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Fractured Steve Rock Published by Rock Creative Partnerships (PTY) Distributed by Smashwords Copyright Steve Rock 2019 License notes No part of this publication may be reproduced or transmitted in any form or by any

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S T E V E R O C K<br />

F R A C T<br />

U R E D<br />

A d e v a s t a t i n g s h o r t s t o r y


<strong>Fractured</strong><br />

<strong>Steve</strong> <strong>Rock</strong><br />

<strong>Published</strong> <strong>by</strong> <strong>Rock</strong> <strong>Creative</strong> <strong>Partnerships</strong> (<strong>PTY</strong>)<br />

<strong>Copyright</strong> <strong>Steve</strong> <strong>Rock</strong> <strong>2019</strong><br />

<strong>License</strong> <strong>notes</strong><br />

<strong>No</strong> <strong>part</strong> <strong>of</strong> <strong>this</strong> <strong>publication</strong> <strong>may</strong> <strong>be</strong> <strong>reproduced</strong> <strong>or</strong> <strong>transmitted</strong> <strong>in</strong> <strong>any</strong> f<strong>or</strong>m<br />

<strong>or</strong> <strong>by</strong> <strong>any</strong> means, electronic <strong>or</strong> mechanical, <strong>in</strong>clud<strong>in</strong>g photocopy, rec<strong>or</strong>d<strong>in</strong>g<br />

<strong>or</strong> <strong>any</strong> <strong>in</strong>f<strong>or</strong>mation st<strong>or</strong>age and retrieval system without permission <strong>in</strong><br />

writ<strong>in</strong>g from the publisher <strong>or</strong> the auth<strong>or</strong>. Mean<strong>in</strong>g, <strong>in</strong> less legal w<strong>or</strong>ds, that<br />

<strong>this</strong> ebook is licensed f<strong>or</strong> your personal enjoyment only. If you would like<br />

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website rockcreative<strong>part</strong>nerships. If you’re read<strong>in</strong>g <strong>this</strong> book and didn’t<br />

pay f<strong>or</strong> it, lucky you! But I impl<strong>or</strong>e you, if you enjoy it to donate someth<strong>in</strong>g<br />

so I can keep on do<strong>in</strong>g what I love and you can keep on read<strong>in</strong>g what I<br />

produce. Thank you f<strong>or</strong> respect<strong>in</strong>g the hard w<strong>or</strong>k <strong>of</strong> <strong>this</strong> auth<strong>or</strong>.


He thought life was good.<br />

Until it wasn't.<br />

A successful, confident and smart wife, Alexi. Two children, a<br />

boy aged 5, Solomon, and a girl who was about to turn 20<br />

months, Carrie. A job that allowed him to w<strong>or</strong>k from home 3<br />

days a week from an exclusive cut-de-sac <strong>in</strong> Bournemouth,<br />

which was a 20 m<strong>in</strong>ute drive from the sea. Des Lam<strong>be</strong>rt, 45, f<strong>or</strong><br />

as long as he could remem<strong>be</strong>r always dreamt <strong>of</strong> a home with<br />

sea view. Okay, so he couldn’t see the sea from his house, the<br />

family budget could only stretch to <strong>be</strong><strong>in</strong>g able to smell the sea if<br />

the w<strong>in</strong>d blew <strong>in</strong> a favourable direction. Today, when Des closed<br />

his eyes, he could smell the sea as if he were <strong>in</strong>ches away from<br />

the fresh water roll<strong>in</strong>g over his feet.<br />

Open<strong>in</strong>g his eyes he ran his left hand over his stubble, mov<strong>in</strong>g<br />

upwards, rubb<strong>in</strong>g his face, glanc<strong>in</strong>g at his wedd<strong>in</strong>g r<strong>in</strong>g smil<strong>in</strong>g.<br />

He then brought <strong>in</strong>to vision his two precious children who were<br />

both sat wait<strong>in</strong>g eagerly f<strong>or</strong> their lunch. Carrie, with her mop <strong>of</strong><br />

dark curls, sat <strong>in</strong> the high chair scream<strong>in</strong>g ‘<strong>No</strong>!’ at the top <strong>of</strong> her<br />

lungs. This had always made Des smile as he knew Carrie didn’t<br />

actually mean ‘no.’, she just liked how the w<strong>or</strong>d made her feel.<br />

The TV seemed to <strong>be</strong> permanently on children’s BBC and yet<br />

the children rarely watched it. The back ground noise created an<br />

ambience that his children could dip <strong>in</strong> and out <strong>of</strong>. Carrie always<br />

took Solomon’s lead, the m<strong>or</strong>e noise he made, Carrie was<br />

compelled to do <strong>be</strong>tter. The Lam<strong>be</strong>rt household was rarely a<br />

quiet place.


