Viva Brighton Issue #70 December 2018
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REVUE<br />
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The Treason Show<br />
A clusterfudge of a year<br />
Mark Brailsford is<br />
uncharacteristically<br />
lost for the right<br />
phrase. “I know<br />
you can’t use that<br />
word. There might<br />
be a better word,<br />
without swearing.”<br />
His eyes twinkle.<br />
“It’s a clusterfudge.”<br />
Our conversation<br />
has turned to Brexit,<br />
which is certain to<br />
be a key part of the<br />
satirical revue he’s directing this month. “We<br />
scattergun everyone, both sides get it from<br />
The Treason Show, but because the dominant<br />
narrative is so incompetent, we only have to<br />
cover what’s going on and we look like we’re<br />
biased. And I can’t help that, because Brexit is a<br />
disaster. Whichever way you look at it.”<br />
Now in its 19th year, The Treason Show has<br />
become a <strong>Brighton</strong> institution, reflecting<br />
current affairs in a collection of comedy<br />
sketches and songs. Although Mark founded the<br />
show, he’s keen to emphasise the collaboration<br />
involved. He reckons there have been well over<br />
300 contributors since the original cast of four<br />
trod the boards at Komedia. However, The<br />
Treason Show might easily never have happened<br />
at all. Back in 1999, Mark mentioned his work<br />
on the Radio 4 Week Ending sketch show when<br />
he met Geoffrey Perkins, then BBC Head of<br />
Comedy. The Perkins response was “That<br />
taught you two things: how not to write and how<br />
not to be funny.” Mark “loved him even more<br />
after that” and decided to drop satire in favour<br />
of playwriting. Whilst arranging for his latest<br />
play to be performed<br />
at Komedia, he was<br />
asked if he’d like<br />
to set up a topical<br />
sketch show. Despite<br />
hesitating initially,<br />
Mark decided on a<br />
three-month trial<br />
in June 2000. “After<br />
two marriages and<br />
near-bankruptcy as<br />
well, the company<br />
motto is ‘we’re still<br />
here’.”<br />
Indeed they are – and in the final stages of<br />
assembling this year’s conclusive performances.<br />
“You would think the Christmas show, which is<br />
a ‘best bits’ show, would be easier to put together<br />
than the regular shows. It’s not. It’s actually<br />
harder. Because it’s a review of the year, it has<br />
to encompass the big stories and then marry up<br />
with our best material – and those aren’t always<br />
the same thing.” Ultimately, Mark’s aiming for<br />
“a distillation of the narrative”, he says. “There<br />
are story arcs for every year. You will see a<br />
thread of triggering moments that everybody’s<br />
reacted to throughout <strong>2018</strong>.” And so we return<br />
to “the b-word”, as Mark puts it. “There will<br />
definitely be a reaction to Brexit stuff. A mix<br />
of people going ‘I don’t like that’ and others<br />
cheering wildly. We want it to be a unifying,<br />
cathartic experience. Making people laugh<br />
together. It’s tougher to do comedy these days.”<br />
Mark Bridge<br />
That Was The Year That Was <strong>2018</strong> is at the<br />
White Hart Hotel (Lewes) on Sat 22nd and at<br />
Horatio’s on <strong>Brighton</strong>’s Palace Pier from Thurs<br />
27th until Mon 31st. treasonshow.co.uk<br />
Photo by Tom Gallagher<br />
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