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Orbit Magazine Nov 19

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WHAT’S ON AND WHAT’S<br />

HAPPENING AT WELLINGTON ORBIT.<br />

NOVEMBER 20<strong>19</strong><br />

Introducing<br />

Hannah<br />

DAVISON<br />

& her Royal<br />

connection<br />

DOWNTON<br />

THE PERIOD DRAMA<br />

THAT MADE IT<br />

FROM TV TO THE<br />

BIG SCREEN.


Contents<br />

ORBIT <strong>Magazine</strong> - Issue 01<br />

4<br />

ABBOT’S ANGLE John Abbot takes a look at this months films.<br />

24 FILMS Sorry We Missed You<br />

6 At a glance Your film guide from 30th October to 14th of <strong>Nov</strong>ember<br />

26<br />

FILMS Farmageddon<br />

8 FILMS Downton Abbey and The Art of Racing in the Rain<br />

28<br />

FILMS It’s a Wonderful Life and The Polar Express<br />

10 FOOD<br />

Meet Hannah Davison and see what’s cooking at Wellington <strong>Orbit</strong><br />

30 FILMS<br />

The Aeronauts<br />

12 FILMS Honeyland.<br />

32 FILMS Le Mans 66<br />

14 FILMS Judy<br />

34 FILMS The Good Liar and Sneak Preview for December<br />

16 FILMS Abominable and Paper TIgers<br />

18 FILMS They Shall Not Grow Old<br />

20 AT A GLANCE Your film guide from 15th <strong>Nov</strong>ember to 28th of <strong>Nov</strong>ember<br />

22<br />

FILMS Maleficient and Official Secrets<br />

2 oRBIT magazine 3 ORBIT magazine


“We will<br />

remember them”<br />

abbots angle.<br />

A look at what you can find<br />

at wellington orbit this month...<br />

To some extent Jackson’s “They<br />

“This is not a story of the First World War, it is not a historical story, it<br />

may not even be entirely accurate but it’s the memories of the men who<br />

fought - they’re just giving their impressions of what it was like to be a<br />

soldier.”<br />

Shall Not Grow Old” follows in very<br />

much the same style. Combining<br />

archive footage to tell the story of<br />

everyday participants in the First<br />

World War covering the final days<br />

and BBC vaults to aid in sharing<br />

memories now over a century old.<br />

The Wellington <strong>Orbit</strong> will be<br />

working closely with The Royal<br />

Peter Jackson – 2018<br />

As documentaries go there is certainly no shortage of both film and<br />

television productions that cover the history of human conflict.<br />

Who can forget the legendary 26 episode “World at War”<br />

series that ran between <strong>19</strong>73 and <strong>19</strong>76, narrated by<br />

Laurence Olivier.<br />

of the conflict.<br />

However, Jackson and his<br />

production team team did not have<br />

the luxury of interviewing surviving<br />

veterans, participants or politicians<br />

or most importantly having the<br />

Through modern techniques that<br />

truly trailblaze a new method<br />

of keeping our history alive and<br />

engaging the footage was not<br />

only colourised but the addition<br />

of both sound effects and voice<br />

British Legion to collect for the<br />

Poppy Appeal and there will also<br />

be a unique opportunity to view an<br />

Exhibition by Nick Redshaw from<br />

The Royal Marines Art Society on<br />

Sunday 10th <strong>Nov</strong>ember.<br />

luxury of recorded diegetic sound.<br />

acting brings not only the grainy<br />

The remembrance weekend is<br />

What they did have though was<br />

condition of the film to life but also<br />

a wonderful opportunity for<br />

100hrs of archive footage and<br />

humanises in a very emotional way<br />

Wellington <strong>Orbit</strong> to truly continue<br />

over 600hrs of interviews from<br />

how the everyday men and women<br />

in its purpose by offering the local<br />

the Imperial War Museum (IWM)<br />

conducted their lives on the front.<br />

community a chance to see this<br />

remarkable film either for the first<br />

time or indeed again.<br />

John Abbott.<br />

4 oRBIT magazine 5 ORBIT magazine


What’s ON AT A GLANCE OCT 30 th to <strong>Nov</strong> 14 th<br />

OcTOBeR<br />

NOVeMBeR<br />

WeDs<br />

30th<br />

THuRs<br />

31st<br />

FRI<br />

1st<br />

sAT<br />

2nd<br />

suN<br />

3rd<br />

MON<br />

4th<br />

Tues<br />

5th<br />

WeDs<br />

6th<br />

THuRs<br />

7th<br />

FRI<br />

8TH<br />

sAT<br />

9th<br />

suN<br />

10th<br />

MON<br />

11th<br />

Tues<br />

12th<br />

WeDs<br />

13th<br />

THuRs<br />

14th<br />

FRI<br />

15th<br />

sAT<br />

16th<br />

The gOLDFINCh<br />

<strong>19</strong>:30 <strong>19</strong>:30<br />

DOWNTON ABBeY<br />

14:30<br />

14:30<br />

14:30<br />

14:30<br />

14:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30 <strong>19</strong>:30 <strong>19</strong>:30<br />