While listen<strong>in</strong>g to a purple furry puppet s<strong>in</strong>g the alpha<strong>be</strong>t, Des<br />

made his way over to the patio do<strong>or</strong>s; as he opened them the<br />

cool air <strong>in</strong>stantly filled the room and silenced all noise. F<strong>or</strong> a<br />

moment peace descended. ‘Ok, food time!’ The kids cheered,<br />

mak<strong>in</strong>g Dad feel like what he was about to create was noth<strong>in</strong>g<br />

sh<strong>or</strong>t <strong>of</strong> miraculous. Confidently bound<strong>in</strong>g out <strong>of</strong> the room,<br />

without look<strong>in</strong>g back he announced <strong>in</strong> a faux American game<br />

show accent, ‘Com<strong>in</strong>g right back kids.’<br />

The microwave whirred <strong>in</strong>to action while Des poured the water<br />

f<strong>or</strong> one and juice f<strong>or</strong> the other <strong>in</strong>to sh<strong>or</strong>t glasses. The brightly<br />

coloured plastic cups couldn’t <strong>be</strong> found.) As he opened the<br />

drawers to the cutlery he momentarily <strong>be</strong>came confused, why<br />

is wife constantly felt the need to move th<strong>in</strong>gs was <strong>be</strong>yond him.<br />

A few drawers later the cutlery was found, the adult cutlery. In<br />

that moment Des decided he would simply feed Carrie as<br />

leav<strong>in</strong>g her with a metal po<strong>in</strong>ty object simply wasn't w<strong>or</strong>th the<br />

risk. The microwave peeped, signal<strong>in</strong>g that the mess could<br />

commence. With the food side <strong>by</strong> side on a tray with the w<strong>or</strong>d<br />

‘Love’ <strong>in</strong>scri<strong>be</strong>d, Des walked back <strong>in</strong>to the TV room, a shoot<strong>in</strong>g<br />

pa<strong>in</strong> flashed <strong>be</strong>tween his eyes as the tray crashed to the<br />

polished stone flo<strong>or</strong>.<br />

The children, along with the seats they were sat <strong>in</strong> were gone.<br />

The patio do<strong>or</strong>s were still open but the TV was switched <strong>of</strong>f.<br />

Fearful, he retraces his steps back to the kitchen, call<strong>in</strong>g their<br />

names while try<strong>in</strong>g to suppress the f<strong>or</strong>ebod<strong>in</strong>g sense <strong>of</strong> dread.


Panic rises <strong>in</strong> his throat as he calls their names, <strong>this</strong> time<br />

louder. He is mocked <strong>by</strong> a deathly silence. Runn<strong>in</strong>g outside<br />

<strong>of</strong> the patio do<strong>or</strong>s, now scream<strong>in</strong>g their names, Des feels a<br />

complete loss <strong>of</strong> control. Around the back garden, up<br />

stairs…noth<strong>in</strong>g. Spr<strong>in</strong>t<strong>in</strong>g down the stairs, three at a time,<br />

Des closes the patio do<strong>or</strong>s <strong>be</strong>h<strong>in</strong>d him <strong>be</strong>f<strong>or</strong>e mak<strong>in</strong>g his<br />

way to the front do<strong>or</strong>, reach<strong>in</strong>g f<strong>or</strong> an ill fitt<strong>in</strong>g coat from the<br />

stand pull<strong>in</strong>g the vibrant red do<strong>or</strong> closed <strong>be</strong>h<strong>in</strong>d him.<br />

Des’ w<strong>or</strong>ld was <strong>be</strong><strong>in</strong>g squeezed as walk<strong>in</strong>g immediately<br />

<strong>be</strong>came an alien concept. The sh<strong>or</strong>t distance across the ten<br />

house cul-de-sac <strong>may</strong> as well <strong>be</strong>en a country mile as Des<br />

struggled to place one foot directly <strong>in</strong> front <strong>of</strong> the other.<br />

F<strong>in</strong>ally arriv<strong>in</strong>g at num<strong>be</strong>r 6 Clover Way Des r<strong>in</strong>gs the <strong>be</strong>ll,<br />

waits and then r<strong>in</strong>gs aga<strong>in</strong>. <strong>No</strong>body answers. The do<strong>or</strong> to<br />

num<strong>be</strong>r 7 opens as a sh<strong>or</strong>t, squat bald man steps out, car<br />

keys jangl<strong>in</strong>g on the ends <strong>of</strong> his hairy stumpy f<strong>in</strong>gers, ‘Hi<br />

