Viva Lewes Issue #153 June 2019
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<strong>Viva</strong> <strong>Lewes</strong> <strong>June</strong> <strong>2019</strong> | No. 153
153<br />
VIVALEWES<br />
EDITORIAL<br />
‘He walked alone along the Downs, this sad, ungainly man with beer-shot<br />
eyes who loved a girl in Earl’s Court – carrying an old bag of borrowed<br />
clubs and thinking of nothing but his game of golf. His face shone, his<br />
eyes gleamed…’ *<br />
Ah. The rejuvenating benefits of fresh air and exercise?<br />
Sport is our theme for this month, and it’s been fun. Joe swung a club at <strong>Lewes</strong> Golf<br />
Club. Anita Hall, a mallet, at the Cheyney Croquet Club. And I rolled up at Soulfit for<br />
a class of Iyengar Yoga with much-lauded Ali Hahlo.<br />
Meanwhile, Eleanor Knight, who starts her Keyboard worrier column this issue, shares<br />
a novel suggestion for how we all might get out on those hills. While the twitten runners<br />
have come up with an idea almost as bizarre – and made it their weekly reality.<br />
On top of all sorts of sport, we hear from <strong>Lewes</strong> Open Door on their plans, next winter,<br />
for a Night Shelter. Plus, the director of The Winter’s Tale on contemporary Shakespeare;<br />
the star of The Girl on the Train on life on the road; Helen Browning-Smith who’s,<br />
among other things, organising this month’s Gin & Fizz Festival; and the artist who’s<br />
painting The Towner. Literally. While wooden-kayak maker Chris Tipper shows us his<br />
magical workshop by the sea, in Newhaven. And Douglas Taylor shares a fine tribute to<br />
his brother-in-law, legendary Penguin Art Director, John Hamilton.<br />
* from perhaps my all-time favourite novel, Patrick Hamilton’s 1941 Hangover Square.<br />
THE TEAM<br />
.....................<br />
EDITOR: Charlotte Gann charlotte@vivamagazines.com<br />
SUB-EDITOR: David Jarman<br />
PRODUCTION EDITOR: Joe Fuller joe@vivamagazines.com<br />
ART DIRECTOR: Katie Moorman katie@vivamagazines.com<br />
ADVERTISING: Sarah Hunnisett, Amanda Meynell advertising@vivamagazines.com<br />
EDITORIAL / ADMIN ASSISTANT / HAND MODEL: Kelly Mechen admin@vivamagazines.com<br />
DISTRIBUTION: David Pardue distribution@vivamagazines.com<br />
CONTRIBUTORS: Michael Blencowe, Sarah Boughton, Mark Bridge, Emma Chaplin, Hasia Curtis, Fiona Dennis,<br />
Lulah Ellender, Daniel Etherington, Anita Hall, John Henty, Robin Houghton, Eleanor Knight, Dexter Lee, Alex Leith,<br />
Chris Lewis, Lizzie Lower, Carlotta Luke, Anna Morgan, Galia Pike, Rachael Playforth and Douglas Taylor<br />
PUBLISHER: Becky Ramsden becky@vivamagazines.com<br />
<strong>Viva</strong> <strong>Lewes</strong> is based at <strong>Lewes</strong> House, 32 High St, <strong>Lewes</strong>, BN7 2LX, all enquiries 01273 488882
THE ‘SPORTS’ ISSUE<br />
CONTENTS<br />
© Peter Blake, <strong>2019</strong>. All rights reserved<br />
Bits and bobs.<br />
8-27. Cover artist Chris Lewis on the<br />
essence of good design; Helen Browning-<br />
Smith looks out onto the town she<br />
promotes; Photo of the month, from<br />
Chapel Hill; Greek Ava; <strong>Lewes</strong> Open Door<br />
Night Shelter seeks volunteers; <strong>Lewes</strong> Toad<br />
in the Hole in numbers; Jamie’s Farm on<br />
the benefits of responsibility and reflection;<br />
the word is spread to California and The<br />
Gambia; review of Louisa Thomsen Brits’<br />
Path; U3A bike rides sound lots of fun;<br />
Carlotta Luke photographs Magnificent<br />
Motors; Craig wins at everything.<br />
Columns.<br />
29-33. David Jarman on writers at the<br />
cricket; Eleanor Knight meets doom with<br />
a smile and a wave; and John Henty on<br />
editing sports rather than doing it.<br />
On this month.<br />
35-49. Sir Anthony Seldon on why being<br />
PM is an impossible job; meet 14-year old<br />
cricket prodigy, Arwyn James; Same Sky<br />
celebrates its 30th birthday; Billy Bragg<br />
53<br />
51<br />
explains Americana before appearing at<br />
Black Deer; Samantha Womack stars in<br />
The Girl on the Train at Theatre Royal;<br />
<strong>Lewes</strong> Skittles Tournament is at The<br />
Grange; <strong>Lewes</strong> Little Theatre reinterprets<br />
The Winter’s Tale; and Dexter Lee<br />
rounds up this month’s movies; while<br />
Chris Horlock mourns a Lost Brighton.<br />
Art.<br />
51-61. Penguin Art Director John<br />
88<br />
Hamilton, remembered by Douglas<br />
Taylor; Sir Peter Blake is at Farleys;<br />
Art and about, including Moon Gazing,<br />
Horizonalia, Sussex Printmakers, a Secret<br />
Art Auction, and many others; and Lothar<br />
Götz paints the outside of The Towner.<br />
Listings and Free time.<br />
63-79. Diary dates, including open<br />
gardens in Southover and Southease,<br />
There’s no Planet B day, Raft Race,<br />
Dalloway Day, and masses more; Classical<br />
roundup stars <strong>Lewes</strong> Chamber Music<br />
Festival celebrating Fauré, plus Hamsey<br />
Festival, Glynde Place Concerts, and<br />
others; Gig of the month is Sandra Kerr,<br />
Photo by Ben Broad<br />
5
THE ‘SPORTS’ ISSUE<br />
plus ROME, Subhumans, English dance<br />
tunes, Capella, among others; Free time<br />
listings, including The Jungle Book,<br />
Doctor Dolittle and Teddy Bears Picnic;<br />
Bags of Books review of Football School<br />
Star Players; why to try Knockhatch;<br />
and tennis coaching for juniors at the<br />
Southdown.<br />
Food and garden.<br />
81-86. Joe eats his fill at The Pelham<br />
Arms; enjoy a Gin & Fizz cocktail recipe<br />
from The Copper Top bar; Emma<br />
Chaplin picnics; and Fiona Dennis on<br />
summer borders.<br />
The way we work.<br />
88-91. Or rather, the way we skate.<br />
Photographer Ben Broad captures<br />
99<br />
skateboarders in action at Malling<br />
skatepark. What’s so great about<br />
skateboarding?, he asks.<br />
Features.<br />
93-108. Running the twittens with<br />
Rob Read and friends; We try…<br />
Iyengar yoga; croquet in Ringmer;<br />
a round of golf at <strong>Lewes</strong> Golf Club;<br />
Patrick Gilmartin teaches front crawl<br />
Wednesday evenings at the Pells; and<br />
Chris Tipper shows us round his Selkie<br />
Kayaks; Michael Blencowe on Big Daddy<br />
the stagbeetle; Alex Leith goes businessnews<br />
walkabout.<br />
102<br />
Inside left.<br />
122. Running prevails: a vintage snap<br />
from the 80s.<br />
VIVA DEADLINES<br />
We plan each magazine six weeks ahead, with a mid-month<br />
advertising/copy deadline. Please send details of planned events<br />
to admin@vivamagazines.com, and for any advertising queries:<br />
advertising@vivamagazines.com, or call 01273 488882.<br />
Remember to recycle your <strong>Viva</strong>.<br />
Every care has been taken to ensure the accuracy of our content.<br />
<strong>Viva</strong> <strong>Lewes</strong> magazine cannot be held responsible for any omissions, errors<br />
or alterations. The views expressed by columnists do not necessarily<br />
represent the view of <strong>Viva</strong> Magazines. <strong>Viva</strong> retains copyright for any<br />
artwork we create.<br />
Love me or recycle me. Illustration by Chloë King<br />
6
Spirit of the Rainbow<br />
We are starting a movement<br />
Awakening to Oneness<br />
Oneness means our first loyalty is to our humanity, above any country, religion<br />
or ideology: humanity both in the sense of all human beings and also of human<br />
decency, kindness, compassion. Oneness means we recognise we are part of nature<br />
and that we treat our environment with reverence and respect. Oneness works<br />
too at a personal level as we grow into a sense of wholeness. Oneness means we<br />
recognise that we are children of our universe however we experience it.<br />
OUR AIMS & ACTIVITIES:<br />
Come and share your ideas so together we can:<br />
• deepen our experience of oneness<br />
• spread our message locally and globally<br />
• build a world based on oneness<br />
Come to our first meeting on the 22nd <strong>June</strong> <strong>2019</strong><br />
Starting at 2.30pm and ending c.3.30pm<br />
@ Conference Room 2, Brighton Library, Jubilee St, Brighton BN1 1GE<br />
For further information contact spiritoftherainbow@yahoo.co.uk
THIS MONTH’S COVER ARTIST<br />
Chris Lewis, who created<br />
our lovely cover, is a graphic<br />
designer, who works under<br />
the brand Studio Lewis.<br />
Until now based in Brighton,<br />
he’s just – the week we meet<br />
to chat – in the throes of<br />
moving to <strong>Lewes</strong>. “We pick<br />
up the keys on Saturday”,<br />
he says, “so I’m in the midst<br />
of packing boxes. Exciting<br />
though…”<br />
Chris has recently been<br />
working on a project all<br />
about the charms of <strong>Lewes</strong><br />
and its surrounding area.<br />
In partnership with Helen<br />
Browning-Smith (see page<br />
11), he’s been leading the<br />
rebrand of Visit <strong>Lewes</strong>. He’s<br />
also designed our excellent<br />
skittles cover. How did he<br />
arrive at the finished product,<br />
I ask?<br />
“Well, I took your theme of<br />
sport. I thought quite a bit<br />
about the <strong>Lewes</strong> women’s<br />
football team –<br />
doing something<br />
about numbers<br />
on shirts, or<br />
something. But<br />
though there’s<br />
so much to be<br />
interested in<br />
in that story,<br />
as an image, it<br />
wasn’t speaking<br />
to me.”<br />
This is often<br />
the challenge<br />
in design work, we agree.<br />
So, when Chris alighted on<br />
the idea of skittles, another<br />
<strong>Lewes</strong> sport, he felt much<br />
happier. “So simple – but<br />
with an element of surprise.”<br />
Like much good design.<br />
Born in Wales, Chris moved<br />
to Sussex – Rustington, near<br />
Littlehampton – aged six.<br />
He’s always had a fascination<br />
with design and studied at<br />
Bath Spa before graduating<br />
in 2003.<br />
From 2011, he worked for<br />
seven years in Hove-based<br />
We Like Today before, a year<br />
ago, branching out alone.<br />
Chris really enjoyed his time<br />
there. “We Like Today is an<br />
architectural, interior and design<br />
agency and it was great<br />
being part of a team that had<br />
the opportunity to work on<br />
all aspects of a job, not just<br />
the print side,” he says. “I<br />
was lucky enough to work<br />
on great projects such as the<br />
redevelopment of The Bell in<br />
Ticehurst (the neon sculpture<br />
8
CHRIS LEWIS<br />
is my own handwriting which<br />
I still find thrilling), The<br />
Better Half pub in Hove, The<br />
Old Laundry at Shepherds<br />
Bush Market and Platf9rm.”<br />
So, what’s the essence of a<br />
good brand design, I ask?<br />
“A resonance with the past.<br />
A logo should make an emotional<br />
connection with the<br />
person who sees it. It should<br />
tell a story. So, with the<br />
new Visit <strong>Lewes</strong> logo, we’ve<br />
linked to the checks of the<br />
old town shields – at the same<br />
time as designing something<br />
new, and contemporary. Or,<br />
with Franklins Brewery, in<br />
Ringmer, the design plays<br />
with a little pattern that<br />
echoes the fields of the South<br />
Downs. I also really enjoyed<br />
working with the zero-waste<br />
Silo restaurant in Brighton – a<br />
restaurant unlike any other.<br />
I contributed some design<br />
to the Silo book that’s being<br />
released soon.<br />
“For the Visit <strong>Lewes</strong> rebranding,<br />
our whole focus has been<br />
on the vibrancy of the town<br />
and its environs today: all the<br />
characters who live and work<br />
here. The artists, the makers,<br />
the cyclists and the shopkeepers<br />
to name but a few. It’s<br />
about celebrating the people<br />
by sharing their stories… ”<br />
Charlotte Gann<br />
studiolewis.co.uk<br />
9
Celebrate the serenity<br />
and elegance of the<br />
waterlilies on our lakes<br />
© National Trust <strong>2019</strong> . Registered charity, No. 205846. © National Trust Images \Nina Elliot-Newman.<br />
The Waterlily Festival<br />
Sheffield Park and Garden<br />
8 <strong>June</strong> - 14 July<br />
Free Waterfall Walks<br />
Lino Print or Photography Workshops<br />
Waterlilies to take home from our plant sales area<br />
Art installations<br />
And more...<br />
Sheffield Park, Uckfield, East Sussex, TN22 3QX<br />
nationaltrust.org.uk/sheffieldpark
Photo by Charlotte Gann<br />
MY LEWES: HELEN BROWNING-SMITH<br />
How long have you lived in <strong>Lewes</strong>? I’m Sussex<br />
born and bred – grew up in Burgess Hill – and<br />
have always visited <strong>Lewes</strong>. I moved here in 2006,<br />
when my daughter Flora started school. Three<br />
years ago we moved to this flat in the High Street.<br />
I look out onto Victory’s face every morning – the<br />
War Memorial is right outside my window.<br />
You work as Tourism & Arts Manager for<br />
<strong>Lewes</strong> District & Eastbourne Borough<br />
Councils? Yes, I’ve been in this job since January.<br />
I concentrate on the <strong>Lewes</strong> District. It’s easy<br />
to promote a place I love so much myself. I’m<br />
passionate about the town’s unique cultural<br />
identity. I’ve always been drawn to its slight<br />
rebelliousness, as well as its wealth of art and<br />
culture. On top of that, we have the Downs – I<br />
love how you can see them from wherever you<br />
are in the town – and of course the coast nearby.<br />
It’s also great collaborating with so many<br />
excellent freelancers. I’ve been working with<br />
your cover artist, Chris Lewis, recently on<br />
rebranding <strong>Lewes</strong> tourism – bringing it up to<br />
date – including creating a new website which<br />
should be live by <strong>June</strong>. We hope people will<br />
take a look, and like what they see. Chris has<br />
been brilliant. Carlotta Luke, Nigel French<br />
and Peter Cripps have supplied some beautiful<br />
photography. Meanwhile, Galia Pike’s helping<br />
me with the Gin & Fizz Festival, and Charlotte<br />
Parsons co-ordinates Artwave. These are the two<br />
big events we organise each year, but I’m hoping<br />
we can develop more, in time.<br />
The Gin & Fizz Festival is in the Grange<br />
in <strong>June</strong>: how did it come about, and what’s<br />
involved? This is its third year (well, third and<br />
a half, because we also did a smaller version in<br />
December, at Late Night Shopping). The first<br />
summer event was in 2017. Three of us together<br />
came up with the idea (although I wasn’t yet<br />
in this role then). We wanted to find a way to<br />
celebrate all the amazing local drinks producers,<br />
and we’re thrilled with how it’s turned out. The<br />
first festival sold out. This year, we’re expanding.<br />
There’ll be a daytime event, with talks, music<br />
curated by Union Music, and a vintage ice cream<br />
van. Between 4-5pm we’ll be busy transforming<br />
for the evening: the ice cream van will make<br />
way for the Harvey’s mobile bar and a converted<br />
horsebox-bar – Coppertop, from Brighton – will<br />
serve cocktails of locally sourced drinks.<br />
Our issue theme is Sports. What’s your<br />
favourite way to exercise? Well, I’m definitely<br />
a walker – who could not be, living here? I don’t<br />
drive, so walk all over town. Climbing Chapel<br />
Hill doesn’t present too much of a challenge. I<br />
also like cycling. I’ll be pleased to see Egret’s<br />
Way open fully soon. Once it’s finished, there’ll<br />
be a direct link by bike from <strong>Lewes</strong> all the way to<br />
Paris – which seems pretty special in these, um,<br />
interesting times. Interview by Charlotte Gann<br />
Tickets to Sussex Gin & Fizz in advance<br />
from the website, Tourist Information, or<br />
Harvey’s. 29 <strong>June</strong>, Grange, 11am-4pm; 5-10pm.<br />
sussexginandfizzfestival.com; visitlewes.co.uk<br />
11
PHOTO OF THE MONTH<br />
MONOCHROME IN DETAIL<br />
Mike Morton sent in this brilliant black and white photo after a walk up Chapel Hill. We love it, including<br />
the clouds and Landport Bottom in the far ground. A picture to pore over for ages.<br />
Here’s what Mike told us:<br />
‘My wife and I often walk around <strong>Lewes</strong>, and on this particular day we decided to walk up to the golf<br />
club, and then across the Downs to Glyndebourne. Being a VERY keen photographer, I always carry a<br />
camera. We kept stopping along the way up the hill to look back at the view (and catch our breath), and<br />
this great view of the town presented itself. I love the detail in the monochrome picture, because there<br />
are no distracting colours to attract the eye.’<br />
Please send your pictures, taken in and around <strong>Lewes</strong>, to photos@vivamagzines.com, or tweet<br />
@<strong>Viva</strong><strong>Lewes</strong>. We’ll choose one, which wins the photographer £20, to be picked up from our office after<br />
publication. Unless previously arranged, we reserve the right to use all pictures in future issues of <strong>Viva</strong><br />
magazines or online.<br />
13
PETS AND BOBS<br />
PETS OF LEWES<br />
Ava, 2ish, adopted earlier this year from Greece.<br />
An uncertain mix of Labrador, Spaniel and Kakoni<br />
(a Greek breed). If she likes you she’ll ‘hug’ your leg,<br />
and she sneezes when excited. Join the club, pal.<br />
Ava was brought over by Desperate Greekies Greek<br />
Dog Rescue Centre – just check out their website<br />
for gorgeous dogs needing homes (as I’ve just been<br />
doing, while periodically whimpering). Find them at<br />
desperategreekiesdogrescue.com.<br />
Back to Ava.<br />
Loves: Mrs Hinch, blanket generalisations, Welsh<br />
blankets<br />
Hates: flashers, clickbait, the novels of Walter Scott<br />
Useless dog trivia: Your dog is as intelligent as a<br />
two-year-old toddler, but without the tantrums.<br />
According to research carried out by online journal Frontiers in Zoology, dogs like to poo in alignment<br />
with Earth’s magnetic field – ideally in a north-south axis. Who funds this stuff?<br />
@dogsoflewes<br />
19 —23 <strong>June</strong> <strong>2019</strong> — Preston Park<br />
sean lock alan davies sara pascoe<br />
adam hills henning wehn tim key<br />
tom allen nina conti nish kumar<br />
rachel parris ed byrne david o’doherty<br />
desiree burch phil wang rose matafeo lolly adefope<br />
john robins suzi ruffell ed gamble rosie jones<br />
stephen k amos ivo graham zoe lyons<br />
andrew maxwell rhys james kiri pritchard-mclean<br />
brightoncomedygarden.co.uk<br />
14<br />
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BITS AND BOBS<br />
LEWES OPEN DOOR: NIGHT SHELTER<br />
The worst of the winter is well behind us, but<br />
<strong>Lewes</strong>’s own homeless charity, <strong>Lewes</strong> Open<br />
Door, is already making plans to offer a muchneeded<br />
night shelter service to support homeless<br />
people through next winter. We didn’t have one<br />
in place this last winter, though we really hoped<br />
to, and are determined to do so for the coming<br />
one. Local churches have been quick to offer<br />
the physical accommodation on a rotating basis:<br />
now, LOD is seeking volunteers to run the night<br />
shelter that will provide warmth, security and<br />
hot food when it’s most needed.<br />
The team running the night shelter project<br />
have identified the need for two very different<br />
kinds of volunteer. First, there’s the night shift<br />
trio – sleeping in shifts; at least two awake at any<br />
time – who’ll actually deliver the service, from<br />
the welcome hot drink on arrival, to breakfast<br />
the following morning. Then it’s the turn of the<br />
pack-up crew to take over, shifting camp beds<br />
and all other equipment to the next church on<br />
the night shelter circuit.<br />
Each team needs a leader – someone who’s good<br />
at working with people, both other volunteers<br />
and the guests, and has good admin skills. We’ll<br />
offer full training, and will help night shift volunteers<br />
obtain a DBS cert, which is a must.<br />
LOD’s volunteers have already discovered the<br />
work can be rewarding. One said: “Before I<br />
started helping here I was scared of the homeless<br />
people I saw in the streets, but now I’ve got<br />
to know them I can see they’re just ordinary<br />
people like me.”<br />
To find out more, please join us at the Night<br />
Shelter Mid-Summer Event, at Harvey’s rear<br />
yard off Cliffe High Street. Join us for drinks,<br />
food and live music from local indie folk duo<br />
Edenwood. The night shelter team will be on<br />
hand to answer all your questions. Come and<br />
sign up to be a volunteer!<br />
As told by David Griffiths to Charlotte Gann<br />
Mid-Summer Event, 27th <strong>June</strong>, 6.30pm, Harvey’s<br />
Yard. Or call David on 07806 777106, or email<br />
lewesopendoor@gmail.com<br />
lewesopendoor.wordpress.com<br />
facebook.com/<strong>Lewes</strong>OpenDoor<br />
Photo by Catherine Benson<br />
LEWES IN NUMBERS<br />
<strong>Lewes</strong>’s very own sport is the pub game of Toad in the Hole. The game is believed to have been played<br />
in Sussex for over 200 years, and is similar to Pitch Penny elsewhere in the UK, or Jeu de la Grenouille<br />
in France. It is played with 4 brass ‘toads’ or coins, thrown onto a lead-topped table with a hole in the<br />
middle. With a team of 4 people, each match consists of 7 games – 4 single, 2 double and 1 team game.<br />
Each game is worth 1 point to the winner, and all games are best of 3 legs.<br />
<strong>Lewes</strong> has a local league, involving 18 teams in 2 divisions. About ½ the teams are from <strong>Lewes</strong> pubs,<br />
and the remainder from nearby. And the town also hosts the World Toad in the Hole Championships<br />
each April. This year’s – the 22nd world championship – attracted 48 teams and the winners were<br />
Rodmell Toad Club. Sarah Boughton<br />
17
ALL ABOARD FOR A SENSATIONAL<br />
SUMMER OF THEATRE!<br />
25 July – 17 August<br />
Devonshire Park Theatre<br />
Jump on board –<br />
this riotous spy thriller is<br />
a comedy packed<br />
joy ride!<br />
Stars Oliver Mellor (Coronation Street)<br />
Thriller<br />
Congress Theatre<br />