<strong>19</strong>:30<br />

The ART OF RACINg IN The RAIN<br />

10:30<br />

hONeYLAND<br />

14:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

JuDY<br />

14:30<br />

17:00<br />

<strong>19</strong>:30 <strong>19</strong>:30<br />

suBTITLeD<br />

ABOMINABLe<br />

10:30<br />

12:00<br />

TheY ShALL NOT gROW OLD<br />

14:30<br />

<strong>19</strong>:30<br />

6 oRBIT magazine 7 ORBIT magazine


The Art of Racing<br />

in the Rain<br />

A 20<strong>19</strong> American comedy-drama<br />

film directed by Simon Curtis<br />

and written by Mark Bomback,<br />

based on the 2008 novel of the<br />

same name by author Garth Stein.<br />

The film stars Milo Ventimiglia,<br />

Amanda Seyfried and Kevin<br />

Costner as the voice of Enzo.<br />

DOWNTON<br />

ABBEY<br />

Photo by Jaap Buitendijk - © 20<strong>19</strong> Focus Features<br />

“As the Royal staff<br />

descend on Downton,<br />

an assassin has also<br />

arrived and attempts<br />

to kill the monarch ”<br />

Excitement is high at Downton<br />

Abbey when the Crawley family<br />

learns that King George V and<br />

Queen Mary are coming to visit.<br />

Robert and Cora Crawley, the Earl<br />

and Countess of Grantham, that<br />

King George V and Queen Mary<br />

will visit Downton Abbey as part of<br />

“A STUNNING<br />

TRANSFORMATION<br />

FROM TV TO<br />

But trouble soon arises when Mrs.<br />

Patmore, Daisy and the rest of the<br />

servants learn that the king and<br />

queen travel with their own chefs<br />

and attendants -- setting the stage<br />

for an impromptu scheme and<br />

other shenanigans.<br />

The film begins in <strong>19</strong>27, about a<br />

year and a half after the TV series<br />

a royal tour through the country.<br />

Violet Crawley, Dowager Countess<br />

of Grantham, is perturbed that<br />

Maud, Lady Bagshaw, Queen Mary’s<br />

lady-in-waiting, is included in the<br />

tour. Robert is Maud’s cousin and<br />

her closest relative. The two families<br />

have fallen out over who should<br />

inherit Maud’s estate.<br />

CINEMA, IT LOOKS<br />

LIKE IT SHOULD<br />

HAVE BEEN HERE<br />

FROM THE START.”<br />

In Seattle, Enzo (voiced by Kevin<br />

Costner), an old Golden Retriever,<br />

is dying. He is waiting for Denny<br />

(Milo Ventimiglia), his master and<br />

best friend to return home. Denny<br />

arrives but finds Enzo unable to<br />

move, as Enzo begins to narrate his<br />

life.<br />

ended. Buckingham Palace informs<br />

8 oRBIT magazine 9 ORBIT magazine


OUR MENU<br />

Carrot Cake<br />

Cappuccino Cake<br />

CAKES – ALL PRCIED AT £2.25<br />

Victoria Sponge<br />

Toasted Tea Cake served with butter and Jam<br />

Having cooked for Prince<br />

Charles and Camilla, and<br />

run a successful gastro pub,<br />

Wellington <strong>Orbit</strong> introduces<br />

new chef Hannah Davison.<br />

We are delighted to announce that<br />

Hannah Davison has joined the team<br />

at Wellington <strong>Orbit</strong> as a chef. Hannah<br />

comes to us with a wealth of knowledge<br />

and experience and has even cooked for<br />

Prince Charles and Camilla! Hannah<br />

told us “yes, I was requested to cook a<br />

Sunday lunch for them and it went down<br />

really well”.<br />

Experienced in a lot of very different<br />

cuisines, Hannah’s favourite is<br />

Moroccan inspired foods, but she also<br />

introducing<br />

HANNAH<br />

DAVISON<br />

likes patés and “there isn’t much I<br />

don’t like, but I do just love cooking!”<br />

Hannah said.<br />

With husband John, a trained chef who<br />

worked at the internationally acclaimed<br />

Savoy Hotel in London for 15 years with<br />

300 chefs beneath him. The couple<br />

bought an Inn and Hotel in Much<br />

Wenlock Called the Fox – which they<br />

ran together for 7 years as a fine dining<br />

and boutique hotel.<br />

“there isn’t much I<br />

don’t like, but I do<br />

just love cooking”<br />

Hannah is what you would call ‘a real<br />

foodie’, no novels and biographies<br />

for her when it comes to reading, its<br />

cookery books all the way. “Cook<br />

books, books about foods and<br />

ingredients – that’s what I love”.<br />

“Wellington <strong>Orbit</strong> is a really exciting<br />

place to work” said Hannah “we are<br />

always talking about new menu items,<br />

suggestions and ideas for weekly<br />

specials and cakes so I really do feel<br />

I’m in my element!”<br />

FOOD<br />

Our Salads Orzo, Tomato and Olive dressed with Olive Oil<br />

Coleslaw<br />

Mixed Leaf and Red Onion<br />

Breads – chose from white, brown or gluten free white or brown bread.<br />

Turkey, Home Made Stuffing and Cranberry Sandwich served with our House Salads (all<br />

three) and Hand Cut Crisps £5.50<br />

Home Made Coronation Chicken served with our House Salads (all three) and Hand Cut<br />

Crisps £5.50<br />

Welsh Rarebit served with our House Salads (all three) and Hand Cut Crisps £5.50<br />

Welsh Rarebit topped off with Bacon Lardons served with our House Salads (all three) and<br />