Des, everyth<strong>in</strong>g ok? Haven’t seen you <strong>in</strong> a while. Everyth<strong>in</strong>g<br />

ok?’ Ign<strong>or</strong><strong>in</strong>g the greet<strong>in</strong>g Des urgently steps towards the<br />

man, f<strong>or</strong>c<strong>in</strong>g him to retreat closer to the threshold <strong>of</strong> his own<br />

house. Des blurts, ‘Have you seen my children?’ The<br />

neighbour furrows his brow and saddened slowly shakes his<br />

glisten<strong>in</strong>g bald head. Sp<strong>in</strong>n<strong>in</strong>g quickly around Des leaves the<br />

neighbour to fade away <strong>in</strong>to his peripheral vision. With blood<br />

pound<strong>in</strong>g <strong>in</strong> his head Des steps bl<strong>in</strong>dly <strong>of</strong>f the path <strong>in</strong>to the<br />

road and is nearly hit <strong>by</strong> a car; without break-<strong>in</strong> his stride he<br />

spr<strong>in</strong>ts to another house, franticly knock<strong>in</strong>g the do<strong>or</strong>.


'Carol, Carol, someone’s taken the kids!’ Des notices a<br />

twitch at the lace net cover<strong>in</strong>g the w<strong>in</strong>dow, a few seconds<br />

later the front do<strong>or</strong> slowly opens with the latch still<br />

attached.<br />

'I’m s<strong>or</strong>ry, no Carol lives here.’ The do<strong>or</strong> slams shut. With<br />

tears <strong>in</strong> his eyes a mixture <strong>of</strong> rage and fear grips Des and<br />

with clenched fists he slams upon the do<strong>or</strong>, demand<strong>in</strong>g<br />

Carol open up, he needs her help. The do<strong>or</strong> rema<strong>in</strong>s<br />

unmoved while a secondary bolt is heard sid<strong>in</strong>g across.<br />

Confused, Des steps backwards, not break<strong>in</strong>g gaze with<br />

the front do<strong>or</strong>, ‘What’s wrong with you?’<br />

Briskly pac<strong>in</strong>g back to his house, eyes dart<strong>in</strong>g around<br />

look<strong>in</strong>g f<strong>or</strong> <strong>any</strong> clues Des fumbles <strong>in</strong> his pocket <strong>in</strong> search <strong>of</strong><br />

a mobile phone that he hasn’t seen <strong>in</strong> as long as he can<br />

remem<strong>be</strong>r. Approach<strong>in</strong>g the cobalt blue do<strong>or</strong> he places his<br />

weight on it to open with no avail. Strid<strong>in</strong>g to the side <strong>of</strong> the<br />

house he vaults up and over the wall, crush<strong>in</strong>g what must<br />

<strong>be</strong> recently planted flowers, he attempts to open the patio<br />

do<strong>or</strong>s. As he tries to f<strong>or</strong>ce his way <strong>in</strong> he witnesses a family<br />

<strong>of</strong> four sat hav<strong>in</strong>g d<strong>in</strong>ner, star<strong>in</strong>g <strong>in</strong>credulously back at<br />

him.<br />

Time stops. Des crunches both fists aga<strong>in</strong>st the<br />

strengthened glass, scream<strong>in</strong>g, ‘What are you do<strong>in</strong>g <strong>in</strong> my<br />

house?!’ at which po<strong>in</strong>t a gaunt lady stands, picks up a<br />

phone as the lithe male moves swiftly to the patio do<strong>or</strong>s,<br />

pull<strong>in</strong>g the bl<strong>in</strong>ds shut.


