David Bednall choral sampler

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196 9 26 ° & b b b œ œ œ œ œ œ œ œ œ œ œ ˙ œ ˙ ˙ you are seat - ed at the right hand of the Fa - ther: re - ceive our n n n & bb b unis. S. œ œ œ œ œ œ œ œ œ œ œ ˙ œ A. ˙ n˙ n n n you are seat - ed at the right hand of the Fa - ther: ? ¢ b b b ∑ ∑ Ó Œ œ œ œ œ˙ ˙˙ n n n re - ceive our for online perusal only œ˙ œ œ˙ œ œ œ n n w œ œ œ ẇ n ˙ ˙ n˙ w ? b b ˙ ˙ ẇ œ w b œ ˙ n n n & bb b { ? b b b ∑ ∑ Ó ˙ ˙ ˙ n n n ° 30 & ∑ w œ œ œ œ œ œ œ œ J ˙ prayer. f For you a - lone are the Ho - ly One, & ∑ ww œ œ œ œ œ œ œœ œ œj ˙ f prayer. ? ∑ ¢ ww œ œ œ œ œ œ œ For f you a - lone are the Ho - ly One, œ j ˙ J & { ? œ œ œ œ œ œ ˙˙œ œ œ œ > > œ œ œ œ œ œ f > > œ œ œ œ œ œ b˙ œ œ œw œ œ œ ˙ ˙œ œ ˙œ œ ˙ ˙˙ ? w ∑ œ œ œ œ ˙ ˙
197 10 34 ° & œ œ œ œ œ œ w œ œ œ œ œ ˙ ˙ you a - lone are the Lord, you a - lone are the Most High, & œ œ œ œ œ œ œ œ œ ww œ œ œ œ œ ˙ ˙ unis. ? ¢ you a - lone are the Lord, œ œ œ œ œ œ œ œ œ you a - lone are the Most High, unis. w œ œ œ œ œ ˙ ˙ & { ? œ ˙ œ œ œ œ œ ˙ w œ œ œ œ œ œ œ œ˙ œ œ œ œ ˙˙ ˙˙ œ œ œ œ ˙ ˙˙ œ ˙ w œ œ ˙ œ ? ˙ œ œ Œ Ó ˙ ˙ ˙ ˙ ° 38 & ˙ œ w œ œ j œ œ œ œ Je ˙ œ œ - - - sus Christ, with the Ho - ly Spi - rit, in the S. & A. ˙ ˙ for online perusal only œ w w œ j œ J œ œ œ œ ˙˙ œ œ ¢ ? T. B. Je ˙ - - sus Christ, with the Ho - ly Spi - rit, in the œ w œ œ j J œ œ œ œ ˙ œ œ & { ? ? ˙ ˙ ˙ œ ẇ ˙ œ˙ œ j œ˙ œ œ œ w ˙ œ œ w w w ˙ ˙ w w ˙ ˙ ˙ ˙
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David Bednall Choral Sampler May 20
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Sacred Alma Redemptoris Mater SATB
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5 Commissioned by Dean Close School
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7 4 16 - mf ° & 3 8 œ j ‰ œ j
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9 6 31 .- ° 10 œ .- & 8 b b b .-
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11 8 46 ° & mf œ œ œ œb œ œ
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13 10 60 ° & ∑ ∑ ? ∑ ∑ ¢
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15 12 74 ° & 6 8 bb b œ j œ œ
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17 Jointly commissioned by The Sand
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4 9 Hap mf 3 19 - pen
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21 6 16 a little slower rit.
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23 8 25 mf
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25 For John Pickard and Bristol Uni
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4 14 ° & mf œ œ ra 27 œ bœ œ
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6 29 29 ° & & wast from aye, mp mf
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8 31 46 ° & & ? ¢ us the ra us th
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10 33 61 ° & & ? ¢ pp œ œ j œ
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12 76 ° & & ? ¢ - - - men, a - -
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37
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39
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41
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43
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45
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47
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49
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51
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Anonymous medieval carol SOPRANO AL
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55 4 19 - e, no - e.
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57 6 34 - ri - a.
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59 8 48 p * - 6>Pa
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10 65 ff 8>Can ff - te
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77
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65 Marian antiphon SOPRANO ALTO TEN
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67 4 16 ° & 4 & 4 & ‹ 4 ? ¢ 4 m
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69 6 33 ° & & sur sur sur 3 # œ #
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71 8 49 ° & Ge - ni - to - rem, Vi
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73 10 67 ° & molto f ma dolce dim.
