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ArtGalleryAmerica Magazine Volume 1 Issue 3 October 2019

ArtGalleryAmerica is a monthly online magazine. The focus of our magazine involves the vision, creativity, and business process of art galleries. Our stories are about art gallery operations, shows, art displaying techniques, type of gallery lighting, events, artists, etc. Think of our stories as a mini-documentary showcasing select galleries to the art world. https://artgalleryamerica.art/ Thank you for your time as we hope you consider partnering and advertising with us as we promote the artists, galleries, and art related industries in America. Angelo Acosta / Publisher of ArtGalleryAmerica Magazine 304-920-8883

ArtGalleryAmerica is a monthly online magazine. The focus of our magazine involves the vision, creativity, and business process of art galleries. Our stories are about art gallery operations, shows, art displaying techniques, type of gallery lighting, events, artists, etc. Think of our stories as a mini-documentary showcasing select galleries to the art world.

https://artgalleryamerica.art/

Thank you for your time as we hope you consider partnering and advertising with us as we promote the artists, galleries, and art related industries in America.
Angelo Acosta / Publisher of ArtGalleryAmerica Magazine
304-920-8883

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Seay Earehart started in<br />

theater. He worked on<br />

designing sets and props for<br />

opera, ballet, and theater<br />

productions but eventually<br />

ran up against a waning<br />

economy, forcing him to<br />

turn elsewhere for more<br />

reliable work. He moved<br />

into film and began<br />

polishing his time<br />

management and<br />

collaboration chops. Movies<br />

and TV both depend on<br />

teamwork and<br />

communication over long<br />

periods of time. Projects<br />

have to be planned out in<br />

advance and often have<br />

several preceding elements<br />

that must be properly timed<br />

and executed before<br />

Earehart can get to work.<br />

Different elements of the<br />

sets are handled by people<br />

who specialize in a<br />

particular niche that needs<br />

to be filled, be it electrical,<br />

costumes and makeup,<br />

rigging, or set photography.<br />

Each of these specialists<br />

have their own work to do<br />

and their own timelines in<br />

which to do it and Earehart<br />

deftly orchestrates the<br />

execution of his own work<br />

to accommodate the other<br />

teams' needs.<br />

40 artgalleryamerica

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