Hand Cut Crisps £5.50<br />

Home Made French Onion Soup served with Warm bread £4.95<br />

Sweet Potato, Red Pepper and Lentil Soup served with Warm bread £4.95<br />

Children’s Sandwiches (For Under 12’s)<br />

Cheese and Tomato served with Hand Cut Crisps £3.50<br />

Egg Mayonnaise and Cress served with Hand Cut Crisps £3.50<br />

OUR DRINKS SELECTION<br />

Latte £2.00<br />

Cappuccino £2.00<br />

Americano £2.00<br />

Flat White £2.00<br />

Espresso £2.00<br />

Double Espresso £2.40<br />

*Any of our coffee can be made with<br />

decaffeinated coffee and we can also offer<br />

alternatives to cow’s milk.<br />

Hot Chocolate* £2.00<br />

*Add Cream, Marshmallows & Chocolate Flakes £2.60<br />

Pot of House Tea £2.00<br />

Pot of Earl Grey Tea £2.00<br />

Pot of Green Tea/Fruit Tea/Peppermint Tea £2.00<br />

Pot of Decaffeinated Tea £2.00<br />

Tea for Two – any of our tea £3.00<br />

10 oRBIT magazine 11 ORBIT magazine


Honeyland uses life in a remote village to offer an<br />

eye-opening perspective on experiences that should<br />

resonate even for audiences halfway around the world.<br />

‘Honeyland,’<br />

a beekeeper<br />

documentary, is<br />

one of the year’s<br />

best movies”<br />

The last female beehunter in Europe<br />

must save the bees and return the<br />

natural balance in Honeyland, when<br />

a family of nomadic beekeepers<br />

invade her land and threaten her<br />

livelihood. This film which is filmed<br />

in Macedonia is an exploration of<br />

an observational Indigenous visual<br />

narrative that deeply impacts our<br />

behavior towards natural resources<br />

and the human condition.<br />

12 oRBIT magazine 13 ORBIT magazine


Thirty years after starring in “The Wizard of Oz,”<br />

beloved actress and singer Judy Garland arrives in<br />

London to perform sold-out shows at the Talk of<br />

the Town nightclub. While there, she reminisces with<br />

friends and fans and begins a whirlwind romance with<br />

musician Mickey Deans, her soon-to-be fifth husband.<br />

Winter <strong>19</strong>68 and showbiz legend Judy Garland arrives<br />

in Swinging London to perform a five-week sold-out<br />

run at The Talk of the Town. It is 30 years since she shot<br />

to global stardom in The Wizard of Oz, but if her voice<br />

has weakened, its dramatic intensity has only grown. As<br />

she prepares for the show, battles with management,<br />

charms musicians and reminisces with friends and<br />

adoring fans, her wit and warmth shine through. Even<br />

her dreams of love seem undimmed as she embarks on<br />

a whirlwind romance with Mickey Deans, her soon-to-be<br />

fifth husband. Featuring some of her best-known songs,<br />

JUDY<br />

Renée Zellweger as<br />

the film celebrates the voice, the capacity for love, and<br />

the sheer pizzazz of “the world’s greatest entertainer.”<br />

14 oRBIT magazine 15 ORBIT magazine


Copyright © 2014 KPRJ Films LLC all rights reserved<br />

-New York Times journalist and author, David Bornstein<br />

Abominable is a 20<strong>19</strong><br />

animated adventure<br />

film<br />

“If you like E.T. and Bumblebee, chance<br />

are you’ll have a good time with this<br />

slightly homogenous but sweet-natured<br />

kids’ adventure.”<br />

Nick de Semlyen - Empire<br />

PAPER TIGERS<br />

One high school’s unlikely success story.<br />

“Absolutely riveting, profoundly important.”<br />

A KPJR Films Production “PAPER TIGERS” Produced by JAMES REDFORD & KAREN PRITZKER<br />

