March_April_1998

Clowns of America International
Lee's Summit , MO
March/April, 1998
Volume 15, Number 2

March/April, 1998
THE NEW CALLIOPE is
published bimonthly:
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64064-6468.
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New Calliope should be sent to
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The New Calliope
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Deadline for the May/June, 1998,
issue is April 15, 1998.
Calendat
Aprll 24-26: Northwest
Comedifest '98, Angel Ocasio's NW
School of Clowning, Maryhurst College,
Portland, OR. (360) 260-8557.
May 13-16: Comedy College,
Las Vegas NE. Info: (757) 423-3867.
May 13-17: Clown-O-Rama,
Ocean City, NJ. Info: Dana "Dazzle"
Endresen (732) 591-2600.
May 15-17: ClownTown,
Newarak, OH. Info: (740) 345-3880.
May 15-17: "Learn the art, live
the heart," by Northeast Assn. of
Christian Clowns, Groton, MA. Info:
Laura (781) 447-3782.
May 29-31: Clown Fun '98,
Calgary, Alberta. Info: Margaret
Beaulieu (403) 281-5907.
June 3-7: "The Mix," (circus and
ministry), Bismarck, ND. Info: Randy,
Ph. (701) 258-8293.
June 6-7: Greatest two-day
clown seminar on earth, Girls, Inc., of
Pinellas Park, FL. Info: "Luv" at (813)
546-7325.
June 17-20: Comedy College,
Norfolk, VA. Info: (757) 423-3867.
June 26-27: Christian
Clowning , illusion, juggling and
puppetry convention. Felician
College, Rutherford, NJ, campus. Info:
(800) 893-5402.
June 28-July 3: Kanuga
Conferences (Christian Clowning
Conference), Info.: Kanuga, Dept. C,
Postal Drawer 250, Hendersonville ,
NC 28793. Ph. (704) 692-9136.
July 9-12: Country Clown
Jamboree, Branson, MO. Info: (919)
870-0780.
July 16-18: 17th annual
Funhouse Big 3 Convention,
Gaithersburg, MD. Info: (410) 633-
6420.
Aug 8-13: Mooseburger Camp.
Info: PO Box 700 Maple Lake, MN
55358. Ph. (800) 973-6277. Web site:
www.mooseburger.com
Aug. 20-23: 23rd Northeast
Clown Convention, Bedford, NH. Info:
Shortee (603) 692-2442 or Grand Moo
(603) 679-3311.
Sept. 17-20: Clownfest '98,
Seaside Heights , NJ, National Clown
Arts Project. Info: 240 Swimming River
Road, Colts Neck, NJ, 07722.
2 The New Calliope

March/April, 1998
Published for members of Clowns of America International, Inc.
MARCH/APRIL, 1998
VOLUME 15, NUMBER 2
COAi OFFICERS
EXECUTIVE COMMITTEE
PRESIDENT: Brenda Marshall, 7128 Oldham Place, North
Richland Hills, Texas 76180. Ph (817) 281-6610
nowertc@flash.net
EXEC.VICE PRESIDENT: Cheri Venturi, P.O. Box 367,
Destrehan, LA 70047. Ph. (504) 764-0080. cherioats@aol
SECRETARY: Teresa Gretton, 3411 Lisa Circle, Waldorf, MD 20601
301) 843-8212
TREASURER: Judy Quest, 906 S. 117th Court, Omaha, NE 68154.
Ph.IF (402) 334-4857. jquest@nncf.unl.edu
SERGEANT-AT-ARMS: Walter R. Lee, 1347 Ava Road,
Severn. MD 21144. Ph. (410) 551-7830
DIRECTORS
MEMBERSHIP: Jack Anderson, 4560 Sussex Ave.,
Jacksonville, FL 32210 Ph. (904) 388-5541.
EDUCATION: Dan Lake, 13005 Lakeridge Dr., St Louis, MO 63138.
Ph. (314) ~. danodclown@aol.com
CONVENTIONS:Trudi Sang, 10135 SW Katherine St., ngard, OR
97223. Ph. (503) 620-3473
ngardjsang@sfovmicl. vnet. ibm.com
ALLEY, REGION SUPPORT: Hunter Stevens, 1342
Sylvan Way, West Bend, WI 53095 (414) 338-3569.
REGIONAL VICE PRESIDENTS
Northeast: Mike Fixer, 365 Mather St., Unit 155,Hamden, CT 06514-
3134. Ph. (203) 288-3824. mfixer@vvor1dnet.att.net
North Central: Joyce Olson, P.O. Box 379, Fremont, NE
68025. Ph. (402) 359-4131 or (800) 441-5414.
Northwest: Andi Rothweiler, E. 803 St. Thomas Moore Way,
Spokane, WA 99208 Ph.(509) 467-6216.
Mideast: Gary Zwerin, 4125 Stagwood Dr., Raleigh, NC
27613. Ph. (919) 782-8841. designers@mindspring.com
Midwest: Patricia Bothun, 27 Maple Ave. N .• Box 700,
Maple Lake, MN, 55358. Ph.(320) 963-6277.
mooseman@lkdllink.net
Southeast: Keith Stokes, 1539 Lake Clay Dr., Lake
Placid, FL 33852. Ph. (941) 465-4438. deelou@ct.net
South Central: Kay Veale Henry ,3217 Boulder, Odessa, TX 79762.
PH. (915) 368-0746.
Southwest: Linda Hulet, P.O. Box 789,Anaheim, CA
92815. Ph. (714) 778-2931.
Canada: Kate Gregg, 964 Garnet St., Regina, Sask. S4T 2X5. Ph.
(306) 781-7288.
Latin Countries: Julio Capacetti, Calle 5 S.E. 972 La
Riviera, Rio Piedras, PR 00921. Ph. (787) 781-5783.
trombon@coqui .net
International: To be appointed.
CONTENTS
Calendar .................... .................................... 2
Letters ....................... ............... .................... .4
Strutter keeps 'em laughing (and reading) ....... 6
'X' marks the spot... .............................. ......... 8
Meet the candidates..................................... 9
Regional Vice Presidents ....................... ...... 1 4
Parade props and gags ...................... .......... 26
Adjusting our focus ............................ ......... 28
Making a difference ................... .................. 31
The impressionable years ............................ 32
Last walkaround .................... ........ .............. 40
Florida Clown Day draws 3,00 ....................... 41
Making rounds with Dr. Bugg ........................ 42
From the President. ............... ........... ........... 43
Alley update ......... .................... ................... 44
Storyline magic .......... ................... ............... 45
Treasurer's report ............................ ............ 46
ON THE COVER: Jim "Strutter" Roberts
Is not only one of clowndum's top "howto"
authors, he's taken on an Important
committee for COAi. Story page 6.
STAFF
Business Manager: David Barnett.PO Box 6468, Lee's
Summit, MO 64064-6468. Ph. (888) - 52CLOWN
New Calliope Editor: Cal Olson, 2000 Outer Dr. N. #523, Sioux City,
IA 51104. Ph./Fax (712) 239-4599. caJolson@willinet.net
COMMITTEE CHAIRS
Clown Week: James Roberts, 1019 Pawnee Dr., Elizabethtown, KY
42701-2020.
Competition: Leo Desilets, 1080 New Haven.Unit 110,
Milford CT 06460. Ph. (203) 877-3869.
The New Calliope 3

March/April, 1998
Lettet~
It's magic, it's magic!
By Nancy "Luv" Peters
8630 55th St.
Plnella Park, FL 33782
was watching the contest.
~=- -1
..._ __
I would like the
person in this photo
to have this copy . It is
unique in the fact
that she looks like
she is holding a
person on her hand .
It was taken in Puerto
Rico at the COAi
Convention in 1996 .
Her number in
paradeability was
340, and she looks
like she is looking
right at the person.
This is not trick photo
work. I didn't even
see the people
.-., playing tennis in the
background when I
Editor 's note: Subject of the photo can get the print by
contacting me.
She'd start special alley
By Cynthia "No-Body" Ulble-Bryson
8950 Mornlngton Dr.
Jacksonvllle, FL 32257
For the past 13 years I have been a clown in
Jacksonville. A little over two years ago, as a result of a
surgical procedure, I became disabled. Since that time my
clowning has been limited, and I need a wheelchair or
electric cart a great deal of the time in order to get around.
I would like to get together with other Joeys who are
also physically challenged and form an alley of our own by
corresponding through the mail or phone , and further
providing a support group for each other, not only on a
local scale but nationally as well. This would also give us an
arena for competition in makeup and costume that we
cannot compete in at this time.
I'm anxious to receive any feedback on this subject. I
can be reached at the above address or at this number for
phone and fax: (904) 731-7643. I sincerely believe that our
disability should not prevent us from continuing in a craft
which we have loved and enjoyed for years .
A gig in Indiana?
By MIiton Otto, Parade Chairman
Historic W. 8th St. Neighborhood Assn.
Box 483
Anderson, IN 46015
We are a not-for-p rofit organization for the purpose of
the preservation and beautification of the West Eighth
Street Historic District. For the past 26 years , we have
organized the Gaslight Festival as our primary fund-raiser.
Many years we have a parade to kick off the festival.
We have obtained the permission of Mrs. Skelton to
dedicate the 1998 Gaslight Parade to the memory of Red
Skelton. The parade theme will be "Bring in the Clowns ,"·
with an attempt to establish a Guinness record for the
number of clowns in a parade.
We want to invite the participation of all clowns and
clown groups , professional, amateur and wannabes, to
participate in our parade which will begin at 11 a.m. on June
13, 1998.
Write to me for details.
Florida joey needs help
By Keith "Toby" Stokes, SE Reglonal VP
1539 Lake Clay Dr.
Lake Placld, FL 33852
Last Feb. 11, Rick Riciardelli, who is the current
president of SECA, and his wife and two young children
lost everything they owned (except their magic trunks
which were in a car) to a fire in their rented trailer. His wife,
Sandi, who is also a full-time clown , was burned on the
head and arms but is doing OK and out of the hospital.
They had no insurance. If any one wants to make a
donation there is an account set up at the Colonial Bank of
Bonita Springs, PO Drawer 2648, Bonita Springs , FL
34133. Make checks out to Colonial Bank - Riciardelli Fund.
The account number is 500264406 . The bank's phone
number is (941) 992-2201.
Since clowning is his entire livelihood, I thought some
of the clowns in COAi might want to contribute to one of
our own. Thanks for your support.
4 The New Calliope

March/April, 1998
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The New Calliope 5

March/April, 1998
Strutter
keeps
' em
laughing
( and reading)
Jim "Strutter" Roberts is one of the nation's bestknown
joeys, not for his clowning ability (which is
awesome), but as author of the definitive textbook on
clown appearance: Strutter's Complete Gulde to
Clown Makeup.
This book, now in its third printing, has helped
thousands of clowns design, apply and improve their
makeup. It is the only book on the market devoted entirely
to clown makeup, and the only book that deals with
designing a clown face. It's used throughout the world.
Clown students at the Moscow State Circus School prize
Jim's book. A portion of it has been translated into Russian.
And he's not a one-shot author. His latest book, Jack
Tales, contains 25 stories about the misadventures of
COAi Past-President Jack Anderson. Two other books are
in the works: Funniest Rope Routine In the World,
and Strutter's Gulde to Balloon Routines.
A long-time COAi member, Jim recently was appointed
COAi's International Clown Week Chairman.
"I plan to build on the super program {past chair)
Stephanie Richardson put together," he says. "She leaves
a pair of very large shoes to fill {pun intended). If I can build
on the program she has generated, citizens of the USA
and other countries will know about clowns and
International Clown Week.
"If you've got ideas to share about Clown Week, please
get in touch with me."
Jim's clown character, Strutter, is a happy hobo.
They've attended many COAi conventions. In 1990, Jim
won first place in tramp makeup competition at the COAi
Convention in Albuquerque. A year later in Indianapolis, he
placed first in group skits, and third in single skits. He's also
won single skit, group skit, makeup and master
Strutter performs at a camp for chlldren
with cystic fibrosis In North Caronna.
competitions at the regional and national level.
He's a lecturer, too, appearing at COAi conventions as
well as other national and regional events. He's scheduled
to speak on clown makeup at the National Costumers
Convention in Orlando this summer. Jim has been on the
staff at both Clown School and Pinky's Gospel Clown
School.
One of the highlights of his career was his visit to
eastern Europe with 17 other clowns several years ago. He
was able to perform for children in hospitals in Poland, for
school children in the Soviet Union, and to do walkarounds
at the Moscow Circus.
He says the trip taught him that "Children are the same
throughout the world. Regardless of what language they
speak, they show their delight with laughter -- and that's a
universal language."
Jim's favorite venue? School shows. They give him an
excitement he can't describe.
High on his must-show list is one on substance abuse
preventions. It's titled "Strutter's 'SAY NO' Magic Show,"
which he takes to schools throughout Kentucky free of
charge. Clowns in Wisconsin, Florida and South Carolina
have patterned shows after this one.
When not clowning, lecturing about clowning or writing
about clowning, Jim owns and operates a screen print,
embroidery and uniform shop in Elizabethown, KY.
6 The New Calliope

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March/April , 1998
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The New Calliope 7

