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Viva Brighton Issue #70 December 2018

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REVUE<br />

.............................<br />

The Treason Show<br />

A clusterfudge of a year<br />

Mark Brailsford is<br />

uncharacteristically<br />

lost for the right<br />

phrase. “I know<br />

you can’t use that<br />

word. There might<br />

be a better word,<br />

without swearing.”<br />

His eyes twinkle.<br />

“It’s a clusterfudge.”<br />

Our conversation<br />

has turned to Brexit,<br />

which is certain to<br />

be a key part of the<br />

satirical revue he’s directing this month. “We<br />

scattergun everyone, both sides get it from<br />

The Treason Show, but because the dominant<br />

narrative is so incompetent, we only have to<br />

cover what’s going on and we look like we’re<br />

biased. And I can’t help that, because Brexit is a<br />

disaster. Whichever way you look at it.”<br />

Now in its 19th year, The Treason Show has<br />

become a <strong>Brighton</strong> institution, reflecting<br />

current affairs in a collection of comedy<br />

sketches and songs. Although Mark founded the<br />

show, he’s keen to emphasise the collaboration<br />

involved. He reckons there have been well over<br />

300 contributors since the original cast of four<br />

trod the boards at Komedia. However, The<br />

Treason Show might easily never have happened<br />

at all. Back in 1999, Mark mentioned his work<br />

on the Radio 4 Week Ending sketch show when<br />

he met Geoffrey Perkins, then BBC Head of<br />

Comedy. The Perkins response was “That<br />

taught you two things: how not to write and how<br />

not to be funny.” Mark “loved him even more<br />

after that” and decided to drop satire in favour<br />

of playwriting. Whilst arranging for his latest<br />

play to be performed<br />

at Komedia, he was<br />

asked if he’d like<br />

to set up a topical<br />

sketch show. Despite<br />

hesitating initially,<br />

Mark decided on a<br />

three-month trial<br />

in June 2000. “After<br />

two marriages and<br />

near-bankruptcy as<br />

well, the company<br />

motto is ‘we’re still<br />

here’.”<br />

Indeed they are – and in the final stages of<br />

assembling this year’s conclusive performances.<br />

“You would think the Christmas show, which is<br />

a ‘best bits’ show, would be easier to put together<br />

than the regular shows. It’s not. It’s actually<br />

harder. Because it’s a review of the year, it has<br />

to encompass the big stories and then marry up<br />

with our best material – and those aren’t always<br />

the same thing.” Ultimately, Mark’s aiming for<br />

“a distillation of the narrative”, he says. “There<br />

are story arcs for every year. You will see a<br />

thread of triggering moments that everybody’s<br />

reacted to throughout <strong>2018</strong>.” And so we return<br />

to “the b-word”, as Mark puts it. “There will<br />

definitely be a reaction to Brexit stuff. A mix<br />

of people going ‘I don’t like that’ and others<br />

cheering wildly. We want it to be a unifying,<br />

cathartic experience. Making people laugh<br />

together. It’s tougher to do comedy these days.”<br />

Mark Bridge<br />

That Was The Year That Was <strong>2018</strong> is at the<br />

White Hart Hotel (Lewes) on Sat 22nd and at<br />

Horatio’s on <strong>Brighton</strong>’s Palace Pier from Thurs<br />

27th until Mon 31st. treasonshow.co.uk<br />

Photo by Tom Gallagher<br />

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