Kollaja, 4221 Winters, Corpus Christi, TX 

78415-5156. Ph. (512) 852-5696. lanky.clown@juno.eom 

ALLEY, REGION SUPPORT: Dan Lake, 13005 Lakeridge Dr., St. 

Louis, MO 63138. Ph. (314) 355-0220. danodclwn@aol.com 

REGIONAL VICE PRESIDENTS 

Northeast: Mike Fixer, 365 Mather St., Unit 155,Hamden, CT 06514- 

3134. Ph. (203) 288-3824. mfixer@wor1dnet.att.net 

North Central: Joyce Olson , 4 Ginger Cove Rd., Valley, NE 68064 

Ph. (402) 359-4131 idano@compuserve.com 

Northwest:Albert Alter, 5848 S.E 18th Ave., Portland.OR 97202. Ph. 

(503) 231-8576. altered@europa.com 

Mideast: Gary Zwerin, 4125 Stagwood Dr., Raleigh, NC 

27613.Ph. (919) 782-4701. iclcwn4u@mindspring.com 

Midwest: Patricia Bothun, 27 Maple Ave. N., Box 700, 

Maple Lake, MN, 55358 . Ph.(320) 963-6277. 

mooseman@lkdllink.net 

Southeast : Keith Stokes, 1539 Lake Clay Dr., Lake 

Plcal , FL 33852. Ph. (941) 465-4438. Fax (941) 465-2731. 

deelou@htn.net 

Sou th Central: Christie McNeil!, 35 Legend Lane, Houston, TX 

77024-2407. Ph. (713) 461-6564. louella9@juno.com 

Southwest: Linda Hulet, P.O. Box 789,Anaheim, CA 

92815-0789. Ph. (714) 778-2931. pj.shyto.down@juno.com 

Canada: Agi Farkas-Hibbert, 218 Moodie St. W, Thunder Bay, ON 

CA P7E 5A4. Ph. (807) 577-3161. sissytheclown@yahoo.com 

Latin Countries: Pedro Santos , Box 3859, Bayamon Garden, 

Bayamon, PR 00958. Ph. (809) 786-3759 jobolin@prtc.net 

International: Andrew Stevens, 34 High St., Eastemon, Devizes, 

Wiltshire, SN 104PE England. Ph. 01380-813658. 

CONTENTS 

Letters ......... ................ ................................. 4 

What do you do when .... ? ................... ........... 14 

The (nothing 's ever) final whack ..................... 22 

When things go wrong ........ ................ .......... 24 

From the President... ........................... ......... 28 

Noun vs. verb ............... ................................ 29 

Last walkaround: Pastor parades as 'Dolly' ...... 30 

Alley update ............... ........................... ....... 33 

Little kids in big bodies .................................. 36 

Who is it? .............. .................................... ... 37 

No 1-hour gigs for 'Kooky' ............................. 38 

Competition through the judges' eyes ........ ... 39 

Ambassador program is off and running ......... 40 

Clown of Year search opens .......................... 41 

Storylin e magic .................... ........... ............. 42 

Another great day for Florida joeys ................ 43 

Calendar ............. ............. ........................ .... 44 

Treasurer's report ....... ..................... ~ ...... ...... 46 

ON THE COVER: Mark "Oscar" and Lori 

"Half Pint" Hurley run a successful 

clown entertainment business In St. 

Paul, MN. Lori's solld advice on 

handling sticky audience situations 

starts on page 14. 

STAFF 

Business Manager: David Barnett.PO Box 6468, Lee's 

Summit, MO 64064-6468 . Ph. (888) - 52CLOWN. 

coaibusmgr@wor1dnet.att .net 

New Calliope Editor: Cal Olson, 2000 Outer Dr. N. #523, Sioux City, 

IA 51104. Ph./Fax {712) 239-4599. calolson@willinet .net 

COMMITTEE CHAIRS 

Competition: Leo Desilets, 31 Lawrence Ave., Milford CT 06460. Ph. 

(203) 877-3869. 

Clown Week: Bob Gratton, 3411 Lisa Cirde,Waldorf, MD 20601. Ph. 

(301) 843-8212. 

The New Calliope 3


She protests alley rules 

By Donna Branham, President 

Just Clownlng Around Alley #170 

Alleys without 100 percent COAi membership will now 

lose their alley charter, were the buzz words when I arrived 

at COAi's International Convention in Minneapolis last April 

28 (the day after COAi's general membership meeting) . 

This leaves me with great concern. My alley would be one to 

lose our charter. 

Just Clowning Around of Northern Virginia Alley #170 

does not have 100 percent COAi membership. There are 

several reasons. One being COAi membership regulations 

themselves. We have several types of membership categories 

that would not lend themselves to being a member of 

COAi: 

Honorary membership: Clown or non-clown membership 

in our alley for services outside as well as inside the 

clowning field, i.e. construction of props, transportation and 

legal services. These people are given a plaque, recognition 

and membership in lieu of monetary recognition. 

Retired membership: Clowns that have reached an 

age where they do not wish to clown publicly any more but 

want to continue the camaraderie experience within the 

alley. We give them membership and they in turn are mentors 

to the new clowns. These people are a great asset to 

our alley and the education within our organization. 

Juvenile membership: Clowns that are 16 years 

old and do not have a parent or guardian that performs. 

These young people are the future of our alley, they work 

very hard to become good at their makeup and at the vast 

variety of skills required to be a good clown. COAi will not 

allow a clown under the age of 18 to become a member. 

(Editor's note: Wrong: COAi By-Laws state that membership 

is open to anyone 16 years of age or older.) 

This leaves the alley with several choices, none of 

which please me as the outgoing president: 

1. We can only allow members of COAi to join in May at 

our annual business meeting (it is also the beginning of our 

year). 

2. We could not allow membership to young people 

and remove the youth of our organization except only the 

children of our adult clowns. 

3. Not recognize the non-clowns that have helped us 

throughout the years as honorary members. 

4. We could rewrite our by-laws and have these people 

listed as associates rather than members. This non-member 

distinction may hurt their feelings and cause them to leave 

our alley. The new paper work could cause interna l problems 

for our organization after just submitting new documents 

this year. 

5. We could submit false documents to COAi and wait 

to be challenged on the membership. If found to have falsified 

documents we would lose our charter. How would you 

prove that our documents were falsified? 

6. We could join WCA,which only requires five people 

in the alley to be members of WCA to be an alley and just 

throw you away as you are us. 

I feel that each individual has something to offer an 

organization as does each alley to COAi. Without the membership 

you would not have an organization, nor would we 

have an alley. Please rethink or wait before action is taken 

on this matter. 

If I had been able to get to the convention earlier.this 

would have been brought up in discussion at the business 

meeting. Loss of alley charter, I am afraid, will cause great 

ramifications, most of which are negative. As it stands, the 

alleys with 100 percent receive the benefits of COAi. 

Those that are not have only their charter. Unless I am mistaken 

the charter only gives the alley the right to receive 

educational materials, or bid on a convention and have the 

right to claim affiliation with COAi. Why cast away alleys and 

possible memberships for this? 

Reactions to 1st convention 

By Sally "Rainbow" Vredenburgh 

2107 N. Ullman 

Appleton, WI 54911 

I've just been to my first COAi International Convention 

(Minneapolis) after attending a workshop of a local alley four 

years ago and beginning group clowning in the summer of 

'95. 

I came expecting a lot of fun, although the schedule 

was huge with long days.I was not in the least disappointed. 

Alley 19: Thank you for the fun and so much more -- education 

and sharing of experiences and cares around the world 

-- and all the fine clowning and showing of skills and hearts 

and friendliness of all who were present. 

Continued page 6 

4 The New Calliope


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The New Calliope 5


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Letters -- 

From page 4 

Being involved in clown ministry , I especially appreciated 

the Sunday informat ion and beautiful clown service 

complete with inspiring silent communion (way above my 

expectations ). 

I'm proud to be a COAi member and hope to attend 

more conventions. Love, peace, joy -- and thanks ! 

Katy-O has new partner 

By Kathryn "Katy-O" Robinson 

3319 Briar Cllff Dr. 

Hollday, FL 34691 

When I had my beloved white Boxer, we did our act as 

"Rocky and Rocky's Mama." When Rocky died I had to have 

another partner to love, so I went back to the dog pound 

where I got Rocky and 

found a skinny , sad puppy 

that needed me. 

My vet and I got Jamy 

Jean up from a 30-pound 

scared orphan to a 70- 

pound beautiful Akita who, 

although still considered a 

puppy at just two years 

old, is willing to be my 

clown partner. She is still 

an apprentice but learning 

not to be afraid of men. 

Children are fine by her. 

\With Rocky in doggie 

heaven , I had to change 

my clown name. We are 

now known as "Katy-O and 

Jamy Jean." 

This couple clowns in Mexico 

By Tom and HI "Tomas Y Daisy June" Hewitt 

2415 E. Musser 

Laredo, TX 78043 

Greetings from south of the border in Mexico. We have 

a drop for our mail in Laredo, but live in San Miguel de 

Allende. I cannot tell you how very much we enjoy The New 

Calliope and the articles and pictures. Because of our location 

we are not able to attend too many conventions. We 

did go to Puerto Rico and Portland, OR, a few years ago. 

We clown here whenever we can -- church, old folks' 

homes , orphanages and some school graduations -- always 

out in the campos, or poor sections. Tom is a retired 

optometrist and works every Thursday in the Lions Clinic for 

eye care for the needy Mexicans. He also works with VOSH 

(Volunteer Optometrists Serving Humanity) based in Colo- 


6 The New Calliope

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The New Calliope 7

Letters -- 

From page 6 

ado and holding clinics in Mexico. They often see 2,500 

patients in four days. 

Whenever possible I (Vi) clown for the waiting patients . 

Some of them walk 

miles to see the doctors 

and often wait in 

line for hours. So I 

do what I can to help 

them have a little joy. 

In Mexico, clowns - 

payasos -- are truly 

loved. When I am 

dressed to entertain, 

I get smiles and 

hugs. Have often 

been invited into 

homes so the children 

can see the payaso. 

My clowning 

began in Oceanside, OR, where my Mother was confined to 

a nursing home with Alzheimers disease. Though she got 

to a stage where she did not know me, she always got a kick 

out of the clown. That was more than 12 years ago. While in 

Oregon, I admired Angel Ocasio. 

I am constantly looking for ways to entertain; my schooling 

is not too extensive. Tom has learned some basic ballooning 

. We sometimes can get Spanish Stickers , which are 

always a success. 

An artist friend here in San Miguel de Allende painted 

the accompanying picture as we were going out to entertain. 

Life with Happy the Clown 

By J.D. "Happy" Kroeger 

6461 ~- Quartz St. 

Mesa, AZ 85215 

When I received my last COAi Membership Directory, I 

glanced through looking for names of fellow clowns from 

cities and states I have lived in. Alas, not one familiar name 

did I see. I guess clowns come and go . I next looked at the 

membership numbers, and lo and behold, it seems that I am 

one of the oldest members. My number is 341 and I was 

told that I just missed being a charter member. 

I lived in New Orleans at the time I joined COA, and was 

a member of the Jerusalem Temple Shrine Clowns. Ah, 


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8 The New Calliope


Kansas Ringleaders Clown Alley #324 

Proudly Presents 

The COAi North Central Regional Convention 

November 11th thru 14th, 1999. 

1'h Cl/ 

-4.ir e Best W. 

681sJJort ~ed ester11 

W keJ Coa ,,_ 

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On Friday, you are invited to 

The Yacht Club Theme Party. 

Please dress accordingly. 

FULL REGISTRATION INCLUDES: 

Lectures • Dealers Show • Saturday Evening Banquet 

Scheduled Photo Session with Speakers • Competitions 

EARLY BIRD REGISTRATION (Before Aug. I) ........ $90.00 

After Aug. 1 ....... ... ... .... .. ....... ... ... . ... .. .... $105.00 

At The Door ....... .. .... ...... .... ............ . . .... .. $12000 

For more information, call (316) 686-4471 or e-mailjimsracing@prodigy.net 

Program subject to change. 

------------------------------------------------------ 

REGISTRATION FORM 

Name: _________ _ _____ __ ______ ___ _ 

Address: ___ ___ __ _ __ __ __ ____ __ _____ _ 

City: _____ __ ____ _ _ State: _ __ _ Zip: __ ___ __ _ 

Please make checks payable to: Kansas Ringleaders Clown Alley• Mail w: KRCA •PO.B ox -18661 •Wichita.KS 67201 

The New Calliope 9


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Letters -- 

From page 8 

New Orleans, there is a town for clowns, as the Mardi Gras 

spirit permeates the town all year long. There were two 

highlights for me as a clown each year: Mardi Gras, of 

course, and the Shrine Circus which gave 16 - 18 performances 

during Thanksgiving week.I lived in New Orleans 

long enough to allow me to work in 11 circus performances. 

As an amateur I wasn't allowed on the floor during show 

time, but I could cavort before the show, during intermission 

and as the crowd was leaving at the end of the show. 

Counting the time the Shrine Clowns provided color in front 

of the auditorium before the doors opened and at the end.it 

was possible to spend 5 1/2 hours at each performance. 

The two weeks leading to Mardi Gras presented at least 

one parade each week day and the opportunity to be in two 

or three parades each day on the weekends. In addition to 

Mardi Gras and the circus, there were activities almost every 

week during the year, and Happy enjoyed them all. One of 

the greatest joys for me was the following of children Happy 

had. It was a wonderful feeling and a boost to the ego when 

Happy arrived at a location or passing by in a parade and 

have children call out his name or come up to him just to 

touch "their clown ." 

Years after New Orleans, Happy became acquainted 

with the warden of a women's prison in a Western state.and 

was invited to come to the prison and entertain the 400 

inmates. Happy was apprehensive, but he spent several 

hours in that prison and each inmate, whether in for a relatively 

minor offense or for murder, was a lady. The warden 

told me Happy was allowed to go into areas where no other 

visiting man had ever been allowed. 

I retired in 1988 and Happy's activities have greatly 

diminished since then. But the smell of grease paint and an 

enthusiastic crowd will always draw Happy, if for nothing 

more than a walkaround. 

That thirty-three cent investment 

By Eric "Colloso" Plaut 

2106-C St. Johns 

Hlghland Park, IL 60035 

Recently I was asked by a friend: "What is the most 

important thing within the clowning business?" Good question, 

and so I said, "The customer." That answer is true from 

the clowning world to the local mom-and-pop store down 

the street from us. As a clown, we should treat others as we 

would want to be treated. Next time you run a bunch of 

errands, you may find that one or two of the companies 

you're acquainted with hang up at least one sign saying 

how customers and others should be treated. 

My friend then said, "Okay if I ask another question?" 