March/April, 1998
~ - ~ -
~ ~
'X' marks the spot
Twenty-two candidates are running for offices in
COAi's biennial elections this spring.
While all 20 positions on COAi 's Board of Directors are
open in the coming election , not every office has
candidates. One Director's slot (Conventions) has no
candidate, and two regional vice presidencies (South
Central and Canada) have no candidates.
There are no opposing candidates for any position on
the Executive Committee (President, Executive Vice
President, Secretary, Treasurer and Sergeant-at-Arms , and
only half of the 1 O regional vice presidential slots have two
or more candidates. Here's the rundown:
EXECUTIVE COMMITTEE: incumbent Treasurer
Judy Quest, of Omaha , NE, is running for the office of
President.
Incumbent Executive Vice President Cheri Venturi , of
Destreehan, LA, is running for reelection, as are Secretary
Teresa Gretton, of Waldorf, MD, and Sergeant-at-Arms
Walter R. Lee, of Severn, MD. Tony A.Jones , of Lutz, FL, is
running unopposed for the office of Treasurer.
DIRECTORS: Only two of these offices are being
sought. Dan Lake, of St.Louis , MO, the incumbent
Education Director, is running unopposed for the office of
Director for Alley and Region Support. A newcomer , Rex
Nolen, of Kansas City , MO, is running unopposed for the
office of Education Director. There are no candidates for
Convention Director.The immediate past president,
Brenda Marshall, of North Richland Hills, TX, now
completing her second term in the top spot, succeeds to
the office of Membership Director.
Contests have developed in five of the races for
Regional Vice President. Among them:
North Central: Incumbent Joyce Olson , of Fremont,
NE, faces Jim McGuire , of Rogers, AK.
Midwest: Incumbent Patricia Bothun , of Maple Lake,
MN, faces Jerry Cole, of Lansing, II.
Southeast: Incumbent Keith Stokes , of Lake Placid
FL, faces Annette Darragh , of Birmingham, AL.
Latin Countries Three candidates have filed -- Rosa
Banchs, of Mayaguez, PR; Maritza Laboy Morales, of
Caguas , PR, and Pedro Santos , of Bayamon , PR. The
incumbent, Julio Capacetti, of Rio Piedras, PR, did not run
for another term.
INTERNATIONAL: Andrew Stevens of Wiltshire ,
England, faces Campbell McPhee, of Wembley, Western
Australia. This seat has been vacant for the current term.
In other regions , three incumbents and one new
candidate are running unopposed for Vice President:
NORTHEAST:
CT.
SOUTHWEST:
CA.
Incumbent Michael Fixer, of Hamden,
NORT HWEST: Albert Alter, of Portland , OR.
MIDEAST: Incumbent Gary Zwerin , of Raleigh, NC.
Incumbent Linda Hulet, of Anahe im,
There are no candidates for Regional Vice President in
the South Central and in Canada. These two seats will be
filled through appointment by the Board of Directors
immediately after the new Board has been seated July 1.
Persons wishing to be considered for South Central
and Canada VP should submit resumes to Secretary
Teresa Gretton . Only residents of these regions may apply
for their particular office. Resumes must be postmarked no
later than June 1, 1998. The appointments will be first
order of business for the new Board.
ELECTION PROCEDURE: Business Manager
David Barnett says that ballots will be mailed out in mid­
April. They must be returned by the date shown on the
ballot (mid-June). Ballots will be color-coded according to
regions, and ballots will contain the Executive Committee
office , the three director seats, and only the vice
presidential candidates for the particular region.
Accordingly , joeys should vote for each office on his/her
ballot.
Resumes of all candidates will be found on the
following pages.
8 The New Calliope

March/April, 1998
Meet the candidates
I President One candidate I
Judy 'Dear Heart' Quest
906 S. 117th Court
Omaha, NE 68154
If I am elected President of COAi, clown hearts will
reign supreme! I have been proud to serve as your
treasurer for eight years. During that time, I was the creator
of two new programs: Clown Artist in Residence and
Excellence in Clowning.
As "Dear Heart," I am a
working clown of 16 years,
usually performing every week.
My favorite type of clowning is
for children in the hospital. I am
a charter member of Omaha's
Wild Clown-Oum Alley #147
and teach, mainly in the area of
hospital clowning.
As president, I would make
sure that COAi is a viable
organization available to each
and every member, whether a member of an alley or an
individual member. Our new 888 number and the Web
Page are examples of how our growing organization can be
more in touch with all of you. I would also initiate ways in
which COAi would recognize and promote individuals and
alleys who extend their clown hearts all over COAlland!
xec. Vice President
One candidate
Cheri 'Cherri-Oats' Venturi
19 Belle Helen Dr.
Destrehan, LA 70047
Many of you know me as
the "Wig Lady," that helps on a
bad hair day, or the clown that
moves all over the country. I
would like to thank you for
giving me the privilege and
honor to represent you as
Executive Vice President for
the past two years. I am again
asking for your support to
continue the job that I started.
BCO (Before Cherri-Oats), I taught school for over 25
years. My degree is in education from Marquette University.
My recent teaching has been in the area of clowning. I have
lectured at both COAi and WCA conventions, along with
regional conferences and alley meetings. I have been on
staff at Clown Camp in Wisconsin, Clownfest, the Very
Special Arts of Indiana, the Clown Around in Tennessee
and Moose Camp.
'
I have enjoyed working within the organization to
further our educational goals and to support and help direct
the wishes of COAi's members. As Executive Vice
President, I have worked on the By-laws and have retained
a committee to help bring them up to date. I have also
helped with the financial planning and the education
committee.
Our organization is multi-faceted and is growing in
many areas. I have been proud to be a part of this growth
and know I can contribute more in the future . I bring to
COAi my clowning background, my business experience,
and my willingness to contribute to continued
communication between members and Board.
My goal for this next term will be to promote more
educational experiences by allocating more funds toward
projects that will benefit the members directly.
I secretary
One candidate
Teresa 'Slinky' Gretton
3411 Lisa Clrcle
Waldorf, MD 20601
In the summer of 1996, a very efficient Ruth Erkkila had
to unexpectedly step down from the
office of COAi Secretary. I submitted a
resume and was appointed by Madam
President, with the approval of the
Board, to step into those very large
footprints. I am still finding much room
to fill, but learning quickly with the
support of the other Board members.
I now ask for your support in voting
for me to continue the role of
secretary to this great club. The
current board is working very well
together and is always looking out for
the members at large. As Secretary, my job is to keep up
Continued next page
The New Calliope 9

March/April, 1998
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Candidates--
From preceding page
with it all. I'm usually the quiet one, simply because my
concentration deals with what I'm hearing and sorting it out
with my computer.
"Blinky" was born in 1979 after a bunch of Shrine clowns
captured and clownapped her for a couple of hours in their
hotel room, completely altering her appearance
(unrecognizable even to me). What an experience! It
began a whole new chapter in my book of life and led to
invitations to everywhere, including the White House and a
children's television program, "Clowning Around with
Bunky," as co-host.
You might know me as the "other half' in the
husband/wife act of "Bunky and Blinky." As a couple we
have frequented COAi conventions for many years. I also
served a term as president of Kapitol Klowns Alley #6, after
serving as "first lady" the term before. That may be a first!
I began entering competitions in the '90s. It has been
worth waiting for, as I have found that a little time and
creativity can bring Top Ten awards in skits and
paradeability, with a second place in group paradeability last
year in Sturbridge, and first place in group paradeabililty at
Clownfest 1997.
!Treasurer
One candidate
Tony R. 'Junior' Jones
1872 Daiquiri Lane
Lutz, FL 33549
I am interested in being the next Treasurer of COAi, and
ask for your support. I have been self-employed for the
past 15 years, keeping all the tax records and books for my
own successful companies. Most recently my business
experience and my clown
involvement crossed paths
when I had the opportunity to
become Betty Cash's partner in
Costumes by Betty. I feel my
experience in balancing the
books, filing all the tax returns
and managing my companies
from their beginning through
their growth and ultimate
success well qualifies me for
the office of COAi Treasurer.
My involvement with the
clown community has been extensive, from working as
"Junior" both in and out of my community. I was one of the
co-founders of "Clown'ln Around Tampa," the local COAi
1 O The New Calliope

March/April, 1998
alley that is getting bigger and stronger every month. I have
been clowning for over a decade in venues such as
circuses , fairs , company picnics, grand openings and stage
shows . I have obtained extensive training in the art of
clowning at numerous schools and seminars on clowning at
national as well as regional conventions coast to coast.
I now teach the skills I have learned from this extensive
education and years in the field, to clowns at all levels. In
1997 I taught at over 50 different events nationally, and in
past years I have taught at the Sanford University in
Birmingham , AL, Clown Camp at the University of
Wisconsin , and have been on staff for two years at
Advanced Studies. In addition, I have taught at regional
conventions, local and regional schools and at Clown Fest.
I feel that you never stop learning and growing in the art
of clowning. With my extensive travel, I can help COAi's
membership learn more about the organization, and grow
with it.
gt. -at-Arms
One candidate
Walter R.'Wally' Lee
1347 Ava Road
Severn, MD 21144
I am running for an eighth term as COAi Sergeant-at­
Arms. It has been a pleasure for me to serve under six
presidents and with such a diverse group of officers. My
clowning experience began a little over
38 years ago with the annual Christmas
program at work. In November, 1969, I
joined our predecessor organization,
and was given the number 788, which I
still hold. In 1972, I became the first
President of Free State Clown Alley
#30 in Baltimore, MD, and am currently
serving as alley Treasurer.
My other clown activities have been as a
judge for the Tall Cedars of Lebanon convention, Mid­
Atlantic Shrine convention, two Northeast Regional
conventions, past COAi conventions, the Northwest
Regional convention, and by the time you read this, the
1998 ISCA convention.
I have performed with Alley #30 at the Big Three
convention and have been part of the makeup
demonstration and class at the first St. Louis COAi
convention, along with members of Alley #30. My clown
name is "Wally," but I am probably better known as one of
the bartenders at the Alley #19 hospitality rooms, as I
happen to be a member.
Continued next page
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The New Calliope 1 1

March/April, 1998
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Candidates --
From preceding page
I am a retired Federal Government employee with over 35
years of service. I have been married to Joanne, my wife for
34 years, and have two sons, a great daughter-in-law, and
three grandsons.
I am currently the person to whom all send requests for
patches, pins, decals and shirts. I wish to thank you in
advance for your support.
Dire Ct Or (Education)
One candidate
Rex 'Junior" Nolen
501 W. 84th St.
Kansas City, MO 64114
I began my clowning career in 1992 as a way to visit a
children's hospital or even be in a parade. Clowning has
taken me on a journey, and I am forever grateful. I have
,----------, attended numerous clown
schools and workshops around
the country, receiving training
in movement, skits, magic and
makeup. The training has
helped me to perform over 250
times a year, from birthday
parties to circus gags. I have
held the office of Treasurer in
my alley. I have just had the
honor of being named one of
COAi's Clown Artists in
Residence.
I have been on the staff of Mooseburger Camp for the
past two years and lecture at seminars around the country.
My company, The Gag Bag, puts me in contact with clowns
from all corners of clowning.
Tony Jones
1872 Daiquiri Ln.
Lutz, FL 33549
Betty Cash
2181 Edgerton St.
St. Paul, MN 55117
For the best value in top quality clown
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When not clowining I teach elementary Physical
Education, a job I have done for 16 years. Being a teacher
as well as a clown, I know the importance of education.
What can I bring to the office of Director of Education?
A fresh outlook and a professional viewpoint, coupled with
a passion for clowning. Education is most important to all of
us, but it does no good if the membership does not receive
it. I will do my best to make sure this happens.
Thanks for your consideration.
COAi:
the
simply
best
12 The New Calliope

March/April, 1998
Director(Alley/Region Support)
ONE CANDIDATE
Dan 'Dano' Lake
13005 Lakerldge Dr.
St. Louis, MO 63138
In 1980 is when it all began. I went to a seminar to learn
clowning, found out about COAi, joined the St. Louis
Clowns of America Alley #128
and jumped in feet first. Four
years later I became the St. Louis
Alley's fourth president and have
been on their executive board
one way or another since.
I joined COAi's Board in July of
1990 as the North Central
Regional Vice President, and
continued in that position until
1996,when I became COAi's
Educational Director. I have
been involved in international
clown competitions as a judge and help oversee balloon,
skit and parade competitions.
I was appointed Alley Coordinator in 1990 and, except
for one year I have held that position. Since 1991 I have
helped out in the education department's production of
COAi's skit tape.competition tape, judge's tape, parade
tape, Clowning 101 book and the Apex. I am currently
working on the next tape and hope to help out in the
eudcation department in the future.
As a member of the COAi Board, I have made many
friends from around the world, and have made it my
business to be active in making this organization one of the
best in the world. I love being a member of COAi and look
forward to serving its members as Director of Alley and
Region Support, to help the alleys and this organization
grow.
Director
(Conventions)
To be appointed
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The New Calliope 13