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SACRED SATB unaccompanied 75 2 for
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77 4 7 mf mp ° 5 4 8 œ 3 & œ œ
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79 6 ° & ¢ 19 & & ‹ ? œ -ta -
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SACRED SATB (with S. solo and divis
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83
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85
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87
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89
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93
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SACRED 95 Unison upper voices, solo
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97 3 9 & # ˙ Ó ∑ ∑ ∑ & # mp
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99 5 33 & ∑ ∑ ∑ ∑ & mf œ e
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101 rit. a tempo 7 57 & # œ œ œ
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103 Marian antiphon SOPRANO ALTO TE
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105 4 17 ° & & mf œ œ œbœ a mf
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107 6 37 ° & œ œ œ œ œ œ œ
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109 8 57 & œ Œ Ó ∑ œ œ b œ
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111 10 76 ° & & w - o - - - sa. Ga
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113 12 92 ° & & & ‹ ? ¢ p senza
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115 Psalm 112: 1, Psalm 37: 23 SOPR
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117 4 9 mp ° & # 3 œ œ œ ˙ Œ
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119 6 17 p mf ° 3 & # 3 3 ‰ œ j
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SACRED SATB and organ 121 2 for onl
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7 ° ¢ & SOPRANOS p espress. œ œ
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125 5 21 ° & œ œ œ œ bœ œ ˙
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127 7 31 ° & & mf œ œ J ˙ come,
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39 ° & 129 mf cresc. œ œ œ œ
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47 & { œ ˙ œ œ˙ œ œ œ b œ
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133 13 60 ° & & œ œ J œ œ œ b
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135 15 ° & ? ¢ { 75 & mf dolce œ
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137 Commissioned for the 2016 Londo
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139 4 32 ° & ? ¢ 37 ° & ˙ ˙ œ
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141 Psalm 42: 1-2 (BCP) SOPRANO 3 A
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143 4 11 p p espress. Œ Œ 4 ‰ 3
Page 145 and 146: 145 6 23 ° 3 & b mp cresc. U 4 œ
Page 147 and 148: SACRED SATB unaccompanied 147 2 for
Page 149 and 150: 149 5 ° & œ œ œ fff voice of tr
Page 151 and 152: 151 15 ° 5 & 4 5 & 4 mf He mf He p
Page 153 and 154: 153 22 ° & # # 4 & # # 4 ff fff œ
Page 155 and 156: 155 for Simon Ball and the Choir of
Page 157 and 158: 157 4 17 ° ¢ & 4 w ∑ ∑ ∑ &
Page 159 and 160: 159 6 29 ° ¢ & 4 œ ˙ œ pre ˙
Page 161 and 162: NEW HORIZONS 161 2 Sacred SATB and
Page 163 and 164: 163 S. 8 ° 5 & 4 sud-den-ly, flame
Page 165 and 166: 165 16 ° & & & w ∑ œ œ œ œ
Page 167 and 168: 167 7 28 ˙ b w & b { bœ œ ˙ œ
Page 169 and 170: 169 ° & ¢ 47 & & ‹ ? & { ˙ œ
Page 171 and 172: 171 11 61 ° & & ˙ ˙ ˙ glo glo
Page 173 and 174: SACRED SATB and organ 173 2 for onl
Page 175 and 176: 14 ° S. ∑ ∑ ff œ B. ¢ ∑
Page 177 and 178: ° { V 31 B B ‰ œ œ Œ 177 œ
Page 179 and 180: ° V 53 V 179 œ œ œ J b œ œ b
Page 181 and 182: ° ¢ { V 69 V him with a good cour
Page 183 and 184: 183 11 103 ° V ∑ ∑ ∑ ∑ ∑
Page 185 and 186: ° ¢ { ° ¢ { V 124 V 129 full of
Page 187 and 188: ° ¢ { 146 molto allargando ° œ
Page 189 and 190: SACRED SATB and organ, with optiona
Page 191 and 192: 191 4 5 ° ? ¢ b b b & bb b { 9 °
Page 193 and 194: 193 6 2. Gloria CONGREGATION SOPRAN
Page 195: 195 8 17 ° œ œ œ œ œ on - ly
Page 199 and 200: 199 12 3. Sanctus Majestic f ° CON
Page 201 and 202: 201 14 4 ° & b b b pp U ˙ œ œ
Page 203 and 204: 203 16 15 ° & b b b & bb b ? ¢ b
Page 205 and 206: 205 for James Atherton and the Glev
Page 207 and 208: 207 4 11 & ‹ ° & 12 8 œ ?12 œ
Page 209 and 210: 209 Commissioned by Olwen Turchetta
Page 211 and 212: 211 4 8 ° 5 & bb 4 5 & bb 4 5 & bb
Page 213 and 214: 213 6 mf ° & bb œ œ ˙ œ œ œ
Page 215 and 216: 215 8 25 ° & bb œ J nos œ œ Œ
Page 217 and 218: 217 10 33 ° & bb & bb & bb & b b
Page 219 and 220: SECULAR SATB unaccompanied 219 2 fo
Page 221 and 222: 2 mf ° & # # # 3 # œ œ œ œ œ
Page 223 and 224: 223 10 ° & # # # # & # # # # & ‹
Page 225 and 226: 225 17 ° 3 & 2 œ œ œ j ? b œ
Page 227 and 228: 227 9 23 ° 5 & # # 4 & # # 5 4 f d
Page 229 and 230: 229 11 32 ° & # # # # œ œ œ œ
Page 231 and 232: 231 ° ¢ { SOPRANO 2 ALTO TENOR BA
Page 233 and 234: 4 ° ¢ { 8 V # # V # # V ‹ ## B#
Page 235 and 236: 6 ° ¢ { Vb 17 Vb V ‹ b Bb V b B
Page 237 and 238: 8 ° ¢ { ° ¢ { V # # 26 V # # V
Page 239 and 240: 239 for Graham Caldbeck and Somerse
Page 241 and 242: 241 9 love
Page 243 and 244: 243 7 19 of mp -
Page 245 and 246: 9 rit. 25 mp chance or na - ture
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247 36 Death bra
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45 so p cresc. so so lon
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251 TUTTI S. A. T. B. 52 3 3 f m
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1. A Soldier’s Cemetery Behind th
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255 6 ° V V 5 4 5 4 œ œ j œ œ
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257 14 ° V V un un - a - dorned p
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259 23 ° V V 4 4 œ œ œ œ 3 œ
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261 ° { 8 V V cruel cruel f - ly r
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263 20 ° V V mf œ grain mf grain
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265 ° ¢ { 6 Vb Vb V b ‹ Bb V b
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267 ° ¢ V # # 17 V # # V ## ‹ B
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269 ° ¢ { V # # 26 V # # V ‹ ##
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David Bednall choral sampler

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