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FEATURES<br />
Rod Morgenstein, bassist Andy West, violinist<br />
Allen Sloan), along with keyboardist Steve<br />
Davidowski (who played with the outfit from<br />
1975-’77), announced they’re going to hit<br />
the road again for a series of dates starting<br />
in March <strong>2018</strong>. For Morse, part of the challenge<br />
of playing with his old cohorts will be<br />
as much mental as it is physical.<br />
“It’s kind of impossible to be the same<br />
guy as I was back then,” he admits. “Although<br />
certain things come back to you when you<br />
play with the group of people you came up<br />
with, so you do get into a familiar frame of<br />
mind. All I can do is play the songs as well<br />
as I can, and that means I have to practice<br />
a whole lot.”<br />
He already has a head start. The night<br />
before our interview, Morse was giving his<br />
fingers a workout on a nylon-string guitar<br />
as he reacquainted himself with the classical-based<br />
track “Go for Baroque” (from the<br />
1981 Dregs album, Unsung Heroes).<br />
“I’m isolating trouble spots that I need<br />
The Dixie Dregs in 1979. From left: Allen Sloan, T Lavitz, Rod Morgenstein, Morse, and Andy<br />
West.<br />
to work on,” he says. “There’s a section in<br />
the song where I’m playing diatonic tenths<br />
in the first position. This can be extremely<br />
hard to master, so I’m making up little exercises<br />
to regain that ability. It’s like you have<br />
to get your fingers thinking the old way,<br />
so it’s a process.”<br />
Take us back to the scene at University of<br />
Miami, where the Dregs formed. What was<br />
48<br />
GUITARPLAYER.COM/JANUARY<strong>2018</strong>