March/April, 1998
Regional Vice Presidents
Northeast
Connecticut, Maine, Massachusetts, New
Hampshire, New Jersey.New York,
Pennsylvania, Rhode Island, V~rmont
ONE CANDIDATE
Michael 'Shenanigan'
Fixer
365 Mather St., Unit 155 Incumbent
Hamden, CT 06514
As COAi's elections approach, I seek your support in
electing me to a second term of office as Northwest
Regional Vice President. My experiences as a clown and
,---------,,,=-=.---~ businessperson over the past
two decades allow me to bring a
solid understanding of
clowning as well as strong
financial and management skills
to this continually growing
corporation we call Clowns of
America International, Inc. My
diverse background and skills
will assist in positioning COAi as
a strong, viable organization
well into the next century.
Since beginning my clowning career in 1980, I have
had the opportunity to perform in almost every venue
possible. I am a 1990 graduate of Ringling Brothers and
Barnum & Bailey Clown College and performed with the
Clyde Beatty Cole Brothers Circus in 1993.
I am currently a member of The Sawdust Clowns, Alley
#66 in Stratford, CT, and have been a member of COAi
since 1986. With my partner, Shirley Sutton, I have coauthored
a regular column on clown props for
Laugh*Makers Magazine since 1993.
When not clowning, I am a certified Cash Manager as
well as Vice President and Product Manager in the Global
Services Division at Fleet Bank. I have also held positions in
cash management at The Hartford Insurance Group and as
the Cash Manager at Yale University.
I believe I have made a positive impact on COAi during
the past two years. If elected, I promise I will continue to
work for the betterment of COAi and its members.
North Central
Arkansas, Iowa, Kansas, Missouri, Nebraska,
North Dakota,Oklahoma, South Dakota
TWO CANDIDATES; VOTE FOR ONE
Jim 'Maxie Mumm' McGuire
2223 S. 16th St.
Rogers, AK 73758
Jim "Maxie Mumm" McGuire, a clown since 1964, joined
the old Clowns of America in 1969. He is co-founder and
.-----------~ served as President of Alley
#229, of Rogers, AK, for the
alley's first three years. He has
helped organize and instruct
classes the past six years at a
day-long workshop that the
Rogers Alley hosts.
When Jim isn't doing birthday
parties, picnics.school
programs, nursery schools,
fund-raisers.promotions, grand
openings, Christmas
shows.parades, shopping mall appearances or restaurant
table-hopping,he's giving a sawdust talk on the art of
clown_ing at local civic groups. All this in addition to working
on skits to perform with his partner "Minnee Mumm," his
identical twin sister.
Says Jim: "I would like to be the North Central Regional
Vice President in an effort to give back some of what I have
received over the 30-plus years of clowning. In the five
years that my local alley has been a part of COAi, we have
not been blessed with a visit from our Vice President or
another other national officer, and I am sure that other
remote alleys haven't either. I would like to correct that
trend and make myself available to the remote and small
alleys who maybe can't attract or afford major personalities,
as well as the larger alleys."
Joyce 'Ida-No'
Olson
PO Box 379
Incumbent
Fremont, NE 68025
It has been an honor to serve as North Central Regional
Vice President this past term. I have attended all meetings
Continued page 16
14 The New Calliope

March/April, 1998
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The New Calliope 15

March/April, 1998
Candidates --
From page 14
of the COAi Board since I have taken office.
I have been clowning actively for 1 O years and have been
a member of COAi and Omaha, NE's Wild Clown-Oum Alley
#147 the entire time. I have
served my alley in every office
with the exception of secretary,
and some offices more than
once. During these 1 o years I
have attended most International
COAi Conventions, all North
Central Regional Conventions
and have performed in Europe,
the Persian Gulf and the United
States. I have won awards in
makeup, skits and paradeability at
national and regional
conventions, and sat on judging panels at both national
and regional conventions.
During my term in this office I started a regional newsletter
and this fall the North Central Region had its first official
regional organizational meeting. North Central Region has
grown during this term.
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I believe the purpose of COAi is to educate clowns
everywhere, whatever their level. I believe in positive
humor.
I would like to continue to serve you as COAi North
Central Vice President. I ask you for your vote and support,
and I promise to act on your behalf. I will continue to work
with alleys and the clowning community. I will continue to
promote COAi and encourage all to use humor to be better
individuals and clowns. I will continue the newsletter I
started and look forward to seeing you into the 21st
Century at alley visits and conventions.
I'm so glad I'm a clown! I hope you're glad you are, too!
Northwest
Alaska, Idaho, Montana, Oregon, Wyoming,
Washington
ONE CANDIDATE
Albert Alter
5848 S.E. 18th Ave.
Portland , OR 97202
Albert Alter is president of Rose City Clown Alley #196 in
Portland, OR, and has been a headliner and instructor at
several COAi international and regional conventions. He
toured with the red unit of Ringling Bros. and Barnum &
Bailey Circus and was the
= ~ • assistant director of their first
RBBB Clown College Japan in
Tokyo. He opened for the
Smothers Brothers with his
clown show, "Alter & Reece,"
and has performed with the
Oregon and Washington-Idaho
Symphonies, and on television
and in films. He tours
internationally, performing and
teaching clowning, mime,
physical comedy and circus skills
at conventions, schools,
colleges, prisons, churches and
mental hospitals. Albert also performs with Angel Ocasio
and is co-producer of "The Physical Comedy Video Library"
series.
Says Albert: "If elected I would work to continue to make
the Northwest Region the strong region for COAi that it is
now. I would also work to keep it innovative and a source for
helping COAi grow as an organization. I would work to
increase the communication between alleys and to help
the alleys with educational opportunities for not only new,
but experienced clowns as well. I believe one of the
strongest mandates for COAi is the education of its
membership and the continued growth of their clown
16 The New Calliope

March/April, 1998
characters and their skills . I would also work to help the
alleys in the region try to increase their visibility in their
communities, and to be of service to their communities.
Mideast
Delaware, Kentucky, Maryland, North
Carolina, Tennessee, Virginia, Washington ,
D.C. , West Virginia
ONE CANDIDATE
Gary 'Calvin Klown' Zwerin
4125 Stagwood Dr. Incumbent
Raleigh, NC 27613
Once again I am asking for your vote for the office of
Mideast Regional Vice President. I have found my first two
years as Regional VP to be an
educational experience. Being
on the Board of Directors takes
some time to become
acquainted with the
procedures of the organization.
Now that I have accomplished
this, I am ready to spend more
time working with alleys within
the region and help them
become more knowledgeable
on the programs which COAi
provides to all its members .
I am in the process of setting up the first annual
Mideast COAi Regional Convention , tentatively planned
for October of this year. There are other things I would like
to do to help COAi improve and help every member grow to
their full potential in clowning. One such example would be
a regional newsletter that we could use to pass on useful
information to each other.
There have been many enhancements that we have
worked on , and I would like to remain on the Board to see
these changes to completion. To do this, I will need your
vote again. Together we can make the Mideast Region the
region everyone wants to emulate and make COAi even
better than it is today.
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Midwest
Illinois, Indiana, Michigan, Minnesota,
Ohio, Wisconsin
TWO CANDIDATES; VOTE FOR ONE
3
Patricia :~'!~~ burger' Both u n
27 Maple Ave. N., Box 700 Incumbent
Maple Lake, MN 55358
I would like to thank everyone involved in making COAi a
terrific clown organization. My past two years serving as
your Midwest Regional Vice
President have been
•
'
•
.
'
~
rewarding and challenging. I
am very proud of our region
and the things we have been
able to accomplish.
During my term I have worked
on various projects. I was on
the committee to standardize
regional affiliations. This will lay
the groundwork for
establishing a sanctioned
regional convention and make
these conventions eligible for educational funds.
I have worked on the new convention guidebook that will
help make hosting a convention regionally and
internationally much easier. I am currently working on a
proposal for COAi-funded scholarships and educational
matching funds for the regional and international
conventions.
There is much work to be done. I look forward to your
continued support in the Midwest.
Jerry 'Chatter' Cole
17840 Oakwood Ave.
Lansing, IL 60438
Jerry "Chatter" Cole has been
clowning for more than 15
years. He has been a member
of Calumet Clown Alley #78,
Hammond , IN, for more than
12 years , involving himself in
such clown activities as
hospital visits , parades and
charity events, using balloons,
face painting and skits in these
venues . He has also been a
Shrine clown for more than 1 O
Continued next page
The New Calliope 17

March/April, 1998
Candidates --
From preceding page
years and is a member of the Orak Shrines of Michigan City,
IN. As a Shrine clown he has participated in Midwest
events: parades, Shrine hospital visits and competition,
winning several first and second awards.
Cole has attended many COAi conventions and is a
member of the Midwest Clown Association, winning several
competitive events during his 15-year membership. He
attended Purdue University clown class under Janet
Tucker as instructor and has attended many clown seminars.
He is a past editor of the national Shrine association
magazine and editor of Orak Shrine quarterly newsletter.
Cole is currently a merchandising executive with a local
food broker and is a flying enthusiast, instructor in
marketing at a local junior college and a member of the
Board of Directors of Food Club of Chicago. He's a
graduate of Southern Illinois University and attended
DePaul University in marketing.
Says Cole: "As Midwest Regional Vice President, I
would enhance COAi communications among all alleys and
activate educational seminars for these alleys, plus help
plan their regional events. I would emphasize
professionalism in clowning and always keep my door
open for any clown alley."
Southeast
Alabama, Georgia, Florida, Mississippi,
South Carolina
TWO CANDIDATES; VOTE FOR ONE
'Miss
A nne tt e D h
Pockets' arrag
2504 Plantation Point Lane
Birmingham, AL 35226
I have been a professional clown for 13 years. I am
currently the Executive Director of
Clowns Care, Inc., a non-profit
organization which I founded in
Birmingham, AL, in 1995. At Clowns
Care I teach volunteers in the art of
clowning, promoting COAi in all my
classes. We have currently graduated
over 100 clowns who work primarily in
hospitals, children shelters, youth
facilities and nursing homes. We also
have a staff of volunteer clowns that
work out of the Clowns Care office. My responsibilities
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18 The New Calliope

March/April, 1998
include recruiting, training, coordinating and fund-raising
for all programs and activities that put those much-needed
smiles back into people's hearts.
Clowns Care won the 1997 Lotus Award, which is a
state-wide award given for outstanding achievement for
improving the equality of life for people with disabilities. We
also won the 1997 Outstanding Project Award given by the
Council of Clubs to local non-profit agencies for their work
in the Birmingham community.
I have attended several COAi, WCA and regional
conventions. Specializing in balloons, I have won many first
place awards in balloon competitions, also_winning f~rst
place in makeup competition in WCA and first pl~ce in
group skit competition in Midwest. I ~each clowrn~g and
balloon classes for Samford University and at various
Southeastern clown schools.
1 am a very energetic, self-motivated individual and ask
you to elect me as your next Southeast Regional Vice
President.
Keith 'Toby' Stokes
1539 Clay Lake Dr. Incumbent
Lake Placid, FL 33852
It has been an honor to serve all members of COAi as
Southeast Regional Vice
President. During my tenure we
have seen the region grow.
Numbers of clown members and
three alleys have been added to
the region.
I learned the art of downing as a
Shriner. I am a caring clown, trying
to improve myself and help others
? to learn the art. Toby's Clown
1111-....:... ........::a-:----
School is held twice a year in which,
as the teacher, I have taught more than 200 the basics of
clowning. The Mural Society paid honor to my school by
painting a large mural on one of the Lake Pl~cid business
buildings.Since retirement as CEO and President of a large
life insurance company, I have been able to devote full time
to clowning and to COAi. President Brenda Marshall has
appointed me as a member of COAi's finance committee.
I'm excited about all of our challenges and
opportunities in COAi. I desire to continue to help all of
Southeast's alleys by attending your meetings and your
workshops, by publishing news of COAi happeni~gs ~nd
to be here to answer your questions. My clown office 1s on
the Internet and I do have a fax, all available for your use.
I humbly ask for your vote and support as a candidate
for COAi's Southeast Regional Vice President.
Continued next page
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The New Calliope 19