1 – 6 July<br />
Dirty Dancing<br />
Congress Theatre<br />
15 – 20 July<br />
Calendar Girls<br />
Congress Theatre<br />
6 – 10 August<br />
Annie<br />
Congress Theatre<br />
13 – 17 August<br />
T.Rextasy<br />
Congress Theatre<br />
23 August<br />
Sarah Waters<br />
The Night Watch<br />
Devonshire Park<br />
Theatre<br />
22 – 31 August<br />
Beyond the Barricade<br />
Congress Theatre<br />
24 August<br />
Amélie - The Musical<br />
Devonshire Park<br />
Theatre<br />
9 – 14 September<br />
All this and more at Eastbourne Theatres<br />
01323 412000 | eastbournetheatres.co.uk | EBTheatres
BITS AND BOX<br />
CHARITY BOX: JAMIE’S FARM<br />
What is Jamie’s<br />
Farm? It’s best<br />
explained like this:<br />
founder Jamie Feilden<br />
was a teacher in<br />
Croydon. One day<br />
he took two lambs to<br />
his school, giving the<br />
pupils the responsibility<br />
of looking after<br />
them. It had a big<br />
positive impact on<br />
the atmosphere in<br />
the playground. So he decided to take a group<br />
of his pupils to his smallholding in Wiltshire.<br />
Here they were immersed in agricultural life<br />
and given opportunities to reflect on challenges<br />
back home and in school that may be affecting<br />
their behaviour. With his mum Tish, a trained<br />
psychotherapist, they developed the founding<br />
principles for a five-day residential, built around<br />
‘farming, family & therapy’. 2009 saw the launch<br />
of Jamie’s Farm Bath, followed by Hereford in<br />
2015, Monmouth in 2018, and now this one<br />
in <strong>Lewes</strong>. Since we started, 6000-plus young<br />
people have benefitted; <strong>Lewes</strong> will cater for<br />
450-plus a year.<br />
What sort of farm is it? Jamie’s <strong>Lewes</strong> [situated<br />
between Plumpton and Cooksbridge] was, until<br />
last year, largely an arable farm, but we’ve taken<br />
it back to grazing. It’s a fully working farm, with<br />
150 ewes (currently lambing), four pigs, 13 piglets,<br />
a herd of Aberdeen Angus cattle, five goats<br />
and 30 chickens.<br />
And you get the kids to do all the work?<br />
They do a lot of it, under the supervision of Eddie,<br />
the Farm Manager. There’s a daily round of<br />
feeding, and cleaning out, and animal care. And<br />
there are also more demanding jobs. Last week a<br />
group of pupils arrived<br />
on Monday at 2pm, and<br />
within an hour, one had<br />
delivered a lamb!<br />
What sort of children<br />
come to the farm?<br />
The pupils, aged 11-16,<br />
come for the week in<br />
groups of twelve, along<br />
with their teachers.<br />
Each group of pupils<br />
comes from the same<br />
school. They are chosen<br />
due to poor mental well-being and self-esteem,<br />
or poor behaviour and engagement, which often<br />
manifests itself as low attendance or attainment.<br />
Our job is to make them realise that, by<br />
completing real jobs with tangible outcomes, and<br />
by getting involved with group and one-to-one<br />
reflective sessions, they can develop positive patterns<br />
to carry back into their daily lives. It works!<br />
I guess you have to be strict… We set<br />
boundaries. For example, they have no phones<br />
while they are here and they are put on a virtually<br />
no-sugar diet. They soon adapt, because we<br />
keep them busy! Beyond the farm work there<br />
is cooking to do, communal meal-times, a daily<br />
walk, the reflective sessions, woodcrafts and<br />
horticulture. There is no TV.<br />
Can you tell how much the kids benefit? We<br />
have follow-up visits to the schools afterwards.<br />
Here’s a statistic we’re very proud of: 58% of<br />
those who were at risk of exclusion when they<br />
visited the farm were, six months later, no longer<br />
at risk. It’s incredible to see the change in these<br />
kids. Alex Leith interviewed Education Manager<br />
Toby Meanwell<br />
If you would like to be a volunteer at Jamie’s<br />
Farm, check out jamiesfarm.org.uk<br />
19
BITS AND BEACHES<br />
SPREAD THE WORD<br />
Michael Cotgrove and Sheila<br />
Wood sent in this atmospheric<br />
shot from California. Here’s<br />
what they wrote:<br />
‘California weather not quite<br />
up to spec. so Michael took<br />
this picture of Sheila reading<br />
<strong>Viva</strong> <strong>Lewes</strong> in Mission Beach,<br />
just north of San Diego. We<br />
make the trip to the West<br />
Coast every other year or<br />
so, to meet up with Sheila’s<br />
cousin, and we love the slightly<br />
off-beat atmosphere: Mission<br />
Beach is not your typical<br />
seaside town.<br />
Because of the inclement<br />
weather there were no takers<br />
for the switchback ride in<br />
Belmont Park, but Sheila is<br />
standing in front of a newly<br />
opened café, the shopfront<br />
stunningly decorated with a<br />
surf-board motif. A bit more<br />
sunshine would have helped...’<br />
Oh dear.<br />
Meanwhile, Abi Saunders sent<br />
in this lovely picture of her<br />
daughter Tia. Looks perfectly<br />
sunny where she was.<br />
Abi told us Tia was ‘enjoying<br />
this month’s <strong>Viva</strong> at Kololi<br />
Beach Resort in The Gambia.<br />
It was her first trip to Africa,<br />
for the Easter holiday and she<br />
spent peaceful moments catching<br />
up on latest news from<br />
back home.’<br />
Keep taking us with you and<br />
keep spreading the word. Send<br />
your photos and a few words<br />
about you and your trip to<br />
hello@vivamagazines.com.<br />
21
BITS AND BOOKS<br />
BOOK REVIEW: PATH BY LOUISA THOMSEN BRITS<br />
In this beautiful little book, Louisa Thomsen<br />
Brits takes the reader on a lyrical meander<br />
across the South Downs. Rather than written as<br />
an observation of the landscape from a walker’s<br />
or viewer’s perspective, Path is an incantation in<br />
the voice of one of – or all of – the chalk paths<br />
that slice through the hills. Subtitled A short<br />
story about reciprocity, the book is a call to pay attention,<br />
to be present and to be connected.<br />
Intertwining poetic language with muted photographs<br />
by Jim Marsden, and Linda Felcey’s textured<br />
artworks, there is a tactility and substance<br />
to Path that encourages us to engage all our<br />
senses as we travel through the world. Delicious<br />
local Sussex words smatter the prose, creating a<br />
rhythmic, flowing journey that demands to be<br />
read aloud to the windblown trees and trilling<br />
skylarks: ‘…up scrambly bostal,/ over rill and<br />
rimple,/ fists of thistle,/ rutted sod.’<br />
Through animating<br />
a path,<br />
Thomsen Brits<br />
creates a sense<br />
of drawing<br />
from deep time<br />
to give a backstory<br />
and character<br />
to these<br />
ever-changing,<br />
yet permanent<br />
features of the<br />
local countryside she so clearly loves. Shapeshifting<br />
with the weather, the tread of feet, the<br />
upturning of flint and the crumbling of chalk,<br />
the path tells us to mark the beats and breaths<br />
of our lives; to ‘… stand in an intimate lattice of<br />
paths,/ laced in plenitude,/ and know that you<br />
are not alone.’ Lulah Ellender<br />
Cooper & Son<br />
Funeral Directors<br />
42 High Street, <strong>Lewes</strong> 01273 475 557<br />
Also at Seaford, Uckfield & Heathfield<br />
www.cpjfield.co.uk<br />
Because every life is unique
BIKES AND BOBS<br />
RIDERS OF LEWES #08 U3A SOCIAL CYCLING<br />
When I met John Downie, he’d just received a<br />
letter to say he’d won a <strong>Lewes</strong> Civic Award in the<br />
category of ‘Sport’, which fits in nicely with this<br />
issue’s theme.<br />
John has been organising the U3A bike rides for<br />
five years. The rides, which usually take place on<br />
Fridays and weekends, are mostly between 15<br />
and 35 miles long. John says they have around 50<br />
names on the mailing list, with about 15 regular<br />
riders. The age range is from late fifties to early<br />
eighties – it’s “sport for OAPs”, John jokes,<br />
though some participants are pretty fit, and some<br />
utilise ebikes to help with hills.<br />
“Social cycling,” is how John defines the events.<br />
“We chat, we talk about life, the universe and<br />
everything.” They generally end up cycling two<br />
abreast, then when a car comes they go single file,<br />
rejoining alongside someone else, keeping the<br />
conversation moving around.<br />
The rides take in quiet back roads and paths on<br />
the Downs, though in planning them, John says,<br />
“The key point is where we’re going to have<br />
lunch.” They do discuss notable features, but<br />
mostly it’s for exercise and socialising, with John<br />
working to “try and keep people together. My<br />
rule is to look after the person behind you.”<br />
Beyond the nominal annual subscription, the<br />
rides are also “completely free”. So older readers,<br />
why not give them a try? Daniel Etherington<br />
u3asites.org.uk/lewes/page/43273<br />
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Prices shown include buyer’s premium. Details can be found at bonhams.com
CARLOTTA LUKE<br />
FOCUS ON: MAGNIFICENT MOTORS<br />
‘Sport’ comes in all sorts of forms. Carlotta<br />
took these photos at the Magnificent Motors<br />
Show in Eastbourne last month. Billed as ‘one<br />
of the biggest FREE motoring spectaculars<br />
on the south coast,’ it’s a gathering of more<br />
than 900 vintage and classic cars, motorbikes<br />
and buses on Eastbourne’s Western Lawns<br />
and Wish Tower Slopes. Check out the clouds<br />
reflected in the Jaguar steering wheel hub.<br />
And the strange Freddie Mercury/postie<br />
mannequin…<br />
magnificentmotors.co.uk, carlottaluke.com<br />
25
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27
COLUMN<br />
David Jarman<br />
Flannelled fools<br />
Which winner of the Nobel Prize for<br />
Literature appeared in Wisden Cricketers’<br />
Almanac? The answer, as all ‘trivia’<br />
aficionados will know, is Samuel Beckett.<br />
Representing Trinity College, Dublin against<br />
Northamptonshire in 1926/7, he made few<br />
runs and took no wickets, but even so…<br />
Beckett’s cricketing hero was, I guess, Frank<br />
Woolley, the elegant and cultured Kent and<br />
England all-rounder. Writing from Paris<br />
to a friend, on 7 July 1961, Samuel Beckett<br />
reminisced, mostly fondly, about a recent visit<br />
to England. It included a trip to the Lord’s<br />
Test Match – ‘a beautiful day but alas poor<br />
cricket’. It was something else that was going<br />
to stick in Beckett’s mind – ‘Frank Woolley<br />
was in the bar escorting blind<br />
[Wilfred] Rhodes’.<br />
Perhaps this vision of Woolley,<br />
acting as Rhodes’ ‘eyes’, made<br />
up for another visit to the cricket<br />
that Beckett describes in a letter<br />
to Harold Pinter, dated 22 March<br />
1970: ‘I hope if they fix my eyes<br />
that some day we’ll go to Lord’s<br />
together or better still the Oval<br />
where I once missed Frank Woolley<br />
just out when I arrived after having<br />
made something like 70 in half<br />
an hour.’ Pinter was certainly a<br />
cricket fanatic. The characters in<br />
his play, No Man’s Land, are, by<br />
his own admission, named after<br />
famous cricketers. He wrote a,<br />
mercifully short, poem about<br />
Leonard Hutton and an article,<br />
cloyingly nostalgic, entitled<br />
‘Hutton and the Past’. He<br />
sent a copy to Beckett who<br />
wrote back on 1st August,<br />
1973: ‘Many thanks for “Hutton and the<br />
Past”, much relished.’<br />
Someone Beckett might well have bumped<br />
into at Lord’s was Philip Larkin. A friend got<br />
Larkin tickets for the Lord’s Test every year.<br />
Thanking Harold Pinter for sending him his<br />
memoir of the Somerset cricketer, Arthur<br />
Wellard, in a letter dated 5 January 1983,<br />
Larkin wrote: ‘I love your knowing about<br />
cricket. Kingsley [Amis] once said he was in a<br />
box at Lord’s, and seeing someone hit a four,<br />
called Good Shot. (He was no doubt boozed).<br />
Round turns Pinter and says, Thick edge off a<br />
long hop, and you call that a good shot?’<br />
This reminds me of the one and only<br />
occasion I took my Canadian wife to<br />
a county cricket match. It was at<br />
Tunbridge Wells in <strong>June</strong> 1984, and<br />
we were joined by our great friend,<br />
John Grover who lived close by in<br />
Robertsbridge (source of so many<br />
cricket bats). John was the nicest<br />
man we ever knew. The other reason<br />
for choosing Tunbridge Wells was the<br />
wonderful rhododendrons gracing the<br />
ground, which would please my wife,<br />
even if the cricket didn’t grip. All<br />
was well until a comprehensively<br />
blazered buffoon exclaimed: “Well<br />
left, Sir.” Brought up on baseball, the<br />
idea that you could praise a player for<br />
not hitting the ball, was a step too far for<br />
my wife.<br />
Back to Beckett. During the time he<br />
spent in England in 1961 that included<br />
the visit to Lord’s, Beckett also went<br />
to a certain opera house. He wrote to<br />
Barbara Bray: ‘Glyndebourne Wed.<br />
in flannel bags for Donizetti’s Elixir.<br />
Picnic, at entr’acte. What a people.’<br />
Illustration by Charlotte Gann<br />
29
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COLUMN<br />
Eleanor Knight<br />
Keyboard worrier<br />
Joie de vivre is<br />
not normally<br />
associated with<br />
apocalypse, but<br />
hear me out.<br />
I don’t know<br />
about you but<br />
to me nothing<br />
says good times<br />
like a half-naked<br />
samba band<br />
cavorting in the spicy wafts of falafel served<br />
from a flatbed truck that has a retired couple<br />
from East Dulwich glued to its rear suspension.<br />
Whatever you think of Extinction Rebellion’s<br />
methods, they brought cross-generational<br />
appeal and a long overdue burst of colour and<br />
excitement to the capital. And didn’t they have<br />
lovely weather for it.<br />
Which is the point of course. Extreme weather<br />
events now far surpass the traditionally wet first<br />
week of Wimbledon and Cliff Richard’s ironic<br />
rendition of ‘Summer Holiday’. Millions of<br />
species – humans included – are in peril from<br />
far worse, and as we know, all of us going on a<br />
summer holiday has not helped with that one<br />
little bit.<br />
What will it take for us to change? When the<br />
Ashdown Forest – aka The Hundred Acre Wood<br />
– burst into flames in April (#Winniemageddon)<br />
we might have reflected that had we but heeded<br />
the environmental message in the great flood<br />
narrative of AA Milne, in which an anxious<br />
Piglet finds himself Entirely Surrounded<br />
by Water, we might have gone some way to<br />
avoiding the altogether darker scenario in which<br />
that Very Small Animal is Entirely Surrounded<br />
by Fire.<br />
Trying to change the world’s behaviour can<br />
leave us feeling helpless. For every plastic water<br />
bottle we recycle,<br />
there are millions<br />
more clogging<br />
the South China<br />
Sea off Malaysia<br />
and Vietnam,<br />
where we – er –<br />
send our plastic<br />
for recycling.<br />
For every action<br />
we’ve organised<br />
by WhatsApp, there’s a dead yak floating<br />
downstream of the lithium mines on the<br />
Tibetan border. Indeed, lithium for phone and<br />
car batteries is in such demand that in Argentina<br />
the water needed for extraction jeopardises<br />
traditional agriculture, including – oh, <strong>Lewes</strong> –<br />
quinoa.<br />
But don’t despair. Here in <strong>Lewes</strong> we’re uniquely<br />
situated to pioneer one small behavioural change<br />
that will allow us to meet our doom with a smile<br />
and a wave should we not succeed in holding<br />
off fate altogether. It’s time to combine climate<br />
rebellion with outdoor fitness. Yes, I’m talking<br />
Semaphore, the internationally recognised<br />
code of signals using flags you can easily make<br />
at home. Switch off your phone and get up on<br />
the Downs – ideally station a friend on Firle<br />
Beacon or even out at sea. See? You’re feeling<br />
better already. And if that doesn’t raise your<br />
spirits, then the complete upper body work out<br />
you will have given yourself by the time you’ve<br />
signalled ‘The poetry of the earth is never dead,’<br />
will really get the endorphins pumping, not to<br />
mention an increase in core stability.<br />
If you’re thinking you won’t have the strength<br />
these days for a complex message, don’t worry.<br />
Dig out that old Beatles album cover and make<br />
like Piglet.<br />
HELP.<br />
Illustration by Hasia Curtis<br />
31
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lufrednowa ,QB ,tnet reba ,cisumevil<br />
hcumos dna yalpsid ekib dna rac cissalc<br />
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sllatS ohwen .em gnivol a rof gnikol lla stac<br />
.enihs ro niar oc em os revoc rednu eb lliw<br />
esaelp noitamrofni rehtruf roF<br />
:tcatnoc<br />
:T 13147 52810<br />
:E ku.gro.stac@noitpecer.yrettac<br />
:W ku.gro.stac.cacn.www<br />
:bf ertneC noitpodA taC lanoitaN<br />
)dnaltocS( 1730CS dna )selaW dna dnalgnE( 46302 ytirahC geR
COLUMN<br />
<strong>Lewes</strong> Out Loud<br />
Plenty more Henty<br />
Unlike the fellow in the<br />
pic, a rare 1905 Donald<br />
McGill postcard from<br />
my collection, I never<br />
once scored a try at<br />
rugby. Even worse, I<br />
cheated in the school<br />
cross-country race and<br />
only made the third<br />
eleven at cricket.<br />
Incidentally, McGill<br />
himself, at school in Blackheath, South London,<br />
loved the oval ball game but suffered a serious<br />
injury to his left ankle in 1891. Sadly, it failed to<br />
heal, and after a couple of months, surgeons had<br />
to amputate his foot and fit an artificial limb.<br />
I only detail my poor sporting record here to<br />
explain how surprised I was to be appointed<br />
sports editor to BBC Radio Brighton in 1968.<br />
It seems the manager was impressed by my<br />
commentating skills for hospital radio and was<br />
also seeking someone to put more emphasis on<br />
minority sports in Sussex.<br />
With this brief, I created an eclectic mix of<br />
programmes covering bowls, Sunday football,<br />
pigeon racing (honest!) and various sea-sporting<br />
activities. We built our own studio at the<br />
Goldstone ground for Albion coverage and a<br />
new commentary position at the Hove ground<br />
for county cricket.<br />
Additionally, we advertised in The Argus for<br />
volunteers to report on and present these<br />
activities. My budget for a Friday evening<br />
programme then was £12, so most recruits did<br />
it for the experience. I had a local postman<br />
responsible for boxing, a dental technician keen<br />
on bowls and a prominent Brighton solicitor who<br />
proved to be as good a cricket commentator as<br />
the great Brian Johnston.<br />
Desmond Lynam<br />
developed his laid-back<br />
style of broadcasting<br />
with us and Peter<br />
Brackley, who died<br />
earlier this year,<br />
eventually replaced<br />
me when I moved<br />
into more general<br />
programming. It was<br />
demanding work, but<br />
we never took ourselves too seriously.<br />
Today I still enjoy sport as a spectator, and at the<br />
Dripping Pan I often observe reporters filing<br />
their copy via a laptop when, in my time, it was<br />
all done by yelling down a phone. In a recent<br />
game against Merstham, for example, a stunning<br />
Charlie Coppola goal, minutes into the second<br />
half, would have warranted high praise from me.<br />
Equally I would have commented on the music<br />
played over the PA at half-time. Did the operatic<br />
arias inspire Charlie, I would have suggested, in<br />
the Rooks’ 2-1 victory?<br />
There was a musical treat for everyone who<br />
attended the sparkling version of My Fair Lady<br />
by the <strong>Lewes</strong> Operatic Musical Theatre Society<br />
recently. I was fortunate enough to see the show<br />
when it first hit London over sixty years ago. I<br />
had a seat in the balcony of the Theatre Royal,<br />
Drury Lane, on 17 May, 1958. Julie Andrews,<br />
Rex Harrison and Stanley Holloway led the<br />
original Broadway cast, and all for five shillings!<br />
I still have the ticket stub.<br />
Interesting coincidence at the valued Victoria<br />
Hospital. Previously I mentioned left-handed<br />
Lis on reception in Orchard House. Now I’ve<br />
encountered, equally friendly Lisa on duty in<br />
main reception. Guess what, she’s left-handed<br />
too! John Henty<br />
33
Thinkers<br />
Challengers<br />
Innovators<br />
Leaders<br />
DISCOVER THE SUSSEX MBA<br />
FIND OUT MORE<br />
www.sussexmba.com
ON THIS MONTH: TALK<br />
Sir Anthony Seldon<br />
300 years of British Prime Ministers<br />
“Walpole didn’t have it,<br />
Gladstone didn’t have it,<br />
Disraeli, Lloyd George,<br />
Churchill didn’t have it,<br />
Thatcher didn’t, Tony Blair<br />
didn’t.”<br />
On <strong>June</strong> 21st, the political<br />
biographer Sir Anthony Seldon<br />
is giving a talk on ‘300 years<br />
of British Prime Ministers’ at<br />
<strong>Lewes</strong> Town Hall. He reckons,<br />
he says, being PM is an<br />
impossible job to do perfectly.<br />
“There have been 52 Prime Ministers between<br />
Walpole and Theresa May,” he tells me, and in<br />
his opinion, none of them has had the ‘complete<br />
skill set’ that you need to run the country.<br />
This set includes the need “to be able to<br />
communicate very clearly, to be able to persuade<br />
people, to have a physical resilience, to take the<br />
extraordinary battering the PM has [to take],<br />
to be physically very healthy; you need to have<br />
a very calm and clear mind, to… be highly<br />
intelligent, to process a lot of paperwork, you<br />
need to be able to give a clear vision.”<br />
He’s written political biographies of the last<br />
five outgoing Prime Ministers. I wonder:<br />
which one he has liked the most? “I like all<br />
of them in different ways,” he says, “and they<br />
all had extraordinary qualities. I mean world<br />
class qualities.” He gives particular attention<br />
to Gordon Brown, “who had a very powerful<br />
