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Guitar_Player__January_2018

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FEATURES<br />

Rod Morgenstein, bassist Andy West, violinist<br />

Allen Sloan), along with keyboardist Steve<br />

Davidowski (who played with the outfit from<br />

1975-’77), announced they’re going to hit<br />

the road again for a series of dates starting<br />

in March <strong>2018</strong>. For Morse, part of the challenge<br />

of playing with his old cohorts will be<br />

as much mental as it is physical.<br />

“It’s kind of impossible to be the same<br />

guy as I was back then,” he admits. “Although<br />

certain things come back to you when you<br />

play with the group of people you came up<br />

with, so you do get into a familiar frame of<br />

mind. All I can do is play the songs as well<br />

as I can, and that means I have to practice<br />

a whole lot.”<br />

He already has a head start. The night<br />

before our interview, Morse was giving his<br />

fingers a workout on a nylon-string guitar<br />

as he reacquainted himself with the classical-based<br />

track “Go for Baroque” (from the<br />

1981 Dregs album, Unsung Heroes).<br />

“I’m isolating trouble spots that I need<br />

The Dixie Dregs in 1979. From left: Allen Sloan, T Lavitz, Rod Morgenstein, Morse, and Andy<br />

West.<br />

to work on,” he says. “There’s a section in<br />

the song where I’m playing diatonic tenths<br />

in the first position. This can be extremely<br />

hard to master, so I’m making up little exercises<br />

to regain that ability. It’s like you have<br />

to get your fingers thinking the old way,<br />

so it’s a process.”<br />

Take us back to the scene at University of<br />

Miami, where the Dregs formed. What was<br />

48<br />

GUITARPLAYER.COM/JANUARY<strong>2018</strong>

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