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Pen World v32.6

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Far left—Milles fountain pens in dark and light<br />

blue enamel with gold vermeil accents and in<br />

azure blue and white enamel with sterling<br />

silver accents.<br />

Left—the barrel end features engraving<br />

representing the city flag of Stockholm.<br />

Above—the cap doubles as its own standing<br />

sculpture, with a cap crown depicting the St.<br />

Louis city flag in white enamel.<br />

Not unlike Oscarson, Milles’s fate was riddled with themes of coalescence and connection.<br />

Among Sweden’s most famed and distinguished sculptors, his work nevertheless dots<br />

the American landscape as well—a transcendence of place and yet an embrace of it. For<br />

example, Milles’s the Hand of God was initially a tribute to Swedish innovator C.E.<br />

Johansson, who engineered precise measurements for tools that made viable the assembly<br />

line. While this initial sculpture resides in Eskilstuna, Sweden, Johansson’s original home,<br />

funding from the United Auto Workers allowed for the work to be recast and given to<br />

the city of Detroit, Michigan, where it is displayed outside the Frank Murphy Hall of<br />

Justice. The Hand of God is equally meaningful in both cities; it is local and universal.<br />

Another type of incorporation is, of course, marriage, and, as Oscarson’s first wedding<br />

anniversary with Veronica approached, he wanted to commemorate the union, the<br />

beauty of synthesis between the two family branches. Just as the Missouri and Mississippi<br />

Rivers are joined where they intersect and their many tributaries become the product of<br />

both, Oscarson’s children (and grandchild!) merge to become one, an exquisite unit.<br />

Veronica, in fact, plays a part in the design, as it is her line art on the body of the pen.<br />

Even in its creation, the fountain pen was collaborative, a comingling, a coming together.<br />

Indeed, as the 20th anniversary of Oscarson’s presence in the industry arrives, the distinction<br />

of length seems both an arrival and a departure—an accomplishment, but not an end. It<br />

is, in fact, a new beginning with the groundbreaking David Oscarson Carl Milles Marriage of<br />

the Waters collection.<br />

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