10 The New Calliope


mtYAH ALL CLOWNS! 

-~E ~-PP!ES3 seUNl>S GN lllftW~!! 

~lectric Lemon's Classic CIRCUS CLOWN CALLIOPE! VOLS . 1 & 2 

are now available for the very FIRST TIME on CD! 

!oTH great albums together on ONE CD!!! Great for walk-around, 

clown gags or skits , full clown shows or even clown magic! 

Played on a good ol' Tangley Steam Calliope, it's the BEST EVER! 

© 1973, 1999 ELECffilC LEMON RECORD CO. 

The New Calliope 11


~ 

~~ 

~ t,o 

e 

/:>flt YO\AY piv 

'"

~outh Ea~t eiown li~~ociation~ 

18th Annual Convention 

September 22-26, 1999 in Altamonte Springs, Florida 

Hosted by ~ The Central Florida World Clowns, Orlando 

-- 

•Jackie 

Join Us For The~ Featuring these *OUTSTANDING* 

~ Lecturers & Dealers: / 


-- 

LeClaire ·Trish Bothun 

•Dave"Mr. Magish" Mitchell (JAM Magic) 

·Cheri "Cherri-Oats " Venturi 

•J.T. "Bubba" Sikes •Charles "Albert" Lavender 

~ Registration 

begins 

1:00 PM on Wednesday, Sept. 22, 1999 

at 

..---------- Hotel Information 

& Reservations 

---------• 

Orlando North Hilton, 350 South North Lake Blvd., Altamonte Springs, FL 32701 

Phone: (407) 830-1985 or 1-800-445-8667 

Mention SECA Convention - Room rate: $65 single/doub le/triple/quad 

**Room rate and availability ONLY GUARANTEED THROUGH AUGUST 25, 1999!** 

-------------------------------------------- 

1999 SECA Convention Reqistratjon & Membership Form 

Name ________________ Clown Name _________ ___ _ _ 

Address ______________ ____ _ __ _ __________ _ 

City.State ______________ Zip _____ Phone( 

Is this your first SECA Convention? YES NO 

SECA Member 

Convention 

Registration 

Early Registration before July 15 (includes 3 meals) $75 

Registration after July 15 (before September 11th) $85 

Individual Membership (prorate for new members only) 

Family Membership 

member) 

($6 each add~ional 

Non-SECA 

Convention 

Registration 

$100 

$110 

S.E.C.A. 

Membership 

$12 

$6 

Number 

x_ 

x_ 

x_ 

x_ 

TOTAL 

TOTAL 

$ __ _ 

$ __ _ 

$ __ _ 

$ __ _ 

$ __ _ 

AFTER SEPT. 11, 1999, Registration Is $100"" (SECA Member) or $125°° (Non-SECA Member) AND MUST BE MADE AT THE DOOR 

A Day Rate of $40 is available (Meals not included) 

Make checks payable to SECA and mail to: Jan Livesay , Treasurer; P.O. Box 2127, Raleigh , NC 27602 

For additional convention information , contact: Cindy Hodges (919) 859 -6400 or Pam Miles (706) 860-2247 

The New Calliope 13


What do you do when ... ? 

An inquiry into handling all audiences effectively 

Lori "Half Pint" Hurley is currently serving her second 

appointment as a COAi Artist in Residence. Lori and her 

husband Mark ("Oscar"), partners in "A Touch of Magic,". 

perform and teach in the Minneapolis-St. Paul area, making 

350-400 appearances a year. 

By Lori "Half Pint" Hurley 

139 Congress St. E. 

St. Paul, MN 55107 

So, there you are ... your makeup is impeccable; you 

have spent hundreds of dollars on your costume and 

props; you have invested hours and hours_ in training at 

Clown Camp, conventions and alley meetings, and suddenly, 

you find yourself face to face with a loaded s~per-soak~r 

water gun at a company picnic. Or , that sweet birthday ~h1ld 

suddenly wants nothing to do with you . Or , upon entering 

that excitement filled classroom, you hear a voice from the 

back repeating over and over again (and gaining momentum 

as other voices join the chorus) "You're not a real 

clown!" ... Now What? 

When I started clowning over 13 years ago, I had 

images of delicate, starry-eyed children with soft voices 

cooing "c'mere clown; over here", and I would go to them , 

sweep them into my arms , knowing they would remember 

that beautiful moment for the rest of their lives. Little did I 

know that my very first clowning experience would send the 

youngest children scrambling into their parents' a_rms . 

screaming bloody murder , and turn the oldest children into 

the babysitter 's nightmare , stealing my props and then 

using them as weapons against me. Luckily, I'm resilient 

and I bounced back, as I am sure many of you have. What 

went wrong? What happened to my dream? Since hindsight 

is 20/20, I now know what happened, and it hasn 't 

happened since. 

There is a lot of training available in the art of clowning. 

But probably the most valuable training I have ever . 

received, and training which I use every day , has been in 

the area of group and behavior management: the ability to 

take control in a variety of circumstances, and create an 

experience which is as exhilarating and positive for the performer 

as it is for the audience. 

But first ... some background: Several years ago, my 

husband Mark and I worked in the schools extensively with 

a special needs population identified as EBO 

(emotionally/behaviorally disordered). This labe! distin- _ 

guished students whose behaviors were negative, resist- 

Mark, Lori and children Joshua and Becca 

ant, violent , profane, and often criminal. And of course , 

there was no self esteem in any of these young people. 

While we weren 't clowns in this venue, our job was ~o 

engage them in various activities and GUARANTEE the ,~ 

success. Egads! Impossible! But not really ... by employing 

and committing ourselves to using effective group management 

techniques , we witnessed miracles with our kindergarteners 

up to our high school seniors. 

I include this background information because the techniques 

I will share are tried and tested with the most difficult 

of difficult children and adolescents .I have found that they 

are equally effective with groups of able-bodied children 

(including a few stinkers). As you read, you may notice that 

little voice in your head saying "yeah , but...yeah, but...", so I 

invite you to give these a try before you make your decision 

on their effectiveness. My husband and I now use these 

principles with about 25,000 children each year in our 

clowning; and once integrated , these techniques will be 

yours for life, and they work (even with our own children) . 

14 The New Calliope


As I have trained others in the area of group management, 

I have come to the conclusion that 90% of all complaints 

and horror stories of working with children could 

have been avoided.Yeah, but... (hold on--I said 90%.l'm 

not talking about the child who set your wig on fire while it 

was on your head, or the parent who encouraged his child 

to step on your new shoes in his baseball cleats. That's in 

the 10%) Most difficult situations really can be avoided 

when you ... 

1 . Know your audience. Prepare for that audience. 

This is a biggie! My experience is that most behavior 

problems with children begin to show up when the material 

isn't a good matl::h for the audience. Yeah, but ... (Hold 

on, I said most of the problems. We'll deal with the other 

problems later.) I have spoken with a number of clowns 

who recall that horrific experience of walking in prepared to 

entertain a young group, but were confronted by an older 

group instead, who have seen tricks like theirs since they 

were three years old. There is an invitation for disaster. Or 

how about the clown prepared to entertain with a magic 

show (because it's what the birthday child's parent asked 

for), only to find their group was mostly made up of toddlers. 

Imagine the performer's frustration (and that of the toddlers, 

as well) of having to do a show for children who are'nt 

impressed that the white bunny switched places with the 

black bunny, because in a toddler's world, that stuff happens 

all of the time. (and besides, to a toddler, what's white 

or black mean anyway?) 

I cringe with empathy and embarrassment for the performer 

who begins to entertain with material which is inappropriate 

for the audience receiving it.The performer may 

get through it, and usually unscathed, but it makes for a lot 

more work, stress and frustration. Knowing your audience 

means knowing the age and size of the group, and having 

an awareness of what would be successful for that group. I 

believe that "hecklers" are often born during a show 

because they aren't engaged appropriately. A group 

whose needs are met remain an enthusiastic and supportive 

audience, eager for you to succeed. Yeah, but ... 

(you just have to trust me on this one). 

Here is a representative format I use to break down the 

ages when I am analyzing my material for age appropriateness: 

2-3 YEAR OLDS 

Interests/needs : colors, music, self, safety, predictability, 

being helpful, multi- sensory experiences; anything 

is possible . 

Appropriate activities : simple songs, puppets, 

storytelling, non-competitive group games, bright colorful 

props, imitation games (animals & feelings). 

Behavior Issues : short attention span, can scare 

easily, have no concept of rules or boundaries, want to 

touch, can't wait; easily distracted ... to name a few. 

4-6 YEAR OLDS 

Interests/needs : being helpful, being first, 

approval from authority, surprises, showing off, making 

friends, correcting others' mistakes, fairness. 

Appropriate activities : simple magic (i.e. 

change bags, coloring books, thumb tips) with volunteers, 

physical comedy, simple riddles & puns, funny songs. 

Behavior Issues: short attention span, new to 

"rules" as an audience, moody & sulky (especially if they 

aren't picked), beginning to test limits, curious enough to 

want to get into your things, excitable and want to help and 

talk all of the time. 

7-9 YEAR OLDS 

Interests/needs : being cool, approval from 

friends, surprises, being right, proving what they know, 

being impressed. 

Appropriate activities: higher skilled magic (i.e. 

sleight of hand, die box & other "sucker tricks"), slapstick 

comedy (though I personally recommend using it without 

violence!), word play, team building games, jokes & riddles. 

Behavior Issues : they are beginning not to 

believe in clowns, so their "job" becomes proving you're 

not real through words & actions, can become disruptive & 

rude if they have been made the fool (why I never, ever, 

ever make a joke at an audience member's expense!), competing 

for the attention to be cool in front of peers, bore 

easily, challenge authority. 

Obviously, there will be children whose needs or 

behaviors don't fit in their age category; the age-cutoffs are 

arbitrary. This simply gives you, the performer, some insight 

into why your group acts the way it does, and how you can 

prepare based on their needs and interests. I invite you to 

examine this list for yourself. Your own personal experience 

will enable you to double the list in each category. This 

will be valuable because I have discovered that the behavior 

issues noted above are what show up when the material is 

inappropriate for the group. 

Once you have analyzed each group, it makes perfect 

sense that a child in the age group who is completely 

engrossed in peers and image, isn't the one to put the 

bunny ears on during the magic show. Likewise, a young 

child who has finally drummed up enough courage to sit in 

the same room with you will not be amused at the surprise 

of a can filled with spring snakes. Of course, it is rare that 

you will be entertaining exclusively for one age group, but 

Continued next page 

The New Calliope 15

July/August, rn~~ 

What to do? 

From preceding page 

knowing who your audience is will enable you to have 

something for everyone, or will enable you to prepare for 

the dominant group. 

For example, if the party is entirely 8-9 year olds, but 

there are 2-3 toddler siblings, I will still play to the oldest 

group, but be sensitive to the toddlers. When the party is 

made up of pre-schoolers, but there are a couple of older 

brothers or sisters around, I will play to the pre-schoolers , 

but enlist the older siblings as my allies (which also prevents 

them from spoiling the "magic" for the little nippers). 

2. Know the circumstances under which you 

wlll be appearing. Think back to the worst experience 

you have ever had with a group of children. The stories I 

hear over and over again usually point to a clown in a situation 

they hadn't anticipated, such as being the only adult in 

a room full of excitable children. Or, I have also heard of 

clowns hired for a child's party, but the children were way 

outnumbered by a group of loud (and even intoxicated) 

adults. Pool parties , for example, can be a clown's worst 

nightmare, but a little knowledge and preparation can go a 

long way toward protecting yourself from being thrown in. 

Before you commit to entertaining at an event (or at 

least in your confirmation call), ask your contact questions 

Jt.;~rot 

A Mastercraft Puppet w i 11 

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around, in your parade and 

anytime you want to be 

special! 

You will always go forward with 

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such as: 

+ How many adults will be in the room with us? If they 

say none, here is your chance to make your needs known. 

+ Will there be alcohol? If so, you may wish to be in a 

separate room, or request that your appearance be earlier 

so that you aren't in the position of being left with people 

whose judgment is impaired. 

+ Is this indoors or outdoors? If it's outdoors, you 

may want to ask if they are allowing water guns and other 

squirting/splashing toys at the event. If the answer is yes, 

now is your chance to make your contact your ally. You can 

tell them that you will need someone at the event who will 

keep you protected from children and adults who think targeting 

a clown would be funny. I actually write this into all 

of my contracts: "Please provide someone at the event who 

will serve as the liaison to answer questions and who will 

guarantee against mistreatment of talent. This person 's 

name is. _____ " 

+ What else is happening at the event? Your magic 

show would be unsuccessful in the grove of trees next to 

where the Mariachi band is performing in five minutes. You 

have the benefit of your experience to alert you to possible 

disasters. In fact, you have probably been to more events 

this week than your contact has all year. Make sure that your 

presence will complement the rest of the event, and watch 

out for red flags such as, if you are hired for face painting, 

and there is no other activity planned for this group--they 

will begin to entertain themselves at your 

expense. Support your client (and yourself) with your 

expertise. 

+ How many children and adults will be attending? If 

you are the only clown making balloon animals for two 

hours, and there are 300 children, you are in a no-win situation. 

A solution for this situation would be walkaround entertainment 

without "wait-in-line-for-something" giveaways. 

Another solution might be having additional clowns ... but 

your contact won't know this unless you take responsibility 

for a successful event and tell them. 

Certainly these questions aren't all inclusive, but they 

focus on the kind of information which can minimize nightmare 

situations. 

3. Know your llmlts, stick to your specialty 

and serve your customers. I know from experience 

that I am most successful with 3-9 year olds and intergenerational 

audiences. When most of the children fall between 

these ages, our events are successful 99% of the time. (I 

gauge "success" on the level of laughter from adults as well 

as children during my appearance, the number of children 

who say "i want you to come to my party", having all children 

who started afraid in the beginning not be afraid by the time 


16 The New Calliope


Albany. NY 

Join Us in a Red Nose Happening 

Single, Group and Alley performancu for Skits and Paradeability, 

. Balloon Showcase and Spud Balloons 

tici nts rec nized with medals and/or certificates 

BIG TIME Entertainment, Lecturers and Dealers ......... Costumes By Betty and Betty Cash, 

Designers of Smiles with Calvin Klown and Nickki Zerwin, ....... Rubba Nose and Big Shoe Photography with 

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Mike •Buster• Bednarek 

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Registration 

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What to do? 

From page 16 

I leave, the number of parents asking for cards and the 

feedback and tip from the paying adult). 

