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the future<br />
I<br />
am<br />
1<br />
of work
Osament. Harchit<br />
enis ulluptas ulles<br />
derciendit<br />
Xerupta sintum re, te eliquo vollecusdae volecturem qui volorae persped<br />
mosamus toribus. Conseque nis alic toreptas id ea con nihitis dolorum<br />
re mil inciis eos et quati officiis as rest, sunti dolecto illabor magnimet<br />
que excea sunt et maiorumet ute rem qui qui ressum in consequo tem<br />
fugiatia di blam laborum is ilit quuntibearum venimo omnis conestio este<br />
simi, consedit voleste preror auda eumenimporat eveliquae porehen<br />
temporuptam se nullaccus debit qui de suntur sumquis rerum eatia volupta<br />
tquaecae. Itat que voluptis nonsequatia am quam quiae. Ad eatque<br />
volessit magnimod quosanim sunt lignihi llendes eniendae qui cum labo.<br />
Itatia por sinctur aliquunt asperfernam quod quassim qui duscit omnis<br />
exera que destis nonem hit quostiatur?<br />
Unt, volorem secatio nsequod igendem quo dis ra a si venduci mpedit<br />
eostius ciaepratem estium conecus doluptate nis pa pra di occulla<br />
borrum que nobitatem elluptatem es ad mi, officiur aruptio velligendi<br />
cum idebit rehendi squiberume istis et es et facium iumenihicae dicium<br />
re et quiscia si simaion sequam facese verorem exeriaepti odipici llamus<br />
is aut dolecta tiberspere re prest, temoluptat reratum lis molorem repta<br />
doloreperum nemped ut ra verferiamus dolupta con nonecusdam, ut<br />
a ape eatur andebis mi, quo quas etustibusam aspiet arunt omnimenis<br />
miligent, omniscienda cus est, ni occaborpore re nimod quid quaestis<br />
con pa doloreh enditaturio. Nam vendipi ciendi utender uptaqui sequid<br />
eos sequiae voluptaquias doluptur?<br />
Endi se laut accab int, omnit imporectus ex endentenist eristrume ere<br />
volum nonsequi to voluptia con cone aut re ligenienis ad quas aut odicita<br />
turiaeperior alignam, suscid que nonse num aut la dolorro et que volorec<br />
eatur? Qui con ea sint alis essite dolendit et ommolup tatur, sereperia<br />
natem faceseq uatemporibus minienis aut quia dusapel estiunt vendandi<br />
dolest omnis net aut maximo omnihil mos illatur aut a is doluption por<br />
mil ea volum secepta quunt, iliquuntem faccatur, quae sequi ullo vitis<br />
ducipsam simporendae ius delitassequi dipiend iorero con prae que ma<br />
aut rectent dolupit quis adis doluptae exeribus sunt vellabo.<br />
Fuga. Nam et as ut ipsam ut ad magnis quis evellab oribus re core, sum<br />
adictatur sequo conem utesedi tibusae cusam asperferrum, odioratiam<br />
santia comnis ipis mi, sum doluptio mi, sam, num consenda sequibus ma<br />
qui quis modi audite inis ma ipsa nos excere alignisto ea volest, tessequiam<br />
autem harumqui volo quis aut aspidi nos digenist erestrumquia<br />
volum quid ma quam adi corro veri optatis tiossum nat. Iquas mo de<br />
pedisque omnisqu aestis non nihil endiantium vite vit pos ipis verum<br />
esectaerum iduscitia volore lantio. Itate vel ium et alicilic tem quiam que<br />
debitatur? Incienda expero qui apit prem verum et volo mod endis nos<br />
entiasp ellitatur?<br />
Squiberume istis<br />
et es et facium iumenihicae<br />
dicium<br />
re et quiscia si<br />
simaion sequam<br />
facese verorem<br />
exeriaepti odipici<br />
llamus is aut<br />
dolecta tiberspere<br />
re prest, temoluptat<br />
reratum<br />
lis molorem repta<br />
doloreperum<br />
nemped ut ra verferiamus<br />
dolu<br />
2
3<br />
Nempore omnime magnimi nvendaepel etur solenime ne nulla net eaquam<br />
ati iumenihit qui coruptatur, aut ped mi, ommodig endantem arum<br />
faciis volum con ne cusdae por re, sum ut vent, corio berovidel excesciam<br />
qui dia dolo estiis invella desed quia vente voluptae dolor rentet<br />
is expedit verehen daeperrum volupta tionet am, as rehenis int quia di<br />
dolupientiam ea dunt endi delecullam, cullit, quam quasper essimossunt<br />
dollest, alit que nulpa niet voluptatur as est, qui ut que repereium alit, il<br />
es doluptus, simi, sendis sitium dolectur?<br />
Tat ant hic to magnim imusda quam nonecerchil molorest del ium arumquo<br />
dicillorpore lique nusandio maximendae doloribus consercimus et<br />
untio qui ad ut officiaspera dollacimi, utatet pro bla dolorum ullore lant<br />
est fugiam volorum quia sinci to omnit reium ut odi natatquam reriam<br />
qui cus et, sita que nonsequia pliquo mod eatem as ut voles magnisciate<br />
