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12 Ligmincha Europe Magazine Spring 2014

European Magazine of the Ligmincha Sangha of Tenzin Wangyal Rinpoche.

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ing place, without any conceptual step-by-step instructions<br />

on what to do. It is only expressed as<br />

getting more confidence in or getting familiar<br />

with the clear state of awareness the master has<br />

introduced one to, the Natural State.<br />

According to the Lopon there is no method we<br />

can use (5, p. 114):<br />

“There is no real method to use because it is unspeakable.<br />

If you follow what I am saying, words,<br />

then you won't find the natural state at all. You<br />

are listening to the outside, and you are just<br />

catching my words.”<br />

So, after this very distinctive Dzogchen ‘direct<br />

introduction’, there is still a gradual learning process<br />

of becoming more and more familiar with this<br />

unspeakable state of awareness and to experience<br />

it again and again, until you are quite advanced.<br />

The concept of this practice is easy to<br />

understand, but the practice itself is very difficult,<br />

because we are conditioned to reacting to all<br />

kinds of stimuli around us in daily life. We are<br />

very easily distracted, in contrast: you should not<br />

be distracted from the natural state of mind, not<br />

even for an instant. As Tenzin Wangyal Rinpoche<br />

puts it nicely (2, p. 96):<br />

“As Dzogchen practitioners, it is possible to get<br />

distracted while cooking, but not possible to get<br />

distracted from the natural state.”<br />

This ‘problem’ of instructions is clearly described<br />

in an interview by Henry M. Vyner of Lopon<br />

Tenzin Namdak Rinpoche (5, p. 110):<br />

“Interviewer: How do you concentrate into the<br />

natural state? On what do you focus your awareness?<br />

Lopon: There is nothing to do. Just leave it to itself.<br />

If you do something, if you try to do anything,<br />

then you are not in the natural state.<br />

Interviewer: So there is no method.<br />

Lopon: No. Just keep the natural state continuously.<br />

Interviewer: How do you stabilize the natural<br />

state?<br />

Lopon: Just do nothing.<br />

Interviewer: Just sit there with my eyes open?<br />

Lopon: No. That doesn't matter. It doesn't matter<br />

whether your eyes are open or closed or whether<br />

you lie down in your bed. If you are familiar with<br />

keeping the natural state, if you are quite advanced<br />

with this practice, then you can talk, or<br />

you can do everything without disturbing it.”<br />

The Interviewer then checks with the Lopon: his<br />

“Just do nothing” is not an instruction, but simply<br />

means “do nothing within your mind: you don't<br />

reject, accept or follow your thoughts.” It means,<br />

when looking into your ‘mind-stream’ you do not<br />

follow arising thoughts, because following<br />

thoughts causes more thoughts to arise. Not rejecting<br />

or accepting means: thoughts are allowed,<br />

and should be left untouched.<br />

Rinpoche and other Dzogchen masters warn us<br />

not to confuse meditation experiences or nyams:<br />

bliss, inner pleasure and emptiness, with the<br />

genuine experience of rigpa (2, p. 95):<br />

"However, these three nyams must not be<br />

confused with rigpa or with the primordial state.<br />

These are experiences that are comprehended by<br />

rigpa, the self-awareness of the state.”<br />

Also the blank state of ‘no thoughts’ is a meditation<br />

experience (4, p. 248):<br />

“This Natural State, which one encounters in contemplation,<br />

is characterized by an intrinsic Awareness<br />

or Rigpa, whereas the condition of ´no<br />

thoughts´ is just an experience (nyams) and in the<br />

absence of Rigpa, it does not constitute contemplation<br />

as such. It is not just emptiness that characterizes<br />

the state of Dzogchen, but equally this<br />

luminous clarity or Awareness.”<br />

Dzogchen contemplation has a different meaning<br />

than the usual Sutra or Tantra oriented meaning<br />

of contemplation (4, p. 248):<br />

The Teacher and the Dharma<br />

page<br />

32

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