Always Abounding - Fall 2018 - Volume 3
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GONE CONTEMPORARY<br />
by Pastor Dave Mallinak (‘93)<br />
For quite some time, independent<br />
Baptist churches have been<br />
“modifying” contemporary worship<br />
music. More recently, some have stopped<br />
concealing their whole-hearted embrace<br />
of this music. They have now launched a<br />
campaign to correct what they see as the<br />
“unscriptural” view of worship held by so<br />
many stodgy independent Baptists. While<br />
I find their position appalling, it at least has<br />
the advantage of being honest.<br />
In response, here are seven brief<br />
observations, followed by a longer<br />
response.<br />
Observations<br />
1. These men represent a growing<br />
movement among independent Baptists.<br />
2. They like to remind us that they are<br />
independent Baptists.<br />
3. They do not like the fact that some<br />
separate over music.<br />
4. They argue for the use of electric<br />
guitars and trap sets because the book<br />
of Psalms includes Philistine guitars and<br />
Egyptian instruments.<br />
5. Their main premise is that musical<br />
style is a preference.<br />
6. They take the same approach to<br />
platform and clothing style as they do to<br />
musical style.<br />
7. They think worship is about stirring<br />
up their own passion for God, rather than<br />
about giving God what He wants.<br />
Responses<br />
1. The contemporary music push is the<br />
death rattle of a dying church. In our<br />
attempt to pander to the audience, we<br />
have forgotten that God is the audience.<br />
The more Christians use contemporary<br />
worship, the more we lose the very heart of<br />
worship. Contemporary worship turns the<br />
audience into spectators and the music into<br />
a performance. It produces a low view of<br />
God, a delight in the experience of worship<br />
rather than the God we worship, a superficial<br />
sense of passion that loses the passion of<br />
true worship, a growing dependence on the<br />
experience produced by the music itself,<br />
and the false idea that worship is easy—that<br />
devotion can be whipped up in a couple of<br />
choruses. True worship requires focused<br />
vigor.<br />
2. Our objections to contemporary<br />
worship styles are not an attempt to deny<br />
any church their autonomy. But autonomy<br />
in church government must not be confused<br />
with autonomy with God. God’s Word sets<br />
standards for music and worship (Hebrews<br />
12:28-29).<br />
3. We have a responsibility to follow<br />
Scripture in fellowship and cooperation.<br />
Scripturally, we cannot pretend to be in<br />
good fellowship with churches who have<br />
chosen relevance over reverence. Some<br />
have argued that separating over musical<br />
style places style on the same level as<br />
essential doctrines. This is a sleight-of-hand<br />
argument. They assume that the worship<br />
debate is about style rather than substance.<br />
Worship is a major doctrine, and reducing<br />
God to the level of the common is a serious<br />
slight against Him. We strongly urge faithful<br />
independent Baptist churches to separate<br />
from those churches who make profane<br />
what is holy.<br />
4. It is one thing to play a Philistine guitar.<br />
It is quite another to play that guitar like a<br />
Philistine.<br />
5. Those who use contemporary worship<br />
12 | ALWAYS ABOUNDING