Sometimes parents of toddlers, or even 10-12 year 

olds who have seen our stage show at a large event, want 

us to come to their private party. However, what they really 

want is great entertainment for their special celebration. I 

am very honest with them about my specialty. What worked 

on stage at the Mall of America for thousands of people 

would likely be a flop in a group of toddlers only, or preteens 

only.This would set up my audience to become restless, 

afraid or annoyed, and would leave my contact wondering 

what they had ever seen in us. I keep a list of performers 

who do specialize in those age groups so that I can 

make sure my customer gets served; and while I may lose 

the sale this year, I usually get a call back in the future 

because they remembered that they were served. 

attend have minimal behavior issues and sticky situations 

(and why people hire us year after year). 

So ... let's say you did everything you could to be prepared 

for your audience, circumstances and 

specialty ... sometimes there are still children and adults who 

are intentionally disruptive and abusive. I lump them 

together generically and call them hecklers. 

Let me say that I have never met a heckler, young or 

old, with high self esteem. Yeah but ... (hold on, I am 

talking truly high self esteem, which is distinct from 

arrogance ... an insecure person hiding under a false 

confidence).With that said, my goal in each interaction with 

a heckler is to give them a "success experience", and leave 

them feeling better about themselves when we're finished 

than they did when we started.Yeah, but ... (Hold on, I am 

not talking about the child who stabbed you in the behind 

with her fork to see what you would do ... in those circumstances, 

my goal is self preservation) 

At some point I may increase my target audience to 

reach a broader spectrum, but right now, I do not feel the 

need to be a clown of all skills and ages.The way we 

increase our bookings is not by doing more things for more 

people, but by being as good as we can be at what we do, 

and then drawing the clients who are a good match for our 

specialty.This gives us credibility and a great reputation in 

our community. We think this is why the events we now 

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, 

Turning a heckler into a helper isn't easy, but it's worth 

it. It begins by modeling respectful behavior. Here are some 

things you can do or say to deflect and diffuse the negative 

energy in a heckling situation. I have chosen these examples 

based on the most frequent/common complaints I 

hear: When a heckler tries to draw you into an argument, 

you can remain playful and refuse to argue. For example 

Chlld: "You're not a real clown" or "You're wearing a 

wig" etc. 

Clown: Pause, look them in the eye, then smile and 

say "What would you like me to say?" 

know" 

Chlld: usually is speechless, or they say "I don't 

Clown: "So, can we move on? What kind of balloon 

did you want' (or whatever) 

If the child is really feisty and won't stop you can add "I 

like you too much to argue" and change the subject...or "I 

am glad to tell you about anything you'd like to know about 

clowns, but I don't like where this conversation is 

headed. Let me tell you about my shoes" and go off on a 

tangent with such velocity that the heckler is either bored or 

truly changes their focus. 

When a heckler is disruptive during a show, you can 

enlist their expertise. For example 

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Ch II d: "I know how you did that'' 

Clown: "Great. Did I do it well? Come whisper in my 

ear." And once she does, you can whisper back 'Thank you 

for not telling everyone how it is done. Maybe you can do 

this trick someday" And have group applaud this person's 

"expertise". 

or 

Chlld: "I've seen this before" 


18 The New Calliope


ir: 

Annual 

KentutkY l WN Derb 

O«;tober 1-3, 1999 Louisville, Kentnf!llY 

SleVe Kissell Check 

and you'll 

Jim Howle 

Tony Jones 

Dave Mitchell 

Albert lavender 

sue Kleinwachter 

advanced 

Michael J. Decker 

James Cunningham 

There's no place like home! 

We are very excited to be returning to our home 

at the Executive West Hotel. after a two year 

absence 

1 This beautiful hotel offers first-class 

accommodations at at very reasonable rate! 

Please make your reservation by September 1st 

to guarantee the special ratel 

come help us celebrale, 

Kenlucky Clown's crazy number eighf! 

oul all fhal we are going Io do, 

find fhal we're crazy ior you! 

Join us for our eighth year, as we clown our way 

into the new millenium! We are getting wild and 

crazy, and are planning all kinds of new events, 

and surprises, for the 1999 Derby. 

As a way of saying thanks for eight great years, 

take EIGHT CRAZY DOLLARS off any registration 

price! How's that for wild?! 

Taking charge of all the zany fun will be our 

talented, and very wild staff! They will be offering 

over a dozen classes for the beginning to the 

clown. 

So, what are you waiting for?! Send in your 

registration, and we will see you at the 1999 

Kentucky Clown Derby. Get ready to party! 

The Executive West Hotel 

830 Phillips Lane, 

Louisville, Kentucky 40209 

1 800 626-2708 

$65.00 per night 

( 1-4 clowns) 

--~raz~ &,, 

~rida~! 

"Surviving Lile With Laughter!" 

A stress-buster clinic! 

Led by the wild man-Steve Kissell! 

Friday auernoon at 2:00pm 

(This is an extra-fee event.) 

Wild Friday Welcome Party! 

Featurin~- 

"Crazy Eight" Ooorprizesincluding 

8 Free 2000 Registrations 

special Perlormance by 

Clown Hall or Fame Inducree- Jim Howle 

Wild & crazy Dealers Show! 

Also New For 1999· 

Saturday competitions in 

Best Clown, Best Make-up, & 

Balloon sculpture! 

Convention Registration 

The Extras- 

Please Print Clearly 

C99 

Deduct $8.00 from any KCO 

Stress Buster Clinic $20.00 

registration. This does not include Extra Buffet/Show $16.00 

Name: 

extra workshops or buffet tickets! Note! One Buffet/Show is included with f---- ------ - -- - -- - 

ea,h registration! 

Street: 

Register Now! 

Clown $85.00 Total Amount Enclosed: 

_ Spouse $80.00 

_ Child (12-16) $75.00 s 

City, State: 

After September 4th- 

Clown $90.00 

Send this form, along with a Zip Code: 

_ Spouse check or money order to- 

$85.00 

Child $80.00 Kentucky Clown Derby 

At the door- P.O. Box 32264 Home Phone: 

Clown $95.00 Raleigh, NC 27622-2264 

_ Spouse $90.00 

Need more information?! 

Child $85.00 

Call: 919 785-2377 

Please copy this form for your friends! 

The New Calliope 19


What to do? 

From page 18 

Clown: "You have? Oh, I'm sorry. I'll put it 

away." There's nothing like a little peer pressure ... in only 

moments the group will be begging you to bring it back 

out, and you usually won't hear from that heckler again. 

or 

Perhaps you have a child who is simply bugging other 

kids or continually calling out or even exhibiting socially 

inappropriate behaviors (oh, the stories I could tell you 

about hecklers & flatulence). Invite him to the front (but off 

to the side, out of harm's way) and put him in charge of 

some meaningless prop. Giving hecklers responsibility 

channels their energy away from you. Do use the prop 

somehow eventually , and be sure to praise the 

helper. The goal is not to make a fool of him or punish him 

for being the way he is. (which is probably behind why he 

became so comfortable with such negative behaviors in the 

first place) It is to give him a success experience. 

When a heckler refuses to do what you ask you can be 

assertive and set boundaries. For example : 

You have a child who thinks it's funny to sneak balloons 

out of your suitcase . You've done everything to re-direct 

her, from being cute, to threatening to tell her mom, to begging, 

to getting ready to just leave. Next time, try assertive 

talk ... Say what you see, how you feel and what you want: 

"CORNBALL EXPRESS" 

PRESENTS ... 

STICNERPII ANO IIZCAROP/1 

OISfOJH Tllf 

MAllf OF flfATI#• 

ro•• ,n, ow• 

Ml#I• PHOTO 

ST/fKHS 

WITII AWAIO 

Wl##I#. 

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20 The New Calliope 

Clown: "Emily, I see that you are holding a balloon 

from my box. I don't like it when people take things without 

asking. I want you to put the balloon back" 

Yeah, but ... she's not going to listen. Au Contrairl I 

know from experience that "straight talk" is often the best 

tool , and it models respectful behavior. You are showing 

respect to her by being direct , honest and without shaming 

or putdowns, and you show respect for yourself by not 

allowing yourself to be manipulated . I honestly believe that 

children (even the hecklers) really do want to please grownups. 

Once I give them a success experience of some sort, 

they almost always become my biggest allies. 

Assertive talk is also the most effective technique in 

working with parents who encourage their youngsters to be 

abusive toward clowns . 

Clown: "I know your Dad sent you over here to do 

this. He probably doesn't know that I don't like it; but now 

you know, so I want you to stop." You aren't angry; you're 

just extremely clear about what is okay and not okay. 

Remember ... if the kid was obedient enough to follow his 

Dad's dare , he is impressionable enough to listen to you. 

LEAD WITH LOVE, FOLLOW WITH FIRMNESS 

Being respectful is distinct from being "nice". And once 

you have established that respect, with even one child, the 

rest of the children will fall into line. I begin with the assumption 

that every child is golden inside, which helps me to 

have tolerance for those whose gold has tarnished. 

Here are some Do's and Don'ts for creating success 

experiences with children: 

Don't compare chlldren: "We are waiting for you to 

sit down like the other kids." Instead , do acknowledge and 

give thanks for the behaviors you want. "I can tell these kids 

(pointing to a small group) are ready because they are looking 

at me and they are quiet." (The rest will follow suit within 

seconds .) 

Don't make statements that put all of the 

power on the kids : "I'm not blowing up this balloon 

until you move back" Instead, do make "I" statements indicating 

you know you're in charge: "I'll be happy to make you 

a balloon when you step back from my pump and I know you 

are safe" 

Do be specific about what you want, and take 

responslblllty for chlldren succeeding around 

you :"This invisible line on the floor is for my safety and 

yours. You are only allowed to cross the line when I invite 

you onto my "stage" . 

Don't belittle the chlldren If they goof, even 

after you have set a boundary: Say : "I know this invisible 

line is hard to see. I need you to sit back down on your


bottom". Not. .. "How many times do I have to tell you", or 

"You're not supposed to be up here, are you?" or "why are 

you on the stage?" or "If you were listening, you wouldn't 

be here·~ 

Don't threaten children: You'll lose credibility 

immediately, and find children challenging you just to see 

what you will do. "If you don't...then I'll. .." (they hear this all 

of the time from their parents who likely have no credibility) 

Don't label children: "You're being a bad boy." or 

"You're an impatient little girl, aren't you?" Instead, have 

empathy for their perspective, and focus on the desired 

behavior. "I know my nose looks like it would be fun to 

touch, but when people reach for my face, I get scared. If 

you ask me nicely, I will probably let you feel my nose" or "I 

know how hard it is to be patient, thank you for waiting your 

turn." 

Do give every child, even the tough ones, 

something at which they can succeed, and then 

praise them: "(quietly in his ear) Jeremy, when I had to 

ask you a couple of times to leave my props alone, I thought 

we were going to have a rough time together, but you really 

turned your choices around. Thank you so much!! I hope 

you'll be at my next show!" **This technique is GOLDEN! 

(but only if executed quietly) 

Don't Just tell children what they can't do, tell 

them what they can do: Instead of "don't touch that 

suitcase" or "don't hit each other", how about "I need to 

keep the suitcase closed right now, but you can help me tie 

my shoe" (it's okay if it doesn't make sense ... we're simply 

channeling energy here) or "Jenny & Billy, it isn't okay with 

me to have you hitting each other. I like you too much to 

see this. You can sit next to each other with your hands to 

yourselves, or you can sit across from each other ... what's it 

going to be?" 

And finally, do lead with love and follow with 

firmness. The more children know what you expect of 

them, and what they can expect from you, the less they will 

feel the need to challenge the limits. I also believe that an 

ounce of prevention is worth a pound of cure. In addition to 

setting yourself up to succeed, my experience is that praising 

and reinforcing children's behaviors while the choices 

are good will have a snowball effect on everyone's 

choices. 

Yeah but ... l don't want them to get a big head. (Hold 

on, I hear this a lot!) Isn't it funny that people are afraid to 

say too many kind things to someone else as though that 

person will turn around and be conceited and unpleasant? I 

believe the opposite is true.Have you ever met anyone who 

had a high self esteem that you didn't want to be around? It 

is the insecure children (and adults) who make our work difficult, 

not the delightful, self confident and secure ones.I 

hope they get a big head, so big that they won't have to 

"prove themselves" during my show. 

Group management is one of the most challenging, and 

yet exhilarating, skills a person can acquire.The principles 

and techniques are enough to fill a book (and keep your 

eyes open for ours). As my husband and I tour and give 

workshops on this subject, we collect "horror stories" and 

"what do I do whens". If you would like to share yours with 

us (and the solutions which you find successful), it would 

help us in our ongoing efforts to make our teaching 

relevant. We may not respond to each of the stories and 

questions personally, but they will become a part of our 

teaching collective (and are kept anonymous, by the way, 

unless you request otherwise). You can email us at 

clowns@myhometown.net. 

Yeah but...what if I want a response? Hold on .. and 

hopefully we'll be in your neighborhood soon! 

©Copyright, A Touch of Magic, 1999 

Do you 

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The New Calliope 21


The (nothing's ever)final whack 

By Mike "Buster" Bednarek 

P.O.Box 364 

Salem, OR 97308 

I promise ... this is the last you'll hear from me on thi\ 

topic. Who would have thought when I started writing 

about a book on creativity -- A Whack on the Side of 

the Head, by Roger von Oech (New York: Warner Books 

1990) -- that there'd be enough thought and actionprovoking 

material that it would take me five columns to finish 

telling you about it? 

Yet, here I am on Installment 

#5, a red nose version 

of van Oech's concluding 

"Examination." If 

you need a refresher, go 

back and review the columns 

in recent issues of 

The New Calliope. 

Or, just use your 

responses to the following 

questions and statements 

as your own personal, selfinflicted 

whacks on the 

side of your head. Your 

answers can then serve as 

the beginning points for a 

creative self-study. The 

exam is self-graded.and you'll soon find that the right 

answers are YOUR answers, anyway! So it does no good to 

peek over at your neighbor's paper. 

There is a catch, however. You'll have to wait until the 

next issue of The New Calliope to assign yourself a grade. 

That way you can see what you've followed through on during 

the interim. 

Please ... take your time on this. There is no time limit. In 

fact, before you get started, why not put on a pot of coffee, 

tea, or iced lemonade, play your favorite Mozart or George 

Winston CD, and exclude yourself from your job , family and 

life for an hour of so? Good luck! 

1. Which of the following "mental locks" stand in your 

way of creating (and using) new ideas? (Check all that 

apply.) 

_ 

_ 

_ 

The Right Answer 

That's Not Logical 

Be Practical 

Follow the Rules 

Play Is Frivolous 

_ That's Not My Area 

_ Avoid Ambiguity 

Don't Be Foolish 

_To Err Is Wrong 

I'm Not Creative 

2. For each one you check in #1,what can you do to 

open it? 