March/April, 1998
Candidates --
From preceding page
South Central
Colorado, New Mexico, Texas
TO BE APPOINTED
Southwest
Arizona,California, Hawaii, Nevada, Utah
ONE CANDIDATE
Linda 'Shylo' Hulet
404 S.Claudlna St. #5 lncumben
Anaheim, CA 92805
I will appreciate your vote for the office of COAi Southwest
Regional Vice President. I have held this -position
.--------~
successfully for a number of
terms and feel I have fulfilled
my duties with passion and
professionalism.
My clown characters include a
whiteface named "Shyla," an
auguste named "PJ," and a
lovable bag lady named
"Gladys Pumpernickel."
Many of you, first of mays and
joeys alike, have had my help
in creating a face that knocked 'em dead. Whether at Clown
Camp or an alley meeting, I am always eager to share my gift
and knowledge of clowning with others.
I bring to this position my years of clowning experience,
including performances in Japan, Mexico, Russia and now,
just finishing a tour in Taiwan. Your vote for me will ensure
that you will be represented with enthusiasm.
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Canada
TO BE APPOINTED
Latin
Countries
THREE CANDIDATES; VOTE FOR ONE
Rosa 'Titi-Lulu'
Banchs
JJ27 Castllla Sultana Park
Mayaguez, PR 00680
Saluda a mis compafieros de habla hispana. Deseo
presentarles mi candidatura a Vicepresidenta para la
Region Latina.Me entusiasma
esta oportunidad de poder
servir en la Junta de COAi y
poder aportar representando
nuestros intereses . Debemos
agradecer a los compafieros
que nos han representando
dignamente en la Junta y que
tanto han logrado por nuestra
region .
Ahora en 1998 cumplo 20
afios de payasa y ustedes
saben que el payasear es
esencial para mi vida. He apoyado y respaldado las
convenciones nacionales e internacionales y participado
activamente en las mismas , obteniendo primeros lugares.
He ofrecido conferencias, servido de jurado y evaluado
convenciones. Mis logros y premios, presentaciones en y
fuera de PR, estudios y experiencia me hacen sentir
capacitada a asumir coma lider las tareas que me requiera la
posicion.
En 1997 culmine un "suefio" que era grabar un CD y se
produjo: "Yo soy Titi Lulu." Ofrezco un sistema de
seminarios basicos, intensivos y avanzados en el arte de
payasear. A muchos de uds. los conozco a traves de mi
tienda:
"Balloons & Clowns ." Aparte del "payasear," poseo un
Bachillerato en Ciencias Secretariales con concentracion
en administracion de la Univ. de PR. Domino 100% el
ingles, lo cual estimo de vital impotancia en esta posicion.
Tengo muchas ideas novedosas que aportar y una agenda
de trabajo diferente para nuestro futuro. Con tu voto
continuare trabajando en pro de nuestra clase en la Junta
de COAi, defendiendo nuestros derechos y hacernos
sentir.
Un voto de mis hermanos y amigos latinoamericanos sera
un voto de confianza para respaldar a quien los defendera
20 The New Calliope

March/April, 1998
con todo su corazon y sinceridad.
Maritza Laboy Morales
PO Box 8515
Caguas, PR 00726
Llevo 17 anos desarrollando mi personaje de
"Burbuja," compartiendo
---------. experiencias, educando a otros
en el arte, pero sobretodo;
concientizando sobre el
carisma especial que debe
tener todo payaso. Durante
estos anos he tormado parte
activa en organizaciones de
payasos a nivel nacional,
ocupando diferentes cargos
dentro de la directiva de estas.
Anualmente asisto a la
convencion de COAi
representando a Puerto Rico, donde he obtenido diversos
premios.
Perocupada por la carencia de material educativo en
espanol para payasos, desarrolle el primer video educativo
("El Arte de ser Payaso") de maquillaje profesional, en sus
tres categorias. He tenido la gran satisfaccion de impartir el
curso "El Arte de ser Payaso," en la Universidad de Puerto
Rico (Recinto de Cayey), siendo este el primer curso en
recibir patrocinio de una universidad puertorriquena. En al
ano 1997, tui seleccionada Payasa del Ano de la Region
Latina.
Comprometida con mi clase, hoy deseo, me des la
oportunidad de trabajar para ti como Vice-Presidenta
Regional para pafses latinos. Entre mis projectos, desearfa
establecer un programa de educacion continua en la
region, tomentar el intercambio cultural con payasos de
latinoamerica, promover principios de etica y excelencia en
los payasos, celebrar una reunfon trimestral para discutir
inquietudes, actividades o logros de nuestra region y de
iqual manera establecer dicha comunicacion con los demas
companeros de la region, de quienes nos encontramos
separados por nuestra posicion geografica.
"Trabajando juntas con orgullo, amor y alegrfa,
construiremos un futoro mejor para nuestra Region."
Continued next page
• One Million Liability Membership is $85 Per
Year or Any Part Thereof With NO Deductible.
Policy Renews April 25th.
• Certificate of Insurance to be Sent Out
From The Master Policy.
• Available to Any Clown in the U.S.
• Need Name and Complete Address
With a Check Made Out To:
CLOWNS OF THE U.S. INC. ·
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Woodbury, MN 55125
Ph: (612) 738-0280
The New Calliope 21

March/April, 1998
Candidates --
From preceding page
Pedro "Piruli" Santos
Box 3859
Bayamon Garden
Bayamon, PR 00958
Desde el ano 1971, soy el primer payaso de Puerto
Rico, en pertenecer a COAi socio 1132, participando 23
convenciones, 15 reuniones
de la Junta de Directores en el
mes de Noviembre.
Es un placer comunicarle a
todos mis buenos companeros
payasos en la Region Latino
que estoy nuevamente
disupesto a ocupar el cargo de
Vice-Presidente Regional, con
mis nuevos planes de trabajo.
~---:lll'-IC.L....:...........:..:.:........i Durante mis pasados 13 anos
del 1983 al 1996 ocupando la
posicion de Vice-President Regional, asistiendo a todas la
reuniones de la junta directiva, donde realize una labor
exelente, que beneficion a los payasos en la Region
Latina. Con mi esfuerzo y estusiasmo que requiere
este puesto, varias de mis mociones fueron aprobadas por
la Junta de Directores, nunguna otra region de COAi habia
presentado muchas mociones para beneficio de sus
socios.
Certificado de particpacion en la competencias para
todos a nivel internacional desde el ano 1988. La
publicacion de una columna en espaflol con informacion
de interes para ustedes. La traduccion en espaflol del
reglamento, reglas de competencias, hojas de evaluacion
de la competencias, codigo de etica, y oracion del payaso.
En la convencion del 1990 se comenzo el sistema de
los traductores en espanol para los payasos de la Region
Latina siendo esta una recomendacion que ha beneficiado
a todos.
En la reunion de la Junta de directores en Noviembre
de 1994 presente la mocion para que los Video Cassetes
de educacion, sean traducidos al idioma espaflol, para toda
la Region Latina. La mocion fue aprobada por
unanimidad.Para sorpresa de todos los Alley, estan
recibiendo los primeros videos de educacion traducidos al
espanol. En el pasado les informe que la Region Latina
area de Puerto Rico, tendra la Casa del Payaso Salon de la
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22 The New Calliope

March/April, 1998
Fama, que ya cuenta con una junta de directores, su
proposito es reconocer los valores artistico y exaltar al
Salon de I Fama a los payasos en nuestra Region Latina,
que sera auspiciada por organizaciones de payasos, en los
Estados Unidos, y la empreza privada.
Nuevamente le solicito a mis compaf\eros payasos que
me den voto· de confianza y apoyo, para regresar a trabajar
con mis nuevos planes de trabajo, para enaltecer al payaso
en nuestra region.Dare todo mi esfuerzo, dedicacion que
requiere este puesto.
Cuento con tu voto y repaldo.
International
TWO CANDIDATES; VOTE FOR ONE
Andrew 'Kooky"
Stevens
34 High St, Easterton
Devlzes, Wlltshlre, SN 10 4PE
My name is Andrew 'Kooky" Stevens. I live in England
and would like to be considered for the position of COAi's
International Vice President
I have been into clowning since 1967, first as an
experiment, then as a paying hobby and finally in 1987 as a
full-time professional. I am basically a party clown and proud
of the fact, although I can, and do, do other things. I
consider myself an expert at ad-lib, whatever that means.
1!..!::===-ii=:!.~iiiii;;;ii,;,....Jt!L~:::1
I have taught at Clown Camp in
'88, '89, '91 and '93, and
attended WCA conventions
annually for the last 8 years as
Overseas Director. I will not be
standing this year due to
changes in their rules. I have held
the office of Vice Chairman for
Clowns International for two years
in the past.
My years as Overseas Director for WCA I believe will put
me in good standing for dealing with the situation that
exists with members around the world. I am very
disappointed with the situation as it is at the moment within
COAi -- two years without an International Vice President
and so few members within the United Kingdom. These are
two things I would like to put right.
Please do not think that my application is one of
anti-WCA. It is not. I will continue to support WCA as and
when required. I look upon the role as International Vice
President for COAi as a challenge and also an opportunity
to keep in touch with some of the clowns who are
members of both organizations.
Continued next page
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l he New Calliope 23

March/April, 1998
Candidates --
From preceding page
Campbell
._______ ....;... ___
'Sonza' McPhee
------. 23/181 Cambridge St.
Wembley, Western
Australla 6014
My name is Campbell
Aloysius McPhee and have
been performing as a clown
for over 30 years; the last 1 O
or so as "Sonza," the wellmannered
safety clown,
using magic and comedy to
teach children and adults
_. good manners and safety.
During those years I also
worked for a while in a circus as one of the ring clowns and
began to collect clown and circus memorabilia/artifacts.
I have several trophies that I have won at magic
conventions (children's competition) and in 1993 got
together with several other clowns to see if they would be
interested in forming a group that would meet on a regular
basis for mutual support and socializing. So was born the
Clowns' Society of Western Australia, Inc. I have been their
Hon. Secretary for two terms and in 1995 took a
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I am also the state representative (Lennon Bros. Tent)
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My aim is to encourage the clowns of today and
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I look forward to serving members of COAi as their
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Delio,
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When you gotta talk about
COAI stuff -- change of
address, status of your
membership,
magazine
delivery, call COAI 's tollfree
business number:
1 ( 888) 52CLOWN.
Call between 7: 30 and 11: 30
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COAi Membership
Application
(type or print)
NAME .....................................................................
Last First Initial
ADDRESS ............................... St. ....... ZIP .......... .
BIRTH DATE ........................ SEX: M ........ F ........ .
CLOWN NAME(S) .............................................. .
SIGNATURE .......................................................
Annual Membership Fees:
New Members U.S.: $25
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Send application and remittance to:
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New Members Foreign: $30
Renewals Foreign: $25
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24 The New Calliope

The 23rd Northeast
March/April, 1998
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The New Calliope 25

March/April, 1998
Patadl! ptop~
and gag~
By Lee "Juggles" Mullally
1817 S. W. 76th Terrace
Galnesvllle , FL 32607
Parade props and gags consist of anything a clown
uses during a parade to evoke emotion, particularly
laughter. Unfortunately, many props are not funny when
viewed alone. They
only become funny
when they are
exaggerated and
used in a comical
manner. For
example, a hammer is
not a funny prop if a
comedic-looking
hammer is merely
carried along the
parade route.
However , it could
become funny if the
clown promoted it as
a "peanut sheller."
The clown could ask
the crowd along the
parade route if they
"".anted any peanuts shelled , or the clown could carry a
sign that read, "Peanut Sheller. " If the hammer were a
larger version of a real one, it would also add more humor. If
the hammer were painted with bright colors, it would even
be more humorous. Parade props should be light enough
to carry, large enough to see by the people along the
parade route, and brightly colored.
Comedy Techniques: Basis for Parade Gags
The clown should think of a humorous way to use a
prop and develop a gag, rather than just walking along the
parade route carrying a funny-looking prop. The gags that a
clown employs during the parade could employ the same
co_medy techniques that one would use when developing
skits. A very good resource for developing comedy
techniques is Comedy Techniques for
Entertainers, by Bruce "Charlie " Johnson. Some gags
could make use of current trends or situations as long as
they are done in good taste. The intruding "Energizer
Juggles uses breakaway spoon to "serve" grits
Bunny'' gave me an idea for a parade gimmick.
Juggles attaches a large, foam battery to his back and
carries a very tiny drum. The battery reads, "I M Ready." As
he moves along the parade route, he can pretend to be
cat?hing up ~ith the unit ahead of him. According to Bruce,
topical techniques add a bit of freshness to the gag.
Anoth~r comedy technique which can be used is irony,
or presenting something that is opposite of what is
expe~ted. Parad~ boards can be used with this technique.
Showing the audience one side of the parade board which
reads, "The World's Largest Diamond Collection" and then
~urning the board around to reveal the ace, king, queen,
Jack and ten of diamonds playing cards presents a
message that is opposite of what is expected.
Puns are effective comedy techniques and can be
incorpo~ated into a parade prop such as the stiff wire dog
leash with the hot dog and bun. The visual pun (that's pun
not bun) will generate laughter from the crowd but '
additional laughter can be generated if the clo~n"walks the
dog" by ~utting life into the prop. Manipulate the "dog" and
leash as 1f you were actually walking a dog. The late John
"Dilly Dally'' Tison of the Gainesville Sunshine Clowns used
this parade prop effectively to generate a lot of laughs.
Examples of Parade Props
In addition to the parade props mentioned above,
there are other types of clown props that could be used in
26 The New Calliope