intellect and a very deep compassion, but he<br />
had the fatal flaw of not being able to control<br />
his temper and being overly suspicious and<br />
resentful of other people.”<br />
Every Prime Minister, he suggests, has their<br />
own fatal flaw. One problem with our system,<br />
he feels, is that “the skills<br />
that you need to get to<br />
become Prime Minister are<br />
very different from the skills<br />
that you need to be Prime<br />
Minister. And the system is<br />
much better at identifying<br />
people who have the skills to<br />
get through the race rather<br />
than people who have the<br />
skills of leadership.”<br />
And, like in a Shakespearian<br />
tragedy, “it’s the flaws that<br />
bring them down. Since 1945 every Prime<br />
Minister has left prematurely, none of them<br />
have left at a time of their choosing, with the<br />
exception of Harold Wilson in 1976.”<br />
We get onto the subject of power, and how<br />
much rests in the hands of our PM. “The Prime<br />
Minister’s power waxes and wanes,” he says.<br />
Thatcher earned a massive amount of power,<br />
then lost it. “When [Theresa May] became PM<br />
on the 13th of July 2016 she was very powerful<br />
indeed, and now she is very lacking in power<br />
because she has lost so much authority.”<br />
He takes pains to praise May for reaching such<br />
an exalted position without having enjoyed the<br />
privilege of a private education, but doesn’t go<br />
much further. As a parting shot (he’s pushed for<br />
time) I throw in a last question which, I promise,<br />
requires a one-word answer. What percentage<br />
chance has May – surely soon the subject of<br />
his next political biography – of still being PM<br />
when he comes to <strong>Lewes</strong>? There follows a long<br />
silence as he computes the answer. “98%” he<br />
says. Alex Leith<br />
21st <strong>June</strong>, Town Hall, 7pm. Free, public talk<br />
organised by <strong>Lewes</strong> U3A<br />
35
Welcome to our<br />
spirit of independence<br />
Reaching the summit of Ditchling Beacon,<br />
the highest point of East Sussex, is no<br />
mean feat. Ali and Eli are just two of the<br />
many enthusiastic cyclists who take on<br />
the challenge regularly.<br />
Visit our brand new tourism website for the <strong>Lewes</strong> District — visitlewes.co.uk
ON THIS MONTH: CRICKET WORLD CUP<br />
Girl Power<br />
Arwyn James, fast bowler<br />
“I was… surprised,” says Arwyn James, <strong>Lewes</strong><br />
Priory CC’s secret weapon, on her reaction to<br />
getting her first wicket for the club’s first team.<br />
This month is the Cricket World Cup, and we<br />
decided to mark it by interviewing a remarkable<br />
local star. So I’m sitting in the Stanley Turner<br />
clubhouse, with Arwyn and Jay James, Priory<br />
groundsman and proud dad.<br />
“It was the last day of the 2017 season, and<br />
Arwyn, despite being a 13-year-old girl – was<br />
picked to play.” he adds. All the other players, it<br />
must be said, in both teams, were adult men.<br />
“I was given the ball to bowl the first over,” says<br />
Arwyn. “You should have seen their opening<br />
batsman’s face when he realised he was up<br />
against a little girl,” continues Jay. “And you<br />
should have seen it when she clean-bowled him,<br />
first ball.”<br />
“All his team mates were laughing,” she<br />
remembers. But not for long… soon it would be<br />
their turn to face her.<br />
It became a familiar routine last season when<br />
Arwyn became a fixture in the second XI, for<br />
whom she won the ‘Outstanding Player of<br />
the Year’ award. And no wonder: her bowling<br />
stats were outstanding, with a collection of<br />
five wicket hauls, including an incredible<br />
season-best of five wickets for four runs against<br />
Tunbridge Wells side Crowhurst Park.<br />
Arwyn discovered cricket four years ago when<br />
she joined in a scratch game on the Convent<br />
Field, and loved the experience. She joined<br />
the <strong>Lewes</strong> Priory under 10s, and progressed<br />
through the age groups, until she was deemed<br />
good enough to play with the adult teams, and<br />
help out with the coaching.<br />
Now 14, she is about to make her debut for the<br />
Sussex CC Under 15 team. “It’s long been my<br />
ambition to play for my county, and hopefully<br />
my country, too,” she says. “It’ll mean a lot of<br />
training and work, but it’s where I want to be.”<br />
She’s no slouch with a bat – last season she<br />
posted scores of twenty-odd not out on the<br />
two occasions she was called upon – but it’s<br />
her consistent pace bowling which sets her<br />
apart. “I have reached a top speed of around<br />
60mph,” she says. I ask her, but she won’t reveal<br />
the secret of her ‘killer ball’, a surprise action<br />
which flummoxes the best of batsmen. “Let’s<br />
keep it a secret,” she says. Alex Leith<br />
Photo by Jay James<br />
JOIN THE FUN<br />
<strong>Lewes</strong> Priory CC are recruiting players of all ages, and are particularly keen for<br />
young girl players to play in their many age groups, from Under 9s upwards. Initial<br />
games are ‘soft’ ball, and there are drop-in sessions every Friday evening at<br />
5.45pm (weather permitting). On Sunday 9th <strong>June</strong>, as part of a celebration of the<br />
World Cup, teams are coming to the Stanley Turner from all round the county to<br />
perform in a ‘soft’ ball tournament: there will be stalls and bouncy castles, and<br />
everyone is welcome for a family day out. lewespriory.play-cricket.com<br />
37
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ON THIS MONTH: SYMPOSIUM<br />
Same Sky<br />
Community art activism<br />
John Varah, Artistic Director at community arts<br />
charity Same Sky, is happy to be unknown (in<br />
part at least). “One of our biggest successes is<br />
the fact that no one knows who we are. No one<br />
really knows we do Burning the Clocks [and<br />
Brighton’s annual Children’s Parade] because<br />
it’s supposed to feel like something that’s always<br />
happened... Everyone thinks they own it, and<br />
that’s great. But that’s become the problem<br />
when we try to raise money.”<br />
The funding challenges facing community arts<br />
charities will be one of the topics discussed at<br />
Pure Enchantment: A Same Sky 30th Anniversary<br />
Symposium, being held at ACCA. The event is<br />
open to everyone with an interest in community<br />
arts, with the morning focusing on talks and<br />
discussion, and the second half focusing on<br />
practical matters such as workshops for making<br />
lanterns or applying for funding.<br />
Confirmed speakers include Lucy Bear, a<br />
Maths teacher in Crawley who set up LPK<br />
Learning (who deliver innovative learning<br />
opportunities across Sussex), Tom Andrews<br />
from People United (who look at how<br />
participatory arts can promote kindness),<br />
and Daniel Bernstein, Executive Director of<br />
outside arts company Emergency Exit Arts.<br />
John tells me that one of the biggest changes<br />
over the last 30 years is the “consistent<br />
reductions in funding”. Jonathan Swain,<br />
Same Sky Associate Artist, sees some hope<br />
in changing attitudes however. “There’s<br />
an encouragement for participatory arts.<br />
They [councils] actively want it, because<br />
they can see its value. Partly from a health<br />
perspective, partly because there’s a dwindling<br />
in communities and they’re wondering why.”<br />
Alistair Hill, Director of Public Health at<br />
Brighton & Hove City Council, will discuss his<br />
2018 annual report, ‘The Art of Good Health’.<br />
There is a need for “doers”, as Jonathan<br />
describes them, to encourage creativity and<br />
participation in communities. “We call them<br />
community activists”, says John. “They can be<br />
of any political persuasion, but they’re doing<br />
stuff in their community, they’re running a<br />
football club, they’re engaged, they want things<br />
to happen. We did some work with Tide of<br />
Light in Lancing: it was a couple of mums with<br />
kids setting it up because they thought Brighton<br />
had all these things and they didn’t. Our role is<br />
always to support people like that.”<br />
The symposium also offers what Jonathan<br />
terms an “indulgence” once the daytime event<br />
ends, with food, drink, fire and music. John<br />
compares the symposium to training courses<br />
that Same Sky have run, with artists who<br />
wanted to work in communities meeting people<br />
in those communities who weren’t confident<br />
about the art side of things. “That combination<br />
of working together meant that they all enjoyed<br />
learning from each other”.<br />
Jonathan sees that as a neat summary of what<br />
they are aiming at in the symposium: “It’s<br />
creating a space for magic. It gives John an<br />
opportunity to say this is what we’ve done,<br />
you’re here together in this symposium, perhaps<br />
we can go forwards and make something from<br />
that. It’s as hippy as that.” Joe Fuller<br />
ACCA, 21st, 10am-4pm, £10<br />
Photo by David Bracey<br />
39
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and venues:<br />
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Burning Sky &<br />
Collective Art<br />
THE BLACK HORSE<br />
Gun Brewery<br />
FRIDAY<br />
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MUSIC STARTS - 4:00pm<br />
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Crimson Six<br />
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ON THIS MONTH: FESTIVAL<br />
Billy Bragg<br />
Anglo-Americana<br />
It’s hard to think of a performer who is as quintessentially<br />
English as Billy Bragg, that singer of<br />
Jerusalem, and vociferous purveyor of ‘progressive<br />
patriotism’. So what, I ask him down the<br />
phone, is he doing performing at the Black Deer<br />
Americana and Country Music Festival?<br />
“Americana is country music for Smiths fans,”<br />
he quips. “It’s what we used to call singersongwriting.<br />
But singer-songwriters in cowboy<br />
boots, and shirts with pearl-snap buttons. I fit<br />
in because I made an album of Woody Guthrie<br />
songs, with [American band] Wilco, who had a<br />
role in founding the alt.country thing. I qualify<br />
as an in-law, if you like.”<br />
He even changed his accent, for the part. “With<br />
the Woody Guthrie songs I found it was impossible<br />
to sing his songs in my accent, so I kind of<br />
leaned over a little bit more to that mid-Atlantic<br />
twang and I’ve found since then that I go in and<br />
out of it depending on what song it is and what<br />
the nature of it is.<br />
“Americana isn’t something that is geo-specific,”<br />
he adds. “You can be an Americana artist anywhere<br />
if you were influenced by the Roots music<br />
of America. Think about the first Beatles album:<br />
what would that have sounded like if they’d only<br />
played English music and only worn English<br />
clothes? It would have been pretty boring,<br />
wouldn’t it? Everyone knew they were inspired<br />
by the music of black America.”<br />
Like Woody Guthrie, Bragg has been labelled a<br />
‘protest singer’, a term he’s not entirely comfortable<br />
with, as he finds it ‘pigeon-holing’. “I’d<br />
rather you put me down as a dissenter,” he says.<br />
“In fact I would argue that dissent is the tradition<br />
that defines the English.”<br />
Tom Paine comes up in the conversation. Bragg<br />
cites the 18th-century English activist in the<br />
pamphlet he’s recently written for Faber &<br />
Faber, The Three Dimensions of Freedom, describing<br />
him as ‘the greatest revolutionary England<br />
ever produced’. “I wish he’d been born 150 years<br />
before so he could have written his pamphlet<br />
and given it to the New Model Army at Naseby:<br />
then we may have had a republic that lasted,” he<br />
says. Instead, of course, he helped the United<br />
States of America to become one.<br />
Bragg’s sets have always been punctuated by<br />
political diatribes, and he’s going to make no<br />
exception to this practice, he says, at the Black<br />
Deer Festival. He’ll not decide on his set until<br />
the day of the performance. “When I arrive at a<br />
festival I have a long walk around the site. I try<br />
and suss out the audience… are they soaking<br />
wet, are they pissed off, are they chilled out?<br />
Then I decide how I pitch the set to them.”<br />
So will he ‘countrify’ himself up, I wonder, to<br />
fit in with the likes of Kris Kristofferson and<br />
Hayseed Dixie, also on the line-up? “I won’t be<br />
wearing cowboy boots,” he says, “but I will undoubtedly<br />
have a shirt with pearl-snap buttons<br />
on it.” Alex Leith<br />
Eridge Park, 21-23 <strong>June</strong>, blackdeerfestival.com<br />
Photo by Jacob Blickenstaff<br />
41
ON THIS MONTH: THEATRE<br />
The Girl on the Train<br />
Samantha Womack talks about life on tour<br />
This month, ex-EastEnders<br />
star Samantha Womack<br />
comes to Brighton in The<br />
Girl on the Train, a play<br />
based on the best-selling<br />
novel by Paula Hawkins.<br />
She’s been playing the role<br />
of Rachel Watson in this<br />
touring production since it<br />
opened in January.<br />
The main thing about<br />
Rachel is that she’s<br />
broken by circumstances.<br />
She’s very devil-maycare<br />
and rebellious but<br />
there’s something quite<br />
vulnerable about her.<br />
Some performances I’ll start with a slightly<br />
more accessible Rachel, or I can be very surly<br />
and aggressive – and the play will unfold with<br />
that starting point. That keeps my attention<br />
completely riveted to the dialogue as if it was<br />
fresh for the first time. Anthony Banks, the<br />
director, has been very clever: he’s cast actors<br />
who are actually quite malleable. We all bend<br />
and adapt to our spaces. We’re not militant<br />
in keeping everything too set in stone, which<br />
would be very boring for me.<br />
The concept is ‘thriller’ but it’s a<br />
psychological drama as well. Anthony wanted<br />
the set to feel like pieces of the jigsaw puzzle<br />
that Rachel is trying to manage in her head,<br />
because she has these large holes in her<br />
memory. So bits of it glide on and glide off.<br />
The sets themselves are quite barren: they have<br />
an almost a book-like quality.<br />
I love the freedom of a stage. It’s working<br />
with a story chronologically,<br />
as well. With a soap, you’ll be<br />
filming six to eight episodes<br />
in a day, so in the morning<br />
you’ll be doing stuff where<br />
you’ve lost a baby and in the<br />
afternoon you’ll be doing stuff<br />
where you’re still pregnant. It<br />
can be that crude. Whereas<br />
with a play, the minute you<br />
set foot on that stage, it’s a<br />
rollercoaster ride and you<br />
don’t get off until the end.<br />
There’s a lot of<br />
competition, so I try really<br />
hard not to get typecast. I<br />
understood very early on that<br />
I had to diversify if I wanted to survive, but it<br />
kept me interested creatively as well. I’m the<br />
breadwinner, I’m a mum and acting is really<br />
hard to get employed in now.<br />
I can drive through the night on Saturday<br />
night and wake up at home on Sunday. It’s<br />
tough; at weekends I just want to collapse into<br />
a little ball. But I’m very lucky, I have a very<br />
supportive husband who’s also an actor, the kids<br />
are great too, we all pull together.<br />
For me, Brighton is synonymous with my<br />
father. He was a very eccentric, sweet musician.<br />
Every time I turned up in Brighton, he’d come<br />
and meet me on the pier with his cowboy hat<br />
and his guitar and his Dalmatian dog. And<br />
he’s not with us now. So I have these poignant<br />
memories. As told to Mark Bridge<br />
The Girl on the Train is at the Theatre Royal<br />
Brighton from Monday 17th until Saturday 22nd<br />
<strong>June</strong>. atgtickets.com<br />
43
ON THIS MONTH: SKITTLES<br />
Skittles<br />
A sporting event<br />
Illustration by Chris Lewis<br />
The <strong>Lewes</strong> Skittles Tournament has been<br />
running in the Grange every <strong>June</strong> since the<br />
1960s. Peter Boyse, the teams-organiser at<br />
the Rotary, which has overseen the event<br />
since the 1980s, told me he himself first<br />
took part in 1968. “The lanes have got a bit<br />
bumpier since then,” he says. “There’s been a<br />
bit of subsidence!”<br />
Peter describes the five-day nine-skittles<br />
tournament – which takes place in the<br />
far corner of the gardens, beside the<br />
Winterbourne – as “a fun, competitive event<br />
in aid of charity”. This year he’s expecting<br />
about 120 teams (six people per team) to take<br />
part, and to raise £6,000-£7,000.<br />
Each team pays a £30 entry fee. There are<br />
also buckets on the gate, to which anyone can<br />
contribute – and participants and spectators<br />
do, “generously”, Peter says. There’s a bar,<br />
run by Commercial Square Bonfire Society,<br />
and a burger store, by Waterloo. “They keep<br />
the proceeds for their own fundraising, but<br />
also give a cut to us”, he says.<br />
“It’s a sporting event,” he laughs, “as in goodnatured.<br />
There’s an element of luck, because<br />
of the undulation of the ground. But<br />
there must be skill involved too,<br />
because we often see the same<br />
teams come through.”<br />
Anyone can enter – new teams<br />
appear every year – and local<br />
businesses also contribute by<br />
advertising on the (now sixteen)<br />
lane and back boards.<br />
If you’re interested in any<br />
aspect, Peter says, do email:<br />
peter.boyse@farmline.com.<br />
Charlotte Gann<br />
17-21 <strong>June</strong>, 7pm. lewes-rotary.<br />
org/skittles<br />
44
ON THIS MONTH: THEATRE<br />
Exit, pursued by an implied bear<br />
A new look at a Shakespeare classic<br />
In Elizabethan England, you might have<br />
expected a play called The Winter’s Tale to<br />
be some kind of upbeat urban myth; fantasy<br />
folklore with a moral core. Shakespeare,<br />
subversive as ever, delivered the unexpected.<br />
“Basically, it’s two stories. That’s one of the<br />
reasons it’s been criticised over the years”,<br />
Chris Weber Brown tells me. He’s directing<br />
the play at <strong>Lewes</strong> Little Theatre, where the<br />
curtain rises at the end of this month. “There’s<br />
all sorts of drama and tyranny and horrible<br />
stuff in the first half.” Leontes, the King of<br />
Sicilia, thinks his pregnant wife has been<br />
having an affair with his old friend, Polixenes.<br />
Despite a total lack of evidence, Leontes orders<br />
the friend to be poisoned, puts his wife on<br />
trial for treason and abandons his new-born<br />
daughter. “The audience have to sit through<br />
this doom and gloom... we need to lighten up in<br />
the second half”, says Chris.<br />
Shakespeare obliges by ensuring the baby<br />
daughter is adopted by an elderly shepherd and<br />
his clownish son, changing the mood instantly<br />
from dark tragedy to upbeat comedy. “We are<br />
going to have a sort-of rustic dance, I have a<br />
movement coach, and there’s going to be music<br />
and some singing.” Ultimately, the two stories<br />
are reconciled, as are the king and his daughter.<br />
“It all kind-of ends happily. But it isn’t really a<br />
happy ending in my view.”<br />
Why does Chris think this 400-year-old play<br />
and its magical world is still relevant today?<br />
“I could see echoes of Leontes’s tyranny and<br />
power with present-day dictators who will<br />
hold on to power at any cost – any cost to the<br />
people and the country.” In fact, he’s updated<br />
the setting to <strong>2019</strong> and is working without<br />
a conventional set. “I just love the idea of<br />
having a completely open stage where you<br />
can move and you’re not constricted in any<br />
way. It’s the first time I’ve done it. Very often<br />
with Shakespeare, they have a raised dais at<br />
the rear of the stage – but I don’t want that.<br />
It’ll all be done by lighting.” This includes<br />
the famous stage direction ‘Exit, pursued by<br />
a bear’. “A very dark shadow will move across<br />
the back”, says Chris. “We will not be having<br />
the bear because that would become rather<br />
like pantomime.” There’ll be quite a few other<br />
edits, reducing the play’s running time to<br />
around two hours, with the entire production<br />
being a very collaborative project. “If you get a<br />
really good group of people, good in the sense<br />
they’ll work together, that means so much. The<br />
director is not there to dictate. He’s there to try<br />
and draw out performances from the actors.”<br />
The result, he hopes, will be well-suited to<br />
contemporary audiences. “It’s about the text<br />
and the feelings and the characterisations. Not<br />
the dressing-up box!” Mark Bridge<br />
The Winter’s Tale runs from 29th <strong>June</strong> until 6th<br />
July at <strong>Lewes</strong> Little Theatre. lewestheatre.org<br />
45
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£ 5 p p / K i d s f r e e<br />
F o r m o r e i n f o r m a t i o n :<br />
w w w . b e v e r n t r u s t . o r g<br />
R e g i s t e r e d C h a r i t y N u m b e r : 1 1 0 3 5 2 0<br />
Opening 6 September<br />
at the former Turkish baths<br />
As a social enterprise (not for profit), we<br />
welcome the community to our Centre<br />
through a specialist programme of classes,<br />
therapies, treatments and events:<br />
• 2 studios offering yoga, dance, art, theatre...<br />
• 2 treatment rooms–wide range of therapies<br />
• Infra-red sauna and floatation pool<br />
• Vegan/vegetarian cafe and gallery space<br />
All spaces are available for hire, we are also<br />
looking for qualified and experienced<br />
teachers, therapists and facilitators<br />
being-in-unity.com/the-unity-centre-lewes
ON THIS MONTH: FILM<br />
There’s No Business Like Show Business, Moon, Freaks<br />
Film ’19<br />
Dexter Lee’s cinema round-up<br />
It was the first horror film to win an Oscar (or<br />
two to be exact), it’s Mark Kermode’s favourite<br />