3. Rate your ability as a brainstormer. How frequently 

do you look for more than one good idea or answer? (Circle 

your answer and explain.) 

never seldom sometimes often 

4. Rate your ability as a poet. How frequently do you 

inspire your imagination through fantasy and ambiguity? 


5.Rate your ability as a revolutlonary. How frequently 

do you question assumptions, challenge rules, and throw 

out old myths? 


6. Rate your ability as a mad scientist. How frequently 

do you ask "what if' questions and use impractical 

ideas to springboard to better ones? 


7. Rate your ability as a playful child. How frequently 

do you play while creating new ideas? 


8. Rate your ability as an explorer. How frequently do 

you look for ideas outside your "area," your regular performance 

style, and the usual magazines? 


9. Rate your ability as a random thinker. How frequently 

do you use a random or contradictory piece of information 

to stimulate new ideas? 


10. Rate your ability as a fool. How frequently do you 

reverse your point of view, become irreverent, or deny a 

problem even exists to create new ideas? 


11. Rate your ability as a risk taker. How frequently 

do you risk doing something new or making a mistake (in 

public, no less!) in trying out new ideas? 


22 The New Calliope


12. Rate your ability as a warrior. How frequently do 

you motivate yourself, believe in yourself, overcome 

excuses and obstacles, and fight to put ideas into action? 

never seldom sometimes often. 

13. Go back to numbers 3 through 12 and look at where 

you put yourself on each scale. For each one, list at least 

one strategy or action you can take in the next week to 

push yourself higher on the scale. 

19. What resources.solutions, inspirations, 

mentors.and creative models are right in front of you, or 

close by? 

20. How can you edit and/or simplify a current performance 

piece, act, gag, or routine to make it better? 

21. Analyze your current performance level. What new 

tools and skills do you want to add? What do you want to 

change/drop?What can you do to make the work more fun? 

14. Propose to your boss, spouse, partner, friend 

and/or family that you spend one or two days in the next two 

months doing something unusual related to clowning. What 

would it be? How would you gain his/her support? 

15. What are the three biggest clown blunders you've 

committed?How did you benefit from them? 

16. List three things you can do in the next week to 

exercise, flex and loosen your "risk muscle." 

17. What personal myth can you toss aside in the next 

week? What fears hold you back? What three things do you 

have to do first to accomplish it? 

18. What outside activity can you start (or do more of) in 

the next week to make you more creative? 

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22. What are two amazing, fascinating, and/or mystifying 

things about clowning you'd like to find out more about? 

What can you do in the next two weeks to accomplish that? 

23. What is your biggest goal for clowning this year? 

What three obstacles, excuses, or challenges are standing 

in your way?How can you go over .under, around, or 

through these barriers? 

24. What are the two best ideas you've had while working 

on this exam? How can you act on them in the next 

week? Who can you report to on your accomplishments? 

How will you celebrate? 

25. OK, here's the toughest one of all: One year from 

now, what will you be doing? What will you have accomplished? 

How will you be more creative? 

Until next time, happy whacking! 

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The New Calliope 23


When 

things 

go 

come up and be my helper. Guess what? Johnny did the 

same thing. Once again, the parents said and did nothing. 1 

told Johnny how sorry I was that he'd lost his manners too. I 

then gave Patrick another try. This time he hit me with the 

wand and then ran across the yard away from me. I decided 

he ~ould keep the wa~d, because I certainly wasn't going to 

get into a tug of war with him over a 99-cent plastic wand. At 

this point, I explained to Patrick that anyone who loses his 

manners is the last one to get a balloon (which would be 

after my show). 

I_ ~nli~ted t~e help of one of the party guests to be my 

magicians assistant for the remainder of the magic show. 

When we performed the last magic trick (making the birthday 

cupcake), Patrick was supposed to share the treats with 

his friends. Instead, he threw the treats back at me. Once 

again, I told Patrick how sorry I was that he'd lost his manners 

and again reminded him that he would be the last one 

to get a balloon. 

By Karen "Peppermint" Reinholt I held firmly to that threat. .. er, that is, promise. As 1 

Box 13187 

started making the balloon animals, at first he was insistent 

Portland, OR 97213 that he wanted one. I reminded him how sorry I was, but he 

For every party that "goes wrong", there are dozens had made the choice to be last. I made him wait. Not one 

and dozens of parties that are wonderful. so ._yhy is it that parent interrupted or interceded. I realized I was on my 

that one party stays in our minds, crowding out the memo- own. By the time I made his balloon animal and got into my 

11 

ries of all of the good ones? It is usually because we are still car, I took a pen and wrote "BO PARTY FROM H 111 

trying to figure out what went wrong. 

across the top of his birthday booking sheet. I intend~ to 

Sometimes there are reasons that can easily be r--------~ 

never book another party with his family. 

explained. Other times it takes us some sleuthing 

to figu·re out what happened. On rare occa- 

One week later, a mother called whose son 

sions, we might never know. 

had been a guest at Patrick's party. She 

wanted to book me for her son's birthday. At 

A number of readers have written to share 

first I was hesitant, concerned that Patrick 

their problem parties with me. Some of them 

would be there. But I figured it wasn't her 

have an obvious reason that resulted in the 

son's fault and he shouldn't be deprived of 

party going awry. I would like to take this oppor- 

entertainment at his birthday. I booked the 

tunity to thank all of you who have shared your 

party and held my breath. When I arrived, 

stories with me. Some have been humorous 

Patrick wasn't anywhere around. I let out my 

and I have enjoyed laughing with you over what 

breath and relaxed. Unfortunately, the little 

happened. Others have been the ones we just 

darling was just late, and his brother came 

shake our heads over and wonder about ._________ ___. along too. Patrick started in again, creating 

"Murphy's Law" taking over (Murphy's Law: If something can 

havoc where he could. I stopped and said 

possibly go wrong, it will). 

"Oh, Patrick, it looks as if you still haven't found your 

manners." At this, the other parents started to chuckle. 

Obviously, they knew that this was normal behavior for 

Patrick and they were amused that I pointed out his unaccept~ble 

actions in front of his parents (who once again, did 

nothing). I reminded Patrick that he would be the last for a 

I will begin with my own "party of doom". Patrick was 

celebrating his 5th birthday. It was a hot, July day in 1992. 

remember it as if it were yesterday. The party was in the 

back yard. All of the children sat close to me while their parents 

we~e directly behind them. Patrick started off by taking 

the magic wand and jabbing me in the stomach as hard as 

he could. When he repeated this, I realized we had a problem. 

Because his parents did nothing to correct him, I knew 

we might have a bigger problem. I said, "Oh no, Patrick, it 

seems as if you've lost your n:ianners. You will have to sit 

down until you find them again." 

At that point, I asked his 6 year-old brother Johnny to 


balloon again if he didn't behave. Well, you guessed it 

Patrick got the last balloon at that party too. 

' 

A few months passed. I received a call from a mother 

who wante? to have a Halloween party. She didn't identify 

herself until we had already discussed what would happen 

and I let her know the date and time she wanted was available. 

At that point, she gave me her last name and my heart 

sank. It was Patrick's mom! I honestly believe that she


deliberately didn't give her name, but I can't prove it. Anyway, 

I had no way out. I had already told her I could do it. 

So, we booked the party. When I arrived, I was intrigued 

and relieved to find Patrick had finally found his manners. 

actually had a nice time at this party. I would like to think that 

he knew by then that when Peppermint set guidelines, she 

stuck by them and followed through. 

I honestly feel that all children need guidelines and 

boundaries. When there aren't any, they will push and test 

as far as they can go until they find the limits that are set for 

them. 

I often wonder if I would do things different now, seven 

years later. Because of the way things turned out, I would 

probably do the same. However, that party has stayed with 

me long after all of the wonderful ones fade into the sunset. 

I would like to think the reason is because it is the only really 

bad one I've had. Oh sure, there are others that aren't the 

best, but this one definitely takes the cake (no pun intended). 

There doesn't seem to be any way that you can be prepared 

for a party like this. All of the party planning with the 

parents ahead of time does not give you a hint that this 

might happen. It is parties like this that keep you wondering 

about Murphy's Law applying. 

Some parties are problems because they weren't party 

planned properly. For instance, if you don't know how 

many children to expect and you haven't allowed enough 

time for the party. I accepted a party from another entertainer 

who had accidentally double-booked one afternoon. 

He filled me in on all of the pertinent information, including 

the fact that they were expecting 20 children. I was booked 

to do my basic show with magic, games, puppet show and 

balloon animals (one hour) plus paint faces (another 45 

minutes). When I arrived, the party was at an apartment 

complex being held outside in the common yard area. 

Every single child from the complex decided to come to the 

party. There were at least 45 children. And the mother 

expected everyone would be taken care of. This is the time 

when you have to approach the parent and explain that 

some changes might have to be made, especially if you 

have another event to go to. I chose to complete everything, 

but abbreviated what I offered. For instance, I only 

offered a couple of choices of balloons, ones that only take 

a few seconds to make (i.e. pirate sword, bunny, puppy, 

etc.). For the face painting, instead of doing elaborate 

designs, I offered a few simple ones that go very quickly. 

When I leave a party that has been a problem in any 

way, I always try to figure out what I could have done differently, 

how I could have handled things better, what I should 

do in the future if it ever comes up again. Maybe that is why 

these parties stay in our minds longer , because we give 

them more thought afterwards. 

Some of the problem parties that readers have written 


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The New Calliope 25


Wrong! 


about are due (by their own admission) to the inexperience 

of the entertainer (one of their first parties). It is fairly easy to 

see what could be done differently in the future to alleviate 

what has happened. For instance, if the party is outside in 

the hot sun and everyone is melting, the kids might start 

squirming or get distracted because they are uncomfortable. 

It is perfectly okay to move everyone to a shady area. 

If the children have to squint into the sun as they are looking 

up at you, they will start looking at other things and possibly 

become distracted. It is okay to move to the opposite 

side, turning the kids around so they 're no longer looking 

directly into the sunshine. If the party is being held in a public 

park, asking the parent to provide name tags alleviates 

having to include all of the children from the swing set which 

can really throw off the timing of your party. 

that room during the party. If it is just cooler or more comfortable 

in the other room and it is feasible for you to do so, 

move your show to where they are. If there is no obvious 

reason why they won't stay in the room where you are, you 

might want to take a look at your show to see if it needs a 

tune-up. 

If there is a television set or stereo turned on which is 

distracting, it is perfectly okay to ask that it be turned off. 

Parents who start socializing can become loud and drown 

out what you are trying to say. Have the kids turn around 

and nicely say "shhh" to the offending adults. 

At his pre-school last week, little Michael was turning 4. 

His class of 18 was joined by the other classes, totaling 40 

three and four-year olds. The teachers seemed to be in 

complete, positive control of all of them throughout my 

show. Except for one little guy who just kept wandering 

around, close to me most of the time. I acknowledged him 

several times, but carefully kept an eye on him to make sure 

of where he was so I didn't step on him or run into him 

whenever I turned. I wondered why he was the only ~ne 

allowed to wander, but figured that he possibly had a spe- 

cial personality or activity level that was the cause. Howev- 

er, when he laid on the floor in front of my trunk and started 

humming as loudly as he could (which drowned out what I 

was trying to say) , I finally stopped, looked around the room 

and asked, "And which teacher belongs to this little boy?" 

Everyone pointed to the teacher and I fully expected her to 

make a fast response with a disciplinary type of 

A number of these problems are easily taken care of the 

next time a similar situation comes along once the entertainer 

has had the experience and knows how to handle it 

differently in the future. Being able to relax and go with the 

flow is also important. Sometimes the party is scheduled to 

be in the living room but the kids would rather be in the family 

room, bedroom or even outside. If the children are 

reluctant to stay in the room where you are, feel free to follow 

them to find out what is so special in another room. Is 

there something that is enticing them (i.e. new toys, play 

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move, but she didn't. So, I said "and I'm sure you're coming 

up here to take care of little Nathan, aren't you?" At this 

point, she made her move and took him back to sit with her. 

In situations like this, it is not your responsibility to 

police the children . That is what the teachers are there for. 

You are a professional who has been hired to entertain. It is 

within your rights to ask for assistance from the teacher, the 

parent, the caregiver or whoever is in charge. 

That same week, I performed at a party for a group of 8 

and 9-year-old boys. It was at the neighborhood recreation 

center at the swimming pool. It was a beautiful, hot spring 

day and the mother called the morning of the party to inform 

me that she was moving the location to the swimming poolinstead 

of their home. She asked if I could come an hour 

later so the boys could swim first. Believe me, that would 

definitely have been the right way to plan things. Unfortunately, 

I had another party to go to afterwards and my time 

wouldn't allow for an hour delay. So, I had to perform next 

to the swimming pool in the hot sun for 16 boys who were 

dying to get into the pool. 

Was it difficult to keep their attention? Yes, at times it 

was. Because I knew this would be a potential problem, I 

chose one of my magic tricks to be about money. If you can 

offer them a special surprise, or dangle the proverbial carrot, 

it keeps their attention. With the money trick, I was able to 

say that everyone had a chance to win money. No one 

wanted to leave before we got to that trick. The question 

came up more than once "when do we get to swim?" I 

answered "as soon as you get your balloon". So, they 

knew that, when I started making balloon animals, they 

could leave to swim as soon as they got theirs. In fact, some 

of them decided they would take their balloon into the pool. 

It became a fun thing for them to play with, so each and 

every one of them wanted a balloon. I had worried that they 

might opt to go swimming rather than wait for a balloon, but 

that wasn't the case. 

Hindsight is always a great teacher. Wouldn't it have 

been fun to let the boys get into the pool while I made balloon 

rockets, shooting them into the pool for them to catch? 

How about blowing up the 260's and let the boys make a 

raft out of them? Let your imagination take over. 

A difficult party? Yes. What could have been done differently? 

Well, if I had known ahead of time, I would have 

asked the mother to have the party start a little earlier so 

they could swim for at least a few minutes prior to my arrival. 

Or, if my time had allowed it, it would have been better for 

me to come later. Because it was a last minute change , it 

was a time for the entertainer to go with the flow, relax and 

enjoy the kids, be flexible and don't be too critical of yourself 

afterwards. 

The bottom line is, we can take these parties and learn 

from them. That is what will make our parties continue to be 

better all the time. 

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f:torn the 

By Judy "Dear Heart" Quest 

COAi President 

Greetings to all of you joeys in COAi land! I hope that 

you are having a fun summer. Many of you will read this during 

International Clown Week which is, of course, the first 

seven days of August each year. I hope that you are doing 

something to celebrate and to advance the art of clowning 

in your community. If you are, don't forget the CHARLIE 

Award competition, either for your alley or for you as an individual 

clown. If you need more information about the award 

or need ideas how to celebrate Clown Week, contact your 

new and very enthusiastic Clown Week Chair, Bob Gretton. 

