That's Dark Press Kit
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THAT’S DARK<br />
EPISODES SEASON ONE<br />
HENRY: PORTRAIT OF A SERIAL KILLER<br />
ALTERNATIVE FACTS OF HENRY LEE LUCAS<br />
Another film that lives in the mythology tucked within Danny’s mind, John McNaughton’s Henry:<br />
Portrait of a Serial Killer is this week’s film. Things get lively when Pappy takes his turn at the<br />
three-minute drill, and Danny goes “Full Henry” on his fact-checking. The conversation focuses<br />
on the reality of Henry Lee Lucas and McNaughton’s cinematic representation of the notorious<br />
serial killer.<br />
GROSTESQUE<br />
THEORIZING TORTURE PORN<br />
Squirmish-ness abounds when Danny, David and Pappy watch Koji Shiraishi’s Grotesque (2009).<br />
Danny and Pappy play head games, and questionable activity happens at the start of the threeminute<br />
drill. This is the first real journey into both Japanese cinema and a popular subgenre of<br />
extreme film. The conversation focuses on trying to understand the genre of torture porn and the<br />
role of the body in extreme cinema.<br />
IN A GLASS CAGE<br />
WHERE DEATH & PLEASURE DRIVES MEET<br />
The one that got away. Danny, David and Pappy piece together their discussion on Agusti<br />
Villaronga’s In A Glass Cage (1987). Organized through audio flashbacks, the boys retrace their<br />
steps through a surprise three-minute drill twist and their discussion regarding the problems of<br />
genre, the pleasure principle, and the death drive. Conversational etiquette flys by the wayside and<br />
the boys try to figure out where it went wrong, in retrospect.<br />
A SERBIAN FILM<br />
BREAKING DANNY’S WILL<br />
In the season finale, Danny finally meets Srdjan Spasojevic’s A Serbian Film (2010). After the<br />
big reveal is nearly blown, David and Pappy execute a game of deception to surprise Danny with<br />
a film he doesn’t want to watch. Listen to Danny run an emotional gauntlet as he navigates the<br />
most notorious film in the genre. We cover intentional fallacy, whether or not the film is a Serbian<br />
allegory and consider the film as a tragedy. Season one goes out with a bang, not a whimper.<br />
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