Edited by JEN BRADWELL Music by TODD BOEKELHEIDE Co-Producer DANA SCHWARTZ<br />

Line Producer SHANNON STIRONE-NORWOOD Cinematography by TYLOR NORWOOD<br />

Directed by JAMES REDFORD Executive Producer KAREN PRITZKER<br />

www.papertigersmovie.com<br />

‘The<br />

behavior<br />

isn’t the<br />

kid. The<br />

behavior is<br />

a symptom<br />

of what’s<br />

going on<br />

in their<br />

life.””<br />

A Yeti escapes from a compound<br />

in Shanghai owned by wealthy<br />

businessman Mr Burnish Eddie<br />

Izzard), who intends to use him to<br />

prove the existence of yetis to the<br />

world.<br />

Meanwhile, teenager Yi (Chloe<br />

Bennet) lives with her mother Yi<br />

(Michelle Wong) and Nai Nai (Tsai<br />

Chin) in an apartment building.<br />

She lives a busy life and neglects<br />

to spend time with her family<br />

and her friends, football fan Peng<br />

(Albert Tsai) and the tech-savvy<br />

and popular Jin (Tenzing Norgay<br />

Trainor). Yi is also a violinist who<br />

misses her late father, who was also<br />

a violinist.<br />

or call: 0<strong>19</strong>52 743 377<br />

Paper Tigers follows<br />

six troubled teens over<br />

the course of a year at<br />

Lincoln Alternative High<br />

School in rural Walla<br />

Walla, Washington.<br />

Considered a last chance before dropping<br />

out, many students come to Lincoln<br />

with a history of behavioral problems,<br />

truancy, and substance abuse.<br />

Then, in 2010, Principal Jim Sporleder<br />

learned about the science of what a<br />

rough childhood does to a developing<br />

brain. “Stressed brains can’t learn” was<br />

what he took away from an educational<br />

conference. He returned to his school<br />

convinced that traditional punishments<br />

like suspension were only exacerbating<br />

the problems of the students there.<br />

Sporleder says: “I was hunting everywhere<br />

for the curriculum. It’s not a<br />

curriculum. So it was trying to figure<br />

out, how do you take this theory and<br />

put it into practice?”<br />

Sporleder invited the staff, as well as the<br />

students, to learn about the landmark<br />

Adverse Childhood Experiences (ACE)<br />

Study, which shows that stressful events<br />

during childhood—like divorce,domestic<br />

violence, or living with someone with a<br />

mental illness—massively increases the<br />

risk of problems in adulthood. Problems<br />

like addiction, suicide and even heart<br />

disease have their roots in childhood<br />

experience. Suspension became a last<br />

resort as the school formed an in-school<br />

suspension program, keeping the kids<br />

in contact with the staff and caught up<br />

with their homework. They also established<br />

a health center on campus so the<br />

students would have ready access to<br />

pediatricians and mental health counselors.<br />

The biggest challenge for the<br />

teachers was to consider the source of<br />

the kids’ behavior. Science teacher Erik<br />

Gordon realizes: “The behavior isn’t<br />

the kid. The behavior is a symptom of<br />

what’s going on in their life.”<br />

Told with intimate vérité and diary cam<br />

footage, Paper Tigers is a testament to<br />

what the latest developmental science is<br />

proving: that one caring adult can help<br />

break the cycle of adversity in a young<br />

person’s life. We follow students like<br />

Aron, a senior who avoids eye contact<br />

and barely speaks in class; freshman<br />

Kelsey, who struggles with meth addiction<br />

and abusive relationships; and<br />

Steven, a senior who has been in and<br />

out of juvenile hall since junior high<br />