March/April, 1998
parades. A third arm prop is very useful. Randy "Circles"
Munson of Rochester, MN, "carries" a cookie jar which is
the home for the Cooky Monster. Barry "Bonzo" DeChant
of Livonia, Ml, uses a third arm prop and a squirting prop as
a walkaround ring gag that would be an excellent parade
prop. He carries a large book of "Sad Stories" and then
squirts water that appears to originate from his eyes.
When using a squirting prop, it is very important to
squirt the water so it can be seen but not felt by your
audience. Moving the prop from side to side will enable the
audience to see the water from various angles.
Some clowns, like Randy Munson, have successfully
used a second person prop in parades. Randy's prop
makes use of a very tall, punk-looking clown character with
sun glasses who carries a jack-in-the-box and "Circles"
pops out of the box. The second person prop must make
use of very light materials or you will be exhausted at the
end of the parade route. You might also want to design
these types of props so they can be taken apart for
transportation and storage, as Randy has done with his
box. It is primarily made of foam core board and lightweight
PVC tubing.
"Packs flat and plays big" is an important notion to keep
in mind when you design parade props, unless you have a
U-Haul franchise and a mini-storage warehouse business.
Jane "Scooter" Dancy of Ocala, FL, used a second person
character in the COAi parade in Jacksonville. Scooter
appeared to be carried on the shoulders of a very small
clown, and her actions generated good crowd reaction.
The late Mark Anthony was noted for his basket parade
props. He created such works of art as bulls or elephants,
which he would climb into and strap to his shoulders. It
would appear that he was riding the animals, but was
actually standing inside of the animal and walking along the
parade route.
Another device that I find useful involves the
unexpected manipulation of a prop. I have created two of
these types of props for South East Clown Association
parades. The theme parade prop that Juggles used in the
8th annual SECA Convention parade consisted of a
breakaway spoon. The spoon was used to stir some "light,
creamy grits" and then the grits (foam) were removed from
the mixing container with the spoon. As the spoon
reached his mouth it broke apart leaving the grits stuck to
the spoon and dangling in mid-air. Juggles's wardrobe was
further enhanced when he wore a chef's hat and apron.
The other prop that Juggles manipulated was for the
9th annual SECA Convention parade, and was in keeping
with the Octoberfest theme. It was a large foam hot dog
bun and sausage. As Juggles tried to bite the end of the
sausage, the sausage slid through the bun and was
sticking out of the other end of the bun. Juggles was
amazed when he didn't see the hot dog and was further
amazed to discover that it actually slid through the bun.
Both of these props involved some mechanical
manipulation.
Some Parade Prop Considerations
When designing your parade props, there are some
factors that you might want to consider. The length of the
parade route should give you some idea as to how long
you want to carry a particular prop. Remember that the prop
is very light when you start the parade, but it tends to get
heavier as you near the end of the parade route.
The time of the year is also an important consideration.
Juggles was using a balloon inflating gag at a parade in
Minot, ND, and the temperatures were near the freezing
mark. It is extremely difficult to inflate balloons when the air
is that cold.
Additional support may be needed for your parade
prop. Joe "Sweet Pea" St.Marie of Philadelphia, PA, used
an inflated helium balloon for a parade prop at the COAi
Convention in Jacksonville, FL, and had to make
arrangements to get a helium tank at a certain date, time
and place.
In some parades, you must keep a constant pace and
stay with your clown unit, which does not allow you to
directly interact with the crowd along the parade route.
Having a squeaker concealed in your glove for handshaking
would be appropriate when you can stop and
shake hands, but it would not be when you must be
constantly moving. Large visual props would be more
appropriate.
Although Chief Sweet Pea and Juggles were juggling
in a parade in Bognar Regis, England, the atmosphere of
that parade allowed them to stop and juggle. It would be
more difficult to juggle objects if you were constantly
moving. If you are going to juggle in a parade, you want to
be sure that the objects you are juggling could not bounce
away into the crowd. Losing a parade prop is not funny.
Sweet Pea's make believe cleaver, frying pan and rubber
chicken were not likely to bounce away.
You will want to be sure that you can reset your props
as you are walking along the parade route. If you are using
a squirting prop and you run out of water, the prop might
no longer be funny. If you cannot reset a breakaway prop
quickly, the prop is less likely to generate laughter.
Keep in mind that you will have a new audience every
1 Oto 12 feet when you are performing in a parade. You
only need_one parade prop or gag, as long as you can
effectively use it. Keep your props lightweight,colorful,
funny, and easy to manipulate. Remember to create some
excitement with your parade props and gags. Give the
crowd something to laugh about as you parade past them.
The New Calliope 27

March/April, 1998
Adjusting
our foeus
By David "Mr. Rainbow" Bartlett
4129 Livingston Pl.
Durham, NC 27707
As an organization, COAi has so much to be proud of,
not the least of which is mere survival through a very rough
early period. If you don't know what I'm talking about, good.
It maintains a first class magazine that has strived over
the years to serve a diverse population with differing views
on many (if not every) aspect of our chosen avocation. It
has done this while keeping the discourse civil. That in
itself is remarkable. As one who occasionally rocks the
proverbial boat (and am just about to
again), I appreciate that. Newcomers
should know it wasn't always that
way.
With regard to clown education,
COAi put its money where its mouth
is with the establishment of the
Clown Artist in Residence program.
What a wonderfully magnanimous
program. I have been privileged to
nominate some outstanding
educators for this program. If you
belong to an alley, you should be
clamoring mightily to participate in
this program.
While there are many wonderful
attributes of COAi, there's always
room for improvement. When you
stop growing you begin dying. That
applies to ourselves as well as to the
organizations we create. With this in
mind I have a couple of modest
observations to share. Feel free to
disagree, in a civil manner I hope.
I can't help but feel that, as an organization, our focus is
a little fuzzy at times. For one thing, it doesn't seem like a
connected national organization. A loose affiliation of alleys
and individuals is more like it. For another, we don't seem to
have a clear vision of what we are and what we as an
organization are actively trying to do for ourselves, and
more importantly, for our communities.
Maybe it is better that way. I know I'd have to
disassociate myself from a heavy-handed dictatorial
organization of narrow view, whose leadership presumed
to tell me how I must act or look if I am to be an "approved"
auguste. Starting to sound like some alleys you may know?
Sorry, I digress.
As an organization, we have to stand for something,
and I want that something to be as broad and inclusive as
possible. But I also think there needs to be a base of what
defines us. I think it should be, at the very least, an
understanding that clowning is a performance art
grounded firmly in comedy. Stated that way, I don't think I'd
get much argument.
It sometimes seems that, instead, we produce more
nice-people-in-costumes, magicians in makeup, balloon
sculptors and puppeteers than we do clowns. I plead guilty
to having been part of that problem. We need to focus on
what clowning is, and do better.
Please don't say that's why we have competitions. I
think makeup and costume competitions not only are not
part of the solution but are a major
------------, part of the problem. I've written ad
nauseum about this over the last
1 o years, so don't get me started. I
don't even know why we have
balloon competitions at clown
conventions. Ballooning is a nice
skill, but it ain't clowning. I usually
warn people when I teach balloon
classes that ballooning can be the
most destructive thing you can add
to your clowning.
This leaves skits. There is great
potential here but not the way we
now do it. I apologize to whomever
I'm now going to offend, but most
of the skits I've seen at
competitions are mediocre at the
very best and only presentable at
clown conventions, because real
audiences wouldn't sit through
them. Occasionally some are great
but most are lousy. Sorry, but it's
__ ...... true. I don't fault the clowns as
much as the fuzzy system that creates them. Fix the
system, fix the problem.
We've gotten fuzzy on what we are here to do. We are
here to comically entertain real people, yet our skits (even
the best ones) are rarely seen by anybody other than other
clowns for the sole purpose of competing for a trophy.
Think of all the inside-joke clowning skits you've seen that
only other clowns are even meant to understand. Some
actually win!
28 The New Calliope

March/April, 1998
To be fair, one of the biggest hurdles clowns face is
finding real people audiences to perform skits for. This is
not an insignificant problem. How many people hire clowns
to come and do skits? In my 17 years of clowning, I can
think of less than 1 O times (not including conventions and
clown camps) where I have been hired to do an act that
includes skits. The only sure audience most clowns can
find for skits is in competitions. Therefore, our skits
themselves become focused on and are artificially limited
by competitions and competition rules.
There maybe a solution. Maybe we can adjust our focus
a little. Imagine, if you will, the following scenario.
What if each COAi alley were required to procure a
public performance hall and perform a clown show for
general audiences each August to coincide with
International Clown Week? It's not a bad idea. Imagine what
this would do.
a strong show and a completely satisfied audience.
What about rules? There would be no rules other than
to be entertaining. That is a difficult enough task. It would
also dictate length and propriety of skits. The real
entertainer has to develop that inner clock called timing.
I've seen one minute skits that were too long and (gasp)
five minute skits that were too short.
This would also give alleys a real focus. So many alleys
simply exist, and their main goal is to continue existing.It's
like the congressman who stands for virtually nothing but
reelection. Under this requirement, alleys would clearly
know what they have to do with new members. They have
to get them ready for a real performance in front of their
own local community. Alleys would then spend much of
their educational energies on comic performance skills and
techniques. It would give alleys a clear focus on what they
exist for and an annual cycle within which to operate.
Alleys would have to produce a show and provide their
members a badly-needed public performance opportunity.
Instead of everybody coming up with something
themselves and competing with each other, everybody
would see the need to help each other out to make the
entire show as strong as possible. In my theatrical life, I've
been singled out as the only redeeming thing in a lousy
show. Trust me, there is little solace in it. I'd rather have had
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Sound good so far? Think of where this might lead.
Maybe COAi would sponsor regional conventions around
October and November where alleys could showcase the
best of what they produced in their local shows. Maybe this
would in turn lead to the regional conventions sending the
best of what they discovered to be showcased at the COAi
international conventions in March or April.
Continued next page
!...
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Fax
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Aprll
3-4 Clown Workshop
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17-18 Bubba, Vappo &
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Dynamic Ministry
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Colts Neck, NJ
May
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June-July
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7-12 July Country Clown
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Branson, MO
The New Calliope 29

March/April, 1998
Rainbow--
From preceding page
I personally would stop it right there and everyone at
this point would have the honor of putting on their resume
"Showcase entertainer at the COAi international
convention." Others would insist that there be one big
"winner." Either way, what you would see on stage would
be solidly based on what clowning is supposed to be all
about. It would have risen directly from performance in front
of real live community audiences. Those honored would
know it represented the culmination of a meaningful
process instead of the current first-come-first-served-signup-when-you-get-there
way of doing things.
Participation could be limited to those who came up
through the alley public show process. This would probably
strengthen alley membership, since those who would want
to participate would need to keep their alley ties and not
drop out as so many do once they get good. Then again,
COAi could possibly make provisions to recognize
deserving performances through non-alley events like the
many independent conventions out there as long as they
have a base in performance in front of real audiences.
O.K. , I may be beyond dream and am now into wild
fantasy. But even if this whole idea never gets past this one
article, alley leaders should consider the idea of an annual
or semi-annual public showcase for their members. I can't
think of a better use of alley funds, and it's just the kind of
unified focus that can hold a group together with
everybody learning something new each time you do it.
Back to sleep now. I want to dream that one again. Care
to join me?
Editor's Note: You've just read the views of one of the
nation's most perceptive and articulate practitioners of the
clowning art. Now, what do YOU think? Let me hear from
you, and /'II carry a roundup of reactions in a future issue.
CHRISTIAN CLOWNING CONFERENCE IN THE BLUE RIDGE MOUNTAINS
AT KANUGA CONFERENCES JUNE 28-JULY 3, 1998 For novices who want to explore clowning and for clowns who want
to learn new techniques and skits to use in Christian ministries. FOR ALL TO HAVE FUN!
Conference Leader: Leon Buttons
McBryde, professional clown for 26
years ... seven of those with Ringling Brothers
and Barnum & Bailey Circus .. conducts national
training programs teaching the art of clowning.
Staff: Theresa Pinky Garrett, founder of
the Gospel Clown School, specializes in
ventriloquism and the use of
Pinky Bubba puppets ... Marcella Mama Clown Murad ,
performs in English and Spanish , renown for face painting and designing clown faces ... J.T. Bubba Sikes, clown
magic and balloon sculpting ... Janis Mayor Clancey Roberts , known for her Christian skits and Mayor Clancey's
Town of Smileville. Coordinater: Karen Spunky Jackson.
Affiliated with the Episcopal Church since 1928, with programs open to all, Kanuga Conferences is situated on 1,400
acres in the Blue Ridge Mountains of Western North Carolina. It offers comfortable lodging, delicious meals, recreation
facilities (hiking, fishing, swimming, tennis) and programs for ages 3-18.
Write Kanuga, Dept. C, Postal Drawer 250, Hendersonville, NC 28793
Telephone 704-692-9136 Facsimile 704-696-3589
E-mail kanuga@ecunet.org www.kanuga.org
It's your
clowny right
to vote in COAI's election.
Your ballot will be in the
mail later this month. Mark
it and mail it 1
30 The New Calliope

