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The art market is a multi-billion dollar market worldwide and has in the last few decades seen a meteoric<br />
rise in value. As governments print more and more fiat so the value of unique art rises. Art has become an<br />
asset class in its own right with many companies creating art funds and banks more flexible on loans<br />
against art as collateral. It has been referred to as the last truly unregulated market. Despite fakes and<br />
price manipulation by dealers, galleries and auctions the art market has roared to new heights and more<br />
than 50% of all art is now sold privately. Auction prices have been suspect over the years because of shill<br />
bidding. In many cases the bidders are never made public. Of course it’s highly illegal. Past law suites and<br />
prosecutions have been well documented. Even the artists themselves have been known to fictionalize their<br />
sales as private buyers often do not wish to disclose what they’ve paid. At the higher values of art the top<br />
galleries emphasize the legend of the artist and buyers are intimidated by sophisticated, well accented<br />
salespersons hyping their particular favorite artists. The sales people are trained to make you feel inferior<br />
and find out the depth of your pocket before they will even discuss the art. Art has it’s snob value and it’s<br />
still very much caveat emptor. However things are changing as more and more millionaires are surfacing<br />
who recognize original art for both its intrinsic beauty and profitable. They’re nobody’s fools.<br />
We pride ourselves in selling only certifiable original art. Having an artist with a very low production<br />
number reduces opportunity for fraud. There are millions of really great artists most of whom will never<br />
reach the dizzy financial status of artists like Jeff Coons, Damien Hirst, Cy Twombly and Rothko. Artists need<br />
sponsors to promote them. Jackson Pollack had Peggy Guggenheim and Basquiat had Madonna. Andy<br />
Warhol struggled for years until the Campbell Soup can, which prompted the comment that “If this is art,<br />
this is the end of Art”, projected him to art stardom. Prices take off meteorically after the artist passes<br />
away. The success of a particular artist is very dependent on marketing. Scarcity is another major factor in<br />
the value. The “story” of the artist and what statement is made by the art is also important.<br />
Andy Warhol’s soup can prompted me in 2010 to conceive the “Million Dollar Harley” to bring Armstrong,<br />
onto the world stage. This Harley Davidson, painted by him, quickly became the most expensive motorcycle<br />
in the world. While it appears currently to have disappeared into the cosmos, it is still being feted across the<br />
entire world. A simple google search reveals copious entries referencing the Cosmic Harley in many<br />
different languages. I fully identified with Armstrong’s stand against the art establishment’s questionable<br />
practices calling them the art cartel. Of course this excluded him from the traditional selling platforms.<br />
Sentiment is moving more and more towards private sales bypassing the art establishment.<br />
Armstrong is confident that his art will reach the values of his erstwhile colleagues from the 80’s and<br />
believes he will see a $100 million sale of at least one of his paintings during his lifetime. Star Global<br />
believes this is achievable not least because there are only 100 of his unique Cosmic X paintings but also<br />
there can never be more than 100. Star Global continues to promote the art to the fullest extent possible<br />
using somewhat unusual media. We are celebrating a 1 year retrospective of his work in New York’s, Times<br />
Square and a limited edition Cosmic 100 published magazine. His works until 2014 could only be seen on<br />
the internet unless you were lucky enough to obtain one of his three very limited and expensive special<br />
coffee table books. Other promotions are currently ongoing and more are planned. Star Global’s limited<br />
edition magazine is the only hard copy compendium of his entire 100 paintings still available at $100 each.<br />
We have reserved numbers 1 to 100 for the owners of the paintings. To celebrate this 1st year of our digital<br />
retrospective we persuaded one of our collectors to allow the sale of 2 original Armstrong Cosmic paintings<br />
for a limited period. This could be the opportune moment to make a valued purchase.<br />
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