- Page 1: The plays of the Gold Coast Little
- Page 7 and 8: The Plays of the Gold Coast Little
- Page 9 and 10: THE HISTORY OF GCLT The South Coast
- Page 11 and 12: First, a look back at how they mana
- Page 13: 1951 - Mystery at Greenfingers - Ti
- Page 16 and 17: Travellers' Joy (Burleigh Heads) St
- Page 18 and 19: Ticket Sales Analysis - Southport T
- Page 20 and 21: 1952 THREE IN A ROOM by Antonia Whi
- Page 22 and 23: 1955 17
- Page 24 and 25: 1961 Rehearsals for OKLAHOMA to be
- Page 26 and 27: ONE WILD OAT - by Vernon Sylvaine,
- Page 28 and 29: 1975 23
- Page 30 and 31: 1980 NIGHT WATCH by Lucille Fletche
- Page 32 and 33: OUR TOWN by Thornton Wilder. Direct
- Page 34 and 35: 1983 THE CRUCIBLE First production
- Page 36 and 37: CABARET, book by Joe Masteroff. Mus
- Page 38 and 39: AFTER DARK by Dion Boucicault, 1868
- Page 40 and 41: DOCTOR IN THE HOUSE, by Ted Willis,
- Page 42: 36 Set the scene. The audience awai
- Page 45 and 46: 39
- Page 48 and 49: SALONIKA by Louise Page, 1983. Dire
- Page 50 and 51: THE LAST OF THE RED HOT LOVERS by N
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46
- Page 54 and 55:
THE PRIME OF MISS JEAN BRODIE by Ja
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PARDON ME PRIME MINISTER by Ray Coo
- Page 58 and 59:
THE ANNIVERSARY by Bill MacIlwraith
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ROMEO and JULIET by William Shakesp
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56
- Page 64 and 65:
SEASONS GREETINGS by Alan Ayckbourn
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60
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62
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PRIVATE LIVES by Noel Coward, 1930.
- Page 72:
THE HOUND OF THE BASKERVILLES by Si
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THE SLEEPING BEAUTY by Alan Ingram
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TOP SILK by David Williamson, 1989.
- Page 79 and 80:
HOBSONS CHOICE by Harold Brighouse,
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CAUGHT IN THE ACT 75
- Page 83 and 84:
BRIGHTON BEACH MEMOIRS by Neil Simo
- Page 88 and 89:
NOISES OFF by Michael Frayn, 1982.
- Page 90:
A CHRISTMAS CAROL by Charles Dicken
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DEATH AND THE MAIDEN by Ariel Dorfm
- Page 96 and 97:
WUTHERING HEIGHTS Adapted from the
- Page 100:
Molly's Verandah - where many audit
- Page 103 and 104:
Mollys Rehearsal Space
- Page 105 and 106:
BILLY LIAR by K Waterhouse & W Hall
- Page 107:
BILOXI BLUES by Neil Simon, 1986. D
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COMMUNICATING DOORS by Alan Ayckbou
- Page 114 and 115:
108 1998 COMMUNICATING DOORS After
- Page 116 and 117:
MONEY AND FRIENDS written by David
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SOMEONE WHO'LL WATCH OVER ME
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114
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Musketeers - Craig Nicholls, Joanna
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118
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120
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BROADWAY BOUND by Neil Simon, 1986.
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124
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SOUTH PACIFIC by Rodgers & Hammerst
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Photo courtesy of the Gold Coast Bu
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130
- Page 138 and 139:
INAUGURAL DOLPHIN AWARDS
- Page 140 and 141:
SYLVIA by A R Gurney, 1995. Directe
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PICASSO AT THE LAPIN AGILE by Steve
- Page 144 and 145:
2001 OUR TOWN 2001 PICASSO at the L
- Page 146 and 147:
STRIPPERS by Peter Terson, 1985. Di
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142
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A CHORUS LINE by Michael Bennett, 1
- Page 152 and 153:
YOU CAN'T TAKE IT WITH YOU by Moss
- Page 154 and 155:
IT'S MY PARTY (and I'll die if I wa
- Page 156 and 157:
SHIRLEY VALENTINE by Wily Russell,
- Page 158 and 159:
THE MERRY WIDOW by Leon, Stein & Le
- Page 160 and 161:
THE FAMILY by Jill Shearer, 1995. D
- Page 162 and 163:
AUNTIE MAME by Jerome Lawrence & Ro
- Page 164 and 165:
THE SOUND OF MUSIC by Rodgers & Ham
- Page 169 and 170:
CAT ON A HOT TIN ROOF by Tennessee
- Page 171 and 172:
MURDER BY MISADVENTURE by Edward Ta
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167
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169
- Page 177 and 178:
CAUGHT IN THE NET by Ray Cooney, 20
- Page 179 and 180:
HAMLET by William Shakespeare, 1600
- Page 181 and 182:
175
- Page 183 and 184:
INHERITANCE by Hannie Rayson, 2003.
- Page 185 and 186:
SUMMER OF THE SEVENTEENTH DOLL by R
- Page 187 and 188:
EQUUS by Peter Shaffer, 1973. Direc
- Page 189 and 190:
2007 OH WHAT A LOVELY WAR 2005 MURD
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185
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187
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189
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191
- Page 199 and 200:
DEATHTRAP by Ira Levin, 1979. Direc
- Page 203 and 204:
197
- Page 205 and 206:
THE CLUB by David Williamson, 1976.
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201
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203
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205
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2009 HIGH SOCIETY 207
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WAITING IN THE WINGS by Noel Coward
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214
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216
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STEPPING OUT by Richard Harris, 198
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220
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DIAL M FOR MURDER by Frederick Knot
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SHOW BOAT- Music by Jerome Kern, Bo
- Page 232 and 233:
ARSENIC AND OLD LACE by Joseph Kess
- Page 234 and 235:
TRAVELLING NORTH by David Williamso
- Page 236 and 237:
MOVE OVER MRS MARKHAM by John Chapm
- Page 238 and 239:
EUROBEAT - Almost Eurovision, by Cr
- Page 240 and 241:
THE BOYS - by Gordon Graham, 1994.
- Page 243 and 244:
DIXIE SWIM CLUB by Jessie Jones, Ni
- Page 245:
BOMBSHELLS by Joanna Murray-Smith,
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243
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245
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247
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DAUGHTERS OF HEAVEN by Michelanne F
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KEY FOR TWO 251
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253
- Page 261 and 262:
CALENDAR GIRLS by Tim Firth. Direct
- Page 263 and 264:
257
- Page 265 and 266:
INTO THE WOODS by Stephen Sondheim,
- Page 267 and 268:
261
- Page 269 and 270:
CORPSE by Gerald Moon, 1984 . Direc
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265
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267
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269
- Page 277 and 278:
Don't Just Lie There, Say Something
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273
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275
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277
- Page 285:
SHUT YOUR EYES AND THINK OF ENGLAND
- Page 291 and 292:
THE PAJAMA GAME by Richard Adler an
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287
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SIGNAL DRIVER 289
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291
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JERRY'S GIRLS by Jerry Herman and L
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295
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297
- Page 305 and 306:
DIMBOOLA by Jack Hibberd, 1969. Dir
- Page 307 and 308:
SOCIAL CLIMBERS by Roger Hall, 1996
- Page 309:
Aerial View of GCLT theatre and sur
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I Hate Hamlet .....................
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The curtain closes on another chapt