March/April, 1998
Making
a
difference
By Cheryl Evans
4622 296th St. East
Graham, WA 98338
I have been a professional clown for 12 years. About four
years ago I became weary of the normal business of
clowning, so I started searching for a unique clown
purpose. I noticed a newspaper ad for a law enforcement
agency that was looking for volunteers. The beginning of a
new character started with a simple phone call. I ventured
into their Crime Prevention Unit and observed a program
that dealt with child safety presentations. I asked if I could
participate as a clown. Safety Clown was created and I
realized my dream.
My Safety Clown started in 1993 and has become
extremely successful due to the number of repeat
requests to perform. I researched and developed the
safety program through visual aids and basic safety skills. 1
stayed with the law enforcement agency for 2 1 /2 years,
and then left so I could broaden my horizons and pursue
my program in other communities.
In time, I realized that many important programs lack
funding and manpower, and were not being taught in our
schools. I made it my personal commitment to reintroduce
'lv'.onderful characters such as McGruff the Crime Dog and
his nephew Scruff, using the McGruff puppet and Scruff
stuffed toy in my presentations.
As Kawshun "D" Safety Clown, I teach 3 to &year-old
children how to stay safe in a fun and positive way. My 20-
minute presentation includes humorous characters -- Mr.
Stop Light, Peek-a-Boo, Stop, Look and Listen Bird
Officer B.J. and other attention-getting visuals as wei1 as
audience participation to keep the children's attention.
After my presentation, each youngster receives a sticker
and activity book, and pets my furry friend Beethoven, a
sheepdog (he's a puppet).
During the past four years, Kawshun has performed more
than 500 shows. I currently volunteer my services to
several law enforcement agencies and have been active in
community events. This past summer I helped several
agencies with their National Night Out Against Crime
activities, and in 1994 was featured on the KOMO Crime
~rackdown, which honors people who are making a
difference in the fight against crime.
I have created a variety of programs for the Safety Clown:
What to do if? 9-1-1, How it's done. Eddie Eagle gun
prevention. Bicycle safety. Longfellow's whale tales water
safety. Halloween safety. Home safety.
The Safety Clown program can also be a useful tool to
reach adults and seniors.
_My Safety Clown program is very close to my heart and has
involved a lot of hard work and a strong commitment, but it
~as been worth every minute of it. I'm always changing and
incorporating new ideas to enhance the program and the
needs of the children. I do the program on a volunteer
basis, and have received donations to cover expenses
such as handouts and stickers to give to the children.
If you would like more information or have questions about
this Safety Program.please get in touch with me:
Cheryl Evans
4622 296th St. East
Graham, WA 98338
(253) 847-7237
The New Calliope 31

March/April, 1998
BDPs for
The impressionable
One of a continuing series of stories by one of the
country's best and busiest party clowns.
By Karen "Peppermint" Relnholt
P.O.Box 13187
Portland, OR 97213
Children in preschool and kindergarten are wonderful
to perform for because this age is so easy to play with. They
enjoy almost everything you do -- magic, balloons, face
painting, puppetry, singing,
games. They love to be
entertained . They have vivid
imaginations. For most of
them, it is their first venture
into party socializing, and
birthday parties are at the top
of the list.
This age group is very aware
of the most recent animated
movies (Aladdin, Simba the
Lion King, The Little
Mermaid, Pocahontas) and
television programs (The
Rugrats , Sesame Street). The characters in these shows
become real to the preschooler. They get to know them
through repeatedly watching the videos , reading the
books and being inundated with the media promotions that
saturate everything , including the fast food industry . If you
have any doubt of this , watch what McDonalds puts into
their meal boxes for toys ... whatever the latest popular
animated character happens to be.
Children in this age category LOVE clowns because
we are life-size cartoon characters. They will frequently tell
you how much they love you, as well as tell you every little
detail about their lives. Parents are usually caught by
surprise when their little one tells the clown, in front of
everyone else , something that has happened in their
home recently . You have become an instant friend to the
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preschooler , and this friendship can last a lifetime.
In the same respect, if a clown frightens them by being
too loud or aggressive.this fear can also last them a lifetime.
Remember this around the little ones who are timid and
shy. Give them their space and be gentle in your voice and
not too aggressive in your actions. You can tell almost
immediately when a child is frightened. They will hide
behind their parents or, if they're being held, will bury their
head against their parent 's shoulder , refusing to turn and
look at you. Sometimes they will start to cry.
When this happens, I will stop approaching and say
something like, "It's okay, sweetie, sometimes I even scare
myself!" The parents will chuckle at this statement and the
child visibly relaxes at their parent's reaction.
Three to five-year -olds have wonderful imaginations.
They believe in Santa Claus , the Easter Bunny, the Tooth
Fairy and clowns! You also have to be careful with what you
"suggest. " Never lead them to believe that something is
scary , or dangerous. This will frighten them. In my early
years of clowning, I was making a balloon for a four-year-old
and told the group that it was magical and could make
people disappear. Suddenly , one of the little girls turned to
her mother and asked her to take her home because she
didn't want to be "disappeared." When I realized she was
serious, I quickly assured her that it was just imaginary. I
learned from that experience to choose my words more
carefully, especially with this age group.
This age group is too young and innocent to be
hecklers , so you very rarely have troublemakers. If you do
have one, it is usually because they need a little bit of
attention. Listening to them for a minute will usually
appease them. If not, invite them to be an assistant, either
with a magic trick, the puppet show or part of a skit. What
you include them in, of course, depends on what you do
with your birthday party show .
Preschoolers enjoy playing games. They are very
sociable. Try to incorporate games that they can all play at
the same time. It is extremely difficult for any age group (but
especially these young ones) to stand in long lines for
games , balloons , face painting, etc. So, try to stay away
from one-at-a-time games (i.e., pin the nose on the clown,
tossing bean bags into a clown 's mouth, etc.)
One of my favorite games for preschoolers is "Button!
Button!" (available from Bob Gibbon's Fun Technicians ,
Inc.). You show a jar full of different colored buttons. Then
you dump them all into a brightly-colored fabric bag. One at
Continued page 34
32 The New Calliope

March/April, 1998
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The New Calliope 33

March/April, 1998
Preschoolers --
From page 32
a time , the children reach into the bag and pull out a button
without looking at it, and hold it tightly in their hand. Once
every child has a button, you have the birthday child reach
in and pull one out and show it to everyone . Then you ask
to see how many children pulled out the same color as the
birthday child . They are so surprised to find out that they all
have the same color! Of course, they are all winners and
everyone gets a big round of applause. The secret is that
all of the red buttons are loose in the jar , while the other
colored buttons are connected with thin elastic. Once the
buttons are dumped into the bag, you reach in and "mix
them all up." In doing so, you pull up the clump of tied
buttons and hold them out of the way with the hand
holding the bag. Nobody can see this "clump" and
everyone pulls out the same color.It is simplicity in itself, but
the little ones (and parents, too) are truly amazed.
Another game I like is the Magic Coloring Book. Even
though this is primarily a magic trick, I like to use it as a
game, which then is a nice lead-in to my magic show. This
trick has so many different variations that you could almost
do an entire show with it. An easy routine for this age is to
show them the new coloring book you just got as a "gift'! I
refer to it as a "gift," which gives me the opportunity to
remind them to say "thank you" when they unwrap their
presents that day (i.e., "Oh, let me show you the new
coloring book I just got as a gift from my friend Willy. I was so
excited, I almost forget to say 'thank you.' You know, it is
very important to say 'thank you when someone gives you
a gift.") Then, show them the fun pictures that are there to
color. When you realize there are no crayons, ask them to
help with the colors from their clothes. First, ask anyone
wearing the color blue to toss it up. The little ones will
"scoop" up the blue from their clothes and "toss " them up
towards you. Now you get to move the coloring book
around , as you try to "catch" their colors. Call out each color
that you know is in the book. If there are children wearing all
pastels and your book only has primary colors , please
include their colors so they can participate, too. When this
is done , open the book back up to show them all of their
colors are now in the book and the pictures are beautifully
finished . Of course , they all get a big round of applause for
helping you .
Another game that can be played using the Magic
Coloring Book is the one played like the peanut under the
shell game, described in my article on parties for large
groups (The New Calliope, May/June 1997). Because this
game takes concentration and the ability to focus their
attention , I find it is not suitable for three-year-olds. But, it is
fun to use at parties for four to seven or eight-ye ar-olds.
My magic show is very visual for this age group, similar
to what I use for two-year-old parties. However, three to
five-year-olds will notice the "magic" happening. Try not to
get too complicated or subtle with your tricks, as it will go
right over their heads. Most of them know their colors, so it
is fun to say the colors wrong. For instance, pull out two
silks, one blue and one red. Call the blue one red and the
red one blue. The kids will immediately correct you;. Each
time in your story or patter, when you refer to that scarf ,
make the mistake of calling it the wrong color again. They
Continued page 34
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34 The New Calliope

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The New Calliope 35

March/April, 1998
Preschoolers --
From page 36
will be giggling and shouting to correct you, over and over.
Finally , you get it right and give them a big "thank you" for
teaching you the right color names. It is a learning
experience at the same time as it is a fun magic trick.
Often, in my shows for preschoolers, one or two will
want to come up to "show me the right way'' of doing
something when I make mistakes . (And Peppermint is
constantly making mistakes.) The best way I have found to
handle this is to thank them for offering to help, but it is time
that I learned how to do it myself. I remind them that, when
they are learning something new, it is important for them to
do it by themselves. They nod their heads and agree with
me. Then they sit back down and "help" me by talking me
through my mistakes. This is where the comedy is so much
tun. You can take them literally, which leads to all kinds of
interactive fun.
For instance, I may be looking in my trunk for my magic
wand. The kids can see that it is in my left hand, which is
holding the trunk lid open. They will yell, "There it is!" I ask
"Where?" and they say, "In your hand." I look at my right
hand and show them there is nothing in it. They'll say, "No,
in your other hand." I transfer the wand to my right hand
and show my now-empty left hand. By this time, they're
laughing and yelling and pointing at my right hand and,
surprise, I now find it, too. (This is a wonderful comedy bit I
got from Angel Ocasio who uses a balloon.) This is just one
example of taking the kids literally with a lot of fun results.
Puppetry works wonderful with this age. I am not a
ventriloquist, so my puppet "speaks" through me (he
"talks" to me and I relate it to the audience). Sometimes the
children will accept my rabbit ''Tricksy'' as being real from
the start. Other times they will yell, "It's a puppet." At that
point, Tricksy will bury his head in my shoulder and I will
quietly tell the children that Tricksy doesn't know he's a
puppet; he thinks he's real. So, we don't want to hurt his
feelings. This is a wonderful, positive way to allay any
concerns or fears that a small child might have. The little
ones always settle down right away. They certainly don't
want to hurt the puppet rabbit's feelings. This , of course , is
immediately giving real-life emotions and feelings to the
puppet and helps bring it to life. Tricksy is the most
requested part of my show. Any of the children who have
seen him before always ask me right away if I brought him
with me this time. There are times that I wish I could send
him out to do parties on his own!
Skits and plays are wonderful to use in your
presentation. Use a familiar story, nursery rhyme or event
and give each child a part. If this is a large party, you might
give them the part of being different animals in the story.
For instance , if there is a dog in the play, have the boys
bark whenever a dog is mentioned in the story. H~\f.e the
girls mew like cats or chirp like birds. When your play is
about superheroes, you could have them say "my hero"
whenever the hero's name is mentioned. This gives all of
them a part and holds their attention, because they are
waiting to hear when their next part comes along.
Continued page 38
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36 The New Calliope

March/April, 1998
DON'T MISS
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The New Calliope 37

March/April, 1998
Preschoolers
From page 36
--
Leo
This is the perfect age to sing songs in your party.
They know most of the words to all of the songs -- Happy
Birthday, Hokie Pokie, Old MacDonald -- and no one is
intimidated or self-conscious about their voice. If you are
talented enough to use a musical instrument, by all means
do so. I have parents call requesting a clown who plays an
instrument and who will sing with the children. I will sing
and/or use a tape recorder. But I haven't yet figured out
how to transfer my piano from party to party!
Balloon animals are very popular with t.hree to five -yearolds.
Making balloons doesn't have to mean becoming a
balloon-making machine. Try to come up with little stories
about each balloon that you make. If you are making a
swan, ask how many of them know the story about the Ugly
Duckling. Then ask them what their favorite part of that
story is. They'll all have their own opinion, even if it is the
same as everyone else's. Even if five children have already
told you their favorite part was when he turned into a real
swan, the sixth child will have to tell you the same thing!
When I make a bunny rabbit, I ask them for the names of
famous rabbits (i.e., Bugs Bunny, Peter Rabbit, Roger
Rabbit, The Velveteen Rabbit, etc.) This also can lead to
little stories about each one of these familiar characters. If
the children are unfamiliar with The Velveteen Rabbit or
• Balloons
Item # Product
08600 I 260Q Asst. Colors
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260Q Solid Colors
Choose From Green,
Clear, Pink, Purple,
Orange, Black, White,
Blue, Yellow or Red
048488 32 IQ Bee Bodies
005029 6" Red ••s
005086 6" Red White Pink ••s
086037 Qualatex Balloon Pump
025500 Rocket Balloons I doz.
025502 UFO Balloons I doz
224008 Balloon Sculpture Video
010216 The Pro Pump
Clown Noses
022120 Sponge Nose I"
022521 Sponge Nose 1.5"
146003 ProKnows BS-2 med.
146025 ProKnows MR-2 med.
146012 Pro Knows T-5 heart tip
146002 ProKnows BS-I med.
012524 Woochie Nose Med.
the Lop, it is also a wonderful time to suggest books to
parents from the library.
Listen to the children as you are making balloons and
painting faces. They are a wealth of information on what is
important to them. They will be discussing their favorite
characters, videos, games and television shows. All you
have to do is pay attention to learn and keep abreast of
what is currently popular. Stroll through the children's
section at the bookstores, watch cartoons, and catch an
afternoon matinee for the latest animated movie. Walk
down the aisles at the toy store and pay attention to the
areas where most of the kids are congregated. This will
help keep you informed and in tune with what is going on
for this age.
Most important, have fun with this age, and they will
have fun with you, too!
*****
(Note to everyone who wrote:Thanks for your letters
and emails about Natalie. I appreciate hearing about the
caring clowning that others are doing.)
If you have any birthday party topics that you would like
to see me cover, or if you would like to share similar
experiences, please feel free to write, or email
Magicianne@aol.com
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38 The New Calliope

