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Shattered Masks and Phoenix Fire<br />

Scattered about the floor are ashes:<br />

the murky remnants of past lives<br />

permanently preserved in polaroids.<br />

To my left, there is a boy<br />

in sightly churchy clothes.<br />

Clearly he is moving away<br />

from who he is supposed to be.<br />

Long hair shades his eyes.<br />

His slacks and polo veer slightly<br />

from tradition.<br />

In front he stands within a huddle,<br />

hand on hip (like most boys)<br />

preparing to execute the play drawn up before him.<br />

The past does not always lie:<br />

not all masks are meant to die.<br />

Friends and basketball:<br />

two things she’ll always want.<br />

Beside that he is posing as a hunter<br />

ten pheasants laid before him<br />

though he’s never held the gun.<br />

Death (for others) has never been his wish.<br />

She smiles with her dad, her uncle and her cousin,<br />

and in this pose she can better hide<br />

with more family by her side.<br />

Further right he hides his face,<br />

much like she’s hid it from herself.<br />

I cannot see his pain<br />

though I know his inner struggle.<br />

In the final photo I see him plopped down on a knee,<br />

a position he will never take again.<br />

I see him pleading.<br />

And though others do perceive this<br />

as a part of the performance,<br />

they do not comprehend the larger stage.<br />

They do not understand the binding of the vest<br />

nor sense her supplicating silence.<br />

14

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