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Tanya Poole, The Whispering Spring

Tanya Poole's solo exhibition 'The Whispering Spring'. Galerie M Bochum. 07.12.18 - 27.04.19. https://m-bochum.com/press_en.php?SID=XW6pvHsUTM53&eid=174

Tanya Poole's solo exhibition 'The Whispering Spring'.
Galerie M Bochum.
07.12.18 - 27.04.19.
https://m-bochum.com/press_en.php?SID=XW6pvHsUTM53&eid=174

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wasteland, its air fouled by chemical emissions,<br />

its rivers polluted by industrial waste” and run-off<br />

from the two coal -fired electric plants situated<br />

on either side of it.<br />

In the first chapter of ‘<strong>The</strong> Silent <strong>Spring</strong>’, Carson<br />

tells a fictitious short story about a small<br />

American town that boasted rich farms that<br />

yielded huge numbers of crops. One day a strange<br />

“sickness” began to spread across the town. <strong>The</strong><br />

sheep and cows died from illness and ceased to<br />

make any sounds. <strong>The</strong> apple trees blossomed<br />

but there was no sound of the insects or birds<br />

that are needed to pollinate them. <strong>The</strong> town was<br />

now silent in spring because human beings have<br />

poisoned it through the misuse of chemicals in<br />

their farming. A few pages later Carson makes a<br />

grim but true statement:<br />

“Along with the possibility of the extinction<br />

of mankind by nuclear war, the central<br />

problem of our age has therefore become<br />

the contamination of man’s total<br />

environment with such substances of<br />

incredible potential for harm — substances<br />

that accumulate in the tissues of plants<br />

and animals and even penetrate the germ<br />

cells to shatter or alter the very material of<br />

heredity upon which the shape of the future<br />

depends” (Carson 2002 (1962): 8).<br />

Two years after the book was published, Carson<br />

died of breast cancer. ‘<strong>The</strong> <strong>Whispering</strong> <strong>Spring</strong>’ by<br />

<strong>Tanya</strong> <strong>Poole</strong> pays homage to Rachel Carson and<br />

the other seven female scientists depicted in the<br />

exhibition who are working in line with Carson’s<br />

legacy and philosophy towards the environment.<br />

<strong>Poole</strong> shares their views and the scientists have<br />

served far more significant roles besides allowing<br />

her to paint their portraits. Carson was never<br />

awarded a PhD in environmental science. She<br />

came from a background of writing and working

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