Des jogs to the side <strong>of</strong> the house and clam<strong>be</strong>rs back over<br />

the wall to f<strong>in</strong>d most <strong>of</strong> the cul-de-sac are stood outside<br />

watch<strong>in</strong>g his every move. His long time neighbour, Paul,<br />

walks slowly towards him palms open, fac<strong>in</strong>g Des as if try<strong>in</strong>g<br />

to pacify a confused <strong>or</strong> c<strong>or</strong>nered dog. "It's ok Des, it's ok.'<br />

'What do you mean? Where are my children? What have you<br />

done with my children?' Sobs Des.<br />

The crowd watch <strong>in</strong> stunned silence as Des shifts from one<br />

foot to the next with an awkward rhythm. 'Calm down Des,<br />

you're scar<strong>in</strong>g people.' 'I don't give a fuck if I'm scar<strong>in</strong>g<br />

people, don't you understand, someone has taken my<br />

children!' As if conducted, the crowd collectively turn as one<br />

<strong>or</strong>ganism focus<strong>in</strong>g on the direction <strong>of</strong> approach<strong>in</strong>g police<br />

sirens.<br />

The cl<strong>in</strong>ically efficient police try their <strong>be</strong>st to talk Des down<br />

but he had already breached the th<strong>in</strong> l<strong>in</strong>e that separates<br />

what's considered sane <strong>be</strong>haviour <strong>in</strong>to threaten<strong>in</strong>g and mildly<br />

<strong>in</strong>sane <strong>be</strong>haviour. Des embarks on a violent verbal rampage<br />

accus<strong>in</strong>g the assembled audience <strong>of</strong> <strong>be</strong><strong>in</strong>g complicit <strong>in</strong> the<br />

disappearance <strong>of</strong> his children <strong>by</strong> not do<strong>in</strong>g enough to help<br />

f<strong>in</strong>d them. The tension is palpable as the police screech to a<br />

halt; do<strong>in</strong>g their utmost to diffuse the <strong>in</strong>creas<strong>in</strong>g ire leak<strong>in</strong>g<br />

from every p<strong>or</strong>e <strong>of</strong> Des' body. 'Calm down Sir, we re try<strong>in</strong>g to<br />

help.'


Des' shoulders hunch as he stalks f<strong>or</strong>ward, 'You're not help<strong>in</strong>g,<br />

you're not help<strong>in</strong>g, my children have gone miss<strong>in</strong>g and you're<br />

fuck<strong>in</strong>g talk<strong>in</strong>g to me!' One <strong>of</strong>ficer takes two steps back, rais<strong>in</strong>g<br />

an open palm, 'Sir, I have to ask you to step back.' Des doesn’t<br />

listen, <strong>or</strong> doesn’t hear. The second police <strong>of</strong>ficer places his hand<br />

on the handle <strong>of</strong> the taser.<br />

Paul had lived <strong>in</strong> the cut-de-sac long enough to remem<strong>be</strong>r Des<br />

when he was happily married with two children. That was six<br />

years ago.<br />

Bef<strong>or</strong>e they were abducted, never to <strong>be</strong> seen aga<strong>in</strong>.<br />

Des’ house had <strong>be</strong>en sold 3 times s<strong>in</strong>ce then and yet every<br />

anniversary he would return to the once quiet cul-de-sac <strong>of</strong><br />

Clover Way re-liv<strong>in</strong>g that day, the confusion, the eternal pa<strong>in</strong>.<br />

But soon enough, he will once aga<strong>in</strong> th<strong>in</strong>k that life is good, until it<br />

isn't.<br />

###<br />

Thank you f<strong>or</strong> tak<strong>in</strong>g the time to read <strong>this</strong> sh<strong>or</strong>t st<strong>or</strong>y. I<br />

appreciate your <strong>in</strong>vestment. If you enjoyed it please consider<br />

leav<strong>in</strong>g a review <strong>or</strong> send me an email.<br />

Best wishes,<br />

<strong>Steve</strong> <strong>Rock</strong>


About the auth<strong>or</strong><br />

<strong>Steve</strong> <strong>Rock</strong> is active <strong>in</strong> a range <strong>of</strong> creative <strong>in</strong>dustries from<br />

TV, children’s books to the spoken w<strong>or</strong>d, all <strong>of</strong> which are<br />

connected <strong>by</strong> his immense love <strong>of</strong> writ<strong>in</strong>g.<br />

Com<strong>in</strong>g soon!<br />

Other titles <strong>by</strong> <strong>Steve</strong> <strong>Rock</strong><br />

The Seed<br />

The Phone Call<br />

Altitude Effects Attitude – The Haikus<br />

The Balloon<br />

Fish<strong>in</strong>g <strong>in</strong> the Desert<br />

Connect with me:<br />

YouTu<strong>be</strong>:bitly.com/steverockpoet<br />

Instagram @steverockpoet<br />

Facebook @steverockpoet<br />

email - iamsteverock@gmail.com<br />

M<strong>or</strong>e creative expressions <strong>of</strong> <strong>Steve</strong> <strong>Rock</strong><br />

https://steverockpoet.w<strong>or</strong>dpress.com

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