TUGOO~V
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fl

March/April, 1998
La~t walkatound
W.C. 'Strawberry'
Watts
One of the best-loved clowns in Texas and in the
International Shrine Clown Assn., made his last walkaround
Nov. 25, 1997. He was W.C. "Strawberry" Watts, 70, of
Alvin, TX.
A shoe repairman by trade, Strawberry became
involved in clowning in 1973, when he helped with fundraising
efforts for the Shriners Burns Institutes. He served
as president of the Brazo Clowns and the Texas Shrine
Clown Assn., and in 1984 was elected president of the
International Shrine Clown Assn. In 1991, he was the first
Shrine clown to be inducted into the Clown Hall of Fame,
now in Milwaukee, WI.
He will be missed by his fellow joeys in ISCA and COAi.
Steve 'Scruffles' Bergeron
Steve "Scruffles" Bergeron , of North Weymouth, MA,
made his last walkaround Nov. 23, 1997. He was 45. He
and his wife, Florence "Fluffo," were members of South
Shore Alley #159A. He will be missed by family and friends.
Bob Bell
Bob Bell, best known as WGN TV's Bozo, made his last
walkaround Nov. 23, 1997. Bob was a Clown Hall of Fame
member and appeared for more than 20 years as Bozo in
the Chicago area. He suffered a stroke a few years ago, and
never quite recovered. Says Scott "Scooter" Robins: "He
inspired many of us here in Chicago."
George 'Lightning' Zane
George "Lightning" Zane of Richland, PA, made his
last walkaround Nov. 18, 1997. He was 69.
With his wife, Joanne "Lady Bug," George clowned for
nine years. They were members of Classic Clown Club
Alley #181 in Johnston, PA.
A retired district manager for General Telephone
Co., George was diagnosed with prostate cancer in 1994,
and agreed to undergo experimental neutron radiation -- if
he could go as a joey. His doctor said George was the first
patient who clowned his way through chemotherapy.
He is survived by his wife, three daughters, a son and
eight grandchildren. He will be missed.
****
COAi has been Informed that Janice "The Wild
Irish Rose" Cassidy, of Fulton, IL, made her last walkaround
recently. We offer our sympathy to family and friends.
CLOWNS & THINGS TEACHING VIDEOS
l. Tlie Art of Entertaining Pre-Schoolers (How to Entertain Pre-Schoolers!) by Bev Dowling
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3. Effective Hospital Clowning (How to start a Successful Hospital Clown Ministry!) by Bev Dowling
4. How to Make More Money Pricing & Booking Birthday Parties! by Bev Dowling
5. Master the Art of Clown Make-Up ! by Carol Fields, Jeff Bodle, and Toni Heinman
6. How to Make Fuzzy Animals Look Really Alive! by Bev Dowling (Covers spring animals, mouse , & hand puppet)
7. How to Do Basic Balloons! by Carol Fields
8. How to Do Advanced Balloons! by Carol Fields
9. How to Turn Balloons into Bucks! by Bev Dowling and Carol Fields
10. The Famous Fool You Bunny Routines! by Bev Dowling (Includes comedy prediction & magic, etc.)
11. How to Master the Art of Spinning Plates Like a Pro! by Bev Dowling (Basics of spinnig pl ates)
12. Easy Money with the Polaroid! by Bev Dowling (How to book & sell Easter Bunny & Santa visits y ear afte r year)
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40 The New Calliope

March/April, 1998
Florida Clown Day draws 3,000
By Jerry "Yo Yo" and
Connie "Topsy" Yarbrough
Clowns from all over Florida converged on Largo
Central Park, Largo, FL, Jan. 24, for the first annual Florida
Clown Day hosted by the Uptown Clowns, COAi Alley
#301, and the City of Largo's Recreation and Parks
Department.
Florida Clown Day was conceived by the Uptown
Clowns as a way to honor all clowns , past and present,
especially those clowns who live and work in Florida. Gov.
Lawton Chiles and Largo Mayor Thomas Feaster issued
proclamations naming Jan. 24 as "Florida Clown Day in
Largo ."
A total of 87 clowns in makeup showed up for the
event. Dozens more didn 't make up, but came by to check
us out and shop the clown supply dealers, such as Cherri­
Oats, Costumes by Betty, Daytona Magic, Holly Sticker
Sales , House of MakeBelieve , Sidekick & Spunky Clown
Co., and Wayne Scott Clown Shoes.COAi was
represented by Southeast Regional Vice President Keith
"Toby" Stokes .
The event was scheduled to be held in two big circus
tents , but was moved inside the Largo Cultural Center
when it rained. It was wall to wall clowns and families. An
estimated 3,000 persons attended . They came to see the
dealer show , have their faces painted, get a balloon animal
and helium balloon all for free. Face painters and balloon
twisters moved outside under the portico and worked
steadily all afternoon . Clowns in makeup were fed hot
dogs , cookies and coffee or a soda .
Alleys represented: Caloosa Clown Alley #97 , Clownin'
Around Tampa Alley #247 , Clowns for Christ , Clowns
Galore Alley #194 , Clown Towners Alley #242 , Honeywell
Clowns , Lady Lake Clowns , Lollipoppers Clown Alley #95,
Morton Plant Mease Clowns and Toby 's Clown Alley #296 .
Harry Allen did a magic show , followed by a comedy skit
show performed by Clown Towners and Uptown Clown
members. Wayne Scott entertained with plate spinning and
rope tricks , and Albert the Stickerman ran the auction.
Despite the rain, the first ever Florida Clown Day was a
huge success . Stay tuned for the 1999 celebration .
WANT TO SPEND THE SUMMER CLOWNING AROUND
IN THE SHENANDOAH MOUNTAINS OF WEST VIRGINA?
Timber Ridge, a coed residential can;;> located 90 miles west of Washington,
D.C., is seeking an experienced clown to spend the swmner teaching the art
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Frosty Little - Clown Hall of Fame 1991
Timber Ridge Clowning Director 1990, 1991
The New Calliope 41

March/April, 1998
2. YOU ARE A GUEST OF THE FACILITY;
THEY OWE YOU NOTHING : I have been surprised
once in a great while at the arrogance of a joey when
visiting and clowning in a hospital/nursing home.
Arrogance -- I'm a clown, you should be so lucky that I have
time for you. This can apply to our relationship to an
individual or group as well as to an institution. Thankfully ,
this is the rare exception.
The other day as I was thinking about an alley program
that I am doing for my home alley, Korn Patch Klowns #189,
Des Moines, IA. I came up with an idea for some very old
and familiar guidelines for Caring Clowns. There is nothing
unique about them, except perhaps their importance and
the way I have stated them. I call them The Four Cardinal
Rules:
1. GET HOSPITAL/NURSING HOME
PERMISSION: It is the only polite thing to do, even if you
suddenly have some spare time and are driving past the
facility. Find a phone and call them to see if it is convenient
for them that you visit at this particular time. On the other
hand, if you have a standing invitation to drop by any time at
your convenience, phoning ahead is not necessary.
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3. YOU ARE A GUEST IN THE PATIENT'S
ROOM; ASK PERMISSION TO ENTER: A patient's
room is their temporary home. Treat it as such. When they
respond to your inquiry, listen to their body language as
well as to their vocal language. The two may contradict each
other. The body language is usually the honest one. If they
say , "No," don't take it personally . There are many reasons
that they might not feel like having a clown visit at that
particular moment in their patient day. You've given them a
friendly greeting and inquiry, now give them a friendly
farewell and exit.
4. IF YOUR CLOWN CHARACTER IS LOUD
AND BOISTEROUS, SUBDUE IT IN THE
HOSPITAL/NURSING HOME: A loud, boisterous or
excitable clown character is not conducive to a healing visit.
Isn't joyful and happy a contradiction of subdued? Not at all.
Some of my most joyful, happy and meaningful visits have
been moments of quiet and even once in a very great
while, moments of mime. Dr. Bugg in mime? Yes, in
moments of very dire necessity, he has successfully
mimed. Thank goodness those moments of necessity are
rare and far between. Mime is not Dr. Bugg's forte.
WHATZITS? A whatzit is an object that you show to a
person or group and ask, "Whatzit?" I have purchased most
of mine in souvenir shops, although I could have made
some of them if I had had the idea first. Keep your eyes
open and your imagination turned on and you will
recognize them, sometimes in the least expected places.
The most common one I have run across is 'The Three
Piece Chicken Dinner." This is three kernels of corn glued
or unglued in a container. I have seen them in a lot of
different kinds of containers.
One that I made is an old, rusty, cast-iron washer with a
dirty paper towel pushed through it. This is a used washer
drier. It is not original with me. I made the dirty paper towel
by marking up a paper towel with a large felt-tipped marking
pen and then wadding up the towel and squeezing it to
give it a lot of wrinkles.
Another one that I bought, but that would be simple to
make, is a short, stub pencil nailed to a small block of wood.
This is a portable word processor.
My latest I introduce by talking about endangered
Next page
42 The New Calliope

March/April, 1998
J:torn the
Pte~ident
By Brenda "Flower" Marshall
COAi President
As I write this article, it is a couple of weeks before
convention, yet when you receive this issue of The New
Calliope, the 1998 COAi Great Convention Celebration will
be history. I am certain it will be a part of COAi's history that
those in attendance will remember with great enthusiasm
and fond memories. Celebrating the conventions of the
past is like remembering many fun clown family reunions. I
hope those of you who attended for the first time caught
the spirit in St. Louis and will make this an annual event on
your calendar. Thanks to the St. Louis Clowns of America
Alley #128 for their hard work and dedication, which made it
a time for all to enjoy.
I AM ANTICIPATING some varied reactions from our
membership, over the proposed changes in competitions
that were to be discussed at the convention. Please, let me
assure those of you who weren't able to attend that a vote
was NOT to be taken at this convention. It is the Board's
intent to encourage the membership to consider the
changes and implement them on a trial basis at some of the
regional conventions. This would give our members an
opportunity to see how the proposed changes would
affect competition and decide whether or not to make
those changes at the international level. This may take
some time, but as Abraham Lincoln said, "I walk slowly, but I
never walk backwards." This is still your organization and
you will ultimately make the decision.
SPEAKING OF DECISIONS, it is time to choose
those who will serve you for the next two years as COAi's
Board of Directors. The candidates' nominations and
photos begin on page 8 of this issue. There are a few races
in some of the Regional Vice President positions.
Remember that in the regions you only vote for your own
Regional VP, so please take time to look at the candidates
and consider the choices. I am disappointed that there are
still some positions with no candidates. This organization
functions best with your input, and I hope you will consider
where you may still be able to serve.
This year has already been busier than usual for me
and I have had many opportunities to meet some of you at
the clown conferences I have attended. It is my pleasure to
get to know you and see what you are doing in the
wonderful world of clowning. Thanks for the opportunity to
add you to my clown family, and I hope to see you again
down the road!
the Happy Sounds of the Tangley Calliope!
CLOWN AND MID~AY {fl i
C1
,ALLIOPE
• usn~,
Dr. Bugg --
species and how we try to protect them from harm. "Would
you believe that a shop over in Illinois is selling an
endangered species? It is a spotted dowel." This is a short
piece of dowel that has black spots, or any other color on it,
for that matter. They are made with a large felt-tipped
marker. The "spotted dowel" can be hand held. They look a
lot nicer, I think, mounted on a small block of wood.
GROANER OF THE WEEK: What two letters of the
alphabet are your teeth afraid of? D-K!
To reach Dr. Bugg, write to Chuck Rlnkel,
5921 Wlnwood Dr. #354, Johnston, IA 50131-
1684. Rlnkel Is a retired United Methodist pastor
and for six years was the Caring Clown for
Ottumwa, IA, Reglonal Health Center
Brass Whistles
on Parade • CD # 1038
All selections on these three
recordings are in the public
domain, so you can play
them anywhere.
Get them from your favorite
supplier, or order direct from
Marion Roehl Recordings
3533 Stratford Drive, Vestal 115, NY 13850
phone 607-797-9062 Fax 607-797-2624
VISNMasterCard ok. Add $3 per order for mail ($3.50
outside USA) or $4.00 for UPS. (NY residents add 8%
sales tax) • write, fax, or phone for our free catalog
The New Calliope 43