for fights and threatening teachers. As<br />

the teachers slowly gain their students’<br />

trust, they hear harrowing tales of physically<br />

abusive and negligent parents,<br />

homelessness, sexual abuse… The list<br />

goes on.<br />

Despite the upheaval in their home lives,<br />

the students find the support they need<br />

at Lincoln to make academic progress,<br />

and find less destructive ways of coping.<br />

They also find hope for becoming<br />

healthy and productive adults as they go<br />

out into the world.<br />

16 oRBIT magazine 17 ORBIT magazine


Peter Jackson, best known for directing The<br />

Lord of the Rings trilogy, has created a new<br />

film using original footage from Imperial<br />

War Museums’ extensive archive, much of it<br />

previously unseen, alongside BBC and IWM<br />

interviews with servicemen who fought in<br />

the conflict. Footage has been colourised,<br />

converted to 3D and transformed with<br />

modern production techniques to present<br />

never before seen detail.<br />

They Shall Not Grow Old was given its Royal<br />

World Premiere at the BFI London Film Festival<br />

on 16 October, attended by Peter Jackson and<br />

the Duke of Cambridge. The simulcast included<br />

a special post screening Q&A with Jackson,<br />

hosted by film critic Mark Kermode. The film<br />

was simultaneously screened in 2D and 3D to<br />

cinemas, schools and special venues across the<br />

UK, as well as its TV broadcast premier on BBC<br />

Two on 11 <strong>Nov</strong>ember.<br />

The First World War proved to be a landmark<br />

in cinema history – the first time that the<br />

horrors of war could be caught on camera.<br />

Many hours of dramatic footage were filmed<br />

on the battlefields, capturing the realities of the<br />

conflict in remarkable and unprecedented detail.<br />

This footage provided the public at home with<br />

astonishing access to the frontline: The Battle of<br />

the Somme, a documentary film produced with<br />

the cooperation of the War Office, was seen by<br />

an estimated 20 million Britons in its first six<br />

weeks of release.<br />

A documentary about World<br />

War I with never-before-seen<br />

footage to commemorate the<br />

centennial of Armistice Day, and<br />

the end of the war.<br />

18 oRBIT magazine <strong>19</strong> ORBIT magazine


“Absolutely riveting, profoundly important.”<br />

-New York Times journalist and author, David Bornstein<br />

A KPJR Films Production “PAPER TIGERS” Produced by JAMES REDFORD & KAREN PRITZKER<br />

Edited by JEN BRADWELL Music by TODD BOEKELHEIDE Co-Producer DANA SCHWARTZ<br />

Line Producer SHANNON STIRONE-NORWOOD Cinematography by TYLOR NORWOOD<br />

Directed by JAMES REDFORD Executive Producer KAREN PRITZKER<br />

Copyright © 2014 KPRJ Films LLC all rights reserved<br />

www.papertigersmovie.com<br />

What’s ON AT A GLANCE NOV 15 th to <strong>Nov</strong> 28 th<br />

NOVeMBeR<br />

DeceMBeR<br />

FRI<br />

15th<br />

sAT<br />

16th<br />

suN<br />

17th<br />

MON<br />

18th<br />

Tue<br />

<strong>19</strong>th<br />

WeD<br />

20th<br />

THu<br />

21st<br />

FRI<br />

22nd<br />

sAT<br />

23rd<br />

suN<br />

24th<br />

MON<br />

25th<br />

Tue<br />

26th<br />

WeD<br />

27th<br />

THu<br />

28th<br />

FRI<br />

29th<br />

sAT<br />

30th<br />

suN<br />

1st<br />

MON<br />

2nd<br />

OFFICIAL SeCReTS<br />

14:30<br />

<strong>19</strong>:30<br />

14:30<br />

<strong>19</strong>:30<br />

SORRY We MISSeD YOu<br />

14:30<br />

14:30<br />

14:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30 <strong>19</strong>:30 <strong>19</strong>:30<br />