In this column, I'm going to discuss the many ways that 

you can become more active in our international clown 

organization. First, and prominently, I would like to ask each 

and every one of you to promote COAi. Tell people about 

our great magazine, our educational programs, our wonder- 

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ful alleys and conventions. The COAi Board of Directors is 

working to increase our membership so that we can reach 

more clowns and do more for the same (inexpensive) membership 

fee. Give us a hand. If you teach clowns or belong 

to organizations that are not associated with COAi, tell 

clowns about us and provide application information. 

Thanks! 

Second, there has been an incredib le response to two 

new programs that are the brain children of Keith "Toby" 

Stokes, COAi's Southeast Regional Vice President. The 

first is the International Ambassador Program. Clowns who 

are traveling to other countries meet with clowns while on 

their trips, share fun and encourage these people to join 

COAi. Ambassadors get a name tag, an information packet 

and information we have on clowns in the country you will 

be visiting. The interest in being an International Ambassador 

has been overwhelming for the short time this program 

has been up and running. So if you have travel plans, 

joins us by getting in touch with Keith. 

The second of the two new programs is the State 

Ambassador program. Many of COAi's regional vice presidents 

have huge territories to cover, and with limited time 

and funding, the coverage is not all we would like. So we 

are seeking clowns to be state ambassadors to help 

regional VPs keep in closer contact with alleys and individuals 

in the states (or provinces) in each region. Some states 

already have ambassadors, but if you would like to help out, 

get in contact with your regional VP and volunteer. Agi, our 

Canadian RVP, could especially use some help. There is a 

lot of fun to be had in this program, and stronger communication 

can only lead to a stronger COAi. 

Another great opportunity is to serve on COAi's Board 

of Directors. Don't laugh! Nine years ago, then president 

Dennis Phelps twisted my arm to run for the treasurer's job. I 

must admit that he kind of under represented the amount of 

work it would be (!!) but I have never regretted the years I 

have spent on the Board. Service as a COAi officer gives 

you a chance to influence the future of clowning, contribute 

to an art that we all love, and have a tremendous amount of 

fun. 

The point is, that COAi elections will be held next 

spring, and you should seriously consider running. This 

time around there will be a search committee to find all of 

you reluctant would-be candidates. But don't wait for them 

to call you: CONTACT ME! Ask me questions about different 

jobs, or call the people who have the jobs now. We 

would love to have at least two people running for each 

office. We have tremendous energy on the Board right 

now,and you would really enjoy being part of it. We will be 

soliciting resumes in December, but it isn't too early to start 

thinking about running. Maybe some day you could be like 

me, a little old unknown town clown who becomes president. 

Give us a try! 

Keep a smile in your clown heart! 

28 The New Calliope

Noun 

v~. 

By David "Mr. Ralnbow"Bartlett 

1427 Acadia St. 

Durham, NC 27701 

A couple of issues ago I wrote a column called The 

Mighty Adverb. Lets continue the English lesson. 

Here is one of my favorite conversational bits. I look for 

a boy with unkempt hair who is with an adult. I walk up and 

say to the adult. "Is he with you?" Once I find out who the 

child is with, I ask "Is it OK if I teach him a four letter word?" 

I now have their full attention. The adults are interested 

in seeing how this ends. They're pretty sure it is not going 

to be obscene, but they don't know where it's going. 

I've never had an adult say no. Sometimes their 

responses are pretty funny. One dad said dryly "He could 

probably teach you a few that you don't know." I 

responded with mock indignation "Hey, hey, hey, this is a 

family show here!" Everybody loves it when the tables are 

turned on the clown. 

Anyway, back to the bit. The adult says yes, and I turn 

to the boy and say "Comb ... comb ... c-o-m-b ... comb ... its a 

noun and a verb ... you pick up the noun and verb it through 

your hair." I then try to straighten out the unruly hair with my 

fingers with increasing levels of frustration, but to no avail. 

It always gets a nice laugh. It is one of my multi level 

bits. The kids laugh because of the mild surface level teasing 

involved. The teens and adults were set up with a double 

entendre that they really knew would go the right.way, 

but did not suspect what that might be. The surprise ending 

got a laugh. Some of the adults get the noun-verb gag 

for a small second wave of laughs at the end. They all enjoy 

the building frustration as I try to straighten out the hair. 

That bit is good enough to end this column now, but 

hold on tight for a sharp segue. I'm also going to coin a few 

new phrases so don't let it throw you. 


Another word that can serve as either noun or verb 

is "clown". As a noun it conjures up a visual image. 

As a verb it conjures up an array of activities all centered 

around comedy and humor. The noun is a 

lifeless visual image for easy descriptive identification 

. The verb is action. The noun isn't much without 

the verb. The verb is where its at! 

There are probably thousands of dead grammarians 

spinning in their graves at this very moment (not the 

least of whom is Sister Cephas who was convinced I 

wasn't listening). Let 'em spin. My point is not a 

grammatical one so stop diagramming this sentence. 

My point is for First of Mays and other walking costumes. 

Don't be a noun clown. Be a verb clown. 

Noun clowns get dressed as a clown. Verb clowns 

go out and clown around. What do they do? Anything! 

Everything! Pick a verb. Sing. Dance. Chat. Play. Tell. 

Gyrate. 

Once you've reached competency at making yourself a 

noun clown (and that is the quickest , easiest, and lowest 

level of achievement) you can spend the rest of your life 

developing the verb clown. 

If you find yourself getting bored with clowning, it's 

probably because you never really got past the noun. Constantly 

creating "new" characters to alleviate boredom just 

puts a new face on the noun clown. You're doomed to find 

boredom again. Verb clowns are too busy clowning around 

to get bored. 

Another thing, if you hang around a bunch of noun 

clowns, that's probably how you'll end up. Look around for 

some verb clowns to hang around. How will you find them? 

They're verbs. They'll be right in the middle of the action. 

They're hard to miss! 

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The New Calliope 29


La~t walkatound-- 

Pastor parades as 'Dolly' 

By Rev.Kenneth "Dolly " Gosselln 

953 Gallery Dr. 

Oceanside, CA 92057 

"I see you in there! You're not real!" 

That has to be one of my favorite things kids have said 

to me when I'm a-clowning. I think what they mean is that I 

am real flesh and blood , so I must not be a real clown. they 

may see sideburns under the 

wig or a patch of skin not covered 

with white makeup. 

Well, inside here, behind 

the makeup and costume, I 

hope I'm not only a real human 

being but also a real clown. 

What follows are some of my 

experiences as a clown of 33 

years, a kind of close-up of a 

pretty specialized hobby . 

I start with parading, my 

heaviest activity. Since my first 

parade as "Dolly'' in 1966, I've 

averaged about 15 parades a 

year, in more than 80 cities 

from San Diego to Seattle . Like is:::11::..s.n;.:.;~ ___ ....:.....;:........; ______ 

most public activities , parading 

is different for those involved than for those simply watching. 

Participants include equestrians, bands , drill teams, 

baton twirlers, club and commercial floats.new and antique 

autos, community and church groups , military units, beauty 

queens, civic and show biz celebrities, and novelties such 

as senior citizen kitchen bands. And, of course, clowns. 

The spectators participate , too, from 10,000 to 400,000. 

Everyone starts from home early and travels from far 

and near to the parade site. Every unit must check in, usually 

an hour before starting time . The number of units varies 

from about 50 to 200, divided into several divisions , with a 

variety of entrants in each. 

Imagine the colossal job a community police force has 

on parade day. Several thousand visitors in strange costumes 

converge on a city, demand parking space and then 

tie up a main thoroughfare for several hours, usually on an 

already busy Saturday . The cops must reroute local drivers, 

many of whom aren't the least interested in the parade anyway. 

Like the other units, I receive a windshield banner 

sign: "Official Parade Car." 


After checking in, I look around for the best parking 

place. Since I usually don't drive in clown when a parade is 

out of town, I look for a place to change . My favorite in a 

strange town is a church. I've found great hospitality among 

Catholics, Methodists and Presbyterians. The next choice 

is a beauty shop. No shortage of mirrors or Kleenex there. 

Other places, dictated by necessity , have been barber 

------ shops , service stations , and the front 

seat of my car. 

--=.:::;;;____J 

Ideal conditions for making up as a 

clown are hard to find. Proximity to 

the starting point of the parade is 

important to minimize being seen by 

many before the event begins . A 

comfortable temperature is crucial 

because it's hard to make up a sweaty 

face if too warm, and difficult to have a 

steady hand if too cold. I need about 

45 minutes to do a great job . 

Now it's time to find my place in the 

parade line-up. Until a few years ago I 

usually walked the whole parade or 

rode a decorated three-wheeler . For 

health reasons I now ride in fancy 

convertibles , thanks to the Southern 

California Convertible Club. From vintage antiques to shiny 

new luxury cars , my rides have been a blast. (Sometimes my 

wheels get more attention than I do!) 

Most of parading is waiting. For a 30-minute show, I've 

risen at 6 a.m., driven up to several hundred miles and 

worked hard to look just right. Then the wait, maybe two 

hours, before moving an inch. Is it worth it? After 400 

parades, you guess . 

Some words of John Wesley, patron saint of my church, 

come to mind: "Wait actively." His concern was more profound, 

having to do with anticipated activity of the Almighty. 

But the principle applies. So I find things to do while waiting 

my turn, like mixing with friends from previous parades and 

making new contacts. 

Finally the parade gets under way , only 10 minutes late. 

Not bad. First comes the prologue of color guard , the grand 

marshal, local notables , a fine high school or military band, 

and a fancy horse unit. Soon the first clowns appear. Often 

they're Shrine clowns on mini-bikes with musical horns playing 

"Yankee Doodle," or "Mary Had a Little Lamb." They cir-


cle ever closer to the crowd. When they come to a 

"souvenir" from a horse ahead of them, they plant a flower 

in it. 

While waiting my turn, a mother and daughter come up 

to meet me. I'm the first clown the little one has ever been 

close enough to touch. That's a kick for both of us. Another 

time a grandmother said I was the one that helped her 

grandchild not to be afraid of clowns. A man with a European 

accent once approached me and asked, "Do you 

know Jesus Christ as your personal savior?" I said simply, 

"Yes." He became more animated: "Isn't it wonderful?" As 

he went his way, I'm sure he never guessed I was a minister, 

maybe even a man! 

I watch the others wait. A young woman on her horse, 

both in elaborate Arabian dress, move back and forth on the 

street. The horses get tired and restless like all of us. They 

can be spooked by drums, guns, or sudden movements, all 

part of parading. 

I see a group of tiny twirlers in shiny outfits. Their hairdos 

are all alike, but not their physiques: Tall,short, skinny, 

pudgy. Cute caricatures of the ideal image of a shapely, 

acrobatic baton artist. 

Some parades are invitational and competitive. Others 

are home-grown. The former usually have more polish. The 

bands sound better and the other entrants generally look 

sharper. But all parades are fun. I'm hooked on the experience. 

(To be continued) 

Editor's note: Sadly, Pastor Gosselin -- "Dolly" -- made 

his last walkaround late this spring, at age 66, before he 

could finish the article. Ordained as a Methodist minister in 

1960, his final parishes were in San Diego County. He had 

lived in Oceanside since his retirement from San Fernando 

United Methodist Church. He had been in remission for 

more than a year after being diagnosed with leukemia in 

1997. 

He began clowning as a student in the 1960s. Over the 

years, he won 160 trophies and appeared in support of 

numerous charities. His story appeared in numerous magazines 

and he was featured on a number of TV programs. 

Pastor Gosselin is survived by his wife, Rodene, three 

daughters, a son and four grandchildren. 

Bill 

Ballantine 

Bill Ballantine, international artist, author and clown, 

passed away Friday, May 14, 1999, in Sarasota, FL. As a 

free lance artist, Bill traveled with Ringling Bros. & 


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The New Calliope 31


Last Walkaround -- 


Barnum and Bailey Circus the summer of 1946 working on a 

magazine article and proposed book about clowns. His article 

was published in Collier's Magazine. While working on 

his drawings, Bill made friends with the RB&BB clowns. 

They persuaded him to become a clown, and with their help 

he joined the Ringling clown alley in 1947. His drawings of 

members of the clown alley were published in 1948 in the 

Ringling souvenir program. 

Bill worked with RB&BB as an artist and assistant to the 

manager. He also wrote the books, "Wild Tigers and Tame 

Fleas," "Horses and Their Bosses," "High West," "Nobody 

Likes a Cockroach," and last but not least, "Clown Alley." 

In 1969, Irvin Field hired Bill for the newly created post 

of Dean of Clown College. Bill oversaw the Ringling Clown 

College through 1976. During that time he hired instructors, 

scheduled classes, directed graduation performances 

and auditions. He oversaw the growth of the college from 

an administrator and one instructor to a complete educational 

program with a large faculty. After leaving Clown College 

he continued his career in the field of art. 

He is survived by his wife Bertha, and a large family. 

Bill was what helped to give clowning the greatness it 

has today.and will always be remembered with love and 

respect for his great contributions to the world of clowns. 

David Thibodeau 

By Virginia "Ginger" Frank 

5725 Bear Creek Road 

House Springs, MO 63051 

David "Bodo" Thibodeau made his last walkaround 

June 6, 1999. A Korean and Vietnam veteran.he retired 

from the U.S. Air Force after 20 serving his country in 

both the Air Force and the Navy. He was later employed at 

Defense Mapping Agency in St.Louis, Mo. 

Bodo was a member of Clowns of America of St. Louis 

Alley # 128. He encouraged people to clown and helped 

established the Jefferson County Clown Troop. He performed 

for veterans at the V AMC St. Louis Nursing Home 

and also in the community. He had occasion to perform with 

the famous Circus Flora and trained joeys in the art of clowning. 

H_e made his own props, using his woodworking skills 

and his relentless energy. His imagination and enthusiasm 

to clowning will be greatly missed. 

He is survived by his mother, Ella Thibodeau of Faribault, 

MN, and two sisters, Dorothy Guentzel, of Mankato, 

MN, and Bernice Jorgenson, of Apple Valley.MN. 

Leroy Koehler 

Leroy "Boxcar'' Koehler, Chesterfield, MO, made his 

last walkaround June 1, 1999.A tramp clown, he and his 

wife Marty were members of St.Louis Clowns Alley 128 for 

a number of years. Leroy developed depression after the 


death of his wife, and had been ill for some time. He will be 

missed by all who knew him. 

Arthur C. Van Pelt 

Art "Guber"Van Pelt, St. Louis, MO, made his last walkaround 

May 5, 1999, the result of a heart attack at age 48. 

