08.11.2019 Views

BEST goldthwaite The Economic and Social World of Italian Renaissance Maiolica 1989

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ITALIAN RENAISSANCE MAIOLICA II<br />

for which their native city was famous; <strong>and</strong> in I545, a Bolognese<br />

chroniclereported with much satisfaction the opening <strong>of</strong> the first<br />

shop <strong>of</strong> maiolica, where a particularly large number <strong>of</strong> vases, bowls,<br />

<strong>and</strong> plates went on display to show they were in fact the equal <strong>of</strong><br />

Faentine wares -not the kind <strong>of</strong> event that usually gets recorded in<br />

chronicles <strong>of</strong> the period. 26 When the above-mentioned Macci, an old<br />

family <strong>of</strong> ceramicists <strong>of</strong> Deruta but by now residents <strong>of</strong> Perugia,<br />

made application for citizenship in Perugia in I498, the petition was<br />

decorated with the drawing <strong>of</strong> a pitcher <strong>and</strong> proudly declared them<br />

producers <strong>of</strong> beautiful <strong>and</strong> completely original products that were<br />

sold throughouthe world <strong>and</strong> that increased the glory <strong>and</strong> fame <strong>of</strong><br />

Perugia to the admiration <strong>of</strong> all who appreciated lusterware (laboreria<br />

maiolicata).27<br />

<strong>The</strong> princes <strong>of</strong> Italy, once they had raised the stakes <strong>of</strong>their intense<br />

political competition with one another to include art patronage in<br />

general, were quick to recognize the prestige value <strong>of</strong> locally produced<br />

maiolica for the enhancement <strong>of</strong> their reputations. Petty despots<br />

like Costanzo Sforza <strong>and</strong> Roberto Malatesta, who ruled over<br />

towns in the Romagna where maiolica was produced, did not hesitate<br />

to send samples as gifts to a man with such discriminating taste<br />

as Lorenzo the Magnificent <strong>and</strong> to the pope himself. By the sixteenth<br />

century, there was hardly a prince in Italy who did not attempto<br />

attract potters to his capital either to stimulate the local economy by<br />

introducing a new industry or to set up a court kiln for the private<br />

production <strong>of</strong> highly prestigious products. Some <strong>of</strong> these princes<br />

clearly had the additional interest in developing the commercial possibilities<br />

<strong>of</strong> this new taste.28<br />

Perhaps the most stunning success in the growth <strong>of</strong> this industry,<br />

finally, was its ability to compete against imported wares to the<br />

point <strong>of</strong> driving them out <strong>of</strong> the <strong>Italian</strong> market altogether <strong>and</strong>, eventually,<br />

<strong>of</strong> invading the very markets abroad whence these foreign<br />

products came. Earlier in the Middle Ages, before <strong>Italian</strong>s knew<br />

anything about making tin-glazed pottery, they imported wares<br />

26"6Documenti, " Faenza, I (I 913):17- I 8.<br />

27Biganti, "Produzione a Gubbio" 215.<br />

28For Florence: Cora, "Fabbrica di maioliche." For Ferrara: Grazia Biscontini<br />

Ugolini, "Un nuovo pezzo del celebre servizio nuziale di Alfonso II d'Este," Rassegna<br />

distudi edi notizie, 3 (1975):158-6o. For Ferrara, Mantua, <strong>and</strong> Savoy: Campori, <strong>Maiolica</strong><br />

di Ferrara 68, 79-83.<br />

This content downloaded from 195.34.78.191 on Tue, 24 Jun 2014 19:42:15 PM<br />

All use subject to JSTOR Terms <strong>and</strong> Conditions

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!