movie, and it’s one of the highest-grossing Hollywood<br />
franchises of all time, but I wouldn’t<br />
necessarily recommend you watch The Exorcist<br />
(<strong>June</strong> 1st). It’s the stuff of nightmares: that<br />
head-spinning scene, in particular, will never<br />
leave you.<br />
Of a rather gentler nature, earlier in the same<br />
day, are four films about the octogenarian<br />
water-sculptor William Pye, with a Q&A between<br />
the director and the artist, among others,<br />
afterwards. Will anyone, I wonder, attend both<br />
events?<br />
Sunday afternoon has become the time to<br />
stretch out your legs and enjoy old classics on<br />
the big screen. On the 2nd, Depot are showing<br />
Monty Python’s musical The Life of Brian,<br />
which struck one religious commentator at the<br />
time as being ‘foul, disgusting and blasphemous’,<br />
but most viewers as being light-hearted<br />
parody. Altogether now: ‘always look on the…’<br />
Talking singalong, <strong>June</strong>’s dementia-friendly<br />
movie, open to everyone, particularly those not<br />
afraid to participate, is Irving Berlin’s 1954 musical<br />
There’s No Business like Show Business (4th),<br />
starring, among many others, Marilyn Monroe.<br />
The book-to-film offering, meanwhile, is The<br />
Last Picture Show, a gritty b&w coming-of-age<br />
movie, directed by Peter Bogdanovic in 1971,<br />
with Jeff Bridges and Ellen Burstyn among an<br />
ensemble cast, and music by Hank Williams Jr.<br />
On the same day, to celebrate the anniversary<br />
of D-Day, there’s a showing of Spielberg’s Saving<br />
Private Ryan, whose first scene is regarded<br />
as one of the most uncomfortable in war movie<br />
history, with Allied troops pinned down under<br />
machine-gun fire.<br />
On Friday 7th there’s the last of a trilogy of<br />
U3A films, whose subject has been science. It’s<br />
Duncan Jones’ Moon, a tale of an engineer who<br />
starts losing his mind as he nears the end of a<br />
three-year stint mining helium-3 on the dark<br />
side of the moon.<br />
On the 10th is the disturbing, controversial<br />
1932 horror film Freaks, featuring among its<br />
cast carnival sideshow performers with very<br />
real deformities. The film is presented by<br />
Brighton’s Doctor of Quirk, David Bramwell.<br />
Father’s Day (16th, put it in your diaries)<br />
is celebrated by the one-off screening of a<br />
documentary, The Yukon Assignment, which<br />
sees a father and son canoeing 500 miles into<br />
the Canadian wilderness, bonding deeply on<br />
the way. And on the 29th, the Depot’s Young<br />
Programmers take over Screen 2 for the whole<br />
day, with three movies on the theme of ‘obsession’.<br />
Check the Depot website for those titles,<br />
plus for what’s going on during their Green<br />
Day, on the 22nd.<br />
Perhaps the coolest show in the month’s calendar<br />
is Ibiza – The Silent Movie (26th), Julian<br />
Temple’s collaboration with Norman ‘Fatboy<br />
Slim’ Cook, taking the audience on a journey<br />
into the heart of the soulful Balearic island.<br />
This will be shown at selected cinemas around<br />
the country, simultaneously with a screening at<br />
the Glastonbury Festival. No wellies required.<br />
47
JO O’SULLIVAN<br />
STORMY WEATHER<br />
How to navigate the end<br />
of a relationship<br />
What’s going on with the weather in <strong>Lewes</strong>?<br />
One day it is glorious sunshine, and another<br />
it’s cold and rainy. As soon as I get my<br />
sandals out it seems to always pour down<br />
with rain.<br />
As a Collaborative Family Lawyer and<br />
Mediator, I work with couples ending<br />
their relationship. Many will describe<br />
their relationship as having been like our<br />
changing weather... unpredictable and<br />
exhausting.<br />
Clients sometimes come to see me after a<br />
particularly big row or a bad period – should<br />
they stay or should they leave? How do they<br />
know if the scales are tipped just too far in<br />
wrong direction?<br />
Remain or leave (no Brexit pun intended)?<br />
Not an easy decision to make, with or without<br />
children.<br />
Many clients see me when they really are<br />
not sure about what to do. Often I suggest<br />
seeking couples or individual counselling<br />
before going down any legal route.<br />
Even if clients are not sure they may just<br />
need to explore what ending a relationship<br />
would involve, what are their rights and<br />
responsibilities? I can certainly help with that.<br />
More importantly, the process they choose<br />
will dictate how they move forward as a<br />
separated couple or as separated parents.<br />
My view is that engaging a solicitor in a<br />
campaign of letter writing will do little to<br />
help and may well cause harm. Consider<br />
‘round the table’ ways of working; including<br />
mediation or collaborative practice.<br />
Timing is important too – sometimes people<br />
meet me and want to get on with things<br />
straight away whilst others need more time<br />
and only start things off months or even years<br />
later. As I always say, ‘here if you need me’.<br />
Please call to discuss what might be the best process for you<br />
on 07780676212 or email jo@osullivanfamilylaw.com<br />
For more details about how I work visit<br />
www.osullivanfamilylaw.com
ON THIS MONTH: TALK<br />
Chris Horlock<br />
Lost Brighton author<br />
You’re a postcard<br />
collector, I hear.<br />
I collect images of<br />
Brighton, whether<br />
prints, maps, postcards<br />
or photos, from the<br />
eighteenth century to<br />
the present day. I have<br />
a ridiculous number of<br />
images – over 30,000 –<br />
which I am always busy<br />
digitising and captioning.<br />
A bit like the James Gray collection, held<br />
by the Regency Society? I limit myself to<br />
Brighton, while James’ collection includes<br />
Hove and Portslade and suchlike. I used to take<br />
pictures for James, who I knew for twenty years<br />
before he died. He’d want somewhere recorded<br />
for posterity, before it was demolished.<br />
Brighton used to be more industrial…<br />
There’s a whole section relating to industry<br />
in Brighton in my new book. In 1891 the<br />
railway works produced a locomotive engine,<br />
from scratch, every month, employing over<br />
2,500 people; there were still 650 people at<br />
work there in 1952. Allen West, along the<br />
<strong>Lewes</strong> Road, employed 3,000 workers, making<br />
electrical switches. Cox’s pill factory, also in<br />
<strong>Lewes</strong> Road, was a big employer until the 70s…<br />
And this, presumably, altered the city’s<br />
demographics? Its purpose keeps shifting.<br />
Brighton has been a resort since the early<br />
1700s. But once it was a royal town. It’s been<br />
a military base, then an industrial town; now<br />
it’s a university city, catering for young people<br />
who are here for a limited period of time and<br />
don’t particularly care about the long-term<br />
infrastructure of the place.<br />
Do you think much of the change is for<br />
the better? It’s difficult to think of any<br />
post-war buildings and<br />
developments that are<br />
of any significance.<br />
When you think of all<br />
the detail and nuance<br />
that went into pre-war<br />
buildings, and compare<br />
them to what’s gone<br />
up since… In the past,<br />
buildings were made<br />
to make you stop and<br />
look at them. Now they<br />
barely warrant a glance as you walk by.<br />
What disappeared buildings, in particular,<br />
do you lament? So many! Brighton used to<br />
be so different. Let’s take 1960, as an example.<br />
Just thinking about entertainment: there were<br />
still five full-sized purpose-built theatres;<br />
there were thirteen single-screen cinemas; The<br />
Hippodrome was up and running; there was<br />
the SS Brighton, a highly-popular ice rink at<br />
the bottom of West Street, home to the famous<br />
Brighton Tigers. And of course, Brighton still<br />
had the West Pier.<br />
Why were people so keen to pull things<br />
down in the 60s? When Harold Wilson came<br />
to power, he promised a technological revolution<br />
on a large scale. There were high-speed trains,<br />
oil rigs and by the end of the decade, men on the<br />
moon. So when they put up the first high-rise<br />
blocks in the 60s, no-one batted an eyelid. This<br />
was the future, a brave new world.<br />
Any post-war buildings you do like? The<br />
Jubilee Library isn’t bad. Duke’s Lane is a good<br />
redevelopment. And the 1970s Amex ‘wedding<br />
cake’ soon became a landmark building. But of<br />
course, that’s recently gone.<br />
Interview by Alex Leith<br />
Lost Brighton at The Keep, 26th <strong>June</strong>, 5.30pm,<br />
£5. thekeep.info<br />
Photo: Brighton Railway Works, 1912<br />
49
"Never doubt that a<br />
small group of<br />
thoughtful, committed<br />
citizens can change the<br />
world; indeed, it's the<br />
only thing that ever has."<br />
Margaret Mead<br />
Own it:<br />
www.lewesfc.com/owners
TRIBUTE<br />
John Hamilton<br />
Legendary book designer<br />
John Hamilton, Art Director at Penguin Random<br />
House, born in Glasgow and <strong>Lewes</strong> resident for<br />
15 years, died suddenly in February, aged 55.<br />
John was great company, always ready with a<br />
story, generous and spirited, but he was also so<br />
modest and self-effacing that few of his many<br />
friends and acquaintances truly knew the extent<br />
of his reputation.<br />
Penguin CEO, Tom Weldon, remembered John<br />
as ‘much loved and respected across the wider<br />
industry; helping to discover talented designers,<br />
illustrators, photographers and artists right at the<br />
beginning of their careers.’ When John joined<br />
Penguin in 1997, he took charge of the Penguin<br />
Essentials series with a mandate to follow his<br />
instinct and ignore precedent. He commissioned<br />
graffiti artists, tattooists, fashion and record cover<br />
designers and those on the edges of the artistic<br />
community; he took creative risks at a time<br />
when publishing was in peril, and his approach<br />
caused an excitement across the industry that still<br />
resonates today. One of those risks was to commission<br />
an unknown street artist: Banksy recently<br />
acknowledged this debt.<br />
When news of John’s death broke, many authors,<br />
including William Boyd and Will Self, wrote<br />
about his ability to communicate with each of<br />
them and translate their work into the visual, his<br />
professionalism and his sense of fun. The Penguin<br />
press release said: ‘John created timeless,<br />
iconic covers which have become synonymous<br />
with the texts themselves.’<br />
He was also instrumental in bringing Jamie<br />
Oliver to Penguin. Then, a lively young chef,<br />
looking for a book deal, Oliver was courted by all<br />
publishers; it was John’s enthusiasm for cooking<br />
(he was himself a wonderful cook) and ability to<br />
translate that into design that helped convince<br />
Oliver to sign for Penguin. Over the next 20<br />
years John was the Art Director for all his cookbooks.<br />
They became close friends, travelling the<br />
world in search of new culinary horizons.<br />
John was talented but also hard-working. He<br />
oversaw 500 books a year and it was hugely challenging<br />
to come up with original concepts every<br />
day. He looked for visual inspiration everywhere<br />
and was always thinking and dreaming up new<br />
ideas. In <strong>Lewes</strong> he found a life where he could<br />
relax, recalibrate and pursue his interests quietly<br />
with his family. He was a familiar figure round<br />
town in his plain khaki jacket and baseball cap,<br />
and with his dog Tess, svelte alter ego, at his side.<br />
Much of his socialising was done about town, or<br />
in his favourite shops – Richards, Bow Windows<br />
– and pubs: the Lansdown, the Brewers and the<br />
Gardeners. Often described as a maverick, John<br />
was also a kind, courteous and thoughtful man.<br />
He loved Bonfire. Although a committed member<br />
of Southover, which he joined when his children<br />
were young, he admired Cliffe’s anarchic<br />
approach, which suited his own. He travelled<br />
back to his hometown Glasgow whenever possible<br />
to watch his beloved Rangers. He was proud<br />
of his roots, his city, its politics and his family<br />
history entwined with Clydebank. However,<br />
despite a healthy suspicion of the English ruling<br />
class, he was no nationalist and loved <strong>Lewes</strong>, the<br />
town he made his home. Douglas Taylor<br />
Photo by Mark Read<br />
51
ON THIS MONTH: ART<br />
Peter Blake<br />
Joseph Cornell’s imaginary Sussex day-trip<br />
© Peter Blake, <strong>2019</strong>. All rights reserved<br />
At the age of 75, Sir Peter<br />
Blake, ‘the godfather of<br />
British Pop Art’ announced<br />
that he had entered his ‘late<br />
period’, a term usually used<br />
by critics after painters have<br />
died. “Artists go a bit crazy,<br />
so I gave myself the licence<br />
to do that,” he says.<br />
Now he’s 90, so you might<br />
say he’s in his ‘late, late’<br />
period: his most recent body<br />
of work, some of which is<br />
being shown for the first time over the summer<br />
at Farleys House and Gallery, sounds like he’s<br />
getting good value from that licence.<br />
“It’s called Joseph Cornell’s Holiday,” he tells<br />
me, revealing that the idea came to him after<br />
attending an exhibition about the American<br />
‘shadow-box’ artist, Wanderlust, at the Royal<br />
Academy, in 2015.<br />
There were two elements of Cornell’s life that<br />
Blake wanted to change, for the better. The<br />
first was that “he loved the idea of travelling,<br />
and Europe, but never ventured far from his<br />
home on Long Island” (the artist was devoted to<br />
his mother and had to take care of his disabled<br />
brother). And then “he fell in love constantly<br />
with women… but never consummated a<br />
relationship. He died a virgin.”<br />
So Blake is posthumously treating Cornell, in<br />
this series of artworks, to everything he missed<br />
while alive: “he meets lots of women all the<br />
time, and has lots of affairs, all around Europe.”<br />
Back in the sixties, the British surrealist Roland<br />
Penrose, the co-founder of the Institute of<br />
Contemporary Arts, acted as something of<br />
a ‘mentor’ to Blake and the generation of<br />
young artists involved in the British pop<br />
art movement. “I went<br />
to their [Penrose and<br />
his photographer wife<br />
Lee Miller’s] flat in<br />
Kensington a number of<br />
times,” he says, “and saw<br />
their amazing collection<br />
of Picassos and Dalis,<br />
wonderful pictures. I’d say<br />
he was a friend.”<br />
Blake didn’t, however,<br />
visit the couple’s Sussex<br />
residence in Chiddingly<br />
until recently, and it was after that visit he<br />
decided, with the collaboration of Roland’s son<br />
Antony Penrose, to make part of the Joseph<br />
Cornell series site-specific to Farley Farm,<br />
which now has an exhibition space. “A lot of the<br />
surrealists visited Roland and Lee in Sussex,<br />
as did Picasso, and were photographed by Lee<br />
Miller, and what I’ve done is a kind of sub-story<br />
imagining Cornell visiting Farley Farm, and<br />
meeting them.”<br />
Cornell, it so happens, already knew Lee<br />
Miller, who also hailed from New York State,<br />
and, among the twenty or so paintings in the<br />
exhibition, “there’s an image of him, at Farley<br />
Farm, holding a collage with the image that Lee<br />
Miller took of him when he was a young man.”<br />
Had the artist ever made it to Europe, Blake<br />
reckons Cornell would have jumped at the<br />
chance to make a real visit to Farley Farm.<br />
“Lee was very beautiful,” he concludes. “I’m<br />
absolutely convinced she was one of the many<br />
women he fell in love with”. Alex Leith<br />
Day Trip to Farley Farm, Sundays 9th <strong>June</strong> to<br />
4th August. Farleys House and Gallery, Muddles<br />
Green, Chiddingly<br />
farleyshouseandgallery.co.uk<br />
53
NF<br />
19<br />
NEWHAVEN FESTIVAL<br />
Studio+<br />
Gallery<br />
DAVID ARMITAGE<br />
ABSTRACT<br />
GENERATIONS<br />
ABIGAIL MYERS<br />
Over two weeks of arts &<br />
culture in Newhaven.<br />
Walks, talks, exhibitions<br />
& workshops. Plus artwave<br />
open houses.<br />
August 17 – September 1<br />
The eagerly awaited opening of<br />
THE FIRST EXHIBITION OF OUR FIRST SEASON<br />
Two brilliant contemporary abstract artists spanning a generation.<br />
Studio+Gallery<br />
21 Church Street<br />
SEAFORD BN25 1HD<br />
OPENING JUNE 6TH<br />
www.studioplusgallery.co.uk<br />
JUNE 6th to JULY 7th <strong>2019</strong><br />
Every Thursday to Sunday<br />
11.00 – 17.00<br />
SCULPTURE<br />
EXHIBITION<br />
20 th ANNIVERSARY<br />
10 May - 30 Sept<br />
An enticing<br />
collection of<br />
sculpture displayed<br />
within a stunning<br />
historic garden.<br />
Exhibition sponsored by:<br />
newhavenfestival.co.uk<br />
newhavenfestival<br />
newhaven festival<br />
illustration © Olivia Waller<br />
ROSE CELEBRATIONS<br />
17 - 28 Jun<br />
See website for details<br />
@bordehillgarden<br />
Registered Charity No: 246589<br />
www.bordehill.co.uk 01444 450326 RH16 1XP
ART<br />
ART & ABOUT<br />
In town this month<br />
Night Bloomer by Julian Brown<br />
Over three weekends this month, Fitzroy House hosts Moon Gazing<br />
– an exhibition celebrating the moon and some of its many manifestations<br />
in art, culture and science. Curated by Sarah O’Kane to coincide<br />
with the 50th anniversary of the first manned moon landing, the exhibition<br />
features artworks by twelve contemporary artists – some specially<br />
commissioned for the event – including Julian Bell, Peter Messer and<br />
Charlotte Snook. A series of lunar-related events accompanies the<br />
exhibition, including the launch of poetry anthology Pale Fire (published<br />
by <strong>Lewes</strong>-based The Frogmore Press), moon-making workshops for<br />
children and a talk by Robert Massey of the Royal Astronomical Society,<br />
and Royal Pavilion curator Alexandra Loske, who together wrote<br />
the recently-published book Moon: Art, Science, Culture. Visit sarahokane.<br />
co.uk for more details of the events. Fitzroy House, 10 High Street,<br />
from the 8th until the 23rd of <strong>June</strong>. (Open 10am-5pm Saturdays and Sundays.)<br />
The Chalk Cliffs by Sue Collins<br />
Katie<br />
Whitbread<br />
is the featured<br />
artist<br />
at Chalk<br />
Gallery until<br />
the 9th of<br />
<strong>June</strong>, swiftly<br />
followed by Sue Collins, whose exhibition<br />
opens on the 10th. Sue is based in Hassocks,<br />
and her stylised linocuts are inspired by the<br />
Downland views she can see from her studio<br />
window. Sue will be at the gallery for a ‘meet<br />
the artist’ event at 2pm on Tuesday 11th,<br />
when she will be giving a short demonstration<br />
of her reduction printmaking process.<br />
Starlings on Downs by Fiona Richardson<br />
Also in town<br />
this month,<br />
Sussex Printmakers<br />
is an<br />
exhibition<br />
of work by<br />
five local<br />
printmakers<br />
at Keizer<br />
Frames. Expect<br />
distinctive linocuts by Rachel Clark, photopolymer<br />
and solar etchings by Kate Osborne, etchings by<br />
Fiona Richardson and Elaine Foster-Gandey and<br />
linocuts, woodcuts and wood engravings by the late<br />
James T. A. Osborne (1907-1979). 1st-30th <strong>June</strong>.<br />
St Anne’s Galleries present Horizonalia; a celebration of<br />
the skyline in paint. This solo exhibition of oil paintings<br />
on wood by Christopher McHugh explores the artist’s<br />
long-running fascination with the dividing line between<br />
earth and sky. 1st-30th <strong>June</strong>, Saturdays & Sundays 10am-<br />
5pm, or at other times by appointment.<br />
Cameo Horizon: Crooning by Christopher McHugh<br />
55
Moongazing<br />
A group exhibition<br />
celebrating the moon<br />
8 – 23 <strong>June</strong><br />
10am – 5pm Saturdays and Sundays<br />
Fitzroy House<br />
10 High Street<br />
<strong>Lewes</strong> BN7 2AD<br />
Sarah O’Kane Contemporary Fine Art<br />
07777 691 050 | sarahokane.co.uk
ART<br />
ART & ABOUT<br />
Susan Ashworth<br />
Susan Ashworth is holding an oil painting<br />
workshop at Paddock Studios on Saturday<br />
the 22nd of <strong>June</strong> from 10am-4pm. Whether<br />
you’re an experienced painter or an absolute<br />
beginner, Susan will guide you in the creation<br />
of distinctive still life images. All materials are<br />
provided. (£95, contact stories@jamiecrawford.<br />
co.uk for more information.) Also at Paddock Studios, Emma Carlow<br />
and Chris Arran – both seasoned <strong>Viva</strong> cover artists – hold a joint exhibition<br />
on the 29th and 30th of <strong>June</strong> (10am-5pm). Expect new works by<br />
Chris, whose art incorporates paint, collage and digital techniques, and<br />
lino cuts by Emma, who is exhibiting her work for the first time.<br />
Emma Carlow<br />
The Wallands and Priory Secret Art Auction goes<br />
live on <strong>June</strong> 3rd. Bid online at jumblebee.co.uk/wallandsprioryart<br />
for paintings, prints, jewellery, pottery and<br />
sculptures, including works by Julian Bell, Peter Messer,<br />
Nick Bodimeade, Alexis Dove and Leigh Hodgkinson.<br />
There’s a chance to see the artworks at a private view at<br />
<strong>Lewes</strong> House, on Friday 21st (5-9pm) and Saturday 22nd<br />
(9.30am-3pm) of <strong>June</strong>. The Auction closes 23rd <strong>June</strong>, so<br />
make sure to get your bids in early.<br />
Out of town<br />
David Armitage<br />
On the 6th of <strong>June</strong>,<br />
Studio+Gallery<br />
opens its doors at<br />
21 Church Street<br />
in Seaford. Their<br />
opening exhibition is<br />
Abstract Generations<br />
– works by David<br />
Armitage and Aby Myers, with shows<br />
by Karen Potter, Peter Messer, and<br />
a collection of drawings by Stanley<br />
Spencer to follow later in the season.<br />
David Armitage and Aby Myers will<br />
