SG MAG APRIL 2019 MAIN_2

These 3 pieces listed above are my personal Triptych of Art, as the Cosmic Harley Davidson was
completed in 2010, exactly 500 Years a er the famous "Garden of Earthly Delights" triptych was
completed by Bosch; in about 1510, now in the Prado Museum, Madrid. "Hieronymus Bosch,
The Garden of Earthly Delights, oil
on oak panels, 220 cm × 389 cm
(87 in × 153 in), Museo del Prado,
Madrid. Each of the 3 objects listed,
were the seminal moments in the
history of my art form ‘Cosmic
Extensionalism’. I feel the same
way about the Cosmic Starship
Harley, and the Cosmic Firebird
Pain ng, works of art standing
alongside Warhol Naked that will
always defin me, and my art
creation ’Cosmic Extensionalism’.
All 3 objects of my art, are each the
refle tion f the same dream, and the same arti ti truth. Through Warhol, and all the visionary
arti ts that came before him, I understood that to be the best, you simply could not conform or
alter your vision, to please a dealer or a buyer of my work, because the conformity would have
destroyed the unique imagination behind the masterpiece. Once imagina on is removed, there
is no masterpiece. This is true in all the arts, from the Individual art masterpiece, to fil , music,
and poetry-No Passion, No Imagination No Fire, No Art. There is nothing of value In any object
that was created without passion. There have been millions of painti gs created and sold
throughout ti e, and the few, that achieve the highest amounts at auc on, become
extraordinary examples of the arti t's work, and the most uniquely powerful objects in our
ti e.
The rarest ones, most refl cti e of the arti t's life and style, become famous. When you say the
words, Van Gogh, you think of Starry Night, or Yellow, Sun Flowers. The art would not exist
without Vincent's creation. But Vincent would not have existed, as we now understand him,
had he not created the seminal piece of his "new" style of art, which is his masterpiece, "Starry
Night." Today, at auction it would bring 1 Billion Dollars or more, because it is pain ng that most
closely defin s and identifie the arti t in the art he created.
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