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Manor Ink November 2019

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INK WELL OF HAPPINESS<br />

MANOR INK | NOV. <strong>2019</strong> | 17<br />

To binge or not to binge<br />

I enjoy watching shows. I think most<br />

people do. But as streaming services are<br />

growing (not only in number but popularity),<br />

it’s making it that much harder to<br />

turn off a good TV show.<br />

When you notice yourself<br />

watching multiple<br />

episodes of a show all at<br />

once, you have fallen victim<br />

to “binge” watching.<br />

Osei Helper<br />

The dictionary defines<br />

binge watching as the<br />

“practice of watching multiple episodes<br />

of a television program in rapid succession,<br />

typically by means of DVDs or digital<br />

streaming.” Notice it says “DVDs.”<br />

MEDIA<br />

PROBE<br />

REVIEW<br />

That’s what people once had<br />

to use in order to fulfill their<br />

binging needs. But modern<br />

streaming services make access<br />

to TV shows that much<br />

easier. Most people would define binging<br />

as watching three or more episodes in one<br />

sitting. Some research studies report that<br />

over 76 percent of Netflix watchers binge.<br />

So why do people do it?<br />

We’ll take a look at two people with<br />

wildly different views on life and compare<br />

them. In our first corner we have<br />

<strong>Manor</strong> <strong>Ink</strong>’s very own Marge Feuerstein,<br />

who is still kicking at a lively 85. In our<br />

second corner, we have a former <strong>Manor</strong><br />

<strong>Ink</strong> writer who has rejoined the paper<br />

through LMCS’s journalism class, Katie<br />

Shea, who is currently 17. Now, let’s<br />

fight!<br />

Both of them admit to binging, but that<br />

is where the similarity ends. When they<br />

binge, the amount of time spent watching<br />

differs greatly. Marge watches long<br />

shows. They each last a little under an<br />

hour, and she watches three episodes at a<br />

time. This brings her total watch time to a<br />

bit below three hours.<br />

Katie, on the other hand, watches<br />

shorter half-hour shows, but many<br />

more of them. She can watch at least ten<br />

episodes in one sitting, but the count can<br />

(and commonly does) go higher. This<br />

puts her total watch time at around five<br />

hours or more.<br />

Both Marge and Katie only binge<br />

one show at a time, but differ wildly in<br />

restraint and discipline. Marge makes<br />

sure everything is done before she starts<br />

watching her show (which is “Billions”).<br />

She sets aside only three hours for<br />

streaming. Compare this to Katie, who,<br />

when she binges, takes up a lot of time<br />

which could go toward something more<br />

MORE, MORE! In a sampling of TV habits, our respondents based their comments on the<br />

shows they are currently binging: “Billions,” left, and “The Office.” wikimedia photos<br />

productive. She does not stop watching<br />

(currently “The Office”) until someone<br />

forces her to. Marge has binged only one<br />

show to completion, “Game of Thrones.”<br />

Katie has binged at minimum 20 complete<br />

shows.<br />

The curse of over-binging has affected<br />

Katie for three years, beginning when she<br />

first got Netflix. Marge has only recently<br />

gotten into it. A change in watching format<br />

has lead her toward the dark side.<br />

You may be sitting there wondering<br />

what could propel someone to watch a<br />

singular show for so long. Well, as it turns<br />

out, there are multiple factors that go into<br />

making a show “bingeworthy.” Katie prefers<br />

her shows to have humor and a crisp<br />

plot. If a show has well-directed suspense<br />

and keeps her attention with likeable<br />

characters, it’s perfect for her. Marge likes<br />

her shows with good acting and dialogue.<br />

If she can care about the characters and<br />

their situations, then Marge will keep on<br />

watching.<br />

I think we’ve learned a lot as a whole.<br />

Marge and Katie, while both have wildly<br />

different habits, can bond over one thing<br />

they have in common. Binge watching.<br />

Stargill Simpson’s latest takes an unexpected turn, even for him<br />

By Edward Lundquist | <strong>Manor</strong> <strong>Ink</strong><br />

Sturgill Simpson’s latest release,<br />

“Sound and Fury,” is a blend of mediums<br />

that ends up being a fresh sound and<br />

a new look. Previously a country-rock<br />

artist, Sturgill Simpson now experiments<br />

with a synth-laden, heavier<br />

rock album, with screaming<br />

guitars and beats that will<br />

stay in your head for ages.<br />

His new album is a challenge to the<br />

MUSIC<br />

REVIEW<br />

norms, a shift from what is expected from<br />

him. To be honest, this kind of extreme<br />

U-turn in culture is not often seen in<br />

mainstream artists,<br />

at least done this<br />

well. Sleazy, funky<br />

and wild, “Sound<br />

and Fury” differs<br />

greatly from his<br />

previous three<br />

albums, “High<br />

Sound and Fury<br />

Sturgill Simpson<br />

Elektra <strong>2019</strong><br />

HHHHH<br />

Top Mountain,”<br />

“Metamodern<br />

Sounds in Country<br />

Music” and<br />

“A Sailor’s Guide<br />

GROUNDBREAKING A scene from the Netflix animated film that is a visual analog of Sturgill<br />

Simpson’s genre-busting new album “Sound and Fury.” Netflix.com photo<br />

to Earth,” the last one being a guide for<br />

what to do and what not to do, dedicated<br />

to his son. This new album is meant to be<br />

a demonstration of his ability, a little flex<br />

of his muscles, showing off that he can do<br />

whatever he wants.<br />

“It’s **** all y’all season, don’t give me<br />

a reason to watch your house burn to the<br />

ground,” Sturgill roars in one of the faster<br />

paced songs on the album, “Last Man<br />

Standing.” Some lyrics are more bizarre,<br />

however, like “Gonna wake up every day<br />

and be the best clockmaker on Mars,”<br />

from the song “Best Clockmaker On<br />

Mars.” More psychedelic, this is an album<br />

to be listened to at maximum volume, if<br />

your ears can stand it.<br />

But the most interesting thing about<br />

this ground-breaking album, if not the<br />

epic tunes, may be the new Netflix movie,<br />

“Sturgill Simpson Presents ‘Sound and<br />

Fury’,” a twisted, post-apocalyptic futuristic<br />

samurai movie. Yes, it’s as crazy as<br />

it sounds, but don’t brush it off. There is<br />

no dialogue, but every song is presented<br />

as a different episode, whether it be a<br />

brutal fight, a documentary of the day the<br />

bombs fell or a sad attempt at reaching<br />

freedom accompanied by a haunting tune<br />

called “Mercury in Retrograde.”<br />

They come backstage and on my bus<br />

Pretending to be my friend<br />

Shaking hands behind grandstands<br />

All wearing the same old grin<br />

Oh, but none of them bother knocking<br />

Oh, they all just come on in<br />

Asking me what all my songs mean<br />

Wonderin’ if they’re all about them”<br />

This album demands a listen. Please,<br />

even if this may not seem to be your cup<br />

of tea, this album, this story is deceiving.<br />

It is really hard to place under the influence<br />

of one clear genre, but it lives under<br />

an umbrella of many. Venture out of the<br />

norm and try this out.

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