PAPER TIGERS<br />

One high school’s unlikely success story.<br />

PAPeR TIgeRS<br />

<strong>19</strong>:30<br />

A ShAuN The SheeP MOVIe: FARMAgeDDON<br />

14:30<br />

13:30<br />

16:30<br />

<strong>19</strong>:30<br />

The AeRONAuTS<br />

14:30<br />

14:30<br />

14:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

<strong>19</strong>:30<br />

IT’S A WONDeRFuL LIFe<br />

10:30<br />

12:00<br />

<strong>19</strong>:00<br />

The POLAR eXPReSS<br />

11:30<br />

20 oRBIT magazine 21 ORBIT magazine


MALEFICIENT<br />

Mistress of Evil<br />

Maleficent and her goddaughter<br />

Aurora begin to question the<br />

complex family ties that bind them<br />

as they are pulled in different<br />

directions by impending nuptials,<br />

unexpected allies, and dark new<br />

forces at play.<br />

In the five years since King Stefan’s<br />

death, Aurora has reigned as Queen<br />

of the Moors and Maleficent as<br />

its protector. Despite her service,<br />

the neighboring kingdom of<br />

Ulstead, home to Prince Phillip,<br />

deems Maleficent a villain. Diaval,<br />

Maleficent’s raven and confidant,<br />

overhears Phillip proposing to<br />

Aurora. When he relays this to<br />

Maleficent, she advises Aurora<br />

against the union, though Aurora<br />

insists she will be proven wrong.<br />

“The true story of<br />

GCHQ employee<br />

Katharine Gun,<br />

who leaked a<br />

secret memo<br />

exposing an<br />

illegal spying<br />

operation by the<br />

United States of<br />

America, “<br />

“Angela jolie<br />

returns to the<br />

big screen ahead<br />

of schedule<br />

A force of British acting talent take on<br />

this intriguing true story.<br />

Keira Knightley, Matt Smith, Ralph<br />

Feinnes, Matthew Goode, Rhys<br />

Ifans, Indira Varma and Tamsin<br />

Greig appear in Official Secrets.<br />

United States is enlisting Britain’s<br />

help in collecting compromising<br />

information on United Nations<br />

Security Council members in order<br />

She risked everything to stop<br />

an unjust war. Her government<br />

called her a traitor. Based on<br />

world-shaking true events, Official<br />

Secrets tells the gripping story of<br />

Katharine Gun (Keira Knightley), a<br />

British intelligence specialist whose<br />

job involves routine handling of<br />

classified information. One day<br />

in 2003, in the lead up to the Iraq<br />

War, Gun receives a memo from the<br />

NSA with a shocking directive: the<br />

to blackmail them into voting in<br />

favor of an invasion of Iraq. Unable<br />

to stand by and watch the world<br />

be rushed into an illegal war, Gun<br />

makes the gut-wrenching decision<br />

to defy her government and leak<br />

the memo to the press. So begins an<br />

explosive chain of events that will<br />

ignite an international firestorm,<br />

expose a vast political conspiracy,<br />

and put Gun and her family directly<br />

in harm’s way.<br />

...a well-crafted script and<br />

a director who knows how<br />

to compose tension. In the<br />

wrong hands this could<br />

have been stale and dull,<br />

instead, under the watchful<br />

eye of Gavin Hood, it’s a<br />

brilliantly aggravating film<br />

that ignites a revolt within<br />

you, but keeps you calm<br />

and focused.<br />

L R Baldock - The Hollywood News<br />

22 oRBIT magazine 23 ORBIT magazine


SORRY WE<br />

MISSED YOU<br />

Ricky and his family have been fighting<br />

an uphill struggle against debt since the<br />

2008 financial crash. An opportunity to<br />

wrestle back some independence appears<br />

with a shiny new van and the chance to<br />

run a franchise as a self-employed delivery<br />

driver. It’s hard work, and his wife’s job<br />

as a carer is no easier. The family unit<br />

is strong but when both are pulled in<br />

different directions everything comes to<br />

breaking point.<br />

Director Ken Loach is no stranger to<br />

delivering contraversial and high impact<br />

films examining our social bellybutton.<br />

He’s no stranger to Wellington <strong>Orbit</strong><br />

either, having been a member &<br />

shareholder of the project from the early<br />

days.<br />

“As the multiplexes increase and even<br />

take over the art-house cinemas, the<br />

need for independent cinemas, owned<br />

and programmed by people who care<br />

about films, has never been more urgent.<br />

I hope the community ownership scheme<br />

at Clifton Cinema is a great success”<br />

Thanks Ken, we think it is.<br />

24 oRBIT magazine 25 ORBIT magazine


Strange lights over the quiet<br />

town of Mossingham herald<br />

the arrival of a mystery<br />

visitor from far across the<br />

galaxy…<br />

When the intergalactic visitor<br />

– an impish and adorable<br />

alien called LU-LA – crashlands<br />

near Mossy Bottom<br />

Farm, Shaun soon sees<br />

an opportunity for alienpowered<br />

fun and adventure<br />

and sets off on a mission to<br />

shepherd LU-LA home.<br />

Her magical alien powers,<br />

irrepressible mischief and<br />

galactic sized burps soon<br />

have the flock enchanted.<br />

Shaun takes his new extraterrestrial<br />

friend on the road<br />

to Mossingham Forest to find<br />

her lost spaceship, unaware<br />

that a sinister alien-hunting<br />

agency is on their trail.<br />

Can Shaun and the flock<br />

avert Farmageddon on<br />

Mossy Bottom Farm before<br />

it’s too late?<br />

DID YOU KNOW YOU CAN HIRE THE ORBIT FOR<br />

PRIVATE<br />

SCREENINGS?<br />

Did you know you can book the whole cinema for a private screening? We can source a film of your choice or you can see one<br />

of the films we’ll have on at the time in complete privacy, for your guests. The ideal treat for a Christmas Party, Birthday Party<br />

or a thank you to your colleagues.<br />

We can also offer catering, from a bag of popcorn, through to buffet, or a sit down meal.<br />

Without the dedication,<br />

time, and expertise of<br />

the volunteers and staff,<br />

Wellington would not have<br />

a thriving independant<br />

cinema.<br />

CONTACT THE BOX OFFICE FOR MORE INFORMATION ON 0<strong>19</strong>52 743377<br />