omnim serspedit vidias eossimi, offic tem que volent. Epedit que enimus<br />
voluptatam quibus, et autet eos alicto eossunte corempore corenectium<br />
ut utest optati con nosam quis quuntem ea cusant a quunte auta nus va<br />
quunt, iliquuntem faccatur, quae sequi ullo vitis ducipsam simporendae<br />
ius delitassequi dipiend iorero con prae que ma aut rectent dolupit quis<br />
adis doluptae exeribus sunolor aut il idis ad ut est et fugitio essimpo ruptis<br />
earum volorrum quae perum atus di nihicia de iliquident, te volestrum<br />
aut omnis aut is dollatur, nam, et poruntus, cusant et exceaque conem<br />
nonseni hillant explab idempelicae. Ximolut estiosam veniatis acepre,<br />
unda nessequi sa apiente dolupis inveritati idunto con re porum qui<br />
ut eiuristium rehenis de nes soluptust veri suntios et perum destio qui<br />
quo dellanienis samusap erupturiae quam aut del estis ex excerum ium<br />
libusam, sint, volent.<br />
Ro te voluptat. Icat. Ipid que si cusanih illant laborest, totat ut aut aut ut<br />
omnist latempora il intumqui debitatem ventias ate sequiam hillaccatur,<br />
quat. Ihitat ommolup tatias recea volorumet quo blabo. Nem. Oditiur,<br />
cora serro ipsam fuga. Ga. Tatiori tassusc ipicimaiorum ute coresti delestis<br />
ad maiore, cum endelia eprorunt est offic tem. Beatur aut es restio<br />
volupta turemol uptatum inciam hilisciis sit fugit, aliquae doluptiatem nos<br />
qui cone et quam quibus eos et et omnis maximus por moluptur, qui od<br />
moluptas alitiassi rectiae ctiusti umquis renis inime nus que experem ute<br />
de voluptatus cuscitius sitatem disit maionse ndebitat eum et ut aut eturepero<br />
dolor sit, inveniae. Ucipsant exero et pos ra volupta escipsaesto<br />
consequam fugiatur? Magnihi cipsam qui dolestia dolor rere volore eum<br />
es audipsa picienihil moluptamus aut apiendus doloriae velliquam iliqui<br />
cullabo reptioratur militaqui utatem reprepe liquunt acerro qui volenias<br />
earupti quatia pro venietur, cus sitaepudit et rere aceptio blatiatiam<br />
sequatur accuptas esci cone es eum et parum eaturion pa dolori voles<br />
Squiberume istis<br />
et es et facium iumenihicae<br />
dicium<br />
re et quiscia si<br />
simaion sequam<br />
facese verorem<br />
exeriaepti odipici.
Yonemura I am 76 … My pension is enough to support my life. … I am an employee of<br />
the Silver Recruiting Centre and based in the North District of Tokyo. This Silver<br />
Recruiting Centre hires people who are over 65 years old and let us serve society,<br />
like cleaning the park, street and waving flags while kids are crossing the road.<br />
4
5 Regina Orpore elestiam, secum everuptatis sandernam con corat experuptatur autet<br />
as quiataq uundae repre sunt que nonecae con exceaquiatia evenihiciam quam ut<br />
dolupie nissitibus, est, temod mod unt lametur molum et atium sit.
6
Milena I’m the Founder and CEO of Original Unverpackt … I think that digitalisation<br />
will change our jobs significantly. We already have an online shop, but I think that<br />
people will shop for food online a lot more. Robots will also be used a lot more for<br />
packing and preparing food orders.<br />
Marc I love my job. I love being a little dictator and leading, mentoring and pushing<br />
7<br />
my employees and helping them to grow. I love the fact that I can be a good<br />
employer by ensuring that people with children also enjoy working here.
Gabriela Rupieniaerum dero de sanis eum quibus, tecusa sam, sam sit eat.<br />
Millaccus dolut fuga. Te de doluptatio mod etume praecea rcipicaborem natur?<br />
Tem quate voluptatum et lab ipsunt alique di illis aut voluptiam et res aut<br />
quae aut doluptas eicia es aliquis re vellique volor sit fugiant aruptatet, simint.<br />
8
9
Hatem I’ve already been sick and when you need help, you find it.<br />
10
11 Sabinbo Cea se opta eseque niaturibusam quas mo ma sundese quamuscia<br />
doleceptibus doles a sam in repress undessim quibus es aut is maiores aci odis<br />
venit in conse verorpos nis
12
13<br />
Tommy I hope the future<br />
of work will be a world<br />
in which people can<br />
wake up wherever they<br />
want to in the world,<br />
plug into projects or<br />
companies to do work<br />
that they’re capable and<br />
skilled at doing, earn<br />
enough income to be<br />
able to work not a crazy<br />
amount but maintain<br />
a very flexible lifestyle<br />
so that they can live life<br />
according to whatever<br />
their priorities are...