A member of COAi since 1990, he was a member of St. 

Louis Clowns of America Alley 128, where he had been 

librarian and currently, charities chair. 

A frequent visitor to the Ronald McDonald House in St. 

Louis, he also loved doing parades, skits and was a master 

balloon twister. He was teaching new clowns at his alley's 

clown school the night before his death. He was nominated 

for COAi 's Clown of the Year in 1996. 

Friends mourn his passing. 

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Alley 

update 

By Dan "Dano" Lake 

Director, Alley/Region support 

13005 Lakerldge Dr. 

St. Louis, MO 63138 

I've been COAi's Alley Coordinator since 1990 (except 

for one year, 1996). I've seen and heard many things concerning 

alleys, how they are structured and how they operate. 

There are many different styles and flavors when it 

comes to alleys. Are they a volunteer group, do they get 

gigs for their members, are they a combination of both? 

Alley concerns came up again during COAi's general 

membership meeting in Minneapolis. When the voting 

members considered a reworked set of Bylaws , they 

amended the changed Bylaws to keep in a provision that all 

members of COAi alleys must be members in good standing 

of COAi. In other words, nothing has changed between 

COAi and its alleys. 

When chartering an alley, COAi asks very little from a 

club that wants to hold a charter. Other than an increase in 

the one time startup fee, nothing has been changed as far 

as requirements to hold a COAi charter. Even when COA 

started many years before COAi, the bylaws stated you 

must pay a one time startup fee (currently $100), send in an 

annual report which includes an alley roster (the alley coordinator 

will send you an alley report form each year), have at 

least five members to start an alley, and all of your members 

must be COAi members in good standing. (that means all, 5 

to 100 or more, as long as you are a COAi charter). 

I recently got an interesting email from a member of an 

alley, saying COAi is just throwing the non-compliant alleys 

away, not caring what happens to them. The Board in general, 

and I in particular care about all of our alleys. I emailed 

this member, saying that nothing has changed as far as 

alleys are concerned. The 100 percent Bylaws requirement 

is still in effect , and has been since the beginning. As it 

turns out, the alley she belongs to started out as a 100 percent 

alley, and then someone decided not to uphold their 

COAi charter by not requiring their members be COAi. I told 

her it was her alley, and not COAi, that has the problem, and 

I have been trying to encourage her alley to become 100 

percent COAi. 

Way back in 1992, the COAi Board was going to throw 

the non-100 percent alleys out. The Board at that time 

wanted to have all of the COAi alleys 100 percent. What 

happened was that after the breakup of COA , the charte red 

alleys got very lax with enforcement with the COAi Bylaws 

and let some members join their alley without belonging to 

COAi. Before you knew it, one or more of those members 

took an office in the alley and decided that it was not an 

important bylaw , and things went downhill from there. 

That's just one example , and there are many combinations 

of having junior and seniors join their club with the 

same results . While we don't accept members into COAi 

until they 're 16, youngsters shouldn 't be considered full 

members of any alley with voting privileges until then. Some 

alley boards want to give alley membersh ip to anyone that 

helps out their alley and not have them join or help these 

people with COAi memberships . Then you get in to the 

politics of who is running the alley . An alley can make a lot of 

problems for itself when non-clowns and clowns with no 

investment in the alley get voting and decision-making positions 

and policy-making positions in an alley (a helpful hint). 

Then the issue of associate members. In my book, an 

associated alley member is: a non-clown with no voting or 

position-holding rights in the alley. Junior memberships: 

Children under the age of 16, no voting or office-holding 

rights in the alley. Seniors and honorary memberships: no 

longer clowning , no voting or office-holding rights. (I intend 

to bring the Board a proposal for a clear definition of asso 

Contlnued next page 

JOEY TO THE WORLD-6 

GOSPEL CLOWN CONVENTION 

January 28 th and 29 th , 2000 

Sagemont Church in Houston, TX 

Brenda "Flower" Marshall, Duane Laflin, 

Randy Christensen, ·chagy", Puppet 

Productions, Steve Kissell, Ralph Dewey, 

Kay "Toodles" Reed, Phyllis .. Daisy" Sheffield 

Register before January 1ot11 for $15.00, at 

The door the fee will be $20. 00 

For details, write to our mail center at: 

Joey To The World 

1202 Wildwood t>r. 

t>eer Park, TX 77536 

A Gospel Balloon Jam 

featuring John Holmes 

and Ralph Dewey will 

be at the convention. 

The New Calliope 33


Alley update -- 


ciate member.) 

Why would you want someone who isn't clowning making 

policy for a clown club? The complaint I get from some 

seniors is that they're on a fixed income and don't want to 

spend the money. Some alleys have fund raisers, such as 

company picnics, out-of-town parades that will sponsor a 

clown group to come in, mall activities and even bake sales 

to raise money to help pay for part of the COAi dues or 

make the local dues so low that they can afford COAi's 

dues. 

I don't know of a club in the world where you can be a 

member, get a great education and resourceful magazine, 

and be a part of so many different things for $20 a year. With 

scholarship programs, the Artist in Residence program, the 

chance to compete at a convention without a competition 

fee -- this stuff all adds up, and a lot of people want to be a 

part of it for free. 

I am proud to be a member of a COAi alley, and our 

whole alley is proud to be a charter of COAi. I also know that 

our alley follows the guidelines and educational philosophies 

of COAi, and we put out some really great clowns with 

a lot of clown knowledge through the educational tapes and 

Clowning 101 that COAi has offered us. 

As I have said before, COAi does not interfere with an 

alley's politics or how the alley is run. If the club wants to 

be a chartered COA i alley , they must comply with the simple 

COAi Bylaws. In 1992 after long discussion, the COAi 

Board decided to let the alley coordinator work with the 

non-compliant alleys , seeking to make them 100 percent 

compliant.There is no current date for this work to be completed. 

It is significant that with the revision of COAi Bylaws 

at the last general membership meeting , it was voted from 

the floor to keep the 100 percent regulation in place. 

As it stands at this moment, the non-compliant alleys 

receive no educational materials, no magazines for their 

resource library, and are not allowed to participate in COAi 

programs, such as the Artist in Residence , Best of Press 

Award , alley educational grant program , Clown Week , the 

CHARLIE Award , or the chance to host a regional or international 

COAi convention. 

Many COAi members who belong to different organiza 

tions, who go to those conventions and have those dues to 

contend with, say that COAi is a steal; COAi publishes good 

quality clown education and has excellent conventions , 

cheaper than any organization they have ever come across. 

Now, having said all of this, my article and information is 

reaching only COAi members. It's like preaching to the 

choir . If you are a member of one of the non-compliant 

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34 The New Calliope


alleys, find out where your alley members 

and officers stand on this issue. If 

your alley is not informed on what your 

feelings are on this issue, you should 

show and tell your non-COAi members 

what there is to receive from COAi.if 

the alley is not 100 percent COAi then, 

your members might have to make a 

decision in the future one way or the 

other. 

Here's an update on the 11st 

of COAi's active alleys: 

Alley 30 Free State Clowns, 100 

percent 

Alley 185 Sioux City Sillies , 100 

percent 

Alley 284 Big Sky Klown Alley 

Alley 264 The Joy Pleasers Clown 

Ministry 

Alley 312 Good News Clowns 

Alley 313 Gem Jester 

We have some new alleys: 

Alley 325: Alegres Payasos, 10th 

St. N-3, Fajardo Gardens , Fajardo, PR 

00860-5202 

COAi Membership 

Application 

(please type or print) 

NAME ........................................................................................ 

........... 

Last First Middle lnit. 

ADDRESS ........................................................................................ 

Street 

City State Zip 

DATE OF BIRTH. ............................. Age ............... Sex M. ........ F. ....... 

CLOWN NAMES USED .................................................................... 

SIGNATURE ............................................................. .......................... 

Annual membership fees: New Members (US) $25 

New members (foreign) $30 

Renewals US: $20 

Foreign $25 (US funds) 

Family membership: US, Foreign: $10 for second and 

additional members of one family. 

Send with remittance to: Clowns of America, Int. 

Box 6468 

Lee's Summit, MO 64064-6468 

Alley 326: 4-Ever Young, 13024 

Corrington, Grandview, MO 64030 

Alley 327: Paradise Clown Alley, 

17 Cheyenne Trail, Novato, FL 34113 

Alley 328: Cooper Caring Clown 

Unit, c/o Cooper Health System, Haddon 

Ave., Camden .NJ. 

Alley 329: Georgialina Clowns, 

661 Kingston Rd., Grovetown , GA 

30813 

Drop these alleys a line to welcome 

them into the organization . 

If you would like to start an 

alley in your area, first you need to 

contact me so I can send our COAi's 

alley startup kit. Then you need at least 

five clowns to start an alley. All of your 

members need to be COAi members 

at all times to hold a COAi charter. 

There is a one-time fee of $100. For 

more info write to me, or email me at 

the address on page 3 of this magazine. 

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The New Calliope 35


a room full of other plain clothes people, do children search 

you out for conversation and fun? 

Little kids 

• 

1 n 

big bodies 

By Mary "Sugar Plum" Lostak 

23911 Spring Moss Drive 

Spring, TX 77373 

The best thing that happened to me today was at the 

birthday party. A young girl, about nine, said, "You really like 

children , don't you?" I had been playing with some of the 

kids. I do love children. I love to watch them . You can learn 

so much just by observing . 

I love to watch them eat. They put everything into 

their enjoyment of the food. Watch how they eat a lollipop, 

snow cone or hot dog. Total enjoyment! They don't worry 

about manners or what people will think. Can you do that? 

My favorite thing to tell kids when they're eating a snow 

cone is, "Did you know that your tongue turns red if you eat 

a strawberry snow cone , purple with a grape, green with a 

lime one? So I thought if I ate a rainbow snow cone, it would 

make my tongue rainbow colors! But (said sadly) it doesn't. 

It turns it purple." This is good information to share! 

I love to watch them laugh and cry. They put 

their whole body into it. When they laugh, they laugh all 

over. Their face is moving, hands, shoulders , feet, 

sometimes they roll over on their back and sides when they 

laugh. Could your character do this? Try it, it feels great. 

Today was just a regular day of clowning, a picnic and a When they cry , there is no shame. It is a wholehearted 

birthday party. I was looking forward to clowning but faced display of unhappiness. They don 't care where or when or 

th~ day with a little trepidation because (don't call the clown who is watching, and as for being mad, wow , look out! Feet 

police) I went out without a wig in a stomping , arms stiff by their sides, face turning red, the 

baby doll top and shorts set that I made ..------------~ whole shebang. Use these observations to 

for clowning in the heat. It was 92 today make your actions real. 

with very high humidity. I was most concerned 

about the missing wig. Would 

the kids at the picnic notice I looked dif- {) 

ferent? (I had done some of their 

birthdays.) 

Well, it was a welcome surprise that 

nobody noticed or even mentioned 

the fact that I was minus a wig. The 

more experiences that I have like this 

one, the more I am convinced that you 

can be accepted as a clown no matter 

what kind of makeup you're wearing, or 

even the clothes. That is, if you have 

that special something: CHARACTER. 

I love to watch them put on clothes. 

It is so hard and takes a lot of concentration . 

And when they get the job done they are 

so proud, even when it's not just right. It is 

only as we get older and start hearing lots of 

criticism , especially disguised as advice, 

that we expect everything we do to be perfect. 

Most of all, I love to watch chlldren 

play. Listen to what they say. Their imagination 

has no boundaries. Anything can be 

believable. Let yourself enter this realm. I 

have some children on my block from five to 

eight years old. Of course they come to my 

Some find it hard to find their char ,....___________ _, house to show off their clown to their 

acter. It's in you. Let It Out Already! You will not find it in 

makeup or costuming or in your skills. These are just the 

tools for showing your true nature. 

You know you have it when children speak to you as an 

equal. They ask you if your Mommy made your dress.what 

grade you are in and such things. Do kids make that knowing 

eye contact with you even when you're not in clown? In 


friends.or for a balloon refill. But they also come to me as 

Mary, to play. I may be the talk of the neighborhood at times, 

although I believe my neighbors are used to my eccentricities, 

but it is worth it to play in the sprinkler.or dress Barbies 

or do whatever they like at times. They allow me to enter 

their play world, and it is a joyful thing. 

The more joy you have, the more it will bubble out of

you and spread to someone else. I have a very talented 

friend who is a natural clown. She has the ability to spread 

joy and let her child out to play. A few weeks ago, Janie Kay 

"Ruffles" Tenorio was invited to a wedding as Janie Kay. A 

little boy about five years old was naturally attracted to her. 

She danced and played with him. He didn't know anything 

about her profession. After a while, his mother came over to 

apologize about him staying glued to her side . Janie Kay 

told her that he was a lot of fun and she was used to kids 

because she made her living as a clown. 

The mother's eyes grew big and she said , "Oh , my 

gosh! I can't believe it. ... A little while ago my son told me 

that you were just a little kid in a big person body!" 

Try being a little kid in a big person 's body, and when 

you do, 

"CAN YOU COME OUT AND PLAY WITH ME?" 

Questions or comments, contact Sugar Plum at 

address below byline, or phone (281) 350-4432. email 

sugrplum@cheerful.com 

Who is it? 

By Bruce "Charlle" Johnson 

1602 Locust Way 

Lynnwood, WA 98036-9017 

How many of these clues do you need to guess the 

identity of this inductee to the International Clown Hall of 

Fame? 

1. He is an ordained elder in the United Reformed 

Church. 

2. The name of his most famous clown character is the 

same as his real middle name. 

3. He spent the first 25 years of his career as a tramp 

clown. 

4. In 1985, he created an immaculate traditional European 

whiteface clown wearing an all-sequin costume that 

had been originally created for Percy Huxter, a famous 

clown with the Bertram Mills Circus. 

5. He has been an auguste clown for 25 years. 

6. In 1991 he was invited to perform solo in an all-clown 

festival in the Leningrad State Circus, a permanent circus 

building constructed in 1886. 

7. He is a member of the Holy Fools, an interdenominational 

clown ministry group. 

8. He plays a nine-inch violin, a clarinet, and a soprano 

saxophone (in the key of Eb). 

9. He plays "Across the Sea to Skye " on a set of water 

filled bottles. The bottles were filled, tuned , and capped in 

1954. Except for one bottle that broke , they contain the 

original water . 

1 O. He is Arthur Vercoe Pedlar . 

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The New Calliope 37


No 1 -hour gigs 

for "Kooky" 

By Andrew "Kooky" Stevens 

COAi lnternatlonal Vice President 

34 High St., Easternon, Devlzes 

Wllshlre SN10 4PE England 

I am primarily a birthday party clown. I try to make my living 

from entertaining at such events. I thought members of 

COAi might be interested in the differences that may exist 

between parties in the United Kingdom to those in the 

U.S.A. 