hold a Q&A at 3.30pm on Saturday the<br />
22nd <strong>June</strong> and a walk and talk session<br />
at 3.30pm on Saturday 6th July. (Gallery<br />
opening times Thursday to Sunday,<br />
11am-5pm. studioplusgallery.co.uk)<br />
Juliet Forrest<br />
Inspired by Burne-Jones<br />
– an exhibition of contemporary<br />
stained glass<br />
– is at the Grange Museum<br />
and Gallery in<br />
Rottingdean, from the<br />
6-14 <strong>June</strong>. Featuring<br />
work by 25 glass artists<br />
from all over the<br />
country (and one from<br />
Chicago), the exhibition<br />
is part of a two-year<br />
programme of events<br />
relating to Edward<br />
Burne-Jones, one of<br />
Rottingdean’s most<br />
famous residents. For<br />
a full list of exhibiting<br />
artists, visit rottingdeanpreservationsociety.<br />
org.uk
Christopher McHugh Horizonalia<br />
A celebration of the skyline in paint<br />
1 - 30 <strong>June</strong> <strong>2019</strong>, Saturdays & Sundays 10am - 5pm or by appointment<br />
111 HIGH STREET, LEWES BN7 1XY<br />
07860 728220 stannesgalleries.com<br />
Summer <strong>2019</strong> Towner Art Gallery<br />
TEN<br />
Towner curates<br />
the collection<br />
Phoebe Unwin<br />
Iris<br />
Lothar Götz<br />
Dance Diagonal<br />
Image: courtesy Lothar Götz<br />
Dineo Seshee Bopape<br />
Sedibeng, it comes with the rain<br />
www.townereastbourne.org.uk @ townergallery<br />
Devonshire Park, College Road, Eastbourne, BN21 4JJ
ART<br />
Out of town<br />
Towner are celebrating their tenth anniversary in their<br />
‘new’, Rick Mather-designed building with a busy summer<br />
season. Exhibitions include a large-scale installation<br />
by South African artist Dineo Seshee Bopape; an<br />
exhibition of works from the Towner collection, curated<br />
by the gallery’s own team; a presentation of new paintings<br />
by London-based artist Phoebe Unwin and a major<br />
outdoor commission by Lothar Götz (see pg 60). Join<br />
them for a celebratory summer party marking the launch<br />
of the exhibitions on the 15th of <strong>June</strong> (6pm-late).<br />
Harold Mockford<br />
Plinth Home<br />
Charleston hold their second Designer & Maker Fair<br />
on Saturday the 22nd of <strong>June</strong> (11am-<br />
5pm). Thirty carefully curated<br />
designers and makers present<br />
a selection of ceramics,<br />
textiles, jewellery, clothing,<br />
prints and home wares.<br />
If the success of their<br />
Christmas makers’ fair<br />
is anything to go by, you<br />
might want to book early.<br />
(Tickets £5 in advance, £6 on<br />
the door.)<br />
Lucy Ogden<br />
Ditchling Museum of Art + Craft<br />
present Women’s Work, an exhibition<br />
of work by a pioneering group of<br />
women in craft, who turned their<br />
practice into successful businesses<br />
between the two world wars. Many<br />
of the featured artists are relatively<br />
unknown, and yet hugely significant<br />
to the development of the Arts and<br />
Crafts movement. Drawing on the<br />
museum’s own, and other specialist<br />
collections, the exhibition features<br />
more than 100 pieces of textiles, ceramics<br />
and jewellery, made by craftswomen<br />
including Ethel Mairet,<br />
Alice Hindson, Phyllis Baron and Dorothy Larcher, Enid Marx and Denise Wren. A series of<br />
events accompanies the exhibition, including a weaving residency using an historic loom.<br />
Continues until 6th October.<br />
Image kindly provided by the Crafts Study Centre, University for the Creative Arts<br />
59
Lothar Götz, in front of his installation at the MAC Belfast . Photo by Jordan Hutchins<br />
Lothar Götz<br />
Transforming the Towner<br />
“I like the Bauhaus idea of Gesamtkunstwerk”<br />
says the artist Lothar Götz when I ask him<br />
how he describes his large, site-specific wall<br />
paintings. “An artwork where different areas<br />
– architecture, design, painting, colour – meet<br />
without a clear border. I was always interested<br />
in that crossover.”<br />
Citing influences as diverse as the aweinspiring<br />
painted interiors of Baroque<br />
churches, to the pared-back modernist<br />
aesthetic of the Bauhaus, Lothar creates<br />
bright, geometric abstract artworks on an epic<br />
scale. This month sees the unveiling of his<br />
largest painting to date: the transformation<br />
of the entire exterior of the Towner Gallery<br />
in Eastbourne. Commissioned to celebrate<br />
the gallery’s tenth anniversary in its current<br />
building, the painted façade will remain in situ<br />
until May 2020.<br />
As we chat on Skype, Lothar holds up a sketch<br />
for ‘Dance Diagonal’, which will, by the time<br />
you read this, wrap the gallery’s huge walls in<br />
converging, technicolour diagonals. His design<br />
responds to different architectural details<br />
on the building: the curved window alcoves,<br />
the jutting balcony and the unpredictable<br />
movement that will be created by the curved<br />
gallery walls. “The exciting thing with these<br />
wall paintings and site-specific works on this<br />
scale is that you can plan them – and you have<br />
to plan them quite precisely so that you know<br />
where to start – but there is still this element of<br />
surprise, where you don’t know exactly what it<br />
will look like.”<br />
60
ON THIS MONTH: ART<br />
Lothar is well used to creating large-scale<br />
works – previous commissions include the<br />
Southbank Centre in London, and Leeds Art<br />
Gallery – but the Towner will be a first for<br />
the artist. “What is very unusual about this<br />
project is that I’m painting the whole of the<br />
outside, which will turn the building itself into<br />
a giant public art sculpture. It crosses over<br />
from architecture or painting and becomes<br />
part of the topography of the town. It’s not like<br />
going into a gallery and saying, ‘there are the<br />
paintings’. People will walk along the street,<br />
not necessarily expecting to look at art, but<br />
then suddenly there it is.<br />
“It will create quite a landmark in the town<br />
centre and that’s very special. It doesn’t happen<br />
very often, to have an opportunity to do<br />
something which is so visible to the public.”<br />
The installation is set to take three weeks<br />
and, when we speak in early May, Lothar isn’t<br />
sure how much paint he will need for each of<br />
the 15 colours, each needing four coats. But,<br />
with Brewers Decorator Centres sponsoring<br />
the commission, he is guaranteed a sufficient<br />
supply. Nor does he know how much tape it<br />
will take to mask the crisp diagonal lines across<br />
such distances (one of the walls is more than 30<br />
metres wide and 15 metres high), but he’ll be<br />
working with an expert team from the London<br />
Mural Company to manage the process. What<br />
is certain is that the Towner – always a striking<br />
building – is about to become an artwork in its<br />
own right. And an eye-catching centrepiece for<br />
Eastbourne’s new Devonshire Quarter.<br />
Towner’s celebratory summer season<br />
launches on the 15th of <strong>June</strong>. Lizzie Lower<br />
townereastbourne.org.uk<br />
Crash: Acrylic and Emulsion on wall, Küstlerhaus / Kunstverein Hanover, 2012photo by Raimund Zakowski<br />
Double-Take:Acrylic and emulsion on wall, MAC Belfast, 2013, photo by Jordan Hutchins<br />
....61....<br />
61
Sussex<br />
Printmakers<br />
1 st - 30 th <strong>June</strong> <strong>2019</strong><br />
Open daily<br />
An exhibition of work<br />
by five modern<br />
and contemporary<br />
Sussex printmakers<br />
EXHIBITING ARTISTS:<br />
Rachel Clark<br />
linocuts and etchings<br />
Kate Osborne<br />
photopolymer and solar etchings<br />
Fiona Richardson<br />
drypoint etchings<br />
Elaine Foster-Gandey<br />
etchings<br />
James T. A. Osborne (1907-1979)<br />
linocuts, woodcuts and<br />
wood engravings<br />
PRIVATE VIEW:<br />
Sat 1 st <strong>June</strong>, 4-7pm<br />
James T. A. Osborne<br />
15 Malling Street, Pastorale Antiques, <strong>Lewes</strong>, BN7 2RA | 01273 471647<br />
@keizerframeslimited<br />
www.keizerframes.com
<strong>June</strong> listings<br />
SATURDAY 1<br />
‘There’s no Planet B’:<br />
A day of speakers and<br />
stalls hosted by Plastic<br />
Free <strong>Lewes</strong>, exploring<br />
practical ideas for living<br />
more sustainably. Visitors<br />
can sign up to the<br />
Plastic Free <strong>Lewes</strong> Pledge, and at 3pm, listen<br />
to <strong>Lewes</strong> District Councillors debate what a<br />
‘climate emergency’ should look like at the<br />
local level. <strong>Lewes</strong> Town Hall, 11am-4pm, free<br />
(donations welcome).<br />
THURSDAY 6<br />
Comedy at the Con. With<br />
Stefano Paolini, Dave Chawner<br />
and Mark Maier. Con Club,<br />
7.30pm, £8-£12.<br />
THURSDAY 6 – SATURDAY 8<br />
South of England Show. The best of British<br />
countryside living, with a packed schedule of<br />
events and activities over three days. At the<br />
South of England Showground, Ardingly, see<br />
seas.org.uk.<br />
FRIDAY 7<br />
Headstrong Club. Suramayi on Auroville, a<br />
50-year-old experiment in alternative society.<br />
Elephant and Castle, 8pm, £3.<br />
SATURDAY 8<br />
Corbynomics.<br />
Paul Mason speaks<br />
at a <strong>Lewes</strong> Labour<br />
party event about<br />
his new book<br />
Clear Bright<br />
Future: A Radical<br />
Defence of the Human Being. Followed by<br />
book signing. <strong>Lewes</strong> Town Hall, 5pm, £5.<br />
SATURDAY 8 – SUNDAY 14 JULY<br />
Waterlily Festival. Enjoy<br />
the waterlilies on the lakes at<br />
Sheffield Park and Garden,<br />
through a variety of tours,<br />
events and workshops. See<br />
nationaltrust.org.uk/sheffield-park-and-garden.<br />
SUNDAY 9<br />
Railway Land Festival. Activities and walks for<br />
all ages, live music, refreshments and information<br />
stands. At 4pm there will be a Grand Postcard<br />
Auction featuring anonymous artwork by<br />
professionals and amateurs alike, inspired by the<br />
‘Looking Out’ theme. Linklater, 2pm-5pm, free.<br />
Illustrated talk by Robert Massey of the Royal<br />
Astronomical Society and The Royal Pavilion<br />
Brighton curator Alexandra Loske, who are coauthors<br />
of the recently published book Moon: Art,<br />
Science, Culture. Fitzroy House, 2.30pm, £3, contact<br />
sarah@sarahokane.co.uk to pre-book places.<br />
Pale Fire launch. Anthology<br />
of moon poems<br />
published by <strong>Lewes</strong>-based<br />
The Frogmore Press, with<br />
readings by contributors.<br />
Fitzroy House, 7.30pm,<br />
free, pre-book alexbythesea@hotmail.com<br />
Poetry & All That Jazz magazine launch,<br />
as part of the South Downs Poetry Festival.<br />
Readers include Robyn Bolam, Charlotte Gann<br />
and Stephanie Norgate, plus jazzy guitar from<br />
Geoff Robb. John Harvey Tavern, 4.30-6pm,<br />
free. sdpf.org.uk<br />
MONDAY 10<br />
‘Floreat Lewys’: <strong>Lewes</strong> History Group talk<br />
with local author David Arscott, recalling his<br />
research into the history of <strong>Lewes</strong> Old Grammar<br />
School. King’s Church, 7pm for 7.30pm,<br />
£1/£3.<br />
63
<strong>June</strong> listings (cont.)<br />
WEDNESDAY 12<br />
Uckfield <strong>Lewes</strong> and Newick Arts Society.<br />
‘Augustus John, King of Bohemia’, a lecture by<br />
Jennifer Toynbee-Holmes. The Civic Centre,<br />
Uckfield, 2.30pm, £7 (members free).<br />
The Paint Club.<br />
Relaxed painting class.<br />
All materials provided,<br />
no artistic experience<br />
required. Fuego Lounge,<br />
7pm-9pm, £20.<br />
<strong>Lewes</strong><br />
Little<br />
Theatre<br />
THURSDAY 13<br />
Needlewriters. Featuring readings from Beth<br />
Miller, Kate Ashton and Jacq Molloy. John<br />
Harvey Tavern, 7pm for 7.45pm, £5/£3.<br />
SATURDAY 15<br />
Mind Body Spirit Sussex Festival. Therapies,<br />
readings, holistic goods & produce. <strong>Lewes</strong><br />
Town Hall, 10am-4pm, free entry.<br />
Voodoo Vaudeville presents: Church House<br />
Gin House. A dark and twisted circus cabaret.<br />
All Saints, 7.30pm, £14.<br />
SUNDAY 16<br />
<strong>Lewes</strong> to Newhaven Raft Race. Annual free<br />
event for all the family, raising funds for local<br />
good causes. Contact lewesraftrace@gmail.com<br />
for more information.<br />
The Winter’s<br />
Tale<br />
By William<br />
Shakespeare<br />
Directed by<br />
Chris Weber Brown<br />
MONDAY 17 – FRIDAY 28<br />
Rose celebrations. Admire the beauty of the<br />
Rose Garden at its peak with 750 David Austin<br />
rose plants and 100 varieties. Borde Hill Garden,<br />
see bordehill.co.uk.<br />
Saturday 29 <strong>June</strong> - Saturday 6 July<br />
7:45pm excluding Sunday. Matinee<br />
Saturday 6 July 2:45pm.<br />
www.lewestheatre.org<br />
Box Office: 01273 474826<br />
£12<br />
Members £8
WEDNESDAY 19<br />
FRIDAY 21<br />
Dalloway Day. Celebrating<br />
the life and works<br />
of Virginia Woolf in the<br />
style of Clarissa Dalloway.<br />
Monk’s House, 12.30pm-<br />
5pm, nationaltrust.org.uk/<br />
monks-house.<br />
300 Years of British Prime Ministers. Free<br />
public lecture with leading British historian<br />
Sir Anthony Seldon. <strong>Lewes</strong> Town Hall Lecture<br />
Room, 7pm, free. See page 35.<br />
FRIDAY 21 & SATURDAY 22<br />
South Downs Beer<br />
& Cider Festival.<br />
Selection of 80 different<br />
beers on sale.<br />
<strong>Lewes</strong> Town Hall,<br />
brightoncamra.<br />
org.uk.<br />
FRIDAY 21 – SUNDAY 23<br />
Black Deer Festival. Weekend of Americana<br />
and country music, food and activities for the<br />
whole family. Eridge Park, Kent,<br />
blackdeerfestival.com. See page 41.<br />
SATURDAY 22 & SUNDAY 23<br />
Charleston Designer & Maker Fair.<br />
Unique wares from designers and makers in<br />
the South. Charleston, 11am-5pm, £5/£6.<br />
SUNDAY 23<br />
St Peter & St James Hospice Midsummer<br />
Stroll. Enjoy a two, seven or ten mile<br />
sponsored walk through the parkland of<br />
Borde Hill and beyond. Borde Hill Garden,<br />
9am-5pm, £18 (£5 for kids).<br />
WEDNESDAY 26<br />
Lost Brighton. Chris Horlock looks at some<br />
of Brighton’s most significant losses. The<br />
Keep,5.30pm, £5. See page 49.<br />
Open Sundays from 7th April - 27th October<br />
Opening 9th <strong>June</strong><br />
Farleys House & Gallery tickets available online<br />
or in the gallery on arrival.<br />
See our website for details and bookings for<br />
Farleys Supper Club - Sunday 23rd <strong>June</strong> <strong>2019</strong><br />
Join us for a special evening and enjoy Lee<br />
Miller’s Surrealist cuisine.<br />
Muddles Green, Chiddingly<br />
East Sussex, BN8 6HW<br />
Tel: 01825 872856<br />
www.farleyshouseandgallery.co.uk<br />
@ FarleysHG<br />
65
FESTIVAL OF THE GARDEN<br />
TALKS, TOURS & DEMOS FOR THE CURIOUS GARDENER<br />
CURATED BY TOM STUART-SMITH<br />
Speakers include:<br />
Jinny Blom<br />
Rachel de Thame<br />
Caroline Lucas<br />
Andy Sturgeon<br />
Derry Watkins<br />
Cleve West<br />
Christopher Woodward<br />
13 & 14 JULY<br />
TICKETS £12/£10<br />
CHARLESTON.ORG.UK 01323 815144<br />
Image © Penelope Fewster
<strong>June</strong> listings (cont.)<br />
Open Gardens<br />
FRIDAY 28 – SUNDAY 30<br />
<strong>Lewes</strong> Tap Takeover. Participating pubs: Black<br />
Horse, Brewers Arms, The Patch, Elephant &<br />
Castle, The Gardeners Arms, Royal Oak.<br />
SATURDAY 29<br />
Sussex Gin & Fizz Festival.<br />
Samples of local gin<br />
and sparkling wine, local<br />
producers, artisan food<br />
stalls and live music. Southover<br />
Grange Gardens,<br />
morning and evening session,<br />
sussexginandfizzfestival.com.<br />
See pages 11 and 82.<br />
Midsummer Madness. Fundraiser for local<br />
youth charity. Featuring Tongue & Groove,<br />
Starfish bands, food/BBQ, bar and a surprise.<br />
(Please note the pool closes 5pm and re-opens<br />
at noon the next day). Pells, 7.30pm, £12/£6.<br />
SAT 29 – SAT 6 JULY<br />
The Winter’s Tale. Shakespeare classic<br />
directed by Chris Weber Brown. <strong>Lewes</strong> Little<br />
Theatre, see lewestheatre.org for times and<br />
prices. See page 45.<br />
SUNDAY 30<br />
Pro Musica Summer Concert. <strong>Lewes</strong>-based<br />
chamber choir will sing favourites from The<br />
Sound of Music and Oliver! as well as John<br />
Rutter’s folksong cycle The Sprig of Thyme. St.<br />
Andrew’s Church, The Tye, Alfriston, 6pm, £12.<br />
SATURDAY 1 & SUNDAY 2<br />
Southease Open<br />
Gardens. Seven<br />
gardens to explore, tea<br />
and cakes, plant sales,<br />
stalls on the green and<br />
garden crafts. In aid<br />
of Southease Church<br />
fabric repair and general<br />
fund. 1pm-6pm, entry by donation £6,<br />
accompanied under 16s free.<br />
Holford Manor Open Garden. In aid of<br />
The Bevern Trust. Holford Manor, 11am-<br />
4pm, £5. (plus Saturday 22 & Sunday 23)<br />
SUNDAY 9<br />
Fletching Garden Trail. With plant stalls,<br />
games, homemade lunches, cakes, tea and<br />
coffee. 11am-5pm, £6 (kids free).<br />
Southover Open<br />
Gardens. Secret<br />
garden trail hosted<br />
by Southover Bonfire<br />
Society. 2pm-<br />
5pm (some until<br />
6pm), £5 (kids free).<br />
Rodmell Open Gardens. Gardens to visit,<br />
arts, crafts and plants for sale. 2pm-5pm, £5<br />
(under 14s free).<br />
SUNDAY 16<br />
Glynde, Beddingham<br />
&<br />
Firle Garden<br />
Trail. Over 20<br />
open gardens,<br />
tea & refreshments,<br />
raffle,<br />
plants & produce for sale. Raising funds for<br />
Glynde Community Swimming Pool and<br />
Firle Primary School. 11am-4pm, £5 suggested<br />
donation (under 16s free).<br />
67
St. Anne’s Church, <strong>Lewes</strong><br />
Friday 5th at 7.30pm<br />
‘IN SWEET MUSIC IS SUCH ART’<br />
Purcell, Dowland, Britten,<br />
Tippett and Gurney<br />
with counter-tenor Erik Kallo, tenor<br />
Michael Bell, pianist Ana Manastireanu<br />
and lutenist Augustin Cornwall-Irving<br />
Saturday 6th at 1pm<br />
ANY WOMAN’S HEART<br />
Women’s lives glimpsed in a<br />
kaleidoscope of song<br />
with mezzo Lucy Schaufer, soprano<br />
Lucy Hall and pianist Nancy Cooley<br />
Saturday 6th at 7.30pm<br />
‘PROUD SONGSTERS’<br />
Schubert, Brahms, Ravel, Strauss<br />
and Finzi<br />
with baritone James Newby and<br />
pianist Ian Tindale<br />
5-7 TH JULY<br />
Sunday 7th at 1pm<br />
‘SONGS MY MOTHER<br />
TAUGHT ME’<br />
Dvorák, Debussy, Barber and<br />
English songs<br />
with mezzo Rebecca Leggett and<br />
pianist Ella O’Neill<br />
Sunday 7th at 7.30pm<br />
‘BLOW BUGLE, BLOW, SET THE<br />
WILD ECHOES FLYING’<br />
Britten: Les Illuminations and<br />
Serenade for tenor, horn and strings<br />
Holst: St Paul’s Suite<br />
Ed Hughes: Flint<br />
with The Corelli Ensemble,<br />
conductor Sian Edwards,<br />
tenor William Morgan,<br />
soprano Alison Rose,<br />
and horn player<br />
Zachary Hayward<br />
Festival Pass £65<br />
Fri / Sat evening £15<br />
Sun evening £20<br />
Lunchtimes £12<br />
Under 16s half-price<br />
BOOK ONLINE<br />
www.lewesfestivalofsong.co.uk<br />
or from <strong>Lewes</strong> Tourist Information<br />
Centre (01273 483448)<br />
www.lewesfestivalofsong.co.uk<br />
Patron: Mark Padmore | LEWES TOWN COUNCIL |<br />
THE CHALK CLIFF TRUST
MUSIC<br />
Classical round-up<br />
THURSDAY 6–SATURDAY 8<br />
<strong>Lewes</strong> Chamber Music Festival<br />
The annual festival returns, this year celebrating in particular<br />
Gabriel Fauré and the music of his time. Artistic Director<br />
Beatrice Philips says: “There’s a hugely rich chamber music<br />
repertoire from late 19th Century France – it was very difficult<br />
to decide what to programme and what to exclude!”<br />
Don’t miss Fauré’s mighty Piano Quintet no.1, Op. 89 on<br />
Friday 7th at 6pm, although the whole festival promises some<br />
memorable gigs, such as pianist Alasdair Beatson playing<br />
Birtwistle’s fiendish Harrison’s Clocks, and a festival finale at<br />
which the Eusebius Quartet perform Bartok’s final String Quartet, No. 6. Seventeen artists,<br />
seven concerts, three days. Catch it if you can.<br />
Trinity St John Sub Castro and All Saints Centre. £15-£17. leweschambermusicfestival.com<br />
PICK<br />
OF THE<br />
MONTH<br />
Photo of Alasdair Beatson by Kaupo Kikkas<br />
SATURDAY 1, 7PM<br />
& SUNDAY 16, 5PM<br />
La Traviata. The NSO Orchestra and Chorus,<br />
conducted by Ben Knowles, present Verdi’s<br />
great romantic tragedy. These two fully staged<br />
performances in <strong>Lewes</strong> are part of a tour taking<br />
in Brighton, Eastbourne and East Grinstead.<br />
Directed by Cate Couch. All Saints Centre. £22<br />
(£11 students; accompanied child under 16 free)<br />
newsussexopera.org<br />
SUNDAY 2, 3PM<br />
St Michael’s Recitals. Anne Hodgson (Flute)<br />
and Nick Houghton (Piano). St Michael’s, free.<br />
stmichaelinlewes.org.uk<br />
SATURDAY 8, 5PM<br />
Glyndebourne Festival. Massenet’s Cendrillon<br />
(Cinderella) makes its Festival debut, and<br />
Dvorak’s Rusalka opens on Saturday 29th.<br />
Glyndebourne Opera House. £15-£230<br />
glyndebourne.com<br />
SUNDAY 9, 4PM<br />
The Corelli Ensemble. The Corellis’ final<br />
concert of the season featuring Sussex Composers.<br />
Seaford Baptist Church. £10 in advance,<br />
£12 on the door. Children free.<br />
corelliensemble.co.uk<br />
SUNDAY 9, 6PM<br />
& SUNDAY 16, 6PM<br />
Hamsey Festival. Musicians of All Saints.<br />
The first of the two concerts in Hamsey<br />
Church features music for wind quartet,<br />
including Peter Copley’s Die Nacht ist kommen.<br />
The following week a string quartet from MAS<br />
plays music by Haydn, Frank Bridge and Guy<br />
Richardson. Hamsey Church. £12 regular, £9<br />
concession, under 18s free on the door only.<br />
mas-lewes.co.uk<br />
SATURDAY 22, 7PM<br />
Glynde Place Concert Series. BBC Radio<br />
3 New Generation Artist Elisabeth Brauss<br />
(piano) in concert. The programme includes<br />
works by Scarlatti, Schubert and Beethoven.<br />
Glynde Place. £30, under 16s £15. glynde.co.uk<br />
SATURDAY 22, 7.30PM<br />
Rachmaninov Vespers. Esterhazy Chamber<br />
Choir conducted by Richard Dawson.<br />
St Anne’s Church. £15 on door, £12 in advance.<br />
esterhazychoir.org<br />
69
Grieg • Ravel • Ysaye<br />