26 oRBIT magazine 27 ORBIT magazine


It’s a Wonderful Life<br />

It’s a Wonderful Life is a<br />

<strong>19</strong>46 American Christmas<br />

fantasy drama film produced<br />

and directed by Frank Capra,<br />

based on the short story and<br />

booklet The Greatest Gift,<br />

which Philip Van Doren Stern<br />

wrote in <strong>19</strong>39 and published<br />

privately in <strong>19</strong>43. The film is<br />

one of the most beloved in<br />

American cinema, and has<br />

become traditional viewing<br />

during the Christmas season.<br />

The film stars James Stewart as George<br />

Bailey, a man who has given up his<br />

dreams to help others, and whose<br />

imminent suicide on Christmas Eve<br />

brings about the intervention of his<br />

guardian angel, Clarence Odbody<br />

(Henry Travers). Clarence shows<br />

George all the lives he has touched, and<br />

how different life in his community of<br />

Bedford Falls would be if he had never<br />

been born.<br />

the production cost, a figure it did not<br />

come close to achieving on its initial<br />

release. An appraisal in 2006 reported:<br />

“Although it was not the complete boxoffice<br />

failure that today everyone believes<br />

... it was initially a major disappointment<br />

and confirmed, at least to the studios,<br />

that Capra was no longer capable of<br />

turning out the populist features that<br />

made his films the must-see, moneymaking<br />

events they once were.”<br />

It’s a Wonderful Life is now considered<br />

one of the greatest films of all time.<br />

It was nominated for five Academy<br />

Awards, including Best Picture, and has<br />

been recognized by the American Film<br />

Institute as one of the 100 best American<br />

films ever made,[4] as number 11 on<br />

its initial <strong>19</strong>98 greatest movie list, as<br />

number 20 on its revised 2007 greatest<br />

movie list, and as number one on its list<br />

of the most inspirational American films<br />

of all time. Capra revealed that it was<br />

his personal favorite among the films he<br />

directed and that he screened it for his<br />

family every Christmas season.<br />

Polar Express<br />

A young boy boards a train and<br />

he desires. The boy asks only for a<br />

embarks on an extraordinary bell from the harness of Santa’s<br />

journey to the North Pole to meet reindeer. But on the way home,<br />

Santa Claus. His life takes a turn the bell is lost. Christmas morning,<br />

after he encounters special people the boy finds the bell under the<br />

that make his journey memorable. Christmas tree, and when he shakes<br />

“TOM HANKS. Has<br />

he ever made a<br />

bad movie?”<br />

Despite performing poorly at the box<br />

office due to stiff competition at the<br />

time of its release, the film has become<br />

a classic and is a staple of Christmas<br />

television around the world.<br />

Theatrically, the film’s break-even<br />

point was $6.3 million, about twice<br />

Late on Christmas Eve, after the<br />

town has gone to sleep, a boy<br />

boards the mysterious train that<br />

waits for him--The Polar Express.<br />

When the boy arrives at the North<br />

Pole, Santa Claus offers him any gift<br />

it, the bell makes the most beautiful<br />

sound he’s ever heard. His mother<br />

admires the bell, but she laments<br />

that it is broken ... for, you see, only<br />

a true believer can hear the sound<br />

of the bell.<br />

28 oRBIT magazine 29 ORBIT magazine


AERONAUTS Aeronauts<br />

Amelia Wren (Felicity Jones) and<br />

scientist James Glaisher (Eddie<br />

Redmayne) find themselves in<br />

an epic fight for survival while<br />

attempting to make discoveries in<br />

a gas balloon.<br />

In 1862, pioneering meteorologist<br />

than anyone in history. While<br />