A typical party held in the U.K. would run tor two to 

three hours with food somewhere in the middle. I am not 

going to look at the differences but tell you what a typical 

party that I would entertain at would be like. 

I am not the exception, but there aren't many clowns 

like me in the U.K. I wlll not entertain for less than 

two hours. To some that may seem a bit much, but if I 

break down the times you will see that I am not overdoing 

things at all. 

A lot of the clowns who do parties here do entertain tor 

less than two hours. An hour or less is quite normal. So why 

do I only entertain tor two hours or more? 

The first thing to consider is where I live. I live in a small 

village in a rural area and to get to the nearest large town or 

~ity is a ~o mile trip each way. This does, as you can imagine, 

restrict the number of shows that I could do in an afternoon 

or day. The chances of getting two in the same town 

in the same day are rare. This means that to cover the cost 

of traveling to and from the party, I have to raise my tees to 

make it worthwhile. I then have to look at the situation: Will 

clients pay this kind of fee for an hour only? The answer, in 

a word: NO! 

Another reason why I do not attempt one hour shows is 

that I am not a loud, boisterous clown. I like the slow buildup 

and to reassure the children that I am okay. I expect you 

have seen the child who is terrified of clowns after seeing 

them in the circus or the shopping mall or elsewhere, where 

they may have been throwing water about, etc. The party is 

a completely different situation and so needs a different 

approach. I like to gradually work the children up, as does 

any good children's entertainer. But unlike some, I will still 

be there to calm them down again later. 

When I had a proper job (before I really got into 

clowning), I would hear horror stories from parents who 

would book the local children's entertainer to come along 

and entertain at their children's party. As was the normal 

thing then, they would do their usual hour and leave. The 

parent then had to try and entertain the children who , due 

to the good work done by the entertainer, were by now very 

hyperactive, and uncontrollable (well , almost). 

With my entertaining tor the whole party the parents get 

the best -- a well entertained group of children, no problems 

with hyperactive children, and they can enjoy the party with 

the birthday child. 

You are still thinking: What does he do tor two hours? 

Let me break the time down. I will work on a party running 

from 3 to 5 p.m. I will arrive 15 minutes early so that when 

the children arrive I am all ready to start. The party is due to 

start at 3, but not everyone will arrive on time, or I have 

never seen it yet. So I will give out sticky name tags to each 

child as they arrive and just sit and chat with them until I am 

told that everyone has arrived. This usually takes 1 o 

minutes . The time is now 3:10. I haven't done anything yet 

except sit and talk. I will now do a short warm up, around five 

minutes. The time is now 3:15. I still haven't done anything 

except sit and talk. 

I now start the party offwith my almost famous Bag Routine, 

a unique turn with a bag of soft toy animals. This can 

take 15 to 20 minutes, or sometimes longer. It depends on 

the audience. The children will now play some games , 

which I will organize. Then after about 15 minutes, we stop 

tor food or tea. I have at this time actually entertained tor 

about 20 minutes. The clock reads 3:45 or later. 

Food at a party in the U.K. will be a full spread and will 

last for on average 30 minutes. I can sit and watch , but 

often I join in and help if required, again not hard work but 

good for public relations . 

Following the food the children will sing Happy Birthday, 

visit the toilet. Another 15 minutes gone. I am left with 

on average 45 minutes to fill .so we play another very quiet 

game for 1 O minutes or so and finish off with 30 minutes of 

magic , done by the children (I am NOT a magician). I then 

close the party down when the parents start to arrive. To 

make sure all the parents see me, I stay until all the children 

have gone home. 

As you can see, most of the time I am sitting down and 

talking to the children. If you break down the time you will 

se~ that actual entertainment time is not very long, probably 

a httle over an hour. I am being paid for two hours but enter 

taining for one. I admit I am spending two hours plus at the 

party, but I have nowhere else to go. 

The parents book me because they feel that they are 

getting good value for money, as I do two hours and the 

children have a lot of fun. The parents are not being left with 

a lot of hyperactive children who they cannot seem to control. 

I have to admit to entertain with magic tor all this time 

38 The New Calliope


would be hard, even with balloons would be hard. (I do not 

as a rule do balloons.) 

I have given you some idea as to what I do. Next time I 

will fill in some more detail of what my parties are about. In 

the meantime , for more information on the Bag Routine, 

just ask around. There are quite a few clowns who have witnessed 

me entertaining with it. 

If you have any comments or suggestions or would like 

me to describe a typical party for you, then do drop me a 

line. Til next time, take care, be the best you can , and listen 

to everyone. 

Competition through the judges' eyes 

By Bob "Bunky" Gretton 

Clown Week Chair 

3411 Lisa Clrcle 

Waldorf, MD 20601 

I entered my first clown competition in 1979. It was at 

the national convention of Clowns of America. I had been 

clowning for only two years and wanted to give it a try. 

Thinking back on it, I found it was a great learning tool. 

Over the years, my wife Teresa ("Slinky'') and I have 

competed and won several times in skits and paradeability, 

what I call the working side of clowning. We are also certified 

judges for COAi. We know what it is like standing before the 

judges for that first time. The mouth is dry, hands are wet 

and the knees are knocking. 

I could not understand why four people could say that I 

look okay and one person didn't like anything about me. 

That is when I came to the understanding that there is a difference 

between Data and Opinion. What I looked like 

(Data) and what someone did not like (Opinion) are two different 

things. I have always said that if all the judges say 

your wig looks bad -- it looks bad! If one judge says your wig 

looks bad, that's his point of view. 

Take all the knowledge you can from competition. Use 

the input to make your clown the best that it can be. 

Remember.whether you have been clowning for 30 years 

or just a couple, never stop trying to learn and grow in the 

wonderful art of clowning. 

Got questions, need answers? 

COAi's toll free phone is available from 

9 a.m. to 5 p.m. (CDT) Tuesdays and 

Thursdays: 888 52CLOWN 

My wife and I give talks to clowns the night before competitions. 

I would like to share with you some of the things 

we go over with the first timers and the old pros. 

The first piece of advice I pass on is, you should be 

going into competition because you want to learn and grow. 

If along the way you happen to win, that's great. 

Second and most importantly, remember to have fun. 

Yes, the judges are looking to find the best in you and at 

the same time find what you might want to improve on. Each 

judge also sees different things and has different opinions. 

You are being judged by the eye of the beholder. 

Also, remember that a judge did not fall out of a perfect 

box looking top of the line. He had to work hard to look that 

way. 

Now, let's talk about score sheets. In 1979, after my first 

makeup competition, I was given my score sheets. There 

were five judges. Four gave me good scores and told me 

what I might like to work on. The fifth judge just let me have 

it. He did not like this and he did not like that. I was downtrodden 

and felt defeated over his statements. 

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The New Calliope 39


Ambassador program 

is off and running 

By Keith "Toby" Stokes 

COAi Southeast Reglonal VP 

and 

COAi lnternatlonal Marketing Director 

Although COAi's International Ambassador program 

has been in place for less than a year, eight COAi members 

already have received appointments, and many more are in 

the works. Our International Ambassadors will be exchanging 

clowning ideas and skills with clowns all across the 

globe. It will be a show and tell situation where everyone 

can learn from each other. 

Persons who would like to be appointed as a COAi 

International Ambassador should get in touch with me. 

Requirements for appointment: 

+ Be a COAi member for three years. 

+ Submit a picture of yourself in clown. 

+ Be able to communicate with people in the country 

you'll be visiting . 

+ Be willing to make the visit at your own expense. 

+ Hold a show and tell, and seek information of clowning 

in the visited country ,. 

+ Be willing to work with COAi 's International Marketing 

Director. 

An identification badge with the Ambassador 's name 

and the name of the country to be visited will become your 

COAi passport to that country . You will receive a packet 

containing that badge, a COAi patch, a letter from COAi's 

president, names of clowns in the country to be visited , and 

a variety of informational material. 

To help contact clowns in the country you will be visiting, 

I'll write to that country 's ambassador in Washington, 

D.C., seeking their cooperation. The COAi International 

Ambassador, in turn , should follow up that contact. 

In our International Ambassadors ' meetings with clowns 

in foreign countries, we ask that they spread the love and 

the art of clowning , and that they help market COAi abroad. 

Here are the first COAi members who were appointed 

International Ambassadors: 

Rosanne "Pockets" Blass, of Clearwater , FL, who 

is going to Australia and New Zealand. A member of Clown 

Towners Alley #242 , Spring Hills, FL., she's a lecturer at the 

University of South Florida. 

Cecella "Rhinestone" Copeland, of San Angelo , 

TX , is going to Israel. She likes to teach juggling . 

Linda "PJ" Hulet, of Anaheim, CA, who will be 

clowning in Singapore. She is COAi's Southwest Regional 

Vice President. 

Wllllam F. "Kan-Tu " Lowell, currently stationed 

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40 The New Calliope

in England, who will be going to Germany. I met with him in 

England recently, and I can tell you, he can mystify you with 

his clown magic. 

Brenda "Flower" Marshall, of North Richland Hills, 

TX, who with eight other clowns will visit the Peoples 

Republic of China. Brenda is internationally known as 

COAi's immediate Past President. 

Nan "Iris" MIiier, of Claremont, CA, who will visit 

Turkey, where she'll meet with clowns in half a dozen cities. 

Susie "Lu" Waddell, of Powell, TN, who is going to 

Antigua, West Indies, where she will be leading clown ministry 

workshops. 

Forrest "Mugg Ins" Wheeler, of Veronia, OR, 

who will be going to Spain and Portugal. A winner of many 

clown awards, he and his wife travel extensively. 

'T i#~ 

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Now, how about you? If you're planning to travel abroad 

in the near future, you can make it doubly enjoyable -- and 

rewarding -- by becoming one of COAi's International 

Ambassadors. Get in touch with me at 

1539 Lake Clay Dr. 

Lake Placid, FL 33852 

Phone (941) 465-4438 Fax: (941) 465-2731 

emall: deelou@htn.net 

Clown of Year search opens 

Nominations are now being accepted for COAi's Clown 

of the Year 2000.The call for nominations comes from COAi 

Past President and Membership Director, Brenda Marshall, 

who directs the project. 

"If you see a clown who goes above and beyond the call 

of duty, not only for their audience, but for their community 

and for this art of clowning that we all love, please consider 

nominating them for COAi's Clown of the Year," Marshall 

said. 

Nomination criteria: 

+ Nominee should be a current active COAi member for 

at least five years. 

+ Letters of recommendation, including what nominee 

has done for the art of clowning and/or to promote COAi. 

+ A photo suitable for the cover of The New Calliope. 

+ Letters of support from other members . 

+ COAi Board members are not eligible. 

Deadline for nominations is Sept. 1, 1999. Nominations 

should be sent to Brenda Marshall, 7128 Oldham Place, 

North Richland Hills, TX 76180. 

From the nominees, Clown of the Year 2000 will be 

selected by the COAi Board of Directors at the group's fall 

meeting. The winner will be announced and featured in the 

January/February, 2000, edition of The New Calliope. 

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The New Calliope 41

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Emano's parents had been stricken with a deadly virus 

when he was quite young, and although his parents were of 

nobility, Emano had been raised by a shepherd who took 

him in. The shepherd practiced juggling and magic solely 

for his own enjoyment and many nights he entertained the 

young Emano by telling fantasy stories to him. And as 

Emano grew, the shepherd taught him his skills. 

When Emano was 17, the shepherd took ill and Emano 

rode into town to seek help, but when he arrived back it was 

too late. The shepherd had moved on to the great beyond. 

Emano took the skills he had learned from the shepherd 

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(603) 679-3311 (voice or fax) - www.clownsuppHes.com 

USE THE BEST •. 

11 0riginal 11 ; ,,' 

ALBERT THE STICKER MAN STICKERS 

See Full Page ad in Past & Future Issues. 

For Samples & Info, Send large Stamped 

Self Addressed Envelope to: 

HOLLY SALES 

9926 Beach Blvd, # 114 

Jacksonville, f lorida 32246 

The King having requested that Emano elaborately 

announce his forthcoming celebration presented its first 

real challenge to the Jester. He pulled from a large multicolored 

pocket on the side of his trousers a wand and 

waved it from side to side saying, "I shall wave this wand 

prior to making the King's eminent announcement.' 

The King smiled at the Jester's use of the word eminent, 

but then said, "Of what value is a wave of a wand? That 

hardly excites me and if it hardly excites me it will hardly excite 

the members of my court. If you can do no better than 

this, then I shall have you assigned to the barn, where it will 

become your daily job to clean the donkey stalls." The King 

gave the Jester a rather serious look as he said this. 

"But, your royal majesty, you have not seen what is to 

be seen, for if it were seen prior to my showing it, then you 

would know of it before it was made known." 

"Am I supposed to understand that gibberish?" asked 

the King. 

"Shall I consolidate?" retorted the Jester. 

"Only if you wish to stay out of the stalls," said the King. 

"I have shown you a wand," said the Jester, "but all you 

have seen is the wand, not the celebration that the wand 

can announce." 

"The wand looks as if it is only a wand," said the King. 

"Precisely," said the Jester. "Otherwise there would be 

no element of surprise." 

"If you are going to impress me, I suggest you do it with 

haste," threatened the King. 

The Jester began: 

"A wave of the wand from side to side, 

It looks as if there's nothing to hide. 

But the King has something special to tell, 

And the Jester will do it with a yell. 

Come forth, come forth one and all 

(The Jester lifted the wand above his head and flycasted 

it forward, sending hundreds of small sheets of confetti 

tissue high above the king's head.) 

The King would like all to attend his celebration 

ball." 

The king was so amazed as he watched the snowstorm ' 

of tissue descend about him that he applauded loudly and I 

told the Jester his act had earned him a spot at the royal 

table that night for dinner. What transpired that night at dinner 

is a story in and of itself and we shall save that for 

another telling. Emano had taken a first step forward. 

What I have done here is build a story to accommodate 

a prop. The idea is to entice my audience into the story, 

which you can change or modify to suit your personality. 

Everything is built around the premise that nothing happens 

until the very end -- and then there is that satisfying 

ending coupled with a teaser that there's more to come the 

next time. This story uses only one prop -- the Confetti Flutter 

Wand. Enjoy! 

42 The New Calliope


Another great day for Florida joeys 

By Jerry "Yo Yo" Yarbrough 

Uptown Clown Alley #301 

Despite the threat of thunderstorms and high winds, 

116 clowns showed up to make the second annual Florida 

Clown Day Jan. 23, 1999, a huge success. Hosted by the 

Uptown Clowns COAi Alley #301 and Largo's Recreation 

and Parks Department, we welcomed clowns from alleys all 

over the Sunshine State. Fifteen alleys were represented. 