March/April, 1998
By Dan "Dano" Lake
13005 Lakerldge Dr.
St. Louis, MO 63138
Hi Gang,
As of late February, 77 alleys had not sent in their alley
reports for 1998. They were due Feb. 1.
Check with the officers of your alley to see if they have
received the report form, information on Artist in Residence
program and Rose Nose Festival Competition proposal,
and have them send the report in as soon as possible . If I
have not received your alley report by April 15, I will put the
alley on the inactive list and report this list to you next issue.
After that, if I don't receive a report by next February, we will
remove them from the COAi Alley Roster. These alleys will
also not receive any eduational items being produced by
COAi.
HOW A LITTLE MORE
MONEY BUYS A LOT
MORE PUMP.
Balloon Buoy Exua Duty Puts 760 poodles on a single charge .
More Lightweight Power In Then recharge fully in just an hour.
Your Hands. ~ - - = ===- ---,Plus you'll get the best
Try as they might, no
warranty around.
imitator can beat the
Don't senle for a cheap
3.5 lb. Balloon Buoy imitation. Demand the
Extra Duey for easy, , pump preferred by
health y
'nf) · f
I aaon o
Push
button c 1 owns, magicians · · an d
260s and 130s. Ir
other emenainers
delivers one-second inflation at worldwide. Balloon Buoy Exrra
your finger tips. And the safe, dry Duty. Call collect or fax:
12-volt Bosch barery will do up co 419-536-7495.
..
Ed Rohr Company
,~1l WN
Toledo, Ohio
edrohrcn@mmpuserve.rom
-VISA , original Balloon Buoy.
~ Extra batteries availabl e. · Add $9 Shipping & Handling
Here are the alleys whose reports are missing:
Alley
40 Calliope Clowns 242
44 Galaxy of Clowns 247
51 Merri-Makers 248
56 San Diego All Star Clowns 254
58 California Clowns 255
65 Erie Jolly Jesters '251
78 Calumet Clowns 258
83 Dobo's Clowns 253
95 Lolli-Poppers 200
110 Happy Valley Clowns 261
116 Clowns of Enchantment 262
126 Payasos Profesionales
127 Klassy Klowns 264
135 Cowtown Clowns
151 Clown Alley of AR 266
159 Kracker Jaclown Club 251
159A South Shore Joeys 268
173 Billtown Clowns 200
100 Granite State Clowns Z70
191 Let's Clown Around
192 Miracosta Clowns 272
100 Spotlight Clown Alley 273
197 Top Banana Clowns 274
201 Cascade Clowns of 275
Washi~n State 276
~ Perry arts Clowns 277
2)3 Jolly Jesters of 279
Charlotte 200
206 Kalamity Klowns 281
200 Wise County Clowns 282
210 Merry Hearts Clowns 283
221 Circle of Clowns of Plano 284
223 Kum Join Us Klowns 286
226 Clowncare Club 289
227 Fayetteville United Nuts 200
231 King's Kourt, Rye 291
Bethany Church 200
232 Central Mass Clowns 295
233 Alley Oops of Long Island 297
234 Kings Jesters 299
241 Payasos Puertorriquenos 300
Unidos :m
NEW ALLEYS:
Alley 307 Sho-Me-MoClowns
21350dessa
Joplin, MO 64801
Alley 308 The Clown Arounds
PO Box 1431
Wichita Falls, TX 76301
Clown Towners
Clownin' Around Tampa
Middle Georgia Clowns
Clowns Around Redford
Center Ring Clowns
Here Come the Clowns
Penny Alley Clowns
Clownglomeration
Cincinnati Red Noses
Clown Caddy Express
Assn. Cristiana
de Paya.sos Un.
The Joy Pleasers
Clown Ministry
Los Alegres Paya.sos del Sur
Wee Bee A
Tummy Ticklers
Minnehaha Clowns
Asociacion Payasos
Dominicanos
Heartwarmers Clowns
Coastal Confetti Clowns
Just4 Fun
Send in the Clowns
Payasos del Sol
Chucklehead Clowns
Krazy Clowns of Las Vegas
Giggle Ga11e3
West Texas lawns
Frontier Clown Alley
Gir-£es & More
Big ky Klown Alley
Cherry Capital Clowns
Queen City Jesters
Bob's Benevolent Bozos
Midwest Vaudeville Clowns
Ta! Dal Funallee
St. Joey's Clown Alley
OgopogoClowns
San Angelo Town Clowns
Peachtree Clowns
The Klown Klub.
Drop these clowns a line and welcome them to the
club.
We would also like to welcome back:
Alley 252 Clover Park Clowns
PO Box39203
Tacoma , WA 98439
They've been out for a couple of years.
If you would like to start an alley in your area, first you
need to contact me so I can send you COAi 's alley start-up
kit. You need at least five clown s, all of them COAi
members at all times to hold a charter. There 's a one-time
fee of $100. For more info, write or email me (address page
3).
44 The New Calliope

March/April, 1998
~totyline magic
By Steven Bender
Allas Mr.Plckle of lckle Plckle Products
In an earlier article I wrote about how I use the ltty Bitty
Change Bag with the small Blendo Silks. Working tables, I
came to realize that there was another way to use this little
bag. Since I tend to use both a Mini Tote Bag and an ltty
Bitty Change Bag -- either can be used for this effect.
When I'm working at the Lodge over Labor Day, they
happen to have white paper napkins on the tables. So I
preload my ltty Bitty Change Bag with a #4 white dart
balloon. I show the bag empty and then have my helper
tear off a small piece of his napkin. I instruct him to roll it into
a ball and toss it into the bag. Then I have him retrieve it and
casually poke the bag inside out so he can observe, as can
the others around the table, that the bag is quite empty ,
seemingly so.
Before tossing the small ball of napkin back into the
bag, I make sure he touches it with his Magic Spoon.
Hopefully, you remember that while I'm working a table I
repeatedly have my helper use his Magic Spoon. If you
didn't remember, I just reminded you. Enough said. Once
the napkin ball is in the bag I have him wave his Magic
Spoon over the bag and repeat after me, with everyone at
the table: "ltty Bitty, Bitty McGoo. ltty Bitty, what should I
do? ltty Bitty, tell me how soon -- this piece of napkin will
turn to a balloon?" The bag is once again turned inside out
and there is a white balloon. Simple, easy and fast! But only
the beginning, since I like to link effects together.
Once the balloon has been produced, then I pull from
my case (or pocket) a Majestic Needle inside a plex
holder."You might have thought this was an ordinary
balloon. But such is not the case. When a balloon is made
from a breakfast (or whatever) napkin, it has special nonpopping
qualities. Perhaps we should test to make sure
this is an authentic breakfast napkin balloon."
I now slowly remove the 7-inch needle from its holder.
"This is the napkin balloon tester. Some people don't
believe it's really sharp. Is there anybody at this table that
would like to test the sharpness of the tester?" If somebody
happens to raise their hand, I say, "If you would stand up
and come over here. Now, if you will turn with your back
towards me and drop your pants for a brief second. I will
then insert the tester and we'll see how high you jump. The
higher the jump, the sharper the tester. A simple but
painful test."
Need I say that once I mention dropping the pants, the
disbeliever suddenly is no longer compelled to test the
sharpness of the needle. If no hands are raised, I simply
bypass this comic interlude.
I now blow up the balloon and let all the children at the
table take a close look at the balloon. I don't want anyone to
think I have tape on the balloon, but I don't mention this
fact. The fact is, there is no tape. It is merely the sharpness
of the needle that allows this effect to work. Once the
balloon has been examined, I sterilize the needle by
wetting my thumb and forefinger and rubbing them across
the tip of the needle.I now slowly push the needle into the
balloon. It is pushed into the extra thick bottom of the
balloon and pushed out at the knot in the balloon. then I
say, "Yes, this is definitely an authentic breakfast napkin
balloon." I now pull the needle out of the balloon and set
the balloon on top of a glass. "Now you will see another
miracle -- the shrinking napkin balloon." After all, the
balloon now has two holes in it, so the air will slowly escape.
After it begins to slowly shrink, I pick it up and squeeze
the remaining air out of it. I then toss it back into the ltty Bitty
Change Bag and change it back into the napkin ball. If the
age is right, I often do a bit about putting the napkin ball
under his/her pillow. But I forewarn him that he best touch
the ball with a Magic Spoon before it goes under the pillow.
Need I say that if I wish, I have the option of taking the
shrunken white balloon and wrapping it in another piece of
napkin and having my helper touch this with his Magic
Spoon and then tossing it into my Mini Tote Bag. I now twirl
the bag and then when I open it and turn it inside out I have
a larger white balloon which I leave with my helper. If there's
something else you'd rather turn the shrunken balloon into
-- so be it. Your imagination is your only limitation.
"LEARN THE ART. LIVE THE HEART"
MAY 15-17, 1998
GROTONWOOD CONFERENCE CENTER, GROTON, MA.
SPONSORED BY TIIE NORTIIEAST i\SSOCIJ\ TION OF CHRISTIAN CLOWNS
RALPH DEWEV
MINISTER BARBARA OWEN-HAWVARD
DAN "THE AMAZING EARL• WOLFE
CLOWNCITV
CLOWN SUPPLIES. INC.
REGISTRATION $150.00 /INCLUDES ROOM AND 6 MEALS
FOR MORE INF~ALL LAURA (781) 447-3782
COAi ~tuff!
Multi-colored llhirh, ............. ..... $25.00
Six 3X ..................... .................... $28.00
White Tl!hirh w/logo ..... ...... ....... $10.00
Adel $3.00 postage/handling
Post-paid stuff!
Patchell ........ ................... ..... ........... $3.00
Pinl! ................................. ....... ........ $3.00
Decals .... ......... ................................ $1.00
Order: Walter R. Lee
1347 Ava Rd.
Severn MD 21144
The New Calliope 45

March/April, 1998
Info Line
1-919- 782-8841
Visa,Ma5tercard &
Discover accepted
E-mail at:
designers@
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See our online catalog at
http://www.mindspring.com/~designers/
COSTUMES- A new Line!
· Designed for "the working clown". Change your look
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May 1!>,18,17, 199~
It is hard to believe that we are turning
"1 O" this year!! We are inviting you join
us and an unbelievable faculty for our
celebration. J.T. "Bubba" Sikes will be
our Dean. He will be assisted by Duane
Laflin, Rex Nolan, Pricilla Mooseburger,
Cher-I-Oats and others. There will be
workshops on basic makeup, balloons,
juggling, skits, storytelling, christian
clowning, props, silk magic, self esteem
building in kids, comic movements,
business stuff, plus others. For $65.00
you get all the workshops, 4 meals, class
photo, access to over 15 vendors, and a
few more surprises . For information
call: 740-345-3880 or write to
ClownTown, 293 Central Ave., Newark,
OH 43055 or Funnybun@infinet.com
•-J
Clowns of America International
Income , expense and balance statement
REVENUE
Membership
Alley charters
Magazine ads
Merchandise
Convention
Interest
Misc.
Cl.Hall of Fame
Web page
TOTAL REV.
as of Jan. 31, 1998
DecJJan. YEAR TO DATE
$3 ,229.53 $5 ,5418.81
100.00 500 .00
4,610.00 12,295.00
693.00 6,640.28
252.57
5.00
$8,890.10
EXPENSES
Returned checks
New Calliope prod'tion 4,422.00
Editor fee 9,530.00
New Calliope postage
Computer service
Postage
Printed matter
Merchandise
Cl Hall of Fame
Publicity
Convention
Education
Prorated materials
2,474.89
410.89
369.57
1,360.00
1,624.65
Misc. 1 04. 25
Fall Board meeting 1,554 .12
Officers phone/postage 1 , 086. 06
Trophies
Board meeting
Professsional services 2,780.00
National Office 425.19
Innovation/development
Excellence in clowning
Clown Artist/ Residence
Directory 2,250.00
Web page 50.00
Insurance
Tax payment 681.41
TOTALEXP. $29,123.03
BALANCE SHEET
Carry over from
last period $219 ,800.83
Total revenue 8,890.10
Total expenses 29 ,123.03
Cert/Dep. Maturity
Cert!Dep. Purchase 90,000.00
NET CASH BAL.109,567 .90
HELD IN CDs 101,000.00
investment CD.
17,447.39
35 .00
432.00
$92,768.48
153.00
13,504 .00
19,045 .00
3,000.00
8,739.36
3,118.68
1,226.28
812.66
160.00
1,360.00
1,624.65
104.25
3,578.08
1,673.61
120.99
2,780.00
1,145 .30
607.53
1,165.00
2,250.00
50.00
1,796.59
681.41
$68,696.39
$95,495.81
92,768.48
68,696.39
80 ,000 .00
90,000.00
109,567.90
101,000.00
Respectfully submitted
Judy Quest, Treasurer
46 The New Calliope

March/April, 1998
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DISTRIBUTORS TO CONTACT:
Buhha's Ch>11n Supplies, Fl 'i0.J-272-i878
B,1lloons & CI011ns, NC !Jl'J-71•- l'J9.J
Ci

March/April, 1998
These Florlda Joeys descended on Largo, FL, late In
January to celebrate the first annual Florlda Clown
Day. Talk about a blast! See page 41 for detalls.
Clowns of America International
P.O. Box 6468
Lee's Summit , MO 64064-6468
Periodical Postage
Paid at Bluffton, Ohio
000141 07 - 98 SC 2793
RED RANSONETTE
1050 STACEWOOD DR
BEAUMONT, TX 77706 4139
48 The New Calliope