Wagner • Tchaikovsky<br />
ALEKSEY SEMENENKO (VIOLIN)<br />
& INNA FIRSOVA (PIANO)<br />
Saturday 7pm, 13 July<br />
LA TRAVIATA<br />
New Sussex Opera Chorus presents<br />
Verdi’s favourite opera<br />
Fully staged · live · sung in English<br />
professional soloists & orchestra<br />
www.NewSussexOpera.org<br />
All Saints Centre<br />
LEWES<br />
Saturday <strong>June</strong> 1 7pm<br />
Sunday <strong>June</strong> 16 5pm<br />
Birley Centre<br />
EASTBOURNE<br />
Sunday <strong>June</strong> 2 4pm<br />
Chequer Mead<br />
EAST GRINSTEAD<br />
Saturday <strong>June</strong> 8 7pm<br />
S George’s Kemp Town<br />
BRIGHTON<br />
Saturday <strong>June</strong> 15 7pm
MUSIC<br />
Classical round-up (cont.)<br />
Ruth Kerr and the Paddock Singers. Photo by Katie Vandyke<br />
SUNDAY 23, 5PM<br />
Paddock Singers. Women & Song – a celebration<br />
of women composers and songwriters.<br />
Music through the centuries from Hildegard<br />
of Bingen to Carole King, including local<br />
composer Helen Glavin. With Paul Austin<br />
Kelly, Carol Kelly and Ruth Kerr, who also<br />
directs. All Saints Centre. £12, to include cake<br />
and fizz. paddocksingers.co.uk<br />
THURSDAY 27, 1.10PM<br />
St Anne’s Lunchtime Concerts. The Kelleth<br />
Trio perform Schubert’s Piano Trio in E<br />
flat. St Anne’s Church, free. stannelewes.org.uk<br />
SATURDAY 29, 7.00PM<br />
Orff Carmina Burana. The massed forces<br />
of East Sussex Community Choir, Brighton<br />
Orpheus Choir, Wallands School Choir and<br />
South Downs Youth Orchestra take on the<br />
Orff classic. Programme includes a new commission<br />
by Siobhan Connellan. Conducted<br />
by Nicholas Houghton and Malcolm Warnes.<br />
<strong>Lewes</strong> Town Hall. £15 / £10 (unwaged £5).<br />
eastsussexcommunitychoir.org<br />
SATURDAY 29, 7.30PM<br />
As Shadows Fall. Music for dusk, evening<br />
and the night. In another collaborative<br />
venture, the Brighton Consort and New<br />
Sussex Singers sing together under their<br />
Music Directors James Dixon and Sebastian<br />
Charlesworth, in a programme of choral<br />
music spanning six centuries from Tallis<br />
to Whitacre.<br />
Trinity St John-sub-Castro. £12.<br />
brightonconsort.org.uk<br />
SATURDAY 29, 7.30PM<br />
Seaford Music Society presents Melvyn<br />
Tan (piano) and Friends. International<br />
star Melvyn Tan is joined by Ruth Rogers<br />
on violin and cellist Sebastian Comberti.<br />
The gala concert includes Beethoven’s Piano<br />
Trio Number 4 in B Flat Major, Op. 11 and<br />
Debussy’s Reflets Dans L’Eau and Mouvement,<br />
No.s 1 and 3.<br />
St Leonard’s Church, Seaford. £32.50,<br />
Students in full-time education £15.<br />
seafordmusicsociety.com<br />
Robin Houghton
GIG GUIDE // JUNE<br />
GIG OF THE MONTH:<br />
SANDRA KERR<br />
This month we’re heading to the Elephant &<br />
Castle for another exciting <strong>Lewes</strong> Saturday<br />
Folk Club guest. Sandra Kerr has many strings<br />
to her bow: singer, concertina player, songwriter,<br />
teacher… the list goes on. Perhaps best<br />
known for her work co-writing the songs and<br />
music for the much-loved children’s TV show<br />
Bagpuss, Sandra was also a member of Ewan<br />
MacColl’s Critics Group in the 70s, who met<br />
to explore ‘how best to apply the techniques<br />
of folk-music and drama to the folk revival’.<br />
A fine, expressive voice and mastery of her<br />
craft will surely make for a memorable gig. On<br />
Sunday 23rd Sandra will also lead an all-day<br />
workshop on concertina-playing & singing.<br />
Saturday 22, Elephant & Castle, 8pm, £9<br />
SATURDAY 1<br />
Morrissey Indeed. The Smiths & Morrissey tribute.<br />
Con Club, 7.30pm, £15 advance/£20<br />
Jerry Jordan. English Folk – unaccompanied traditional.<br />
Elephant & Castle, 8pm, £6<br />
SUNDAY 2<br />
English dance tunes session – bring instruments.<br />
Folk (English Trad). The Volunteer, 12pm, free<br />
ROME. Latin, swing & blues jam. Royal Oak, 7pm,<br />
free<br />
Jam Night. Free drink for all participants. Lansdown,<br />
7.30pm, free<br />
Subhumans. Punk. Con Club, 7.30pm, £14<br />
MONDAY 3<br />
Simon Spillett, Alex Eberhard & Nigel Thomas.<br />
Jazz. Snowdrop, 8pm, free<br />
TUESDAY 4<br />
English dance tunes session – bring instruments.<br />
Folk (English trad). John Harvey Tavern, 8pm, free<br />
FRIDAY 7<br />
Turning Green. Dirty grooving rock ‘n’ roll.<br />
Lansdown, 7.30pm, free<br />
Jacquemo. Ska & funk. Royal Oak, 8pm, free<br />
SATURDAY 8<br />
Kit Trigg. Blues/rock. Lansdown, 7.30pm, free<br />
Jez Lowe. Geordie Folk, guitar, mandolin, harmonica.<br />
Elephant & Castle, 8pm, £8<br />
SUNDAY 9<br />
ROME. Latin, swing & blues jam. Royal Oak,<br />
7pm, free<br />
Peter Bruntnell. Americana. Con Club, 7.30pm, £12<br />
72
GIG GUIDE // JUNE<br />
Arcelia<br />
MONDAY 10<br />
Raul D’Oliviera’s Quinto. Jazz. Snowdrop, 8pm,<br />
free<br />
TUESDAY 11<br />
Concertinas Anonymous practice session. Folk &<br />
misc. Elephant & Castle, 8pm, free<br />
WEDNESDAY 12<br />
Los Kamer. Energetic Balkan/Mexican gypsy swing.<br />
Lansdown, 7.30pm, free<br />
SATURDAY 15<br />
Don Letts DJ set. Con Club, 7.30pm, £15<br />
Charlie Quinnell. Folk – English & Scottish unaccompanied.<br />
Elephant & Castle, 8pm, £6<br />
SUNDAY 16<br />
Sepia Shadows. Sunday in the bar session with a mix<br />
of blues, jazz and R&B. Con Club, 3pm, free<br />
MONDAY 17<br />
Josephine Davies, Spike Wells & Nigel Thomas.<br />
Jazz. Snowdrop, 8pm, free<br />
SATURDAY 22<br />
Sandra Kerr. See Gig of the Month<br />
Supernatural Things. Funk, soul & blues. Royal<br />
Oak, 8pm, free<br />
MONDAY 24<br />
Cameron Pierre & Terry Seabrook. Jazz. Snowdrop,<br />
8pm, free<br />
TUESDAY 25<br />
English tunes practice session for any instrument.<br />
Folk (English trad). Elephant & Castle, 8pm,<br />
free<br />
SATURDAY 29<br />
Capella. Folk old & new, vocal harmony. Elephant<br />
& Castle, 8pm, £7<br />
Loose Caboose. DJ night featuring 60s soul, northern,<br />
R&B, Latin & jazz. Con Club, 7.30pm, £6<br />
Love Action with Fruitful Sounds. Royal Oak,<br />
8pm, £5<br />
SUNDAY 30<br />
Arcelia. Sunday in the<br />
bar session with folk/<br />
soul harmony trio.<br />
Con Club, 3.30pm,<br />
free<br />
The SoapGirls. Punk.<br />
Con Club, 7.30pm,<br />
£12<br />
Jez Lowe<br />
73
ADVERTORIAL<br />
Hotel Paradiso<br />
Eastbourne College presents their annual Summer production in<br />
the grounds of the college and their outdoor theatre The Dell.<br />
This mad French bedroom frolic finds an assortment of refined<br />
people stealing through the halls and rooms of a cheap hotel<br />
comically intent on assignations.<br />
In Paris in 1910, Marcelle Cot becomes<br />
so annoyed with her neglectful<br />
husband Henri, a pompous architect,<br />
that she consents to a rendezvous<br />
with her timorous neighbour, Benedict<br />
Boniface, who has learned that<br />
his domineering wife Angélique is<br />
spending the night with her ailing<br />
sister. Unfortunately the arrival of<br />
several people they know set about a<br />
farcical adventure around the hotel.<br />
Claudine Sinnett, Director of Drama<br />
at Eastbourne College and Gavin<br />
Robertson the resident practitioner<br />
have adapted and directed this farce<br />
and worked closely with the cast and<br />
technical team to create a colourful,<br />
loud and funny production. Hotel<br />
Paradiso blends spectacular physical<br />
comedy, theatrical storytelling and<br />
slapstick. Madame and the charming<br />
staff of the quirkily ineffective Hotel<br />
Paradiso combat their arch enemy<br />
The Banker who is trying to repossess<br />
their beloved home. With thrills,<br />
gasps, laughs and drama there’s<br />
plenty for both adults and children to<br />
enjoy.<br />
Wednesday 26 – Friday 28 <strong>June</strong> <strong>2019</strong>, 8.15pm<br />
Refreshments from 7.45pm, bring a blanket<br />
College Theatre. Tickets £5<br />
boxoffice@eastbourne-college.co.uk<br />
www.wegottickets.com
FreeTIME êêêê under 16<br />
MONDAY 17 – SUNDAY 23<br />
Teddy Bears Picnic. Local children’s hospice<br />
charity Chestnut Tree House encourage you to<br />
support them by holding your own picnic. For<br />
some fun ideas see chestnut-tree-house.org.<br />
uk/teddybearspicnic.<br />
SATURDAY 22<br />
SATURDAY 1 & SUNDAY 2<br />
The Jungle Book. Join Mowgli and friends<br />
on the adventure of a lifetime. Devonshire<br />
Park Theatre, see eastbournetheatres.co.uk.<br />
WEDNESDAY 5 – SATURDAY 8<br />
Doctor Dolittle. Musical based on the<br />
classic tale, presented by Eastbourne<br />
Stagers. Devonshire Park Theatre, see<br />
eastbournetheatres.co.uk.<br />
SATURDAY 8<br />
Film: The Secret of Kells (PG). Animated<br />
fantasy. Towner Gallery, 10.30am, £4.<br />
Denton<br />
Community<br />
Challenge. Familyfun<br />
day themed<br />
‘Let’s Score!’, with<br />
various sporting<br />
activities to take<br />
part in, a variety of<br />
stalls, bouncy castle,<br />
BBQ and licenced bar. Avis Road Recreation<br />
Ground, Denton, Newhaven, 1pm-5pm, £1.50<br />
to enter the challenge (collect a scorecard from<br />
the main tent).<br />
Michael Hall Midsummer Festival.<br />
Exhibitions of work and crafts, Estate and<br />
garden walks, sideshows, lunches and cream<br />
teas. 11am-5pm, see michaelhall.co.uk.<br />
SUNDAY 23<br />
Isfield Village Fête. Fun for all the family<br />
with novelty dog show, tug of war, stocks,<br />
stalls, beer tent, local ice cream, BBQ, tea &<br />
cake and more. In the ICE field behind the<br />
The Laughing Fish, Isfield, 12pm, £2 (under<br />
16 50p, under 5 free).<br />
SATURDAY 29 & SUNDAY 30<br />
Raystede Summer Fair. Fun-packed<br />
weekend with a range of activities, stalls and<br />
entertainment. See raystede.org.<br />
Ben &<br />
Holly’s Little<br />
Kingdom.<br />
From the<br />
makers of<br />
Peppa Pig<br />
comes this<br />
BAFTA<br />
award-winning<br />
television<br />
animation live on stage. Devonshire Park<br />
Theatre, see eastbournetheatres.co.uk.<br />
75
Football School Star Players<br />
by Alex Bellos and Ben Lyttleton<br />
book review<br />
The Football School books aim to teach young readers all about the<br />
world through football. Authors Alex Bellow and Ben Lyttleton<br />
manage to cleverly explain all sorts of different subjects and<br />
themes through fascinating football-related information. The<br />
books are divided into ‘lessons’ where, for example, Business Studies<br />
looks at footballers’ wages, why they’re paid so much, and where<br />
the money comes from; Zoology considers famous club mascots;<br />
Physics is all about gravity, and asking what it would be like to play<br />
football on Mars; Drama looks at goal celebrations (the Oscar<br />
goes to the Icelandic team of Stjarnan and it’s well worth googling<br />
them to see why!). There are lots of diagrams, brilliant cartoon illustrations<br />
and jokes throughout, making them perfectly ‘pitched’<br />
for 8-12 year olds. This month sees the release of the latest book<br />
in the series, Football School: Star Players, a collection of 50 of the<br />
inspiring stories of some of the game’s greatest players.<br />
Anna, Bags of Books<br />
Find the Football School books with 20% off at Bags of Books throughout <strong>June</strong>.<br />
Midsummer Festival<br />
Saturday 22nd <strong>June</strong> <strong>2019</strong><br />
11:00 - 17:00<br />
Exhibitions of work and crafts from Kindergarten to A-Level<br />
Pageant ~ Sideshows ~ Estate & Garden Walks ~ Alumni Tours<br />
Lunches ~ Cream Teas ~ Strawberries & Ice-Cream<br />
There will be an evening performance from Class 9 & 11<br />
‘Les Miserables’ Theatre at 19:00 (suitable for age 14 upwards) Ticketed<br />
www.michaelhall.co.uk/school-open-days<br />
Kidbrooke Park, Priory Road, Forest Row. East Sussex, RH18 5JA<br />
Tel: 01342 822275 - Registered Charity Number 307006
day out<br />
Adventures at Knockhatch<br />
stacks of activities to choose from<br />
My six-year-old and I enjoyed a family day out<br />
at Knockhatch Adventure Park recently. We<br />
pre-paid online. And were blown away by the<br />
range of activities that were on offer.<br />
We started our day focusing on the animals.<br />
From supersized rabbits, to a strutting turkey;<br />
from ducks in a pond to hand-feeding a llama,<br />
there were a lot of animals with which we<br />
could get up close and personal. We loved<br />
the wallaby walk-through area, where several<br />
female wallabies, carrying their babies in their<br />
pouches, bounded towards us in their hunt for<br />
some of the food that we’d bought on entry.<br />
We also enjoyed looking at the statue-like<br />
owls, unblinking on their perches.<br />
After enjoying the animals, we were spoilt for<br />
choice as to what to do next. We spent time<br />
in one of the best adventure play castles I’ve<br />
seen – complete with its own ‘fire breathing’<br />
dragon. My son ran around the structure,<br />
clambering up the stairs, negotiating walkways<br />
and generally having fun exploring. After this<br />
he had a quick turn on the flying fox where<br />
we noticed some high ropes activities were<br />
under construction – something for a future<br />
visit with my older two – then headed off<br />
towards the jumping pillows and the outdoor<br />
bungee trampoline for which we had to pay a<br />
bit extra. Another highlight was the avalanche<br />
slide which involved racing down a slope on a<br />
Ringo (a type of inflated tyre) – my son had at<br />
least five or six goes on this one.<br />
After that, we had a quick lunch – chips and<br />
beans – at one of the many food outlets, before<br />
hiring a rowing boat to explore the lake. We<br />
continued with this water theme with the<br />
Wave Runner waterslide. Children climb up<br />
the 32-feet tower then launch themselves at<br />
great speed down the slide; then skip across a<br />
pool of water before finally coming to a safe<br />
landing.<br />
And there were lots of things we didn’t go on<br />
due to a lack of time: Froggies, the indoors<br />
soft play area; the splash zones for younger<br />
children; and the Quadapillar Barrel Ride<br />
which looked exciting. And there was the owl<br />
display, the go-karts (age restrictions; good for<br />
older ones, age 13+) and the mini quads (ages<br />
4 to 12).<br />
We left with a determination to return and<br />
this time to bring all three children for a fun<br />
day out with lots to see and do. Not all rides<br />
are open on every day so it’s a good idea to<br />
check the website before you head off and<br />
from which you can purchase discounted<br />
tickets. Happy adventuring! Jacky Adams<br />
Free entry for dads on Father’s Day, 16th <strong>June</strong><br />
knockhatch.com
Michelham<br />
Priory<br />
House & Gardens<br />
Indoor & Outdoor Events &<br />
Activities for all the Family!<br />
Sussex Day - Wildlife Wednesday<br />
Craft Activities - Father’s Day Picnic<br />
Homefront Weekend<br />
Archaeology Day<br />
Children’s Trails<br />
Family Games Fest<br />
Theatre Shows<br />
Face Painting<br />
Classic Cars -<br />
Pirate & Princess Day<br />
Upper Dicker, BN27 3QS<br />
01323 844 224<br />
www.sussexpast.co.uk<br />
Your all<br />
weather<br />
Summer<br />
Fun!<br />
Teddy Bears<br />
Picnic<br />
17–23 <strong>June</strong> <strong>2019</strong><br />
Support your local children’s hospice during Children’s<br />
Hospice Week by holding a Teddy Bears Picnic!<br />
Create special memories. Moments that Matter.<br />
For today. For tomorrow. For the Now.<br />
For more information and fun ideas for<br />
making your picnic one to remember, visit<br />
chestnut-tree-house.org.uk/teddybearspicnic<br />
Registered charity no 256789
êêêê<br />
Tennis<br />
a sport for life<br />
When I ask Luke Milligan what’s brilliant about<br />
tennis, he replies, “Currently, at the club here<br />
I coach kids who are 4 years old and adults of<br />
75 plus. It’s a sport you can play, and love, your<br />
whole life.”<br />
Luke Milligan is the force behind Milligan<br />
Tennis, which offers all the junior tennis training<br />
at the Southdown Club. He’s been doing so for<br />
the last four or more years, but this isn’t his first<br />
connection to the club.<br />
Luke first played here when he was fifteen,<br />
and moved from North London to lodge with<br />
a family in Barcombe while he trained for the<br />
national training squad in Brighton. Playing at<br />
the Southdown was part of his routine, and he<br />
always liked it. It’s felt right to return, he tells<br />
me, “and Dave the Groundsman is still here!”<br />
Luke played tennis seriously for about ten years<br />
– he represented GB in the Davis Cup, and in<br />
1996 made the third round of the Men’s Singles<br />
at Wimbledon. Then he turned to coaching. “I<br />
coached a lot of girls and women, especially, for<br />
the LTA National Tennis Centre.”<br />
Southdown is, today “very, very junior-friendly”,<br />
Luke says. He loves being part of what he tells<br />
me is a great community around the club. “It’s<br />
like an oasis: a friendly, safe environment”. And<br />
that’s certainly my impression, as we sit chatting<br />
in the clubhouse – today, Caffé Lazzati. People<br />
keep stopping to speak to Luke as they pass. One<br />
– Ellie – is now training to be a coach herself,<br />
and has returned to be part of Milligan Tennis,<br />
after completing a scholarship to Eastbourne<br />
College.<br />
So what coaching is available for young people<br />
interested in tennis, at the Southdown? “We<br />
train all ages” Luke tells me, “starting with Tots<br />
Tennis drop-in, for the 3s to 5s”. Mini Tennis on<br />
smaller courts caters for 5-8s (Red) and Orange,<br />
8s-9s. Greens plus are on full-sized courts, for<br />
the 10s to 18s.<br />
The facilities are great – and a picturesque<br />
bubble – geodesic dome – covers two courts<br />
for six months of the year (October-March), so<br />
the classes can run, between 4 and 7.30pm on<br />
school nights, and on Saturday mornings, all<br />
year round. There are also Easter and Summer<br />
camps which are “very popular”, Luke tells me;<br />
“sometimes, fifty to sixty kids a day.”<br />
Summing up Junior Tennis at the club today,<br />
he says: “There’s this recreational, fun side.<br />
Then there are some kids taking the sport very<br />
seriously – representing the county, and country.<br />
But underpinning it all is this family feel – which<br />
works really well. Ellie runs the tots groups, and<br />
she’s brilliant at that. They all love her!”<br />
Luke says he’d like to start a Junior Club night<br />
soon – maybe on Friday evenings. Something<br />
to bridge the holiday camps, and the squads. I<br />
suspect he will… Charlotte Gann<br />
southdownsportsclub.co.uk<br />
milligantennis.com
BUSINESS@RATHFINNY<br />
Inspiring Business<br />
CORPORATE<br />
ENTERTAINING<br />
UNIQUE OFF-SITE<br />
FACILITIES<br />
DAY VISITS &<br />
ACCOMMODATION<br />
WINE TOURS<br />
& TASTINGS<br />
Rathfinny Wine Estate, Alfriston, Sussex, BN26 5TU<br />
01323 874 030<br />
rathfinnyestate.com<br />
For our corporate brochure email us at<br />
business@rathfinnyestate.com
FOOD REVIEW<br />
Pelham Arms<br />
A carnivore’s delight<br />
Photo by Joe Fuller<br />
A table at The Pelham<br />
Arms is a hot ticket<br />
at the moment. Attempting<br />
to fit in an<br />
early booking before a<br />
show proved difficult,<br />
so two of <strong>Viva</strong>’s own<br />
decided to go for a<br />
Friday afternoon lunch<br />
instead. You wouldn’t<br />
have known it from<br />
the ambiance however,<br />
the pub was bustling<br />
with citizens commencing their early May bank<br />
holiday festivities early.<br />
Sat at a nice table by a window, we are told about<br />
the ale options on tap. I go for an Abyss Brewing<br />
Tropical Thunder IPA (6.2%, £3.50 for a 2/3<br />
pint), a concoction by landlord, Andrew, which<br />
originated from the cellars of The Pelham Arms<br />
itself. It’s smoother and more floral than many<br />
pale ales, and goes down very easily indeed. Kelly<br />
opts for the fair-traded Karma Gingerella (£3),<br />
one of the “nicest ginger beers I’ve ever had”.<br />
We take different paths on the mains. I am curious<br />
about Pelham’s own smokehouse, so go all-in<br />
on a barbeque platter (£18), while Kelly settles<br />
on a spiced bean burger (£12). I missed the line<br />
on the menu suggesting that the platter is a ‘great<br />
one to share’ and am bowled over when the feast<br />
arrives. The smokehouse has worked wonders on<br />
this carnivore’s delight: the pork belly is heavily<br />
smoked, resulting in a distinctly scrumptious,<br />
memorable flavour. It is crisply coated, almost<br />
to the point of being burnt, which complements<br />
the succulent texture of the meat. The quantity<br />
is noteworthy, coming in at approximately<br />
quadruple the size of<br />
a typical pork belly<br />
portion.<br />
The chicken leg is a<br />
subtler counterpoint to<br />
the pork belly – tasty in<br />
a quieter way – whereas<br />
the chunky Holmansbridge<br />
Farm sausages<br />
have a hearty flavour<br />
and a satisfying crumbly<br />
texture to them.<br />
The slaw is fresh and<br />
lemony, and the dish is topped by house pickles,<br />
which do a good job of soaking up the flavour of<br />
the sausages. I suggest getting some house chips<br />
(£3.50), and sharing the platter.<br />
The spiced bean burger has a small kick to it<br />
– but “not too spicy” – and is certainly big and<br />
messy, as the menu warns. Kelly explains that<br />
this is a good thing, when compared to the dry<br />
patties that vegetarians are often saddled with; the<br />
chunky guacamole, cheese and chipotle mayo on<br />
the burger – and the house chips included in the<br />
£12 price – add to the indulgent effect.<br />
Our paths converge when it comes to dessert,<br />
with neither of us able to look past the sticky<br />
toffee pudding with toffee sauce and Downsview<br />
Farm vanilla ice cream (£6.50). The sponge is<br />
gooey and not too dense, and the pudding swam<br />
happily in a lovely, sweet and sugary toffee sauce.<br />