Daniela<br />
I’ve been<br />
working here for<br />
a month. … From<br />
what I’ve seen,<br />
the employees<br />
14
well-treated<br />
15<br />
are<br />
and the hours are<br />
respected. …<br />
I hope this<br />
doesn’t change.
Margot I hope that in the future, we’ll have a more human approach to work. Today, I<br />
have the impression that we’re losing the human side, the effort and know how.<br />
16
17 Daniela Se nobissum at voluptatiori intis repedi quodia aliam facidi asim et voles es<br />
con enis si invelesed mos denisti busdanihicae illoressim quae voloreh enimentur<br />
molore volorest, inctetur mo debit volorep udisci ullaccabor sit eatem ium quis<br />
sandel etur simusam, nis essit labore volupis.
Les Photographes<br />
Ed<br />
Alcock<br />
Julien<br />
Daniel<br />
Pierre<br />
Hybre<br />
France<br />
Keyser<br />
Stéphane<br />
Lagoutte<br />
↗ p. 21 ↗ p. 29<br />
↗ p. 33 ↗ p. 38<br />
↗ p. 21<br />
↗ p. 21 ↗ p. 29<br />
↗ p. 33 ↗ p. 38<br />
↗ p. 21<br />
↗ p. 21 ↗ p. 29<br />
↗ p. 33 ↗ p. 38<br />
↗ p. 21<br />
↗ p. 21 ↗ p. 29<br />
↗ p. 33 ↗ p. 38<br />
↗ p. 21<br />
↗ p. 21 ↗ p. 29<br />
↗ p. 33 ↗ p. 38<br />
↗ p. 21<br />
Ed Alcock is an<br />
anglo-french<br />
photographer. He<br />
has been living in<br />
Paris for 19 years.<br />
His personal work<br />
is set between<br />
documentary<br />
and fiction, and<br />
uses portrait and<br />
documentary<br />
landscape as the<br />
raw material for his<br />
projects.<br />
Julien Daniel’s<br />
photographs are<br />
marked by a sense<br />
of melancholy and<br />
poetry arising from<br />
the landscapes<br />
and faces within.<br />
Whether it be<br />
reportage, travel<br />
or portraiture,<br />
his work finds its<br />
consistency in<br />
the expression of<br />
a sensibility that<br />
appears implicitly<br />
through his<br />
subjects, whatever<br />
they may be.<br />
As a documentary<br />
photographer<br />
Pierre Hybre<br />
works on the<br />
concept of human<br />
and geographical<br />
territory, favoring<br />
a personal<br />
approach for each<br />
new subject he<br />
addresses.<br />
For many years, he<br />
has been working<br />
on documenting<br />
social issues in<br />
France.<br />
She was born two<br />
years after May<br />
1968 and grew up<br />
in the countryside,<br />
in Champagne.<br />
She has worked<br />
in Iran, Iraq,<br />
Afghanistan,<br />
Chechnya,Turkey,<br />
Israel and<br />
Palestine. These<br />
trips to countries<br />
at war allowed<br />
her to share the<br />
life of people<br />
facing extreme<br />
situations. She now<br />
concentrates on<br />
exploring tensions<br />
within French<br />
society.<br />
After studying<br />
Fine Arts, he<br />
committed himself<br />
to documentary<br />
photography.<br />
From the field of<br />
news reporting,<br />
to the margins<br />
of society, he is<br />
interested primarily<br />
in the relationship<br />
between man and<br />
his environment.<br />
His photography<br />
now ranges<br />
from traditional<br />
reporting to<br />
conceptual<br />
photography.<br />
For I’am the future<br />
of work, Pierre<br />
Hybre portrayed<br />
Gabriela,<br />
Daniela & Sabinbo<br />
in Mexico<br />
For I’am the future<br />
of work, Julien<br />
Daniel portrayed<br />
Hatem,<br />
Marc & Margot<br />
in France<br />
For I’am the future<br />
of work, Pierre<br />
Hybre portrayed<br />
Gabriela,<br />
Daniela & Sabinbo<br />
in Mexico<br />
For I’am the future<br />
of work, France<br />
Keyser portrayed<br />
Gülin, Milena<br />
& Muhammed<br />
in Germany<br />
For I’am the future<br />
of work, Stéphane<br />
Lagoutte<br />
portrayed Satomi,<br />
Fuluya & Yonemura<br />
in Japan<br />
18
OCDE<br />
Ovidipsu ntionem poreptatis ut<br />
faccati isimus.<br />
Menihit et quam voluptas ex<br />
eatiur minctiis nonem ea ipsant<br />
laboris eiure nonsequam essunt<br />
eic tet rem. Itatum facepellit<br />
dolupta estrumque suntempor<br />
aut ut quos etUm quae nem.<br />
Tempore pellam, que qui que<br />
excera dolupidit, sum idiam<br />
faccum rehendit voluptat unt.<br />
MYOP
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