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Shattered Masks and Phoenix Fire<br />
Scattered about the floor are ashes:<br />
the murky remnants of past lives<br />
permanently preserved in polaroids.<br />
To my left, there is a boy<br />
in sightly churchy clothes.<br />
Clearly he is moving away<br />
from who he is supposed to be.<br />
Long hair shades his eyes.<br />
His slacks and polo veer slightly<br />
from tradition.<br />
In front he stands within a huddle,<br />
hand on hip (like most boys)<br />
preparing to execute the play drawn up before him.<br />
The past does not always lie:<br />
not all masks are meant to die.<br />
Friends and basketball:<br />
two things she’ll always want.<br />
Beside that he is posing as a hunter<br />
ten pheasants laid before him<br />
though he’s never held the gun.<br />
Death (for others) has never been his wish.<br />
She smiles with her dad, her uncle and her cousin,<br />
and in this pose she can better hide<br />
with more family by her side.<br />
Further right he hides his face,<br />
much like she’s hid it from herself.<br />
I cannot see his pain<br />
though I know his inner struggle.<br />
In the final photo I see him plopped down on a knee,<br />
a position he will never take again.<br />
I see him pleading.<br />
And though others do perceive this<br />
as a part of the performance,<br />
they do not comprehend the larger stage.<br />
They do not understand the binding of the vest<br />
nor sense her supplicating silence.<br />
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