Finally, I’d like to pass on my thanks to the<br />
person or algorithm behind the music. She’s a<br />
Mystery to Me by Roy Orbison was one highlight,<br />
alongside one of the best pop songs ever: Up on<br />
the Roof by The Drifters. Joe Fuller<br />
thepelhamarms.co.uk, 01273 476149<br />
81
82<br />
Photo by Danny Arter
RECIPE<br />
Ruaridh Wightman<br />
The Copper Top Bar<br />
My partner, Tilly Webster and I worked in<br />
and managed bars across France, Switzerland<br />
and the UK and had wanted to do something<br />
together as a project for a while. We weren’t<br />
sure what, but we always wanted our<br />
own venture together. At a street party in<br />
Brighton, we saw a basic converted horse box<br />
bar and we immediately started discussing<br />
what we would do differently and what kind<br />
of bar we would have (fresh cocktails and<br />
gin it turns out). As soon as we got home,<br />
we were so excited, we started searching for<br />
vintage horse boxes and spent hours until<br />
we found the perfect one. That was two<br />
years ago, then we spent just under a year<br />
renovating it ourselves and have been up and<br />
running for a year now and we’re almost fully<br />
booked for this year, which is great.<br />
A renovated vintage Rice horse trailer, the<br />
bar has been fitted out using local, reclaimed<br />
wood and copper coins. It took almost a<br />
year of us working up there each weekend,<br />
designing, stripping it out, building the bar<br />
and worktops, painting, salvaging reclaimed<br />
pallet wood and creating the bar top and<br />
light feature. All of it was done by ourselves,<br />
or with friends and it’s an important reason<br />
the bar looks the way it does. This meant<br />
our idea of the finished product was able to<br />
evolve slowly and had a lot more additions<br />
and custom bits we wouldn’t have thought of<br />
had someone else done it for us.<br />
Sustainability is a huge thing for us. Tilly’s<br />
background is in Ecology, and this informs<br />
a strong and simple aim to minimise our<br />
impact on the environment. My background<br />
in events always infuriated me because of all<br />
the wastage. We use biodegradable straws<br />
made from paper or crushed sea shells, and all<br />
our cups are recyclable.<br />
There are so many cocktails we could choose,<br />
but this one jumps out because it’s perfect for<br />
the summer season. As a bar, we’re mainly<br />
outside so good weather and good cocktails<br />
is what everyone is after. At a summer event,<br />
this seems to catch the mood and we can’t<br />
make them fast enough. Raspberries, mint<br />
and gin work brilliantly together and the<br />
Prosecco just tops it off perfectly. If you like<br />
the look of it, come down and see us at the<br />
Gin & Fizz festival (29th <strong>June</strong>; see pg 11).<br />
Mention <strong>Viva</strong> <strong>Lewes</strong> and we’ll make you an<br />
extra special one! As told to Charlotte Gann<br />
thecoppertopbar.co.uk<br />
RASPBERRY GIN ‘MOJITO’ FIZZ<br />
The recipe is as follows:<br />
- Muddle fresh limes, mint and brown sugar<br />
- Add in fresh raspberries and muddle them in too<br />
- 2 shots of good quality local gin<br />
- Shake with ice, then pour into glass<br />
- Top up with fresh ice, some tonic water and a splash of Prosecco<br />
- Garnish with a fresh sprig of mint<br />
83
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Master_<strong>Viva</strong><strong>Lewes</strong>_<strong>June</strong><strong>2019</strong>.indd 1 15/05/<strong>2019</strong> 13:06:48<br />
FOOD<br />
Edible updates<br />
Eating out<br />
As someone who prefers lounging comfortably to<br />
leaping about, I’m stretching the theme of ‘sport’ to<br />
mean outdoor activity. We have unpredictable summer<br />
weather, but that adds a thrill of danger to plans<br />
for a Glyndebourne picnic, a walk under the Downs<br />
near Firle to the magical Beanstalk Café, collecting a tray from the Grange Gardens tea hatch, or<br />
sitting outside in the garden of Anne of Cleves House (where their café now has a loyalty card).<br />
For picnic fare, the Friday Food Market stalls offer all kinds of bits and pieces, from bread, pitta, meats<br />
and cheeses, to mini-pies, tarts and dumplings. A Meze Box at Kabak includes mejadra Arabic rice,<br />
three excellent salads, humous and harissa. This Little Piggy is new, selling sausage rolls that are a lot<br />
more exciting than the limp effort you get in supermarkets. Five mini-rolls for £3.50. I chose: American<br />
Breakfast, Smokey Joe, Peking Pork, Spanish Senorita and Green Chilli. Delicious. They also make<br />
large, veggie ones.<br />
I’m a fan of Caccia & Tails on Station Street for items to pep up your picnic – focaccia, obviously,<br />
but also cocktails. The bobbly glass Campari and soda bottle is a personal favourite.<br />
In local food news, Aqua under the Premier Inn has shut, whilst Fuego Lounge seems to be thriving.<br />
The third restaurant space in that row has never even been occupied. Seems a shame that such a<br />
central, prime location is only patchily successful. @<strong>Lewes</strong>Nibbler<br />
Illustration by Clare Dales<br />
enjoy a<br />
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- Choose from either -<br />
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or<br />
Chemin de Marquiere Merlot<br />
To redeem, simply present this advert when dining<br />
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GARDENING<br />
Summer borders<br />
Zinging Zinnias and fragrant Pinks<br />
As the first shoots of bindweed surface and the<br />
ground-elder starts to erupt in the border, take<br />
comfort in those fresh young seedlings emerging<br />
in the seed trays demanding to be potted up.<br />
Such vigorous and optimistic growth bursting<br />
to get on with painting the summer red… and<br />
purple, orange! My Zinnias are of deep purple<br />
and a pure orange, and will blaze in the borders<br />
sending shock waves down the garden path.<br />
When potting-on try to grip the plain seed leaf<br />
– that is, the very first leaf – gently, and dangle<br />
the root into the pot as you pile in the compost.<br />
This avoids bending the delicate roots and helps<br />
the plant to establish quickly.<br />
Keep them under cover for a week or so, then<br />
stand them in the cold frame for a further<br />
couple of weeks. Plant them where you want a<br />
real splash of colour. They will become tall and<br />
vigorous so provide a little staking: pea sticks<br />
will do. As long as you keep up the deadheading<br />
their bold flowers will bloom profusely for the<br />
rest of the summer.<br />
It is a common misconception that Pinks are<br />
called Pinks because they are pink. They’re not.<br />
Well, not always. ‘Mrs Sinkins’ is pure white,<br />
whilst ‘Susan’ is a gaudy salmon red. The name<br />
actually refers to the act of ‘pinking’ using cotton<br />
pinking shears, which make a zigzag cut to<br />
prevent fraying: a pattern reflected in the jagged<br />
edges of the fragrant petals.<br />
Pinks have a special place at Charleston. One<br />
of the finest pictures of the garden, showing it<br />
at its very best, is in the Tate collection. Painted<br />
by Duncan Grant in the 1940s, this shows a<br />
blossom-filled garden with rich herbaceous<br />
borders and a silvery ruff of Pinks running down<br />
the length of the main path. Vanessa Bell wrote<br />
in 1940, ‘It’s a hot summer evening, I have pulled<br />
up the wallflowers regretfully and now the pinks<br />
are making the whole place smell’.<br />
The picture was painted in May 1944, before the<br />
pinks were flowering, so sourcing the historically<br />
correct variety has been a challenge. Allwoods, a<br />
family-run nursery, based in Hassocks, have been<br />
specialist growers of Pinks since 1910. Though<br />
many of the old varieties have disappeared,<br />
Allwoods Nursery still hold over 400 and their<br />
knowledge is second to none.<br />
I showed a painting of Pinks by Vanessa Bell to<br />
the proprietor and she was immediately able<br />
to identify the three varieties in the flower arrangement<br />
including ‘Alice’, bred by Allwoods<br />
in 1930. Today, two years later, I have finally<br />
finished propagating enough ‘Alice’ to reinstate<br />
this lovely border. This month, the scent can<br />
once again be found lingering in the warm, still<br />
air of the walled garden.<br />
Fiona Dennis is Head Gardener at Charleston<br />
Photo of Fiona Dennis by Maggie Tran<br />
86
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THE WAY WE SKATE<br />
Photographer Ben Broad visited four fantastic skateboarders down on<br />
Malling skatepark. He asked each: what do you love about skateboarding?<br />
benjdbroad.wixsite.com/explorecapturecreate<br />
Felix Turko<br />
‘It makes you feel free’
THE WAY WE SKATE<br />
Diggs English (Semi-finalist at this year’s Olympic qualifier)<br />
‘FUN! It’s just lots and lots of fun!’
THE WAY WE SKATE<br />
Sam Roberts<br />
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common with someone there. It lets you meet people you’d never have encountered otherwise<br />
– creating lifelong friendships and amazing memories... not bad for a piece of plywood. ’
THE WAY WE SKATE<br />
Pete Hellicar and his son Buddy<br />
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FEATURE<br />
Photos by Rob Read<br />
Twitten runners<br />
Medieval stairmasters? Fools on the hills?<br />
Have you spotted ‘We run<br />
the Twittens’ on Twitter? Or<br />
maybe you’ve even seen them<br />
in the flesh? Of a Sunday<br />
morning? A crooked line of<br />
figures silhouetted on the<br />
horizon – somewhat incredibly<br />
running up a twitten?<br />
I spoke to twitten runner<br />
extraordinaire, Rob Read, to<br />
find out all about it, and how<br />
a ‘twitten run’ actually works.<br />
“We’ve been doing them every<br />
Sunday morning since November<br />
2015”, he told me. “That’s<br />
168 runs”, at our time of<br />
speaking. “Anyone’s welcome.<br />
Just join us at 9am any Sunday<br />
– we gather at All Saints, then<br />
head to Broomans Lane.<br />
“Most Sundays there are half<br />
a dozen runners – the most<br />
we’ve had is ten (on six occasions).<br />
We basically run up one<br />
twitten, all gather at the top,<br />
walk along to the next, and jog<br />
down – until we’ve run up or<br />
down all 12 twittens, (12½ if<br />
you count Bull Lane, which we<br />
do). Then we turn around and<br />
do the whole ladder in reverse,<br />
before coffee in Ground Coffee<br />
at the end.”<br />
In total, 59 different people<br />
have taken part at one time<br />
or another, Rob tells me. He<br />
himself has completed more<br />
twitten runs than anyone else<br />
– at 111. “Since March 2018,<br />
we’ve had 58 consecutive runs<br />
without a break”, he says.<br />
So how did the idea first<br />
come about, and who had it?<br />
“It was Duncan Rawson who<br />
first thought of it. After he<br />
did a similar training run with<br />
the <strong>Lewes</strong> Athletics Club, he<br />
suggested it to me and Ashley<br />
Head. Since then, we’ve all<br />
completed more than fifty<br />
twitten runs, as have David<br />
Stacey, James McCauley and<br />
Tom Roper.”<br />
Many women take part, I ask?<br />
“Oh yes,” he laughs; “some…”<br />
He also tells me about the time<br />
he did the twitten run “Marathon<br />
in a Day” – ie nine runs<br />
in 24 hours (five on Saturday<br />
afternoon, four on Sunday<br />
morning). “Only one counted<br />
as an official run, because<br />
that has to take place at 9am<br />
on a Sunday morning”, says<br />
Rob, a self-confessed twitten<br />
run-numbers nerd. “There are<br />
strict rules which need adhering<br />
to,” he grins.<br />
“And we also have a twiathlon<br />
once a year – where after the<br />
12 twittens we swim 12 lengths<br />
of the Pells…”<br />
Still not tempted? Oh, go<br />
on – you know you want to…<br />
Charlotte Gann<br />
@TwittenRun<br />
Rachel Playforth has<br />
been writing a 12-poem<br />
sequence, Twitten. Here’s<br />
one, she says, where she<br />
“had the runners in mind”:<br />
KEERE STREET / SCARE HILL<br />
Clamour of cobble<br />
rough river<br />
bursting banks.<br />
Each stone claims space<br />
angle and push<br />
rising proud.<br />
Jumbled tumble<br />
slippered in moss<br />
polished with rain.<br />
Stopped short<br />
by crux of brick<br />
we do not fall.<br />
93
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WE TRY<br />
Iyengar yoga<br />
with Ali Hahlo<br />
Have you wondered about yoga, but never<br />
quite taken the plunge, or known where to begin?<br />
I’m a hard nut to crack. Indeed, probably<br />
about the least yoga-friendly soul you might<br />
find wandering these <strong>Lewes</strong> streets, never a mat<br />
roll under my arm. BUT I have heard nothing<br />
but good things about Ali Hahlo and her classes<br />
and, as my bones age, have an increasing awareness<br />
there may be a need for new habits.<br />
So it was that I rolled up at 9.15 one Thursday<br />
morning at Soulfit in Western Road – in the<br />
beautifully-renovated building where we all<br />
used to sign on, many moons ago – to try out<br />
a one and a half hour class. The environment<br />
could not be more open and welcoming. Fiona,<br />
who runs Soulfit with her husband, personal<br />
fitness trainer Gyles, assured me absolutely<br />
anyone is welcome to wander in and have a try<br />
– and I really recommend doing so.<br />
As for the class itself, it was an education. Ali is,<br />
as folk had told me, extraordinarily warm and<br />
welcoming. She seems to take any new arrival<br />
– including this, blustering one – at face value.<br />
You get the immediate sense she’s seen it all<br />
before, and she exudes calm equilibrium.<br />
Ali seems to know everyone’s name but, that<br />
said, she also instantly learnt mine. The group<br />
was made up of all sorts of ages and levels of<br />
experience. People were friendly, without being<br />
overfriendly; I didn’t feel self-conscious.<br />
We started sitting on mats (provided) and<br />
listening to Ali who told us this lesson was<br />
going to focus on the spine. She explained how<br />
the spine was constructed – compellingly and<br />
instructively – and I instantly felt in the presence<br />
of something, to me, new and useful. The<br />
whole series of exercises – mainly rotations –<br />
that followed made sense, in this broad context.<br />
The early part of the class was spent sitting,<br />
mainly cross-legged, striking positions to<br />
straighten the spine and stretch its muscles.<br />
I found I could (just about) manage. Then<br />
we stood on our mats, and, using belts to<br />
bring awareness to the zone around our hips,<br />
followed Ali’s demonstrations, then close<br />
instructions, to try positions that I found pretty<br />
challenging.<br />
None of it was too much, however, though my<br />
body let me know in detail how little attention<br />
I customarily pay it. That said, each time we<br />
tried a pose a second time I found it marginally<br />
easier than the first – which was in itself<br />
encouraging. I would like to master poses like<br />
‘Warrior’! On Ali’s website she writes ‘The<br />
benefits in terms of physical well being are<br />
rapid, palpable and irrefutable.’ I’m sure that’s<br />
true. I could tell, even from the experience of<br />
this one class, that my confidence might grow<br />
with familiarity.<br />
As we were leaving, someone friendly said to<br />
me “That was a hard class – I found it hard and<br />
I’ve been doing yoga for years. Don’t be put<br />
off!”<br />
I really will try not to be… Charlotte Gann<br />
wearesoulfit.com hahloyoga.co.uk<br />
95
WE TRY<br />
Croquet<br />
at the Cheyney Croquet Club<br />
It’s overcast but dry when<br />
I reach the headquarters of<br />
Cheyney Croquet Club at<br />
Cheyney Field in Ringmer.<br />
Croquet is, I have been<br />
told, a fair-weather game, so<br />
it’s a relief that rain hasn’t<br />
stopped play.<br />
A handful of people are<br />
milling around, each holding<br />
a rectangular-headed<br />
mallet. The smooth square<br />
of lawn sports six white<br />
hoops, as well as a central<br />
peg banded in blue, red,<br />
black and yellow. These<br />
stripes, I later learn, correspond<br />
to the colours of the four balls and<br />
the order of play.<br />
I am met by Cheyney Croquet Club’s Christine<br />
and Graham, who are keen to attract new<br />
members to the club. “There are two main<br />
kinds of croquet,” Christine explains, “association<br />
croquet and golf croquet. Both are played<br />
here, but mostly we play golf croquet, which is<br />
simpler. Association croquet has been likened<br />
to billiards on grass and is usually one on one.<br />
It’s very strategic and requires a lot of skill.<br />
“In golf croquet, you can play singles or doubles,<br />
and the aim is to get the ball through the<br />
hoop – what we call ‘running the hoop’. There<br />
are six hoops, and you go round clockwise,<br />
then back anticlockwise. If association croquet<br />
is more like chess, then golf croquet is more<br />
like draughts. It’s very accessible, as well as<br />
being sociable and a lot of fun.”<br />
Thought to have originated in Ireland in<br />
the1830s, croquet took off in England in the<br />
mid 19th century, when it<br />
became hugely fashionable.<br />
However, it may date back<br />
to the middle ages, sharing<br />
its roots with other stickand-ball<br />
sports such as golf<br />
and hockey, as well as the<br />
17th-century game of ‘pall<br />
mall’, which gave its name<br />
to the Mall in St James’s<br />
Park, London, where it was<br />
played and popularised by<br />
King Charles II.<br />
To me, croquet retains<br />
an air of gentility (as well<br />
as an association with<br />
flamingoes and hedgehogs,<br />
courtesy of Lewis Carroll), but I soon find out<br />
it isn’t quite as effortless as it looks.<br />
Equipped with an unexpectedly heavy mallet,<br />
I stand facing the first hoop, as Graham helps<br />
me set up my shot – preparation which is<br />
known as ‘stalking the ball’. “You don’t need to<br />
be strong or have any special skills,” he assures<br />
me, as I take a feeble swipe. “Anyone can pick<br />
it up. Just swing the mallet back, and keep<br />
your eye on the ball until you’ve hit it.”<br />
After a few attempts, I manage to make contact<br />
with a satisfying clunk that sends the ball at<br />
least vaguely in the direction of the hoop.<br />
“Most people will find they can knock the<br />
ball around after a couple of afternoons,” says<br />
Christine encouragingly. “And they will have<br />
had a good time and met some nice people.”<br />
Graham agrees. “It can be as competitive as<br />
you want, or a relaxing bit of fun. We’d say to<br />
anyone to come along and have a go.”Anita Hall<br />
cheyneycroquetclub.org.uk<br />
96
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A well-presented three bedroom semi detached property. Open<br />
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oakleyproperty.com
As a thank you to all our customers we are offering<br />
A free drink to customers eating in the restaurant on<br />
our 1st Anniversary 20th <strong>June</strong>.<br />
(Selected wines and beers, Ts and Cs apply)
WE TRY<br />
Photo by Tony Hilton<br />
Golf<br />
Failing, with style<br />
Whilst walking up Chapel Hill, I mull over my<br />
preconceptions. Not being well versed in golf, I<br />
imagine that it is expensive, elitist and exclusive.<br />
Thankfully, a 90-minute lesson with Tony Hilton<br />
at <strong>Lewes</strong> Golf Club dispels many of my concerns.<br />
First of all, it’s a really fun 90 minutes, aided by<br />
stunning views over <strong>Lewes</strong> and the Downs. On<br />
the driving range, Tony judges my swing to see<br />
what I’m about. I then aim to hit a ball, a strike<br />
which thunks away sadly, about 30 feet off to<br />
the left. He then asks me to intentionally skew<br />
further right rather than aiming straight, so as<br />
to get a feel for how ‘open’ or ‘closed’ striking<br />
of the ball affects its trajectory. His tuition<br />
is friendly and patient throughout: he offers<br />
enthusiastic encouragement when I miss the ball<br />
wildly. It’s immensely satisfying when I finally<br />
hit it straight. Tony explains that you can’t really<br />
hit a ball much better; golfers simply learn how<br />
to hit further and more consistently.<br />
We then head out onto the main course on a<br />
buggy. At one point, we quietly watch a few<br />
golfers, one of whom scuffs a shot into the side<br />
grass. Tony likes to show people this kind of<br />
thing, explaining that beginners often think<br />
they’re miles off being able to become a member,<br />
but that everyone makes mistakes: it’s all<br />
about practising and enjoying it.<br />
We rock up at a hole and I aim for a green,<br />
which I repeatedly miss by some distance. Surprisingly,<br />
Tony asks me to hit a divot, explaining<br />
that I need more lift and that taking a chunk out<br />
of the ground is no terrible thing. I still can’t<br />
seem to bring myself to duff up the grass too<br />
profoundly, due to either an obscure politeness,<br />
or some misjudged swinging.<br />
After trying out putting, Tony tells me about the<br />
options for a ‘pay as you go’ approach: you can<br />
hire clubs for £10 (booking in advance required),<br />
play a round of golf on a weekday for £25 (the<br />
‘green fee’ after midday), or go for a ‘twilight’<br />
session after 4pm for only £15.<br />
He also explains that women and men can<br />
compete in the same tournaments, which is not<br />
the case at all golf courses. LGC has ‘community<br />
amateur sports club status’, meaning that it is<br />
run by its 400 or so members. There is no one at<br />
the top making money for themselves alone: all<br />
fees go towards the upkeep of the course.<br />
I truly enjoyed my time at LGC, and may well<br />
take up the ‘Try Golf’ package at some point<br />
over the summer, which includes three hours<br />