their voyage to the very edge<br />

of existence helps the unlikely<br />

pair find their place in the world,<br />

they face physical and emotional<br />

challenges in the thin air, as the<br />

ascent becomes a fight for survival.<br />

James Glaisher (Eddie Redmayne)<br />

teams up with daredevil balloon<br />

pilot Amelia Wren (Felicity Jones)<br />

to advance human knowledge<br />

of the weather and fly higher<br />

30 oRBIT magazine 31 ORBIT magazine


...404.error...<br />

>sense of belonging..not found<br />

SOMETHING<br />

MISSING?<br />

Academy Award®-winners Matt Damon and<br />

Christian Bale star in FORD v FERRARI, based<br />

on the remarkable true story of the visionary<br />

American car designer Carroll Shelby (Damon)<br />

and the fearless British-born driver Ken Miles<br />

(Bale), who together battled corporate interference,<br />

the laws of physics, and their own personal<br />

demons to build a revolutionary race car for Ford<br />

Motor Company and take on the dominating race<br />

cars of Enzo Ferrari at the 24 Hours of Le Mans<br />

in France in <strong>19</strong>66.<br />

Le Mans 66<br />

Wellington <strong>Orbit</strong> relies on<br />

volunteers to keep your local<br />

independant cinema running.<br />

If you would like to help out, even<br />

just a couple of hours at a time, we<br />

would like to talk to you.<br />

From Social Media, to clipping<br />

tickets, selling ice cream to serving<br />

coffee, there is always something<br />

we need help with.<br />

In return, we can offer a sense of<br />

belonging, training, and our eternal<br />

thanks.<br />

Old or young, we’ll value your<br />

contribution.<br />

Email sophie@wellingtonorbit.co.uk<br />

for more info.<br />

32 oRBIT magazine 33 ORBIT magazine


Sneak preview<br />

for December...<br />

“The Good Liar”<br />

was filmed on<br />

location in London<br />

and Berlin.<br />

The New Line Cinema drama “The<br />

Good Liar” pairs Oscar winner Helen<br />

Mirren (“The Queen”) and two-time<br />

Oscar nominee Ian McKellen (“Lord<br />

of the Rings: The Fellowship of the<br />

Ring,” “Gods and Monsters”) on the<br />

big screen for the first time.<br />

Bill Condon, the Oscar-winning screenwriter<br />

of “Gods and Monsters,” directed<br />

and produced the film from a screenplay<br />

by Jeffrey Hatcher (“Mr. Holmes”),<br />

based on the widely acclaimed novel by<br />

Nicholas Searle.<br />

Career con artist Roy Courtnay<br />

(McKellen) can hardly believe his luck<br />

when he meets well-to-do widow Betty<br />

McLeish (Mirren) online. As Betty<br />

opens her home and life to him, Roy is<br />

surprised to find himself caring about<br />

her, turning what should be a cut-anddry<br />

swindle into the most treacherous<br />

tightrope walk of his life.<br />

“The Good Liar” also stars Russell<br />

Tovey (TV’s “Quantico”) and Jim<br />

Carter (TV’s “Downton Abbey”).<br />

Greg Yolen also served as producer,<br />

alongside Condon. The executive producers<br />

were Richard Brener, Andrea<br />

Johnston, Aaron L. Gilbert, Jason<br />

Cloth, Anjay Nagpal, Jack Morrissey,<br />

and Nick O’Hagan.<br />

The creative filmmaking team included<br />

director of photography Tobias<br />

Schliessler (“Beauty and the Beast,”<br />

“Mr. Holmes”), production designer<br />

John Stevenson (BAFTA nominee,<br />

“Burton and Taylor”), editor Virginia<br />

Katz (“Beauty and the Beast,” “Mr.<br />

Holmes”), and costume designer Keith<br />

Madden (miniseries “Patrick Melrose,”<br />

“Mr. Holmes”). The music is composed<br />

by two-time Oscar nominee<br />

Carter Burwell (“Three Billboards<br />

Outside Ebbing, Missouri,” “Carol”).<br />

34 oRBIT magazine 35 ORBIT magazine


36 oRBIT magazine

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