Volume XII, Issue II, Spring 2019
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THE AGONIST<br />
vary from 2-5 weeks, so please be patient.<br />
SPECIFIC GUIDELINES:<br />
1. The Agonist uses the MLA style (see www.mla.org).<br />
2. All submissions must be submitted as a double-spaced Word-document, using<br />
a point twelve TNR (12) font with 1” margins on all sides. For footnotes,<br />
please use point ten (10) font.<br />
3. The paragraphs must be separated from each other; indent 5 spaces in the<br />
beginning of each paragraph.<br />
4. Quotations that exceed three lines must be indented and separated from the<br />
body of the text into its own paragraph. The lengthy citations are also singlespaced,<br />
as are the footnotes.<br />
5. Please note that page numbers go into the upper right hand corner with your<br />
last name.<br />
6. Italics are to be used for author’s emphases, book and journal titles, and foreign<br />
terms.<br />
7. Quotations from Nietzsche’s works should be followed in the main text by<br />
parenthetical references to the work in abbreviation followed by section or<br />
note numbers: e.g., (BT §7), (GS §124), (GM <strong>II</strong>I §7), (TI “Ancients” §3). For<br />
a complete list of standard abbreviations, see below. The translation being<br />
cited should be indicated in a footnote to the first quotation from the work.<br />
If the author is rendering Nietzsche’s German into English, each quotation<br />
should be footnoted with a reference to a standard critical German edition of<br />
Nietzsche’s works, preferably the KSA. All other scholarly references should<br />
be given in the footnotes.<br />
8. In the case of essays on visual art, images and captions should be embedded in<br />
the text. Images and caption texts must be submitted both separately (on a<br />
separate cover sheet) and as the Word file in order to be prepared for<br />
publication.<br />
9. In the case of essays on visual art, it is necessary for the contributor to obtain<br />
images and caption texts. Generally, these are available from galleries and<br />
museum press or public relations offices, along with the needed permissions.<br />
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