of tuition, access to the practice facilities, golf<br />
equipment loan, 36 holes on the course, and<br />
more. It’s £120 solo, but only £90 each if you<br />
learn with a friend. Who wants to join me?<br />
Joe Fuller<br />
lewesgolfclub.co.uk<br />
99
<strong>Lewes</strong><br />
201 High Street, <strong>Lewes</strong> BN7 2NR<br />
01273 761579 | lewes@struttandparker.com<br />
FOR SALE<br />
FOR SALE<br />
Offham, Nr <strong>Lewes</strong><br />
£375,000 (Guide price)<br />
Southover High Street, <strong>Lewes</strong><br />
£2.15m (Guide price)<br />
FOR SALE<br />
FOR SALE<br />
Priory Street, <strong>Lewes</strong><br />
£565,000 (Guide price)<br />
Church Lane, Ripe<br />
£600,000 (Guide price)<br />
FOR SALE<br />
FOR SALE<br />
St. John Street, <strong>Lewes</strong><br />
£725,000 (Guide price)<br />
Arlington, Nr <strong>Lewes</strong><br />
£1.2m (Guide price)<br />
/struttandparker @struttandparker struttandparker.com<br />
60 Offices across England and Scotland, including prime central London
FEATURE<br />
Photo by Charlotte Gann<br />
Swim Better<br />
at the Pells<br />
“It’s all about the fundamentals”, Pells Pool<br />
Deputy Manager and Coach Patrick Gilmartin<br />
tells me, as we sit on the paving stones at the top<br />
of the pool in a sudden surprise of early evening<br />
sunshine. “I mainly concentrate on teaching front<br />
crawl. And my approach is to break the stroke<br />
down into its basic pieces. Learn one bit well at<br />
a time. Get each piece of the technique, and the<br />
whole stroke will come right.”<br />
Patrick has worked in the leisure industry for<br />
a long time, he tells me, though this is only his<br />
third season at the Pells. He clearly loves it. And,<br />
every Wednesday evening, runs adult coaching<br />
sessions for anyone interested in strengthening<br />
their swimming – specifically front crawl.<br />
After 25 years of teaching swimming, Patrick,<br />
who also operates under the Life Green Events<br />
banner, has, understandably, developed a system<br />
of teaching. “This I call ‘Swim Better’. And the<br />
principle is, as I’ve said, to take each part of the<br />
stroke, and bring that up to scratch.” He happily<br />
welcomes up to 25 or more people to each coaching<br />
session, and you’re welcome to sign up for the<br />
season, or drop in as and when able.<br />
Patrick commutes each day from Brighton. He<br />
says he used to swim here, and was thrilled when<br />
the opportunity came to join the team. He loves<br />
the atmosphere and community that grows over<br />
the season. “There’s so much enjoyment”, he says,<br />
“around this body of water”, and we both gaze<br />
out across it – clean, twinkling, awaiting the first<br />
plunge of the <strong>2019</strong> season.<br />
“The Pells has become an institution”, he says.<br />
Well, it always was, in its way, I argue. But no,<br />
there has been a massive resurgence of interest in<br />
outdoor swimming, and investment in the pool in<br />
the last five years. Pells Pool is run as a charity –<br />
owned by <strong>Lewes</strong> Town Council – with any money<br />
generated poured back into its development.<br />
Patrick himself loves arriving here quietly, first<br />
thing in the morning, sitting with his feet dangling<br />
in the water, taking stock, and sipping a cup<br />
of tea, before the day starts.<br />
So, what are his three top tips for anyone wishing<br />
to improve their swimming, I ask him? “Get each<br />
piece of the technique right, one,” he says. “Two,<br />
remember, the whole stroke counts. And three,<br />
breathing out is more important than breathing<br />
in. Your brain tells your body not to breathe out<br />
fully: you need to learn to override this message.”<br />
Interesting. It all looks so inviting that late-April<br />
evening, glinting in the dappled sunlight, and<br />
Patrick’s enthusiasm is so obvious and infectious,<br />
even I am tempted… Charlotte Gann<br />
This season, the Pells is open every day until Sunday<br />
27th October. Patrick’s class is from 7.30pm to<br />
8.30pm every Wednesday. £8 to drop in, or pay less<br />
by committing to a block of sessions.<br />
pellspool.org.uk<br />
lifegreenevents.co.uk<br />
101
Chris Tipper<br />
Selkie Kayaks<br />
Chris Tipper works in the most amazing<br />
space – for the last 22 years, he’s rented<br />
this workshop from Newhaven Port and<br />
Properties. It’s right at the end of Fort Road,<br />
a stone’s throw from the sea, just before Newhaven<br />
West Beach, and beyond Newhaven<br />
Fort. A glorious spot (“yes,” Chris agrees;<br />
“certainly, on a fine day!”).<br />
And what does he do here? He builds kayaks.<br />
Selkie Kayaks is the brand Chris set up a<br />
couple of years ago. But he’s long been a<br />
wooden-boat builder. He grew up locally,<br />
and has always, he says, “messed around<br />
in boats”. He remembers Newhaven port<br />
from childhood, and the evocative sight of<br />
“loads of old boats rotting in the mud. That,<br />
I think,” he says, “marked the beginnings of<br />
this whole aesthetic for me, around boats.”<br />
Chris studied at the International Boatbuilding<br />
Training College in Lowestoft. He<br />
then went on to build an ocean pedal boat<br />
– Moksha – for a project called Expedition<br />
360. This was the first successful circumnavigation<br />
of the globe using only human power,<br />
explains the (expedition360.com) website,<br />
and I was thrilled to encounter the unique<br />
boat itself, for now at rest, under cover,<br />
outside Chris’s studio.<br />
He also, he says, owned a sailing boat for<br />
twenty years, which he himself restored,<br />
rebuilding the whole top half by hand. But<br />
today his main focus is on building kayaks.<br />
He shows us round his workshop where<br />
there’s a lovely range.<br />
102
MY SPACE<br />
These are sea kayaks – longer, at 17-<br />
19ft, and narrower than recreational<br />
ones – based on West Greenland Inuit<br />
hunting boats. The design, Chris tells<br />
me, first arrived on these shores in the<br />
1950s and 60s; from that, the sport of<br />
sea kayaking has evolved. He shows us<br />
one “Shrike” in “survival orange”, and a<br />
couple of skin-on-frame models – which<br />
he personally favours making, he says.<br />
“They’re very close to the Inuit originals,<br />
and also give the option of working<br />
in recycled materials. I want to promote<br />
the idea of skin-on-frame and wood<br />
composite boats. It’s a really well-known<br />
technology in the States, but still quite<br />
new here.”<br />
Each kayak takes Chris between two<br />
weeks and two months to build. Varnishing<br />
makes a really big difference<br />
in terms of labour time and cost – the<br />
kayak he’s holding in the photo has<br />
seven coats, he says. Mostly these kayaks<br />
will sell for between £1,800 and £3,800.<br />
Today, however, Chris is exploring a<br />
new initiative about which he’s visibly<br />
103
COLOUR. CLARITY. DETAIL.<br />
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Barracloughs the Opticians <strong>Lewes</strong> are proud to incorporate<br />
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52 Cliffe High Street . <strong>Lewes</strong> . 01273 471893 . www.fyfpc.co.uk<br />
- Nail Cutting<br />
- Corn & Callus removal<br />
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- Verrucae<br />
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- Biomechanics
MY SPACE<br />
Photo by Paul Cox<br />
excited. Flatpack kayaks (boat kits). We see one<br />
in progress in the other shed. For these, Chris<br />
has designed the kayak using computer software<br />
– CNC, or Computer Numerical Control – and<br />
is now assembling the various panels, which have<br />
been returned to him from Cutting Edge CNC<br />
in <strong>Lewes</strong>, as a flatpack. (He’s also busy writing a<br />
‘construction manual’, in parallel.)<br />
These he plans to sell for nearer £600 each – and<br />
he’s hopeful they might also attract a European<br />
as well as a domestic market.<br />
But, when we meet, Chris is just off to Sweden<br />
for a week – to work with a friend there, who<br />
makes gypsy jazz guitars – a strangely complementary<br />
art to boatbuilding. He’s also pondering<br />
the idea of starting a sea kayak club in Newhaven<br />
– which I think sounds brilliant. A man<br />
on the go.<br />
Charlotte Gann<br />
selkiekayaks.co.uk<br />
Photo by Paul Cox<br />
105
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WILDLIFE<br />
Stag Beetles<br />
Two falls, two submissions or a knockout<br />
Michael Blencowe<br />
I’ve only ever had one sporting hero. In the red<br />
corner, standing 6ft 6 and weighing in at 365lbs,<br />
Big Daddy kept my Gran and I glued to the TV<br />
set on wet Saturday afternoons, as he wrestled Giant<br />
Haystacks or Kendo Nagasaki in his sequined<br />
spandex.<br />
In <strong>June</strong>, Stag Beetles – the big daddies of the<br />
beetle world – are emerging from the ground and<br />
getting ready to rumble. There’s around 3,000<br />
different species of beetle in Sussex and an estimated<br />
29,000 species across Europe. Just as Big<br />
Daddy’s 64-inch chest earned him a place in the<br />
Guinness Book of Records, the 2.5 inch long Stag<br />
Beetle holds the coveted title of Europe’s Biggest<br />
Beetle. And, like a 26 stone man in a spangly<br />
leotard, the adult male Stag Beetle is equally<br />
impressive and ludicrous. Its 3-segmented black<br />
and maroon armoured body is crowned with a<br />
ridiculous pair of trademark stag-like ‘antlers’.<br />
They are actually modified mandible mouthparts<br />
and are used to impress the antler-less females<br />
and to grapple rival males.<br />
Before these tiny titans step into the ring they<br />
have to put in some long hours in training. The<br />
beetle’s larvae spend an incredible 5-6 years<br />
munching on a deadwood diet of buried logs and<br />
roots, building the bulky body that will sustain<br />
them to survive above ground. As adults they will<br />
live for just a few weeks without feeding, relying<br />
solely on the fuel tanks accumulated underground.<br />
In early summer, after pupation and<br />
transformation, they burst from the ground and<br />
go looking for a fight. I always find it incredible<br />
that these chunky, bulky beetles can fly, but on<br />
warm evenings they whir through the air with the<br />
grace and subtlety of a Chinook on aerial reconnaissance<br />
for females. But if another male beats<br />
them to it, that’s when things get nasty.<br />
In my fantasies I imagine these beetle brawls<br />
to play out on a dead tree stump. A crowd of<br />
over-excited elderly invertebrates gather round;<br />
the grasshoppers and crickets chirping in with<br />
a chorus of “We shall not be moved” while the<br />
earthworms and earwigs chant “Eas-eh! Eas-eh!”<br />
The fighters face off, before charging and locking<br />
antlers. With incredible strength a Stag Beetle can<br />
lift his opponent into the air, holding him there<br />
heroically before spectacularly body-slamming<br />
them down onto the stump.<br />
We’re fortunate that southeast England is a<br />
hotspot for these Herculean heavyweights, but<br />
sadly our Stag Beetles are on the ropes. The<br />
loss of old trees from the countryside has had a<br />
dramatic impact on the survival of the beetles’<br />
underground larvae, and their numbers are<br />
declining. So, if you see a Stag Beetle we’d really<br />
like to hear about it. Send details and a photo to<br />
wildcall@sussexwt.org.uk<br />
Michael Blencowe, Senior Learning & Engagement<br />
Officer, Sussex Wildlife Trust<br />
107
BUSINESS NEWS<br />
You win some, you lose some. Let’s start with the<br />
latest big closure in town, that of the Italian-style<br />
restaurant Aqua, who painted up their windows<br />
on May 1st, leaving a sign thanking everyone for<br />
their custom. The Worthing branch closed down,<br />
it seems, on the same day, leaving the company<br />
with their four businesses in Avon and Somerset.<br />
It all started promisingly enough in autumn<br />
2016, but the arrival of Côte and Fuego Lounge<br />
meant, presumably, that you can have one too<br />
many chain eateries in town.<br />
<strong>Lewes</strong> thrives on a good balance of chains and<br />
indies, and we’ll always champion a new venture<br />
by local entrepreneurs, so here’s wishing all<br />
the best to Irma’s Kitchen, a Caribbean café<br />
opening this month in the building that was, until<br />
recently, The Nutty Wizard, on the corner of<br />
Cliffe High Street and South Street. Ringmerites<br />
Nathalie and Simon previously ran a wonderful<br />
little café of the same name on St James’ Street,<br />
in Brighton, which I enjoyed reviewing in <strong>Viva</strong><br />
Brighton #69. The place will be open all day every<br />
day, selling traditional English breakfasts and<br />
lunches, as well as Caribbean fare. They aim to<br />
open in the weekend evenings after the summer.<br />
I’ll be queuing for their jerk chicken.<br />
Meanwhile, Martin Thomas and Samira Harris,<br />
formerly behind that ultra-alternative, ultra-cool<br />
venue Zu Studios, in the Phoenix Industrial<br />
Estate, are to take over the space formerly run by<br />
Bus Club, and The Hearth, at the Bus Station.<br />
Upstairs, they will run a ‘good, healthy’ vegetarian<br />
restaurant/café (no pizzas, they’ll remove<br />
the oven) while downstairs, in the kiosk, they<br />
will continue selling coffee and pastries, as well<br />
as operating a creperie. “There’s a little stage,<br />
which will enable us to put on talks, open mic acts<br />
and maybe comedy,” says Martin. The kiosk is<br />
scheduled to open in <strong>June</strong>, the restaurant later in<br />
the summer.<br />
Finally, on the food front, happy birthday to<br />
Chaula’s: we’ve now been enjoying her Gujaratistyle<br />
curries – originally from St Pancras Store,<br />
but more recently from the restaurant on Eastgate<br />
Street – for a quarter of a century.<br />
Meanwhile a big welcome to Hamblin’s Tree<br />
Care, run by partners Nathan and Sarah. He’s the<br />
expert arborist, she runs the office.<br />
By the time this mag comes out, David Smith –<br />
as we announced a couple of months ago – will<br />
be leaving his premises in the High Street, so<br />
we’ll be looking with interest to see who fills that<br />
prominent space. David is moving his operation<br />
to the Star Gallery. Another change on the High<br />
Street is a new location for the <strong>Lewes</strong>-based<br />
chartered financial planning firm, Herbert Scott,<br />
established in 1996 and now moving to 173 High<br />
Street, until recently home to Prezzo. Good luck<br />
to them!<br />
And finally, congratulations to <strong>Lewes</strong> Depot,<br />
who have won a design award from Friends of<br />
<strong>Lewes</strong>. The other such award was given to Hill<br />
House, featured in <strong>Viva</strong> <strong>Lewes</strong> #152. And there<br />
were eight commendations. Alex Leith
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1:1 Appointments at The Cliffe Clinic<br />
Self-Help Workshop 12th Oct in <strong>Lewes</strong><br />
LYNNE RUSSELL BSc FSDSHom MARH MBIH(FR)<br />
www.chantryhealth.com 07970 245118<br />
Both acupuncture and hypnotherapy are a<br />
gentle, safe, effective and natural way of<br />
helping many conditions such as IBS, pain,<br />
fertility issues, menopausal symptoms,<br />
anxiety, stress, panic attacks, addictions,<br />
insomnia, headaches and many more.<br />
I have 22 years of experience as a<br />
therapist, 17 of those in <strong>Lewes</strong>.<br />
For more information, or for a 20 minute free<br />
consultation, please contact me on:<br />
07981 491942 / antheabarbary@gmail.com<br />
www.antheabarbary.com<br />
Angelica Rossi<br />
HolisticTherapist<br />
Swedish Body Massage<br />
& Reflexology<br />
Gift vouchers are available to purchase at<br />
Intrinsic Health, 32, Cliffe High Street, <strong>Lewes</strong><br />
To book an appointment call 07401 131153<br />
Email: angelicarossi@hotmail.co.uk<br />
www.angelsaromahealing.com<br />
OSTEOPATHY<br />
Mandy Fischer BSc (Hons) Ost, DO, PG cert (canine)<br />
Caroline Jack BOst, PG cert (canine)<br />
Cameron Dowset MOst<br />
HERBAL MEDICINE & REFLEXOLOGY<br />
Julie Padgham-Undrell BSc (Hons) MCPP<br />
PSYCHOTHERAPY<br />
Julia Rivas BA (Hons), MA Psychotherapy<br />
Tom Lockyer BA (Hons), Dip Cound MBACP<br />
ACUPUNCTURE & HYPNOTHERAPY<br />
Anthea Barbary LicAc MBAcC Dip I Hyp GQHP<br />
HOMEOPATHY, COACHING, NLP<br />
& HYPNOTHERAPY<br />
Lynne Russell BSc FSDSHom MARH MBIH(FR)<br />
01273 480900<br />
23 Cliffe High Street, <strong>Lewes</strong>, East Sussex, BN7 2AH<br />
www.lewesosteopath.com<br />
Open Monday to Friday and Saturday mornings<br />
Acupuncture, Alexander Technique, Bowen<br />
Technique, Children’s Clinic, Counselling,<br />
Psychotherapy, Family Therapy,<br />
Herbal Medicine, Massage,<br />
Nutritional Therapy, Life Coaching,<br />
Physiotherapy, Pilates, Shiatsu,<br />
Podiatry/Chiropody
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INTRINSIC HEALTH • 01273 958403<br />
32 Cliffe High Street, <strong>Lewes</strong> BN7 2AN<br />
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neck or back pain?<br />
Lin Peters - OSTEOPATH<br />
VALENCE ROAD OSTEOPATHS<br />
for the treatment of:<br />
neck or low back pain • sports injuries • rheumatic<br />
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pre and post natal<br />
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20 Valence Road <strong>Lewes</strong> 01273 476371<br />
<strong>Viva</strong> <strong>Lewes</strong><br />
We print 11,500 magazines every month<br />
delivering 7,500 to houses in <strong>Lewes</strong> and Kingston<br />
with 4,000 in high visibility pick ups<br />
Readings<br />
Healings Workshops<br />
Reach our audience from just £25 a month.<br />
www.maddyelruna.co.uk
LESSONS AND COURSES<br />
HEALTH<br />
Ages 16 and up from an experienced, qualified teacher<br />
Contact: Lucinda Houghton BA(Hons), AGSM (GSMD), FRSM<br />
Kingston, <strong>Lewes</strong> (Ample parking)<br />
07976 936024 | canto-voice.org<br />
Keep <strong>Lewes</strong> Indie<br />
OTHER SERVICES
OTHER SERVICES<br />
www.andrewwells.co.uk<br />
We can work it out<br />
• BUSINESS ACCOUNTS AND TAX<br />
• MEDIA AND THE ARTS<br />
• CONTRACTORS AND CONSULTANTS<br />
• FRIENDLY AND FLEXIBLE<br />
T: 01273 961334<br />
E: aw@andrewwells.co.uk<br />
FREE<br />
initial<br />
consultation<br />
Andrew M Wells Accountancy<br />
99 Western Road <strong>Lewes</strong> BN7 1RS<br />
01273 488882<br />
FLO TYRES<br />
& ACCESSORIES<br />
ndrew Wells_<strong>Viva</strong> <strong>Lewes</strong>_AW.indd 1 25/06/2012 09:05<br />
COMPETITIVE<br />
PRICES<br />
LOCAL INDEPENDENT RETAILER.<br />
TYRES. BATTERIES. BULBS. WIPERS<br />
FROM STOCK WHILE YOU WAIT.<br />
FREE TREAD & WEAR CHECKS.<br />
PUNCTURE REPAIRS.<br />
WHEEL BALANCING.<br />
WHEEL ALIGNMENT.<br />
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Unit 1 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong>, BN7 2BY<br />
Tel: 01273 481000 | Web: flotyres.com | info@flomargarage.com<br />
EXPERT<br />
ADVICE<br />
O N E S T O P S H O P F O R P R E M I U M , M I D R A N G E A N D B U D G E T T Y R E S<br />
We also stock vehicle batteries, wiper<br />
blades, bulbs and top up engine oils.
INSIDE LEFT<br />
Picture courtesy of Jonathan Burrell<br />
RUNNING UP THE HILL<br />
The likely lad in the centre of the picture, in<br />
the lead at the beginning of the annual 2.5-mile<br />
Kingston Downland Run, 1980, is Jonathan<br />
Burrell (wearing 267). He eventually came<br />
second in this race, behind David Krige (246),<br />
but went on to win it in 1985, in record time,<br />
and in 1989.<br />
Sadly, later that very year, Jonathan was<br />
stricken with Myalgic Encephalomyeletis (ME)<br />
a debilitating condition which rendered him<br />
housebound for much of the following 15 years,<br />
unable to muster enough energy to walk for<br />
more than a few yards, even on a good day.<br />
It wasn’t until 2005 that he had recovered<br />
enough to tentatively start playing sports<br />
again. At first he tried a little kickaround<br />
football, then spent three seasons playing for<br />
The Elephant and Castle Sunday League team.<br />
But athletics was his real love, and in 2013 he<br />
joined the <strong>Lewes</strong> Athletics Club, to take up his<br />
running career again.<br />
He realised that his long lay-off meant that his<br />
body hadn’t suffered the sort of wear and tear<br />
that had afflicted many other runners of his<br />
age, and he soon started placing well in a variety<br />
of races: he’s won 30 County Championship<br />
medals over various distances, and two local<br />
Trail Blazer races, over all-comers.<br />
And that’s not all: in 2018, at the age of 55, he<br />
was chosen to represent Great Britain in his age<br />
group, and has won silver and bronze medals at<br />
World Masters events in Malaga in Spain and<br />
Torun (appropriately enough) in Poland, in the<br />
8k cross-country event.<br />
The Kingston Downland run, however, is still<br />
close to Jonathan’s heart, and – work commitments<br />
permitting – he is hoping to take part in<br />
the <strong>2019</strong> edition of the race, on July 13th. He<br />
won it in 2013, 2015 and 2016 (over competitors<br />
of all ages) and would dearly love to clock a new<br />
record time, to beat that held by David Krige<br />
since 1990. Alex Leith<br />
122
TALES FROM THE KITCHEN TABLE
chartered financial planners<br />
We are proud to announce that Herbert Scott will shortly be relocating<br />
to The Left Bank, 173 High Street, <strong>Lewes</strong>. We hope to move in at the<br />
beginning of July and are currently working on removing the pizza oven!<br />
Herbert Scott Ltd, St Anne's House, 111 High Street, <strong>Lewes</strong>, East Sussex BN7 1XY<br />
Tel: 01273 407 500 Email: enquiries@herbertscott.co.uk Web: www.herbertscott.co.uk<br />
Herbert Scott Ltd is authorised and regulated by the Financial Conduct Authority.