The clowns met in the Largo Cultural Center and pitched in 

to paint faces, make balloon animals (one on stilts), perform 

·magic, meet and greet and entertain an estimated 4,000 

kids and their families. 

The Lady Lake and Spruce Creek alleys rolled in on a 

chartered bus with 49 clowns. They missed the group 

photo because their bus had to leave early, so this year's 

photo (see back cover) shows considerably fewer clowns 

than were actually there. 

Other Florida clown alleys represented were the Caloosa 

Clowns (Ft. Meyers), Circus City Clowns (Sarasota), 

Clowns Galore (Clearwater) , Clowns Like Us (Englewood) , 

Clown Towners (New Port Richey), Morton Plant Mease 

Clowns (Clearwater), Sahib Temple Shrine Clowns 

(Sarasota), Suncoast Classical Clowns (St. Petersburg), 

The Parables (Melbourne), Toby's Clown Alley (Lake 

Placid), and the Winter Haven Clowns. A clown from Cousin 

Otto's Alley in Delavan, Wis., was there along with tour Florida 

clowns not affiliated with any alley. 

Now, 116 clowns out of the 131 who sent in advanced 

registrations is one terrific number, considering the weather 

forecast predicted violent storms that afternoon. We were 

lucky. The anticipated storm waited until long after the 

event closed before the rain started. 

Keith Stokes was there promoting the association. 

It was a remarkable day, and everyone had tun . Largo's 

plan to erect two 20x40' tents was scrapped due to the 

severe weather forecast. One tent , called the "Fun House ," 

was going to be headquarters tor the face painters and balloon 

twisters . The other tent was going to be the "Clown 

Lounge" where clowns could rest and have lunch. Maybe 

we can do it next year. 

Our sincere thanks to all of the clowns who were there 

and contributed their time and talents. Florida is blessed 

with many fine clowns who were willing to donate a Saturday 

afternoon to make a lot of kids and their families happy. It 

makes me very proud to be a Florida clown. We love you 

guys and look forward to seeing you at our millennium celebration 

on Jan. 22 for "Florida Clown Day 2,000." 

Send us a picture of your character and we will put 

.on a High Quality Cotton T-Shirt. Have a great idea 

for promoting your work? We'll put it on a T-shirt. 

Any size avalible. Only S 18.95 postage included. ~-, 

Call John or Myra Coclnl at (502) ll1-90D or 1 : 

send for inforllation to: Custo11 Dttipd T-Shirts 111 . 

8704 Astrid~~· Louitrllt, 

., ~ -=-...; =-JJ.L: 

With the big crowds, there's no telling how many faces 

we painted. We do know that 14 gross of 260's were 

passed out to balloon twisters, so lots of kids walked away 

happy with a balloon or two. 

We noticed a number of local clowns who did not come 

in clown but did shop for clown supplies. Albert the Stickerman 

kicked things off with a thought-provoking lecture on 

"Down Home Clowning." Albert was also a dealer and the 

auctioneer tor our charity auction on behalf of the Stepping 

Stone, the Uptown Clowns' adopted charity. Jim Green, Mr. 

G's Magic, was the magic dealer. Wayne and Marty Scott 

offered clown shoes and props, and Stan Stromsky 

brought more clown supplies. Colin Johnson, from Wallington, 

Surrey, England, added an international flavor with his 

clown shoes. Other dealers were COAi's Executive VP, 

Cherie Venturi with her wigs, and Treasurer Tony Jones 

from Costumes by Betty. COAi's Southeast Regional VP 

$ 13 

NO "O" Rings to Stick ( 

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NO Valve to Break 

NO Electrical Power ~ 

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Light Weight 

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PLUS 14.50 S&H Field Tested 

THE AMUZEMET/ST-937-294-6952 

59 SPIREA DRIVE DAYTON OHIO 45419 

) 

The New Calliope 43

CalQndat 

\ 

W.R.C.A. CONVENTION 

IN LAUGHLIN, NEVADA 

NOVEMBER 7 -11, 1999 

LECTURES, SEMINARS AND WORKSHOPS 

FOR THE BEGINNER, INTERMEDIATE 

AND ADVANCED PERFORMERS. 

.. t@ffl{j)~VU'VU@if$" 

"@~1Jfb~I$ r!@I IJfbfb W@W/1 

tfb@II9ifUif© if~~@$ " 

SPECIAL GUESTS INCLUDE: 

1M VE M"CHELL, NULA BIGGIO, 

LARRY MOSS OF BALLOON HEAOQUARTERS, 

BETT'I CASH, AUNT CLOWNEY, JIM HOWLE, 

THE BALLOON OUOE, THE WAY COOL 

IALLOON GUYS, HARRY ALLEN & MORE . .. 

CONVENTION FEE: $85 POSTMARKED BY 8-1-99 

$90 AFTER 8-1-99 AND AT THE DOOR 

JUNIOR JOEYS : $45.00 (UNDER 18 YEARS) 

REGISTRATION INCLUDES CLASSES, BANQUET AND MEMBERSHIP 

SPECIAL ROOM RA TES - $33.00 

RIVERSIDE RESORT HOTEL & CASINO 

FOR HOTEL RESERVATIONS CALL: 

(800) 227-3849 

SPECIAL ROOM RATE INCL. 5 BUFFETS EACH FOR TWO PEOPLE 

FOR ADDITONAL CONVENTION INFO CALL: 

President, Jack Frank or 

Secretary, Pat Frank 

at (714) 897-0749 / FAX (714) 894-3945 

E-mail to WRCA@juno.com 

=============================----------- 

REGISTRATION FORM 

NAME ______ _ .CLOWN NAME __ _ 

ADDRESS _______ _ ____ _ 

CITY ______ STATE __ ZJP ___ _ 

PHONE(___} __ .__ _ AGE IF JR. JOEY __ 

IS THIS YOUR FIRST TIME TO A W.R.C.A. CONVENT ION? __ 

AMOUNT ENCLOSED$ __ _ 

MAKE CHECK PAYABLE TO: W.R.C.A. & SEND TO: 

WRCA, P.O. BOX 1975, HUNTINGTON BEACH, CA 92647 


Aug. 7-12: '99 Mooseburger Camp , Koinonia Retreat 

Center, South Haven, MN. Into.: (800) 973-6277 

www.mooseburger.com 

Aug. 11-14 : International Festival of Children's 

Magicians, Pigeon Forge , TN. Into MSD Productions Box 

1296, Mocksville , NC 27028. ph. (704) 546-2397. 

Aug. 12-15: Northeast Clown Convention , 

Albany .NY. Into.: www.webclowns.com /eccoclowns / 

Aug . 21-27: Advanced Studies , Hendersonville , NC. 

Contact Linda or Leon McBryde . Ph. (540) 473-2271 . 

Sept. 16-19: Clownfest '99, Seaside Heights, NJ. 

Into: National Clown Arts Project, Inc. 240 Swimming River 

Rd., Colts Neck, NJ 07722. 

Sept. 16-19: "Nobody 's Fool," a clown ing 

conference on humour and healing. Winnipeg , Manitoba , 

Canada. Into: Ph. (204) 779-9600 . email: 

clown@pangea.ca. 

Sept. 22-26: South East Clown Assn. 18th annual 

convention , Orlando North Hilton, Altamonte Springs , FL. 

Into.: (919) 859--6400, or (706) 860-224 7. 

Sept. 23-26: 11th Northwest Festival of Clowns, 

Spokane, WA.Info: Andi or Julie Rothweiler (509) 467- 

6216. email juliesquirt@sisna.com 

Oct 1-3: Kentucky Clown Derby, Executive West 

Hotel, Louisville , KY. Into.: (919) 785-2377/ 

Nov. 7-11: W.R.C.A. Convention, Laughlin,NV. Into: 

(714) 897-0749. email: WRCA@juno.com 

Nov. 11-14: COAi North Central Convention, Best 

Western Airport Red Coach Inn, Wichita, KS. Into.: (316) 

686-4471 or email jimsracing@prodigy.net 

Nov. 11-14: National Gospel Clown Conference, 

Green Bay, WI. Info: (920) 468-1122. 

Feb. 18-20, 2000: Show Me Clowns For Jesus, 

Clown Ministry Blow Out 2000, Windermere Retreat Center , 

Lake of the Ozarks , MO. Info.: (800) 736-6227 ext. 511. 

email : showmeclowns@juno.com


ro 

> 

•- 

I • 

en 

Cl) 

s: 

..c 

t 

0 

z 

..c 

I • 

Spokane, WA 

Featuring: 

REX NOLEN 

also featuring: 

Judy Quest, Albert Alter, Bruce Johnson, 

Karen Reinholt, Gene Cordova, Angel Ocasio, Marlene Azar, 

Donna Krewson, Ron Daley, Andi & Julie Rothweiler 

LODGING 

Shilo Inn 

E . 923 Third Ave . 

Spokane , WA 

(509) 535-9000 

Room Rates: 

$69 .00 + tax 

(up to 4 in a room) 

Hot full breakfast 

Call hotel direct for 

reservation s: Mention 

NW Fest. of Clowns 

Register early ! 

< 

Make checks payable to: CJS 

Mail to: Clown Jungle Safari, 

< 

803 E. St. Thomas Moore Way 

Spokane. WA 99208 

I 

Rainforest Theme Show 

with live animals 

Millennium Party & Suprises 

One of a kind Banque t Show 

Open Mic 

Red Nose format for 

Performance Competition 

Open face painting/Balloons 

Unique Dealers & much more 

Workshops designed 

for Novice, Advanced 

Jr.,Clowns 

& performers 

Unique workshops: 

Hands On Class es: 

1-1/2 hours 

Unlimited Leaming 

Possibilities 

More Festival info contact. 

Andi or Julie 509-467-6216 or 

E-mail juliesquirt @sisna .com 

~ 

0 

-, 

~ 

en 

::T 

0 

""C 

CJ) 

Name -- -- -- - -- -- 

Clown Nam e 

-- --- -- 

Address -- - ----- -- --- - - - -- -- 

City, State, Zip ---- - - -- - - --- - ---- 

Phone 

E-Mai l 

--------- --- --- --- 

Full Registration includes all workshops, perfonn ance comp., banquet & festivities. 

Safari T-Shirts $14.00 _ LG XL $16.00 XXL XXXL 

Fees: (includos banquet) .. $85.00 

After Sept. I .... $99.00 

Convention Fee 

- --- 

Additional Banquet $25.00 __ 

T - Shirts --- - 

Total Fee Enclosed -- -- 

The New Calliope 45



Income, expense and balance statement 

REVENUE 

Membership 

Alley charters 

Magazine ads 

Merchandise 

Convention 

Interest 

Misc. 

Education Auction 

Web page 

as of May 31, 1999 

Apr ./May YEAR TO DATE 

$5,344.36 $74,426.51 

223.00 1,523.00 

3,500.00 22,596.03 

3 ,856.00 8,081.00 

42,926.66 

3,015.00 

1,220.00 

43,335.16 

3,015.00 

1,050.00 

Let 'em know 

you belong 

Multi-colored shirts with COAI logo: 

Size 2X $25.00 

Size 3x $28.00 

(only sizes available) 

Add $3.00 postage and handling 

Post-paid 

stuff! 

White T-shirts w/wagon logo: 

Sizes L-2x $10.00 

Size 3x $12.00 

Patches 

Pins 

Decals 

New stuff! 

Multi-colored Hats 

License plate holders 

$3.00 

$3.00 

$1.00 

$15.00 

$ 3 .00 

Order: Walter R. Lee 

1347 Ava Rd. 

Severn, MD 21144 

( Checks payable to COAI) 

TOTAL REV. $58,868.02 

EXPENSES 

Returned checks 

New Calliope prod'tion 4,779.00 

Editor fee 4,865.00 

New Calliope postage 1,500.00 

Computer service 3,383.14 

Postage 1,892.18 

Printed matter 533.42 

Merchandise 4,640.63 

Cl Hall of Fame 

Publicity 

Convention 

Education 

Misc. 

1,657.22 

81.36 

Fall Board meeting 52.99 

Officers phone/postage1 ,062.05 

Trophies 2,049 .39 

Board meeting 10,371.88 

Professional services 200.00 

National Office 330. 71 

Innovation/development 198.57 

Clown Artist/ Residence 425.00 

Directory 

Web page 

Insurance 

Tax payment 

TOTALEXP. 

300.00 

100.00 

(135.00) 

$38,267.54 

BALANCE SHEET 

Carry over from 

last period 21,122.76 

Total revenue 58,868.02 

Total expenses 38,287.54 

Money Mkt.Acct. 

Money Mkt Transfer 

Petty cash 

NET CASH BAL. 41,703.24 

HELD IN CDs 

Respectfully submitted, 

Tony R. Jones, Treasurer 

$155,227.67 

65.00 

22,387.00 

28,690.00 

7,667.54 

18,294.09 

5,055.32 

8,607.80 

7,698.98 

314.01 

1,657.22 

262.02 

296.79 

4,137.35 

2,265.90 

2,673.01 

12,787.36 

6,006.02 

3,026.86 

290.07 

1,874.50 

13,070.79 

6,600.00 

1,996.59 

$155,733.22 

41,703.24 

155,227.87 

155,733 .22 

$46,890.96 

2,000.00 

41,703.24 

132,951.87 

46 The New Calliope

(llu-0(ll @Ju-0 

TO ORDER CALL 

1-888-523-2640 


(ll ~If)(!,~[/ u-0 & 

$7° 0 per roll 

or 

3 rolls for $17 50 

Each sticker is 2" in diameter and comes on a roll of 250. 

When order ing don't forget to ask for our product list. 

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Hope to hear from 1:1ou soon! 

~~ 


ON WHITE 

STICKER NUMBER STICKER SINGLE AOl.L 

NUMBER OF ROLLS DESCR IPTION PRICE 

Shipping & Handling 

TOTAL 

TO TAL. ROU. 

PRICE 

$4.00 

Visa , MasterCard , American Express accepted . 

Call 1-888-523 -2640 

Or send check or money order to: 

The Gag Bag 

501 W. 84th St. 

Kansas City, MO 64114 

C 1997 THE GAG BAG by Rex Nolen 

VISIT US ON TH£ WEB AT: WWW.MOOSEBURGER.COM"\GAGBAG.HTM 

The New Calliope 47

uly/August , 1999 

Here are some of the 116 joeys who turned up in Largo, FL, to help celebrate the 

second annual Florida Clown Day earlier this year. See page 43 for details . 


P.O . Box 6468 

Lee's Summit, MO 64064-6468 

Perlodlcal Postage 

Paid at Bluffton, Ohio 

48 The New Calliope

July_Aug_1999

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